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Wonder Woman’s heart is key to film’s success

The Amazon princess finally comes to the big screen

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Wonder Woman, gay news, Washington Blade
Wonder Woman, gay news, Washington Blade

Gal Gadot as Wonder Woman with Henry Cavill as Superman and Ben Affleck as Batman in ‘Batman v. Superman: Dawn of Justice.’ The film opens March 25. (Photo courtesy Warner Bros.)

Wonder Woman has finally made it to the big screen.

The Amazon princess, who debuted in comic book form in 1941, makes her silver screen debut in “Batman v. Superman: Dawn of Justice,” the estimated $250-million spectacle from director Zack Snyder with Henry Cavill reprising his role as Superman, Ben Affleck debuting as Batman and Gal Gadot (“The Fast and the Furious”) as Wonder Woman.

The movie, which opens March 25 on an estimated 30,000 screens in 61 markets around the globe, is part of the D.C. Extended Universe series that launched with “Man of Steel,” a 2013 Superman reboot. “Suicide Squad,” featuring the D.C. Comics anti-hero team, is slated for an August release. Wonder Woman will finally get her own film with an eponymous release slated for June 2017 in which Gadot will star.

For many Generation X gays, the 1975-1979 TV show “Wonder Woman” starring Lynda Carter, who has enjoyed decades of adoration because of the role, is beyond iconic. She performs her concert “Long-Legged Woman” at the Kennedy Center at 7 p.m. on April 2.

Carter does not have cameos in either “Dawn of Justice” or next year’s film and has focused on her singing in recent years. A resident of D.C. suburb Potomac, Md., she has appeared at LGBT events such as AIDS Walk Washington in 2010 and the Capital Pride parade in 2013, where she was grand marshal. She performs annually at the Kennedy Center and has earned acclaim for songs she recorded for the video game “Fallout 4.”

Wonder Woman, gay news, Washington Blade

Lynda Carter was grand marshal in the Capital Pride parade in 2013. She says she understands filmmakers wanting their own platform for the new films. (Washington Blade file photo by Michael Key)

But for many, she’ll always be known as Wonder Woman. Her performance was so indelible that merchandise featuring her likeness continues to be churned out with items such as the “Wonder Woman ’77” comic series, a Hallmark ornament of her as the character and more.

She told superfan Mike Pingel, author of “The Q Guide to Wonder Woman” (2008) and “Channel Surfing: Wonder Woman” (2012), in a Frontiers interview published last week that she’s honored by the attention.

“It’s a thrill to have my Wonder Woman image resurrected after all these years,” she said. “In life, you carry around these memories. Then you meet people who share their memories and you end up experiencing it all over again through their eyes. It’s great to have a big resurgence of relevance, not just being in the past but something happening right now.”

So if the character is so perennially popular, why did it take so long to bring her to the silver screen when male superhero films have been made about even lesser-known characters like “Iron Man” (2008), “Jonah Hex” (2010), “Thor: the Dark World” (2013) and more? The Wonder Woman movie has languished in development limbo since the mid-‘90s. A 2011 pilot for a possible NBC series was not picked up. The CW abandoned another TV project in 2014.

Wonder Woman, gay news, Washington Blade

Lynda Carter with author Mike Pingel. (Photo courtesy Pingel)

“Honestly I think it could be that they just didn’t know what to do with her,” says Pingel, who’s gay and is now working on books about “The Bionic Woman” and “Buck Rogers in the 25th Century.”

“Hollywood is so male-dominated, sometimes I think men don’t know what to do with her. They have a woman director, though, now [Patty Jenkins] and hopefully she’ll be able to bring the heart and soul back to Wonder Woman that they had on the TV show. The show they tried in 2011 was just horrific. They didn’t understand the essence of who she was, her quality in helping the underdogs. … She was so mad and so angry and they couldn’t find the heart of the character. It wasn’t the actress’s fault. Even though she’s changed a lot in the comics, too, she’s always standing up for the rights of people who can’t do it for themselves. … That’s really the basis of why she does it — the heart, not the glory.”

Washington resident Walter Forbes says the ‘70s show and Carter are special to him because he watched the show growing up with his mother, who died of cancer in 1999. He first met Carter 10 years to the day after his mother died.

“I always saw her as kind of a mother, nurturing-type figure,” Forbes, 37, says of Carter. “When I met her, she was all that and more. Just like I’d hoped she would be.”

Forbes, who’s gay and says his boyfriend does not mind his Wonder Woman obsession, thinks finding the right level of toughness versus vulnerability was a lot of the delay.

Wonder Woman, gay news, Washington Blade

Walter Forbes with his Wonder Woman collection. He owns replicas of Wonder Woman’s bracelets and tiara and has several photos and items signed by Lynda Carter. (Washington Blade photo by Michael Key)

“When people hear the word Amazon, most people think of Xena or almost like a Red Sonja-type of character. She’s a woman but they want her to be almost like a man. Lynda didn’t look like a man, she wasn’t built like a man, but at the same time she wasn’t too prissy or sexy or anything like that. I think a lot of the directors have wanted to take that role and turn her into something she wasn’t and they got hints from the fans that they weren’t going with that.”

He agrees with Pingel that the failed TV pilot was a good indication of how bad a bad Wonder Woman could be.

“It sucked,” he says. “They had her going around choking people, it was so violent, everybody knew her identity. I’m like, ‘OK, what is this show about? You’ve just stripped everything away.’ Even in the comic books, she was a loving person. She didn’t parade around like some barbarian. … That just wasn’t the essence of who Wonder Woman was.”

Carter said in a 2010 Blade interview that although she loved doing the role and has enjoyed the fans over the years, she’s moved on.

“I really love her and I really think she’s great and I particularly love the idea of her,” Carter said. “There’s so many things I like about it, but I’m busy living my life now, so I don’t think about it a lot. It’s a little like something really outstanding in your life that everybody talks about and that is wonderful and you loved doing it … but you’re busy doing other things so you really only think about it when somebody else brings it up.”

Despite fan speculation, Carter told Pingel a cameo didn’t happen because of scheduling conflicts.

“I had some nice conversations with Patty Jenkins, and we couldn’t get my schedule and their schedule to meet up. It didn’t work out, but I wish them well. Understandably they want a platform that is uniquely their own. I believe it’s an homage to the original in regards to the heart of the character. That is what matters.”

Wonder Woman, gay news, Washington Blade

Wonder Woman memorabilia (Washington Blade photo by Michael Key)

Forbes says it would have been an insult if Carter had been offered just a brief appearance.

“I don’t want to see her in just some walk-by role,” Forbes says. “Like Lynda Carter just happens to be in Starbucks or something. I think that’s kinda tacky. Like when Lou Ferrigno was in one of the Hulk movies and he was a security guard or something. I was like, ‘Are you serious? He brought this character to life and now he’s at the front desk?’ … If all they gave her was a walk-by role, it wouldn’t be worth her time. It would be an insult.”

Forbes says even if Wonder Woman only has a small role in “Dawn of Justice” — as of press time, the extent of her part is largely unknown — and her own film bombs, it will not diminish what Carter accomplished.

“I’ll definitely see it and support it and I’m open to giving Gal Gadot a chance to feel the role,” he says. “I’m just glad to see this character back. … The fans need to give it a chance, too. Already, online people are saying, ‘Oh, they changed the uniform, it’s too dark, it looks like Xena,’ and so on. I mean, come on, give it a chance. The uniform changed in the comic books, why wouldn’t they change it for the movie? … I’m excited about this new franchise.”

Wonder Woman, gay news, Washington Blade

A 2015 Wonder Woman Christmas tree ornament in Lynda Carter’s likeness could be found at Hallmark. (Washington Blade photo by Joey DiGuglielmo)

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MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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Visible and unapologetic: MAL brings the kink this weekend

Busy lineup includes dances, pups, super heroes, and more

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A scene from the 2025 Mr. Mid-Atlantic Leather competition. (Washington Blade file photo by Michael Key)

MLK Weekend in D.C. brings the annual Mid-Atlantic Leather (MAL) Weekend. Just a short walk from where Congress has been attacking queer Americans this year, MAL takes place at the Hyatt Regency Washington for several days of intrigue, excitement, leather, and kink. 

The Centaur Motorcycle Club — one of several similar groups dedicated to leather in the country — has been hosting MAL in its current form for more than 40 years. Originally a small gathering of like-minded people interested in the leather lifestyle, MAL has grown to include a full four days of events, taking place onsite at the Hyatt Regency Washington (400 New Jersey Ave., N.W.). Select partner happenings take place each night, and many more non-affiliated events are scattered across the DMV in honor of and inspired by MAL.

MAL Weekend has become an internationally renowned event that celebrates fetish culture, yet it also raises funds for LGBTQ organizations, “reinforcing its legacy as both a cultural and philanthropic cornerstone of the global leather community,” according to MAL organizers.

During the day, MAL events at the Hyatt include workshops, social gatherings, shopping, and other in-person engagements for the community.

“The Hyatt underwent an extensive top to bottom renovation after last year’s event,” says Jeffrey LeGrand-Douglass, the event chair. The lobby, meeting spaces, guest rooms, and other areas have been updated, he notes, “so I am very excited for our guests to experience the new design and layout for the first time. And of course as with every year, we look forward to the contest on Sunday afternoon and  seeing who will become our new Mr. MAL.”

In the evening, MAL hands the reins to partner KINETIC Presents, the D.C.-based nightlife production company. KINETIC will host four consecutive nights of high-production events that fuse cutting-edge music, immersive environments, and performance. This year, KINETIC is popping open doors to new-to-MAL venues, international collabs, play zones, and a diverse lineup.

According to KINETIC managing partner Zach Renovátes, 2026 is the most extensive MAL production to date. “The talent lineup is unreal: an all-star roster of international DJs, plus drag superstar performances at the Saturday main event,” he says.

Renovátes added that he’s “most excited about the collaborations happening all weekend — from bringing in MACHO from WE Party Madrid, to teaming up with local leather groups, to nonprofit partners, and Masc Diva [a queer nightlife collective].”

Official MAL events begin on Thursday with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. at the Hyatt. 

Thursday night is also the KINETIC kickoff party, called LUST. Running 10 p.m. – 3 a.m., it’s being held at District Eagle. DJ Jay Garcia holds it down on the first floor, while DJ Mitch Ferrino spins in the expansive upstairs. LUST features special performances from the performers including Serg Shepard, Arrow, Chase, and Masterpiece.

Renovátes notes that the LUST opening party at District Eagle coincides with the bar’s grand re-opening weekend. The bar will unveil its new permanent home on the renovated second floor. “it felt like the perfect place to start Mid-Atlantic Leather weekend — right in D.C.’s only dedicated home for kink communities,” he says.

After Thursday night, Friday is when daytime events begin at the Hyatt. The Exhibit Hall, on the ballroom level below the lobby, hosts upwards of 30 vendors, exhibitors, and booths with leather goods, fetish wear, clothes, toys, other accessories, providing hours of time to shop and connect with attendees and business owners. The Exhibit Hall will be open on Friday from 4-10 p.m., as well as on Saturday and Sunday afternoons. 

DC Health is once again back at MAL, to provide preventative health services. In the past, DC Health has provided MPox vaccines, Doxy PEP, HIV testing, Narcan kits, and fentanyl test strips. This booth will be open on Friday 4-10 p.m.

Later, at 6 p.m., the Centaur MC is holding its welcome reception on the ballroom floor. After the Centaur’s Welcome Reception, the MIR Rubber Social is 8-11 p.m. A Recovery Meeting is scheduled at 10 p.m. 

Many attendees enjoy visiting the guest room levels of the hotel. Note that to get in an elevator up to a hotel room, a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.

Friday night, for the first time, KINETIC Presents is joining forces with WE Party to bring MACHO to Washington, D.C. This official MAL Friday event delivers two stages and two genres. On the UNCUT XXL stage, international Brazilian circuit superstars Erik Vilar and Anne Louise bring their signature high-energy sound. On the MACHO stage, Madrid’s Charly is joined by Chicago’s tech-house force, Karsten Sollors, for a blend of techno and tech house. UNCUT also features the XL Play Zone, a massive, immersive space exclusive to this event. The party takes place at the Berhta space from 10 p.m.-4 a.m.. 

“This year we’re bringing back the two-room format we debuted at WorldPride for both Friday and Saturday, so attendees can really tailor their experience — whether they’re in the mood for circuit or tech house.” says Renovátes.

Directly after Friday’s UNCUT XXL, UNDERWORLD Afters takes over District Eagle, from 3:30-8 a.m. International DJ Eliad Cohen commands the music. 

Saturday, the Exhibit Hall opens earlier, at 11 a.m.. DC Health will also be back from 11 a.m. to 6 p.m.

Saturday is also time for one of the most anticipated events, the Puppy Mosh, running from 11 a.m. to 1 p.m. During the event, pup culture comes to life, when pups, handlers, and friends can enjoy an inclusive, safe pup zone. There is also a Recovery Meeting at 11 a.m., and the IML Judges Announcement takes place at noon.

The popular Super Hero Meet Up will be held 1:30 p.m. – 3 p.m., sponsored by One Magical Weekend, for cosplayers, comic enthusiasts, and their friends.

From 2-6 p.m., the Onyx Fashion Show will take place to showcase and highlight people of color in leather.

Finally, the Leather Cocktail Party – the original event of MAL – will be held 7-9 p.m. in the Ballroom. While this requires special tickets to attend, at 9 p.m. is the MAL cocktail party, which is open to wider attendees.

The last event of Saturday leaves the hotel, again a partnership with KINETIC. Kicking off at 10 p.m. and running until 4 a.m., it’s just the second time that KINETIC’s Saturday night party is an official MAL event and serves as the main weekend engagement. 

Saturday night’s centerpiece is called KINK: Double Trouble. The night will feature a first-ever back-to-back set from international electronic music icons Nina Flowers and Alex Acosta on the Circuit/Tribal Stage. The other room – the Tech House Stage – curated by The Carry Nation and Rose, provides a darker, underground counterpoint, reinforcing the event’s musical depth and edge.

Beyond the DJs, KINETIC has called in the big shots for this party: “RuPaul’s Drag Race” legends Nymphia Wind and Plastique Tiara are set to headline. The party also takes place at Berhta.

Sunday, back at the hotel, there will be another Recovery Meeting at 10 a.m., and the Exhibit Hall opens again from 11 a.m.-5 p.m. 

At 1 p.m., the anticipated and prestigious Mr. MAL Contest that celebrates the achievements of the leather community will be held in the Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. Sash and title winners must be (1) male, (2), a resident of North America, (3) At least 21 years of age; and (4) self-identify as gay. The first Mr. MAL was crowned in 1985. The Winner of Mr. MAL has the privilege of later competing in International Mr. Leather (IML) in Chicago on Memorial Day Weekend 2025. 

From 4 p.m. to 12 a.m., MAL will hold its Game Night for the gaymers in attendance. There will also be a special screening of A24’s new film, “Pillion,” about a man who is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.

Sunday closes with a community partner event produced by Masc Diva, featuring Horse Meat Disco with support from Coach Chris, at A.I. Warehouse in the Union Market district. It’s the same team that produced HMD during WorldPride at A.I. Warehouse. 

Note that there are several types of passes for attendance to the hotel and parties. KINK VIP Weekend Passes include express entry, VIP areas, and enhanced amenities throughout the weekend, while MAL Full Weekend Package holders receive access to the official Sunday closing event.

At last year’s MAL events, KINETIC Presents raised more $150,000 for LGBTQ charities, and expects to match or exceed that impact in 2026.

Renovátes stated that “now more than ever, it’s important to create safe, affirming spaces for our community — but it’s just as important to be visible and unapologetic. We want to make it clear that the LGBTQ+ and leather communities aren’t going anywhere. We’ve fought too long and too hard to ever feel like we have to shrink ourselves again, no matter what the political climate looks like.”

In addition to the KINETIC events, various LGBTQ bars will hold parties celebrating the theme of the weekend. For example, Kiki, located on U Street NW, is hosting a party called KINKI, hosted by DJ Dez, on Saturday night. Sister bar Shakiki, on 9th Street NW, is hosting a party called Railed Out, a fetish-inspired party that features a play zone, on Thursday night. Flash, on U Street NW, will hold its infamous Flashy Sunday party to close out the weekend. 

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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