a&e features
D.C. queer youth gang featured in new documentary
D.C. queer youth gang featured in new documentary
A still from ‘Check It,’ a documentary on local LGBT youth. (Photo courtesy Olive Productions)
’Check It’
AFI Docs Festival
Saturday, June 25
9 p.m.
Newseum
555 Pennsylvania Ave., N.W.
Sold out
The new documentary “Check It” starts with two powerful titles.
The first provides a sobering statistic for Washington’s LGBT community:
“Washington, D.C. has one of the nation’s highest rates of hate crimes against its LGBTQ community.”
The second announces a brave and unexpected act of resistance against that statistic:
“In 2009, three gay ninth graders started a gang in Washington, D.C. to defend themselves against bullying. Today the Check It has over 200 members and counting.”
Directed by Dana Flor and Toby Oppenheimer, “Check It” has been selected for the coveted Spotlight Screening on Saturday night of the AFI Docs festival. AFI Docs Director Michael Lumpkin, who is gay, has been a fan of the film for a long time.
“I love “Check It,” he says. “Before I came to AFI, I ran the International Documentary Association. We had a grant program to provide production support for documentaries. Toby and Dana applied for funding for their film three or four years ago. When I was watching the clip they provided with their application, I knew this was going to be a very special film.”
In fact, AFI Docs announced last week that “Check It” was one of 10 films selected to participate in the prestigious AFI Docs Impact Lab. The intensive program will provide Flor and Oppenheimer, who identify as straight allies, with advanced training in the areas of advocacy, grassroots communication and engagement.
“Check It” tells the stories of the founding members of the group. According to Flor and Oppenheimer, Washington has the dubious distinction of having the only organized gang of LGBT youth in the country. The African-American gang started in the Trinidad neighborhood in northeast Washington. The youth already faced the grueling social pressures of poverty, broken homes, prostitution and a broken web of social services. On top of that, they faced violent bullying because of their sexual orientation and their gender-bending fashion sense.
According to Flor, “It came about as a necessity. They banded together because they wanted to protect each other. They became famous — and infamous — for being good at defending themselves. Nobody messes with them because they will fight. And not only do they fight, they do not censor who they are. … They’re flamboyant. They walk around with little Hello Kitty bags and platform shoes and dresses and lipstick. You don’t do that in the neighborhoods they come from. They’re from very tough neighborhoods with very conservative ideas about masculinity. They didn’t want to back down, they just wanted to be who they wanted to be. That’s how it formed. And it’s flourishing because kids are still being kicked out of their houses and being kicked out of school and taking to the streets. They form their own family.”
As one of the Check It members announces in the film, “To be in the Check It, you have to have a good sense of fashion — wild, crazy, colorful. To walk with us, you have to have a heart. You have to believe you’re not gonna take no bullshit from nobody.”
The members of the Check It found some supportive mentors to help turn their energy in a more positive direction. The first was Ronald “Mo” Moten, one of the founders of the controversial Peaceoholics organization which worked with city residents and gang members to reduce violence in the city.
“Basically.” Flor says, “he deals with gang conflict resolution. He is a beloved figure, especially in the worst neighborhoods of the city, especially because he has helped gang members get out of the gang and go to college, and he has squashed a lot of beefs. He’s like a father figure to these kids and he is very fond of them.”
Then there’s local fashion entrepreneur extraordinaire Jarmal Harris. He founded the Jarmal Harris Project, a non-profit organization that works with D.C.-area youth to provide them with opportunities in the fashion industry and beyond.
“Harris runs a fashion camp for high school age kids that trains them in all elements of the fashion industry,” Oppenheimer says. “The film follows some of the Check It kids through six weeks of this fashion camp. Then a handful of them are chosen to go to Fashion Week in New York City. That’s kinda the spine of the film.”
Lumpkin is thrilled to be hosting the Spotlight Screening of “Check It.”
“It has been on my radar for years and I’m really happy to present the hometown premiere at AFI Docs,” Lumpkin says. “It’s the screening I can’t wait for. It’s going to be electric.”
“This film is about a community that isn’t given visibility very often,” he says. “The concept of a queer gang was just something I had never considered. For most gay people, those two ideas just don’t match up. But when you learn about their story, it makes perfect sense. For this community, that’s how they protect themselves; that’s how they survive. People who are queer have to come up with mechanisms for how they’re going to survive the world they come into.”
Lumpkin is also full of praise for the filmmakers.
“It’s fresh and new,” he says. “It was the subject matter that drew me to the film. But it was also the approach the filmmakers took to the subject matter. It’s honest, it’s respectful. Like all excellent documentaries, they provide their subjects with the space for them to have a voice. It takes a lot more than just putting a camera in front of somebody and filming them.”
The members of the Check It agree with Lumpkin’s assessment of their crew and the film. In the film, one of the members says, “It was because of the Check It that these faggots feel more comfortable within themselves to come outside. We can go out in public without being criticized. If they criticize us, they know there will be consequences.”
Towards the end of the movie, another member says, “No one was gonna stand up for us. We stood up for ourselves.”
Tray, one of the film’s subjects, has started actively promoting the documentary at film festivals around the county. Although he initially didn’t want to be in the film (his late mother talked him into it), he’s been delighted by the film’s reception. “I wasn’t sure if people would understand the movie,” he says, “but they actually loved it and they gained something from it. That was the most important thing we wanted.”
Tray says some of the attention has been overwhelming.
“Everywhere we go, people know who we are, but we don’t know who they are. They know our names, but we don’t know theirs.”
Inspired and supported by Moten and Harris, the founding members of the Check It have become role models and entrepreneurs. Oppenheimer says some of the gang members are looking into becoming outreach workers themselves, and that Moten is looking for opportunities for them to talk to younger kids who are still out there.
Flor also reports that the youth have started to launch their own fashion label, Check It Enterprises. They’ve just set up their website and are currently selling stylish T-shirts to the general public. She says, “Basically the idea is to take their skills and turn it to something positive and that’s fashion. They’re pretty fly.”
As for the members of the Check It profiled in the movie, Trey says, “We’re focusing on the documentary and on launching our business. We’re putting 100 percent into it so we can get it off the ground the way we want it to be. Everything is coming together.”
Flor is glad that this movie has been a catalyst for the youth profiled in the film, but notes that more action is urgently needed.
“Marginalized LGBT youth, especially youth of color, exist everywhere,“ she says. “This is our city and these are our kids. People have really turned a blind eye to what’s going on and they should be getting a lot more support.”
“For a city like Washington, that is seen as quite progressive in the way LGBT groups are treated and respected, these kids are not getting the respect, the attention and the opportunities they deserve,” Oppenheier says. “They’re in plain sight but they’ve been quite forgotten. We hope that this film will shine a light on these amazing kids and show them for the smart, ambitious, funny, sensitive human beings that they are.”
And as Tray says in the movie, “I know I’m not where I want to be, but I’m not where I was yesterday. … You don’t have to be afraid to tell your story.”
a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
a&e features
Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
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