Connect with us

Music & Concerts

Naomi’s ‘Drag Race’ behind-the-scenes tour

Season eight finalist on RuPaul, all the stuff they don’t show you on TV

Published

on

Naomi Smalls interview, gay news, Washington Blade
Naomi Smalls interview, gay news, Washington Blade

Naomi Smalls (aka Davis Heppenstall) performs at Town and Capital Pride this weekend. (Photo courtesy Neverland Events)

Once again this year, the top three queens from this seasonā€™s ā€œRuPaulā€™s Drag Raceā€ will be at both Town and Capital Pride. Kim Chi is at Town on Friday, June 10 and Naomi Smalls and champ Bob the Drag Queen are there Saturday, June 11. Naomi and Bob will also perform on the Capitol Concert Stage at the festival on Sunday, June 12.

Naomi Smalls, a 21-year-old Redlands, Calif., native born Davis Heppenstall, spoke to us the week by phone from her home in Chicago.

WASHINGTON BLADE: What was it like having to wait from the time you wrapped taping to finding out who won?

NAOMI SMALLS: I was nervous but I think I was more nervous finding out who made the top three because we filmed that last year. ā€¦ For us, it was different because we were kind of walking on eggshells. The other girls got to know how they did when they left and so they all knew when their bad episode was going to be, but for Bob, Kim Chi and I, we were all nervous.

BLADE: You donā€™t find out who wins until the episode actually airs, so where did you watch it?

NAOMI: They have a crowning and coronation in New York and Kim, Bob and I were all watching it live. It was our first time finding out who was going to win. I had a feeling it was going to be Bob, so I wasnā€™t super super surprised. But we were happy to be there and see his reaction in person.

BLADE: How did he react?

NAOMI: Well of course he started crying. Itā€™s the biggest moment of his life. Iā€™m glad Kim and I got to be there for him. The three of us are actually really good friends. So any of us would have had the same reaction no matter who won.

BLADE: It was such a shock the night Ru sent both Dax and Laila home. What did it feel like when it was actually happening?

NAOMI: When I was watching it live, I didnā€™t think either of them were doing very good. It was a surprise that it was so early in the competition and she was sending two people home, but it was probably the right decision.

BLADE: How do they keep you all from seeing each other back stage when you walk into the work room for the first time?

NAOMI: Well all come from the hotel in separate vans one by one and we all go there and wait in a holding room. Like a very small room with a mirror and snacks. Then they just tell you when itā€™s your time to go in and you donā€™t see any of the other queens. Weā€™re all in these closed-off rooms until everyone walks in.

BLADE: So you have to get ready at the hotel?

NAOMI: Yes.

BLADE: What did it feel like walking into the work room for the first time?

NAOMI: I was nervous but also really excited. Itā€™s like this surreal moment after seeing it on TV for so many years. I really wanted to be part of it but I was also nervous to see who else was going to be there and if the other queens would be easy to get along with.

BLADE: Derrick was so nasty to you. Like she was going out of her way to pick a fight, especially the last episode she was on. Was that really how it felt at the time or did they edit it all together to seem nastier than it really was?

NAOMI: I wouldnā€™t say worse than it really was. I just think some people make for really good TV. Derrick is a really good friend but heā€™s also very good at turning it on for television. I wouldnā€™t say the producers had anything to do with editing it any certain way. Itā€™s more of how Derrickā€™s personality comes across on television when he turns it on.

BLADE: So sheā€™s not so confrontational when the cameraā€™s not rolling?

NAOMI: Oh for sure. Not so loud.

BLADE: Acid Betty was such a bitch too, and I thought initially she would go a lot further. Do you think Ru takes the nastiness into consideration when sending them home or is it really just how good you are?

NAOMI: I always think of it as kind of a ā€œBig Brotherā€ thing where Ru is always watching and if maybe you get some news back from an assistant or producer that someoneā€™s not giving their all or grateful to be there, I think that may come into consideration when it comes to the judging. I think you should just treat people the way you want to be treated and donā€™t be an asshole.

BLADE: But then it turned out that Betty had reached out to Cynthia when she was sick, so I guess she has a soft side too.

NAOMI: I think certain people get into a certain mindset when theyā€™re in a competition. They could be the sweetest person but once youā€™re in a room pitted against 12 other people, they go into competition mode and you forget about the way to treat people.

BLADE: You seemed one of the nicest queens this season, though. Is that just your personality?

NAOMI: I grew up in a big family so Iā€™m good with treating people the way I want to be treated. Unless someone comes for me, Iā€™m not going to come for them.

BLADE: When you all saw all the kimonos coming out for the Madonna episode and realized almost everybody was doing ā€œNothing Really Matters,ā€ why didnā€™t some of you switch gears? Was it too late? Were you all thinking, ā€œOh shit?ā€

NAOMI: When you get called for the show, you only have two weeks to prepare so once we got there and we found out who everyoneā€™s Madonna look was, we were all freaking out. I actually think there were three other kimonos from the girls who went home before that challenge. I think Naysha, Laila, I think Dax and I want to say maybe even Cynthia were all planning that too, but thereā€™s not really much you can do because you donā€™t find out the runway category until the day before. So yeah, trust me, I definitely regret doing that runway.

BLADE: So they did tell you to bring a Madonna look before you left home?

NAOMI: We knew there was a Madonna category, we just didnā€™t know what everyone else was going to do. Everyone was trying to be original, picking something not super obvious, but it just didnā€™t pan out very well.

BLADE: So that was just a huge coincidence?

NAOMI: I didnā€™t really know that many Madonna references. Just ā€œMusicā€ and ā€œHung Up,ā€ so I thought, ā€œOh, Iā€™ll do dark-hair Madonna, no one else is going to do that.ā€ And it bit me in the butt.

BLADE: How tall are you out of drag?

NAOMI: 6ā€™, 4ā€

BLADE: You often go without boobs in your drag. Is that like a little genderfuck thing or what?

NAOMI: I always grew up lusting over the ā€˜90s supermodels who were bone thin with like no tits and no hips and thatā€™s what I kind of based my drag off of. Itā€™s just proportion to me. Iā€™ve worn the pads, Iā€™ve worn the boobs, but it just doesnā€™t really work for me. I like my look the way it is. I never try to be androgynous or genderfuck. I just think it suits my look and my silhouette better.

BLADE: What are you planning for Capital Pride?

NAOMI: Iā€™m actually really excited to do it. I didnā€™t know ā€™til today that it was with Bob on Saturday, so thatā€™s going to be a blast. Iā€™m just excited. I love Pride. Itā€™s the best energy you ever have when youā€™re performing because everyoneā€™s just there and proud to be who they are so Iā€™m just excited to be there with everybody whoā€™s celebrating.

BLADE: Usually the episode before the finale is highlights with the past queens commenting. Did they not do that this year?

NAOMI: I donā€™t think they did. Yeah, like a recap episode. I didnā€™t see it.

BLADE: Had you seen (season seven winner) Violetā€™s gown before she came out at the finale? Oh my God, that dress!

NAOMI: I saw the dress rehearsal but I didnā€™t see the full-on with makeup and all that amazingness until she came out. I was just as gagged as everybody else.

BLADE: Was that amazing or what?

NAOMI: I think itā€™s like the most legendary look thatā€™s ever been on ā€œRuPaulā€™s Drag Raceā€ period. All seasons. It was amazing.

BLADE: Do you know Violet at all?

NAOMI: The first time I really got to meet her was at the finale but I looked up to Violet ever since she was on the show. So getting the chance to hang out with her and pick her brain a little was just really nice. Sheā€™s one of the sweetest queens. I think very highly of her.

BLADE: Where do you even get a dress like that?

NAOMI: I think somebody who mades a lot of her clothes made it but I donā€™t know his name.

BLADE: Were you intimidated to be in the group photo with all the past queens at the beginning of your season?

NAOMI: It sounds cocky, but once I found out I had to do a photo shoot, I was like super happy about it. I love being in front of the camera and taking photos so I wasnā€™t super intimidated by the other queens.

BLADE: Did you get to say anything to them or was it just like shoot, on with the next girl?

NAOMI: Just shoot and on to the next girl. Iā€™ve worked with Raja and Sharon (Needles) before and theyā€™re all very nice. So I wasnā€™t too scared.

BLADE: How do they make the commentary seem like itā€™s happening as the show is unfolding? Obviously you canā€™t really be commenting in real time. Is that just really good editing?

NAOMI: We do our interviews at the end of the week and weā€™re supposed to keep a journal but itā€™s really hard to do that because when you get back to the hotel, youā€™re so tired after filming you just want to go to bed. You donā€™t really want to stay up all night writing in a journal. But after you do the first round, you kind of get used to it.

BLADE: They always make it seem so nerve wracking and like youā€™re so pressed for time but then you see something like Kim Chi gluing a lotus blossom headpiece together blossom by blossom so you obviously have time to do something painstaking like that. Is it really as big a time crunch as they make it seem?

NAOMI: Itā€™s definitely nerve wracking. You guys pretty much see all the time we have to work on things. We might get like an extra hour and a half. But yeah, itā€™s definitely not an easy competition.

BLADE: Is it about what you thought it would be or easier or harder?

NAOMI: It was about what I thought it would be. I knew it was going to be very stressful and thereā€™s no way you can really prepare for it. It just kind of happens.

BLADE: Who was your favorite celebrity guest judge?

NAOMI: Probably Marc Jacobs. Heā€™s just so legendary. So a chance to get critiqued by him was such an honor, especially on a design challenge. That was awesome.

BLADE: Do weirdos and stalkers come out of the woodwork once youā€™ve been on the show?

NAOMI: Most people have been pretty respectful. The only thing thatā€™s annoying is drunk people at the clubs but thatā€™s at every single club. You canā€™t really avoid that.

BLADE: Whatā€™s your type? Whoā€™s a celeb who would be a good reference point for the type you like?

NAOMI: I like guys like Hugh Jackman or Jake Gyllenhaal.

BLADE: Are you seeing anyone?

NAOMI: Dating, but nothing like boyfriend status.

BLADE: So you like guys who are different from you?

NAOMI: My motto is if youā€™re cute, youā€™re cute. If youā€™re attracted to someone, youā€™re attracted to them no matter if they fit your type.

BLADE: Was there anybody you felt went home too soon?

NAOMI: I would say Laila is one of the most amazing performers and makeup artists I ever met. I would have loved to have gotten to know her better while she was on the show. I donā€™t think her personality really got a chance to shine. Sheā€™s super funny and super bubbly and just hilarious and I think the fans would have loved to have seen that.

BLADE: Do you think the judges are ever too harsh in their assessments?

NAOMI: I think theyā€™re very accurate. They tell you exactly what you need to do. ā€¦ They give it to you 100 percent, especially Michelle (Visage). I think sheā€™s one of the best people to be in that position. She doesnā€™t say anything to bring you down.

BLADE: What did it feel like with your glam Scarecrow look when Ross said, ā€œThis is how you win this competition.ā€

NAOMI: Up until that moment, I still didnā€™t know if Iā€™d done well that week, so when he said that, it was like this huge load off my shoulders. I was still scared I might be in the bottom two again, so it was a nice stamp of approval.

BLADE: That episode was such a turning point for you. Is that what you had planned for that look all along?

NAOMI: I had planned something a little shorter, a little leggier ā€¦ but when Ru came around and was like, “The judges want to see something different from you,” that put off a lightbulb in my head that I should step it up, so I really wanted to put all my energy into that one because Iā€™d been in the bottom two the week before. There was a lot of pressure to get it together.

BLADE: The fans seem really divided on Kim Chi. Some people were saying they couldnā€™t believe she was still in it, she canā€™t even walk and so on, but others thought she was just brilliant at painting and there was so much depth and nuance. What do you think of her drag?

NAOMI: Iā€™m a huge fan of Kim and even before the show. So to see this beautiful image and this quirk of like, I canā€™t even walk in heels, Iā€™m a big nerd,ā€ is just so lovable and I think the audience gets that too. We all have our strengths. I canā€™t get on a stage and entertain a crowd like Bob can, I canā€™t create portraits like Kim can but I can do things they canā€™t do, so itā€™s all different skill sets and I think thatā€™s amazing.

Naomi Smalls interview, gay news, Washington Blade

Naomi Smalls (Photo courtesy of Neverland Events)

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Music & Concerts

Gay Menā€™s Chorus starting the year with a cabaret

‘Postcards’ to be performed at CAMP Rehoboth

Published

on

The Gay Men's Chorus of Washington performs 'Postcards' in Rehoboth Beach, Del. on Jan. 18. (Photos courtesy of the Gay Men's Chorus of Washington)

The Gay Menā€™s Chorus of Washington will perform ā€œPostcards,ā€ a cabaret, on Saturday, Jan. 18 at 5:00p.m. and 8:00p.m. at CAMP Rehoboth Elkins-Archibald Atrium.Ā 

In this performance, the choir will share hilarious and heart-warming stories and songs about the travel adventures theyā€™ve had and hope to have. Songs include ā€œMidnight Train to Georgia,ā€ ā€œStreets of Dublin,ā€ ā€œMagic To Do,ā€ ā€œHome,ā€ and ā€œI Left My Heart in San Francisco.ā€ Tickets cost $35 and can be purchased on Camp Rehobothā€™s website.

Continue Reading

Music & Concerts

WMCā€™s ā€˜Comfort and Joyā€™ fuses drama, well-being, light

Soloist describes production as ā€˜reverent and beautifulā€™

Published

on

Opal Clyburn-Miller (Photo courtesy Clyburn-Miller)

ā€˜Comfort and Joyā€™
Washington Master Chorale
Sunday, Dec. 22, 5 p.m.
Church of the Epiphany
1317 G St., N.W.
washingtonmasterchorale.org

With its warmth and unfettered imagination, itā€™s no surprise that the Washington Master Choraleā€™s enduringly popular winter program remains a holiday favorite.Ā 

This December the Washington Master Chorale (WMC), helmed by out artistic director Thomas Colohan presents ā€œComfort and Joyā€ a selection of British and American works like ā€œLute-Book Lullaby,ā€ ā€œI Saw Three Ships,ā€ ā€œPuer Natusā€ by Samuel Scheidt and ā€œHosanna to the Son of Davidā€ by Orlando Gibbons. 

In addition to these Christmas classics, WMC will perform 2022 Florence Price Commission Winner Mason Bynesā€™s ā€œEphiphanytideā€ and Ēriks EÅ”envaldsā€™ ā€œNorthern Lights,ā€ the firsthand accounts of arctic explorers Charles Francis Hall and Fridtjof Nansen and their experiences surrounding the fabled aurora borealis.

Described as ā€œreverent and beautifulā€ by ā€œNorthern Lightsā€ tenor soloist Opal Clyburn-Miller, ā€œComfort and Joyā€ fuses drama and well-being, and the import of light. 

And as an artist who uses they/them pronouns, Clyburn-Miller says where classical music is concerned, ā€œit seems people are put in their boxes and thatā€™s where they stay.ā€ They add, ā€œthereā€™s been some progress. Itā€™s pretty much a traditional art form.ā€ 

With regard to their career, Clyburn-Miller, the Baltimore based Peabody Conservatory student, says the work usually comes through word of mouth: ā€œYou show up, youā€™re a good colleague and people want to work with you again.ā€

The solo piece, according to Colohan, is perfect for Clyburn-Miller. The soloist says in response: ā€œMaybe I have the imagination to think of what Northern Lights might look like in Eastern Europe. Iā€™ve never been that far north but I can put myself in that sense of wonder and astonishment.ā€

But the gig hasnā€™t been entirely without its tests. The lyrics are in Latvian, a new language for the meticulous singer.

ā€œItā€™s been a bit tricky getting the Latvian down,ā€ they say. ā€œUsually in my singing experience, itā€™s been German, Italian and French, and Iā€™m familiar with Spanish and some Hungarian and Russian, but this is entirely new.ā€

A perfect chorale venue requires easy parking; good acoustics; a concert level Steinway, and an excellent organ; a sanctuary wide enough to accommodate a 50-person chorale; and audience friendly loos, says Colohan. 

The Church of Epiphany meets most if not all of these requirements.  

Raised Catholic in Richmond, Colohan came out at Ohioā€™s progressive Oberlin Conservatory. Around this time, he remembers visiting Washington for a music educatorā€™s conference and partying at JR.ā€™s, Badlands, and other bars. He says, ā€œI saw that D.C. had a huge population of clean-cut gay boys. That journey which started with me being gay, prompted me to ask questions.ā€ 

As WMC artistic director since 2009, Colohan, who lives with his partner in Silver Spring, became increasingly interested in secular poetry and literature, especially the ways in which it intersects with chorale music. For him, that became the heart of the art form. 

ā€œMy secular approach is wider than some. Iā€™m like the curator of the museum going down to the basement to bring some stuff up. You cannot hear the music if we donā€™t sing it.ā€

Heā€™s remained conservative as an aesthetic but not an ethos. ā€œI can wear a blazer and not be crazy right wing. Spiritually speaking, Iā€™m Zen Buddhist now.ā€

A lot of the concert is about darkness and light. Colohan says, ā€œIn ancient times when the world became darker, the days leading to the solstice were scary and then on the 22nd they saw that days were getting longer and it was lighter.ā€

ā€œComfort and Joyā€ closes with a candle lit chorale memorably singing ā€œSilent Night.ā€  

Continue Reading

Music & Concerts

Pianist Jeremy Denk to play George Mason

Soloist performs Beethovenā€™s Piano Concerto No. 4 alongside FSO

Published

on

Pianist Jeremy Denk (Photo by Shervin Lainez)

The Fairfax Symphony Orchestra (FSO) and the Center for the Arts at George Mason University co-present Jeremy Denk ā€” one of Americaā€™s foremost pianistsā€”on Nov. 23 at 8 p.m. Denk joins the FSO as soloist for Beethovenā€™s Piano Concerto No. 4. The concert, conducted by FSO Music Director Christopher Zimmerman, also includes the regional premiere of ā€œShe Dreams of Flyingā€ by American composer Quinn Mason, and Rachmaninoffā€™s Symphonic Dances. Tickets are available through the Fairfax Symphony and the Center for the Arts: $65, $55, $40 and half-price for youth through grade 12 (service fees may apply).

A pre-performance discussion with Denk and Maestro Christopher Zimmerman, moderated by Mason Dewberry School of Music Professor John Healey, will take place in Monson Grand Tier, located on the third level of the Center for the Arts Lobby, 45 minutes prior to curtain. 

Continue Reading
Advertisement
Advertisement

Sign Up for Weekly E-Blast

Follow Us @washblade

Advertisement

Popular