Arts & Entertainment
Caitlyn Jenner billboard removed for being offensive
Sign owner claims ‘no feelings of discrimination’

A Caitlyn Jenner billboard from a New Zealand sign company has been removed after accusations of transphobia.
Cranium Signage had a billboard in Auckland that featured a photo of Jenner from her Vanity Fair photoshoot with a Santa hat photoshopped on her head. The words “I hope your sack is fuller than mine this Christmas. Merry Christmas from Cranium” were printed beside the photo.
The billboard sparked outrage and the company was labeled transphobic and offensive.
The mother of a 9-year-old transgender boy and a member of a transgender support group, Rebecca Jones, spoke out against the billboard. According to the New Zealand Herald, the support group emailed a complaint to the company.
“I love funny billboards and even love those that push the boundaries however this billboard only suggests that you are a homophobic, redneck, conservative company full of small-minded morons who get a kick out of making fun of a group of people who feature highly in our suicide statistics and who struggle every day for acceptance within our society,” the email said.
Jones also took to the company’s Facebook page to write a complaint.
“Caitlyn might be busy, my 9-year-old transgender son might be free if you want to invite him to your house and explain why you thought it was funny to ridicule a transgender person since he has been trying to raise awareness since he was 6 years old” Jones wrote.
Cranium Signage has since covered the billboard with the word “Censored.” They announced on their Facebook page that they apologize and will be donating to Rainbow Youth, a New Zealand LGBT organization.
The owner of Cranium Signage, Phil Garratt, also issued an apology on the Facebook page.
” I as the owner have no feelings of discrimination to the gay or transgender community and if one of my family was I would love them just the same. Cait is more then welcome to stay at my house with my family anytime. I will have a wine or a beer with her quite happily and it would be an honor,” Garrett wrote.
Theater
An exciting revival of ‘Evita’ at Shakespeare Theatre
Out actor Caesar Samayoa on portraying iconic role of President Perón

‘Evita’
Through Oct. 15
Shakespeare Theatre Company
Harman Hall
610 F St., N.W.
$35–$134
Shakespearetheatre.org
When Eva Perón died of cancer at 33 in 1952, the people’s reaction was so intense that Argentina literally ran out of cut flowers. Mourners were forced to fly in stems from neighboring countries, explains out actor Caesar Samayoa.
For Samayoa, playing President Perón to Shireen Pimental’s First Lady Eva in director Sammi Cannold’s exciting revival of Andrew Lloyd Webber’s “Evita” at Shakespeare Theatre Company is a dream fulfilled.
As a Guatemalan-American kid, he had a foot in two worlds. Samayoa lived and went to school in suburban Emerson, N.J. But he spent evenings working at his parents’ botanica in Spanish Harlem.
During the drives back and forth in the family station wagon, he remembers listening to “Evita” on his cassette player: “It’s the first cast album I remember really hearing and understanding. I longed to be in the show.”
As an undergrad, he transferred from Bucknell University where he studied Japanese international relations to a drama major at Ithica College. His first professional gig was in 1997 playing Juliet in Joe Calarco’s off-Broadway “Shakespeare’s R&J.” Lots of Broadway work followed including “Sister Act,” “The Pee-Wee Herman Show,” and most significantly, Samayoa says, “Come From Away,” a musical telling of the true story of airline passengers stranded in Gander, Newfoundland during 9/11. He played Kevin J. (one half of a gay couple) and Ali, a Muslim chef.
He adds “Evita” has proved a powerful experience too: “We’re portraying a populist power couple that changed the trajectory of a country in a way most Americans can’t fully understand. And doing it in Washington surrounded by government and politics is extra exciting.”
WASHINGTON BLADE: How do you tap into a real-life character like Perón?
CAESAR SAMAYOA: Fortunately, Sammi [Connald] and I work similarly. With real persons and situations, I immerse myself into history, almost to a ridiculous extent.
First day in the rehearsal room, we were inundated with artifacts. Sammi has been to Argentina several times and interviewed heavily with people involved in Eva and Peron’s lives. Throughout the process we’d sit and talk about the real history that happened. We went down the rabbit hole.
Sammi’s interviews included time with Eva’s nurse who was at her bedside when she died. We watched videos of those interviews. They’ve been an integral part of our production.
BLADE: Were you surprised by anything you learned?
SAMAYOA: Usually, Eva and Perón’s relationship is portrayed as purely transactional. They wrote love letters and I had access to those. At their country home, they’d be in pajamas and walk on the beach; that part of their life was playful and informal. They were a political couple but they were deeply in love too. I latched on to that.
BLADE: And anything about the man specifically?
SAMAYOA: Perón’s charisma was brought to the forefront. In shows I’ve done, some big names have attended. Obama. Clinton. Justin Trudeau came to “Come From Away.” Within seconds, the charisma makes you give into that person. I’ve tried to use that.
BLADE: And the part?
SAMAYOA: Perón is said to be underwritten. But I love his power and the songs he sings [“The Art of the Possible,” “She is a Diamond,” etc.]. I’m fully a baritone and to find that kind of role in a modern musical is nearly impossible. And in this rock opera, I can use it to the full extent and feel great about it.
BLADE: “Evita” is a co-production with A.R.T. Has it changed since premiering in Boston?
SAMAYOA: Yes, it has. In fact, 48 hours before opening night in Washington, we made some changes and they’ve really landed. Without giving too much away, we gave it more gravity in reality of time as well as Eva’s sickness and the rapid deterioration. It’s given our second act a huge kind of engine that it didn’t have.
BLADE: You’re married to talent agent Christopher Freer and you’re very open. Was it always that way for you?
SAMAYOA: When I started acting professionally, it was a very different industry. We were encouraged to stay in the closet or it will cast only in a certain part. There was truth in that. There still is some truth in that, but I refuse to go down that road. I can’t reach what I need to reach unless I’m my most honest self. I can’t do it any other way.
Out & About
HRC’s National Dinner is back
LGBTQ rights organization’s annual gala features Rhimes, Waithe, Bomer

The Human Rights Campaign will host its annual National Dinner on Saturday, Oct. 14 at the Walter E. Washington Convention Center.
The dinner’s honorees include world-famous producers, actors and entertainers whose work spotlights the fight for civil rights and social justice, including Shonda Rhimes, Lena Waithe and Matt Bomer.
A new event, as part of the weekend, — the Equality Convention — will take place the night before the dinner on Friday, Oct. 13. The convention will showcase the power of the LGBTQ equality movement, feature influential political and cultural voices, and bring together volunteer and movement leaders from across the country to talk about the path ahead.
For more details about the weekend, visit HRC’s website.

The Martin Luther King Jr. Memorial Library will host “A Conversation with Trung Nguyen, Novelist” on Wednesday, Oct. 4 at 7 p.m.
Nguyen’s book, “The Magic Fish” explores the LGBTQ experience and dives deep into Asian heritage and culture. United States Ambassador to Vietnam Ted Osius will attend the event and introduce Nguyen.
Admission is free and more details are available on Eventbrite.
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