Music & Concerts
Naomi’s ‘Drag Race’ behind-the-scenes tour
Season eight finalist on RuPaul, all the stuff they don’t show you on TV
Once again this year, the top three queens from this seasonās āRuPaulās Drag Raceā will be at both Town and Capital Pride. Kim Chi is at Town on Friday, June 10 and Naomi Smalls and champ Bob the Drag Queen are there Saturday, June 11. Naomi and Bob will also perform on the Capitol Concert Stage at the festival on Sunday, June 12.
Naomi Smalls, a 21-year-old Redlands, Calif., native born Davis Heppenstall, spoke to us the week by phone from her home in Chicago.
WASHINGTON BLADE: What was it like having to wait from the time you wrapped taping to finding out who won?
NAOMI SMALLS: I was nervous but I think I was more nervous finding out who made the top three because we filmed that last year. ā¦ For us, it was different because we were kind of walking on eggshells. The other girls got to know how they did when they left and so they all knew when their bad episode was going to be, but for Bob, Kim Chi and I, we were all nervous.
BLADE: You donāt find out who wins until the episode actually airs, so where did you watch it?
NAOMI: They have a crowning and coronation in New York and Kim, Bob and I were all watching it live. It was our first time finding out who was going to win. I had a feeling it was going to be Bob, so I wasnāt super super surprised. But we were happy to be there and see his reaction in person.
BLADE: How did he react?
NAOMI: Well of course he started crying. Itās the biggest moment of his life. Iām glad Kim and I got to be there for him. The three of us are actually really good friends. So any of us would have had the same reaction no matter who won.
BLADE: It was such a shock the night Ru sent both Dax and Laila home. What did it feel like when it was actually happening?
NAOMI: When I was watching it live, I didnāt think either of them were doing very good. It was a surprise that it was so early in the competition and she was sending two people home, but it was probably the right decision.
BLADE: How do they keep you all from seeing each other back stage when you walk into the work room for the first time?
NAOMI: Well all come from the hotel in separate vans one by one and we all go there and wait in a holding room. Like a very small room with a mirror and snacks. Then they just tell you when itās your time to go in and you donāt see any of the other queens. Weāre all in these closed-off rooms until everyone walks in.
BLADE: So you have to get ready at the hotel?
NAOMI: Yes.
BLADE: What did it feel like walking into the work room for the first time?
NAOMI: I was nervous but also really excited. Itās like this surreal moment after seeing it on TV for so many years. I really wanted to be part of it but I was also nervous to see who else was going to be there and if the other queens would be easy to get along with.
BLADE: Derrick was so nasty to you. Like she was going out of her way to pick a fight, especially the last episode she was on. Was that really how it felt at the time or did they edit it all together to seem nastier than it really was?
NAOMI: I wouldnāt say worse than it really was. I just think some people make for really good TV. Derrick is a really good friend but heās also very good at turning it on for television. I wouldnāt say the producers had anything to do with editing it any certain way. Itās more of how Derrickās personality comes across on television when he turns it on.
BLADE: So sheās not so confrontational when the cameraās not rolling?
NAOMI: Oh for sure. Not so loud.
BLADE: Acid Betty was such a bitch too, and I thought initially she would go a lot further. Do you think Ru takes the nastiness into consideration when sending them home or is it really just how good you are?
NAOMI: I always think of it as kind of a āBig Brotherā thing where Ru is always watching and if maybe you get some news back from an assistant or producer that someoneās not giving their all or grateful to be there, I think that may come into consideration when it comes to the judging. I think you should just treat people the way you want to be treated and donāt be an asshole.
BLADE: But then it turned out that Betty had reached out to Cynthia when she was sick, so I guess she has a soft side too.
NAOMI: I think certain people get into a certain mindset when theyāre in a competition. They could be the sweetest person but once youāre in a room pitted against 12 other people, they go into competition mode and you forget about the way to treat people.
BLADE: You seemed one of the nicest queens this season, though. Is that just your personality?
NAOMI: I grew up in a big family so Iām good with treating people the way I want to be treated. Unless someone comes for me, Iām not going to come for them.
BLADE: When you all saw all the kimonos coming out for the Madonna episode and realized almost everybody was doing āNothing Really Matters,ā why didnāt some of you switch gears? Was it too late? Were you all thinking, āOh shit?ā
NAOMI: When you get called for the show, you only have two weeks to prepare so once we got there and we found out who everyoneās Madonna look was, we were all freaking out. I actually think there were three other kimonos from the girls who went home before that challenge. I think Naysha, Laila, I think Dax and I want to say maybe even Cynthia were all planning that too, but thereās not really much you can do because you donāt find out the runway category until the day before. So yeah, trust me, I definitely regret doing that runway.
BLADE: So they did tell you to bring a Madonna look before you left home?
NAOMI: We knew there was a Madonna category, we just didnāt know what everyone else was going to do. Everyone was trying to be original, picking something not super obvious, but it just didnāt pan out very well.
BLADE: So that was just a huge coincidence?
NAOMI: I didnāt really know that many Madonna references. Just āMusicā and āHung Up,ā so I thought, āOh, Iāll do dark-hair Madonna, no one else is going to do that.ā And it bit me in the butt.
BLADE: How tall are you out of drag?
NAOMI: 6ā, 4ā
BLADE: You often go without boobs in your drag. Is that like a little genderfuck thing or what?
NAOMI: I always grew up lusting over the ā90s supermodels who were bone thin with like no tits and no hips and thatās what I kind of based my drag off of. Itās just proportion to me. Iāve worn the pads, Iāve worn the boobs, but it just doesnāt really work for me. I like my look the way it is. I never try to be androgynous or genderfuck. I just think it suits my look and my silhouette better.
BLADE: What are you planning for Capital Pride?
NAOMI: Iām actually really excited to do it. I didnāt know ātil today that it was with Bob on Saturday, so thatās going to be a blast. Iām just excited. I love Pride. Itās the best energy you ever have when youāre performing because everyoneās just there and proud to be who they are so Iām just excited to be there with everybody whoās celebrating.
BLADE: Usually the episode before the finale is highlights with the past queens commenting. Did they not do that this year?
NAOMI: I donāt think they did. Yeah, like a recap episode. I didnāt see it.
BLADE: Had you seen (season seven winner) Violetās gown before she came out at the finale? Oh my God, that dress!
NAOMI: I saw the dress rehearsal but I didnāt see the full-on with makeup and all that amazingness until she came out. I was just as gagged as everybody else.
BLADE: Was that amazing or what?
NAOMI: I think itās like the most legendary look thatās ever been on āRuPaulās Drag Raceā period. All seasons. It was amazing.
BLADE: Do you know Violet at all?
NAOMI: The first time I really got to meet her was at the finale but I looked up to Violet ever since she was on the show. So getting the chance to hang out with her and pick her brain a little was just really nice. Sheās one of the sweetest queens. I think very highly of her.
BLADE: Where do you even get a dress like that?
NAOMI: I think somebody who mades a lot of her clothes made it but I donāt know his name.
BLADE: Were you intimidated to be in the group photo with all the past queens at the beginning of your season?
NAOMI: It sounds cocky, but once I found out I had to do a photo shoot, I was like super happy about it. I love being in front of the camera and taking photos so I wasnāt super intimidated by the other queens.
BLADE: Did you get to say anything to them or was it just like shoot, on with the next girl?
NAOMI: Just shoot and on to the next girl. Iāve worked with Raja and Sharon (Needles) before and theyāre all very nice. So I wasnāt too scared.
BLADE: How do they make the commentary seem like itās happening as the show is unfolding? Obviously you canāt really be commenting in real time. Is that just really good editing?
NAOMI: We do our interviews at the end of the week and weāre supposed to keep a journal but itās really hard to do that because when you get back to the hotel, youāre so tired after filming you just want to go to bed. You donāt really want to stay up all night writing in a journal. But after you do the first round, you kind of get used to it.
BLADE: They always make it seem so nerve wracking and like youāre so pressed for time but then you see something like Kim Chi gluing a lotus blossom headpiece together blossom by blossom so you obviously have time to do something painstaking like that. Is it really as big a time crunch as they make it seem?
NAOMI: Itās definitely nerve wracking. You guys pretty much see all the time we have to work on things. We might get like an extra hour and a half. But yeah, itās definitely not an easy competition.
BLADE: Is it about what you thought it would be or easier or harder?
NAOMI: It was about what I thought it would be. I knew it was going to be very stressful and thereās no way you can really prepare for it. It just kind of happens.
BLADE: Who was your favorite celebrity guest judge?
NAOMI: Probably Marc Jacobs. Heās just so legendary. So a chance to get critiqued by him was such an honor, especially on a design challenge. That was awesome.
BLADE: Do weirdos and stalkers come out of the woodwork once youāve been on the show?
NAOMI: Most people have been pretty respectful. The only thing thatās annoying is drunk people at the clubs but thatās at every single club. You canāt really avoid that.
BLADE: Whatās your type? Whoās a celeb who would be a good reference point for the type you like?
NAOMI: I like guys like Hugh Jackman or Jake Gyllenhaal.
BLADE: Are you seeing anyone?
NAOMI: Dating, but nothing like boyfriend status.
BLADE: So you like guys who are different from you?
NAOMI: My motto is if youāre cute, youāre cute. If youāre attracted to someone, youāre attracted to them no matter if they fit your type.
BLADE: Was there anybody you felt went home too soon?
NAOMI: I would say Laila is one of the most amazing performers and makeup artists I ever met. I would have loved to have gotten to know her better while she was on the show. I donāt think her personality really got a chance to shine. Sheās super funny and super bubbly and just hilarious and I think the fans would have loved to have seen that.
BLADE: Do you think the judges are ever too harsh in their assessments?
NAOMI: I think theyāre very accurate. They tell you exactly what you need to do. ā¦ They give it to you 100 percent, especially Michelle (Visage). I think sheās one of the best people to be in that position. She doesnāt say anything to bring you down.
BLADE: What did it feel like with your glam Scarecrow look when Ross said, āThis is how you win this competition.ā
NAOMI: Up until that moment, I still didnāt know if Iād done well that week, so when he said that, it was like this huge load off my shoulders. I was still scared I might be in the bottom two again, so it was a nice stamp of approval.
BLADE: That episode was such a turning point for you. Is that what you had planned for that look all along?
NAOMI: I had planned something a little shorter, a little leggier ā¦ but when Ru came around and was like, “The judges want to see something different from you,” that put off a lightbulb in my head that I should step it up, so I really wanted to put all my energy into that one because Iād been in the bottom two the week before. There was a lot of pressure to get it together.
BLADE: The fans seem really divided on Kim Chi. Some people were saying they couldnāt believe she was still in it, she canāt even walk and so on, but others thought she was just brilliant at painting and there was so much depth and nuance. What do you think of her drag?
NAOMI: Iām a huge fan of Kim and even before the show. So to see this beautiful image and this quirk of like, I canāt even walk in heels, Iām a big nerd,ā is just so lovable and I think the audience gets that too. We all have our strengths. I canāt get on a stage and entertain a crowd like Bob can, I canāt create portraits like Kim can but I can do things they canāt do, so itās all different skill sets and I think thatās amazing.
Music & Concerts
Gay Menās Chorus starting the year with a cabaret
‘Postcards’ to be performed at CAMP Rehoboth
The Gay Menās Chorus of Washington will perform āPostcards,ā a cabaret, on Saturday, Jan. 18 at 5:00p.m. and 8:00p.m. at CAMP Rehoboth Elkins-Archibald Atrium.Ā
In this performance, the choir will share hilarious and heart-warming stories and songs about the travel adventures theyāve had and hope to have. Songs include āMidnight Train to Georgia,ā āStreets of Dublin,ā āMagic To Do,ā āHome,ā and āI Left My Heart in San Francisco.ā Tickets cost $35 and can be purchased on Camp Rehobothās website.
Music & Concerts
WMCās āComfort and Joyā fuses drama, well-being, light
Soloist describes production as āreverent and beautifulā
āComfort and Joyā
Washington Master Chorale
Sunday, Dec. 22, 5 p.m.
Church of the Epiphany
1317 G St., N.W.
washingtonmasterchorale.org
With its warmth and unfettered imagination, itās no surprise that the Washington Master Choraleās enduringly popular winter program remains a holiday favorite.Ā
This December the Washington Master Chorale (WMC), helmed by out artistic director Thomas Colohan presents āComfort and Joyā a selection of British and American works like āLute-Book Lullaby,ā āI Saw Three Ships,ā āPuer Natusā by Samuel Scheidt and āHosanna to the Son of Davidā by Orlando Gibbons.
In addition to these Christmas classics, WMC will perform 2022 Florence Price Commission Winner Mason Bynesās āEphiphanytideā and Äriks EÅ”envaldsā āNorthern Lights,ā the firsthand accounts of arctic explorers Charles Francis Hall and Fridtjof Nansen and their experiences surrounding the fabled aurora borealis.
Described as āreverent and beautifulā by āNorthern Lightsā tenor soloist Opal Clyburn-Miller, āComfort and Joyā fuses drama and well-being, and the import of light.
And as an artist who uses they/them pronouns, Clyburn-Miller says where classical music is concerned, āit seems people are put in their boxes and thatās where they stay.ā They add, āthereās been some progress. Itās pretty much a traditional art form.ā
With regard to their career, Clyburn-Miller, the Baltimore based Peabody Conservatory student, says the work usually comes through word of mouth: āYou show up, youāre a good colleague and people want to work with you again.ā
The solo piece, according to Colohan, is perfect for Clyburn-Miller. The soloist says in response: āMaybe I have the imagination to think of what Northern Lights might look like in Eastern Europe. Iāve never been that far north but I can put myself in that sense of wonder and astonishment.ā
But the gig hasnāt been entirely without its tests. The lyrics are in Latvian, a new language for the meticulous singer.
āItās been a bit tricky getting the Latvian down,ā they say. āUsually in my singing experience, itās been German, Italian and French, and Iām familiar with Spanish and some Hungarian and Russian, but this is entirely new.ā
A perfect chorale venue requires easy parking; good acoustics; a concert level Steinway, and an excellent organ; a sanctuary wide enough to accommodate a 50-person chorale; and audience friendly loos, says Colohan.
The Church of Epiphany meets most if not all of these requirements.
Raised Catholic in Richmond, Colohan came out at Ohioās progressive Oberlin Conservatory. Around this time, he remembers visiting Washington for a music educatorās conference and partying at JR.ās, Badlands, and other bars. He says, āI saw that D.C. had a huge population of clean-cut gay boys. That journey which started with me being gay, prompted me to ask questions.ā
As WMC artistic director since 2009, Colohan, who lives with his partner in Silver Spring, became increasingly interested in secular poetry and literature, especially the ways in which it intersects with chorale music. For him, that became the heart of the art form.
āMy secular approach is wider than some. Iām like the curator of the museum going down to the basement to bring some stuff up. You cannot hear the music if we donāt sing it.ā
Heās remained conservative as an aesthetic but not an ethos. āI can wear a blazer and not be crazy right wing. Spiritually speaking, Iām Zen Buddhist now.ā
A lot of the concert is about darkness and light. Colohan says, āIn ancient times when the world became darker, the days leading to the solstice were scary and then on the 22nd they saw that days were getting longer and it was lighter.ā
āComfort and Joyā closes with a candle lit chorale memorably singing āSilent Night.ā
Music & Concerts
Pianist Jeremy Denk to play George Mason
Soloist performs Beethovenās Piano Concerto No. 4 alongside FSO
The Fairfax Symphony Orchestra (FSO) and the Center for the Arts at George Mason University co-present Jeremy Denk ā one of Americaās foremost pianistsāon Nov. 23 at 8 p.m. Denk joins the FSO as soloist for Beethovenās Piano Concerto No. 4. The concert, conducted by FSO Music Director Christopher Zimmerman, also includes the regional premiere of āShe Dreams of Flyingā by American composer Quinn Mason, and Rachmaninoffās Symphonic Dances. Tickets are available through the Fairfax Symphony and the Center for the Arts: $65, $55, $40 and half-price for youth through grade 12 (service fees may apply).
A pre-performance discussion with Denk and Maestro Christopher Zimmerman, moderated by Mason Dewberry School of Music Professor John Healey, will take place in Monson Grand Tier, located on the third level of the Center for the Arts Lobby, 45 minutes prior to curtain.
-
Federal Government4 days ago
Trump-Vance administration removes LGBTQ, HIV resources from government websites
-
Politics5 days ago
Trump previews anti-trans executive orders in inaugural address
-
Virginia4 days ago
Va. Senate approves resolution to repeal marriage amendment
-
District of Columbia16 hours ago
Capital Pride board member resigns, takes role as Trumpās acting Secāy of Labor