a&e features
‘Unique’-ly Alex
Out singer on ‘Glee,’ Pride, Beyonce and more

Alex Newell of ‘Glee’ fame says Pride is important because it gives the LGBT community a place to celebrate its accomplishments. (Photo by Brian Ziff)
Singer/actor Alex Newell, best known for playing Unique on “Glee,” is one of this year’s headliners on the Capitol Concert Stage at Capital Pride this weekend.
Look for him in the 2 p.m. slot where he’ll showcase his soaring, buttery vocals. We caught up with the soft-spoken, yet outspoken, 23-year-old performer by phone from Los Angeles.
BLADE: You have a new song out?
NEWELL: Well right now I’m kind of doing the Pride circuit. It’s Pride month, Pride season. I also have a new song out today called “Need Somebody.” It just came out. This first week, we’re donating a portion of the sales to the Trevor Project.
BLADE: Who produced it?
NEWELL: Cutfather. He’s amazing.
BLADE: You had an EP (“Power”) out earlier this year. Do you plan more?
NEWELL: It depends. We’re just trying to see. There’s no set plan. I think we’re going to do another, but this is just its own thing. We’re focusing on making new music and making good songs. The EP was so good and everyone enjoyed it and it was successful so now we’re just trying to match that or go above and beyond it.
BLADE: How many Prides are you doing?
NEWELL: I don’t know. Maybe four, five or six. I don’t like to count them because then it starts to feel overwhelming.
BLADE: Why is Pride important?
NEWELL: It’s a time to celebrate each other and the accomplishments in our community. Because that’s where it starts. It always starts at home. If we don’t celebrate each other and where we are, it just gets kind of superfluous after a while.
BLADE: You toured with Adam Lambert earlier this year and played Washington in March. How was it?
NEWELL: It was amazing. I went on tour with one of my good friends. I had fun. I couldn’t have asked for a better time. We played D.C. right after New York. The audience was warm and responsive and welcoming. It was a good time.
BLADE: What was it like on the “Glee” set? Fun and hanging out or nerve-wracking and hard? All of the above?
NEWELL: It was very friendly like a giant family. It’s basically like a household. It’s dysfunctional, it’s functional. And at the same time you’re working 16-hour days a lot of the time and you’re with each other five days out of the week and sometimes more than that because we’re friends at the end of the day. And you’re trying to make the best product you can whether you’re singing, dancing, acting or having dance rehearsals and makeup tests and filming scenes or filming a music number or having a fitting or going to pre-record the song. There’s so many variables to it so it was just as crazy as anyone would think it was. But at the end of the day, we were all there together and we were just working at a well-oiled machine.
BLADE: Which “Glee” episode was your favorite?
NEWELL: I don’t know. They started to blur together after a while. Like sometimes I’ll forget what I did in each episode. I think one of my favorites would have to be my second-to-last one where I sang “I Know Where I’ve Been” with the trans chorus. It was just a good moment to have everyone rally. I also really liked the “Grease” episode. I felt that one has so much heart.
BLADE: Was (creator/executive producer) Ryan Murphy around a lot?
NEWELL: Yeah, we saw him all the time. He was there as much as someone who has three shows on TV is there. It’s not like he’d be there everyday all the time because he had “Glee” and “American Horror Story,” and then one year he had “Glee,” “American Horror Story” and “The New Normal” on TV at the same time. Then “The New Normal” got canceled and he had “American Horror Story,” “Glee” and he was developing “Scream Queens” and “American Crime Story.” So I feel like the show runner doesn’t always have to be there but his ear was to the ground. He knew what was going on the entire time.
BLADE: Was he approachable?
NEWELL: Oh yeah. He was amazing. He’s so sweet and kind. He’s very intelligent. He’s smart and every time he greeted me, he gave me a warm hug. He’s known me since I was like 17, 18. He’s watched me grow, not just as an actor but as a performer. He’s always very welcoming and warm.
BLADE: Were you and Chris Colfer (Kurt) especially friendly?
NEWELL: I love him dearly. I don’t want to judge it based on other friendships I may have, but we were very friendly.
BLADE: You got really famous really fast at something really specific. How hard has it been trying to funnel that momentum into other things you want to do?
NEWELL: Well, it’s always hard and difficult when you’re coming off playing a specific thing and a role on such a large scale because after a while, that’s all people can see you for. You kind of have to prove yourself on another scale. A lot of people say, “Well, they pre-recorded on ‘Glee,’ none of them are really singers,” but in actuality, the majority of us were actual wingers and we’ve honed our craft and all. But there’s always that thing of trying to prove myself even more than just being a TV actor or a TV personality. That I’m actually talented and that I can do other things than play that specific role. But this is not exactly news to anyone. It happened to lots of child stars. When they grew up, it was always hard for them to be seen as anything other than the role they’d been playing.
BLADE: I know you can’t quantify this exactly, but how much of what you’ve achieved has been talent vs. perspiration?
NEWELL: I feel like it’s an even balance. I work extremely hard for everything that I have and everything that I’ve gotten. Where I’ve been, I’ve fought tooth and nail and just as much as anyone else if not harder. You have to know that you’re amazing and not get complacent. You have to remind yourself that you’re the best at what you do and it’s always good to know that no one else can do exactly what you do. They can do it like you, but they can never do it exactly like you do it. You bring something special to the table.
BLADE: You’ve said you’re a big Beyonce fan. How do you like “Lemonade”?
NEWELL: Oh, it’s amazing. It’s honest, it’s truthful and something we haven’t seen. I hear some people wishing the old Beyonce was back but after a while, you have to evolve. You have to go places and I mean, old Beyonce, new Beyonce, Beyonce is Beyonce. I live for her.
BLADE: How do you feel she stands up to classic divas like Donna Summer or Diana Ross? Like when Miss Ross was at her commercial peak with “Upside Down” and “I’m Coming Out” and all that, is Beyonce’s stuff in that league?
NEWELL: I think it’s like a whole other thing. It’s completely different. It’s apples and oranges or like comparing the Civil War to the Cold War. They happened in completely different times. I think too often people want to compare people to the past when they did it on their own and made something their own out of nothing. So I’m not a huge person about comparing things. And with all the changes that have happened in the industry since then, I feel sometimes we have to fight more now because there’s so much that goes on with pirating and not selling, so you end up working even harder. It was easier back in the ‘60s, ‘70s and ‘80s because the only way you got it back then was if you went to the store and physically picked it up. The game has changed so much, it’s hard to even start to compare.
BLADE: Name someone who you’d just be beside yourself if she put out a new record.
NEWELL: Chaka Khan. She hasn’t done anything in so long. I feel like everyone’s kind of reinventing themselves. Barbra’s going back on tour. Cher went back. It’s like everyone’s kind of reinventing themselves saying, “I’m still here, I can still kick your ass.” I’d be shocked if one of them came out with something new, honestly.
BLADE: What do you have planned for your Pride set?
NEWELL: I’m going to do some new things, I’m going to do some old things, I’m going to do some “Glee” things. I think it’s going to be like 30-40 minutes. It’s just gonna be fun. When I do a show I like to reflect. I feel like reflection’s always really nice and just to the obvious of what people expect you to do.
BLADE: I know they’re totally different from your role on “Glee,” but do you feel any connection with shows like “Transparent” or “I Am Cait” or keep up with them?
NEWELL: I do. I’m always for representation because for the longest of time, there weren’t many people on TV who looked like me. Obviously I’m African American, and for the longest time after the ‘90s, after shows like “Fresh Prince of Bel-Air” and “Family Matters” and “Hangin’ With Mr. Cooper” went off the air, it felt like everything got very whitewashed. So not only was my race not represented, my sexual orientation wasn’t either. I imagine millions of other people felt the same way. So I will always stand up for the trans community because I know what it feels like to be that person who has no representation. Laverne (Cox) is one of my good friends. We have lunch and talk and text. We’re good. I’m always there for it.
BLADE: How do you feel about this North Carolina stuff with House Bill 2?
NEWELL: It’s just people trying to control others. It’s basically a dumbed-down version of segregation like having a blacks-only entrance and a whites-only entrance. People are trying to get rid of something they don’t like just because they don’t understand it. I feel like it’s just too much. Like when Stacey Dash said they should just go pee in the bushes. I’m like, “I’m pretty sure your ancestors were being hung from trees just like the rest of us, so why would you say something as inhumane as that?”
BLADE: Is this the tipping point for the transgender movement?
NEWELL: I can’t really speak to that. I think it’s a catapulting movement where this could really put the limelight on things, but is this the start of the avalanche going down? I just don’t know. I don’t know if this is the last straw, but it’s poking at that bear.
BLADE: You identify as gay but you’re so heavily identified with a transgender role. Does that ever get weird or are you OK with it?
NEWELL: I get mistaken as trans all the time and it’s something I’m fine with and welcome it only because it means my role was so important in helping or it means I did a good job with it at the end of the day. It’s something I stand for and something I represent and I want to be a voice with, so it’s fine. I mean, I’ll correct someone, but ti’s OK. When I’m back in Boston with my mom and we go out to dinner, they’ll often say, “And how are you ladies doing?” My mom’s like, “I don’t see a lady,” and I’m like, “I don’t either,” but most people do. I have a very effeminate face and I have long hair and I’m extremely gay, so it happens. I haven’t really heard anything negative, like somebody saying I’m pretending to be something I’m not. I haven’t experienced that.
BLADE: Is there any song you remember from growing up singing in church that has stayed with you?
NEWELL: I used to sing a song called “Give Me a Clean Heart.” Sometimes I hum it and when I go back to church, it’s always the song they want to hear. So that’s kind of followed me my entire career.

Out actor Alex Newell says he doesn’t mind getting mistaken for being transgender. (Photo by Brian Ziff)
a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
a&e features
Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
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