a&e features
Actress Marlene Forte dishes on her ‘Fear the Walking Dead’ role
‘I try not to judge my villain characters’
Marlene Forte has probably been on everyone’s living room television at one point or another. Forte has built a 20-year career on guest starring and recurring television roles. From the role of Carmen Ramon on the TNT reboot of “Dallas” to a recurring role as the grandmother of Marianna and Jesus on “The Fosters,” Forte is no amateur to television work. Yet her role as villainous Celia Flores on “Fear the Walking Dead” has been her most chilling to date.
Celia is the former housekeeper and mother figure to Thomas Abigail (Dougray Scott), the partner of mysterious business man Victor Strand (Colman Domingo), and actual mother of Abigail’s right-hand man Luis. The second season of “Fear the Walking Dead” revealed Strand had led the group to Mexico so he could reunite with his lost love Thomas. Joining Thomas means the group must deal with Celia who has her own ideas about the dead who walk the earth.
Celia’s influence is quickly felt throughout the group as she preaches her dead-positive ideology, immediately taking drug addict Nick (Frank Dillane) under her wing. Not everyone is as enamored as Madison (Kim Dickens) grows suspicious of Celia’s connection to her son Nick and Strand battles Celia over Thomas’s death. The growing tension leads to Celia’s death by the hands of Madison at season’s end.
Washington Blade spoke with Forte about the mindset of a villain, working on a zombie show with a zombie fear and her thoughts on the first in-depth gay storyline in “The Walking Dead” universe.
Washington Blade: “The Walking Dead” is such a huge franchise. What was the audition process like for “Fear the Walking Dead” and were you intimidated at all?
Marlene Forte: Well, at this point in my life I don’t get too intimidated in auditions. I was excited as hell just because I knew the thing of it. And it’s really funny because I watched “Night of the Living Dead” when I was like 10 years old by myself. And I woke up one day at like ten o’clock in the morning and it was playing. It scared the shit out of me so much that I have stayed away from zombie things for a long time. I was like, “I don’t want to be cremated, don’t put me in the ground, I don’t want to come back.” My dad who is almost 80 is a humongous fan of “The Walking Dead,” “Fear the Walking Dead” and “Talking Dead.” He has been trying to get me to see it for years.
So I get this audition and now I have to. I had watched “Fear the Walking Dead” because I’m very good friends with Elizabeth Rodriguez who played Liza in the first season. I had seen that season and that was it. But before then, just to do a little more research, I watched the first season of “The Walking Dead.” I was hooked so quickly. Once I booked the job I went down to Mexico. I got down there and I binge watched all the seasons in three weeks. So imagine this, during the day I am shooting “Fear the Walking Dead” and at night I’m going home to gorge on “The Walking Dead.” It was like a drug. I loved these people and I wanted to know what was going on with these people. Now I’m having conversations with my 80-year-old dad who is like “I told you how great this show is! It’s not about the dead people!”
It’s ironic that I ended up getting this character because it took me so long to get over it. The hardest scene that I had to do was when my son comes back like a zombie. And I have to be close to him and the makeup is insanely great. And he’s drooling and there is blood spitting out and I’m like, “I’m going to throw up.” But it was like going to Disneyland on this show. It was so much fun.
Blade: A lot of Celia’s storyline was closely tied to Nick. What was it like working with Frank Dillane?
Forte: He’s mercurial. He’s amazing. I said to my husband, “If Johnny Depp and River Phoenix had a baby it would be Frank.” He’s got all that and more. He’s sweet, generous and polite. He’s going to be a superstar, watch out for him. It was lovely. The whole cast are powerful actors and it was a blessing. I’ve been doing this for 20 years and I don’t get excited about a lot of things anymore. I’m one of those actors who haven’t worked with too many uptight people and too many divas. But this was fun. It was like a paid vacation for me because I was delving into this whole new zombie world. Frank is phenomenal. I want to adopt him. What a nice man. And he’s got this great accent. I only knew him from watching the show. And at the table read I heard this London accent and I was like, “What? You don’t talk like that.” He’s very cute with that accent.
Blade: Celia has this cult leader vibe. You want to trust her, but she’s very creepy. In the finale Nick seemed sucked into her spiel about not being afraid of the dead. Do you think that affected his decision to leave his family?
Forte: Absolutely. I think she’s got him. Now of course, Nick’s character is a drug addict. These are people who are vulnerable human beings. Which she sees the minute he walks through the kitchen. She identifies him and goes after him. Like any good cult leader will do, right? She’s like, “Another one of my children, another one of my lambs.” But like he said at the end, “We caused this.” So he can now rightly or wrongfully move away from his family. It’s a pretty powerful moment when you see him walking with the dead like that.
Blade: Did Celia feel like the relationship between Thomas and Strand was genuine?
Forte: Marlene thinks their relationship was genuine. I’m not too sure Celia does. I think Celia thinks that Thomas was genuinely in love with Strand, but I don’t think she’s ever trusted Strand. I try not to judge my villain characters. Because the most warped human being doesn’t think they’re warped. They think they’re coming from a place that’s very logical in their head. In my background story, I don’t know if this is what the writers did, but Thomas was gay and his parents disowned him. So I have been taking care of him from a very young age. I’ve been his mom in my head since he was like 12, when he first realized that he was gay. In my head that’s why he’s my son. I took in him, I take in Nick and I take in anyone who is lost. And that’s how her culture formed; it’s the outsides of society. Her children.
Blade: You’ve also appeared on “The Fosters.”
Forte: Yeah, it’s a very different character. I played Cierra Ramirez’s grandmother. She is also a mom and also very loving, but completely on the other spectrum of Celia. The truth is that in my 20-year career those are really the roles that I’ve played. A lot of weepy moms, a lot of procedurals where I’m crying over some dead thing or another. The role of Celia is such a breath of fresh air because it’s something as an actress I can sink my teeth into. I love playing those other roles, but they’re very one or two-dimensional characters where you fit into a half-hour show. A character like this is almost like a play where there are so many layers. It was a different experience then you would have on a TV set.
Blade: What did you think about having such a large plot device revolve around a gay relationship on a show as big as “Fear the Walking Dead?”
Forte: I loved it. When I saw where it was going I thought “This is great.” Also, nobody made a thing of it which is kind of the way young people today are. Now my 80-year old dad, he doesn’t like it. He’s a good old Catholic Cuban. But my niece who is 21 doesn’t blink an eye. I like that it wasn’t beaten over the head or anything. It’s just part of the fabric. You love who you love. I’d rather them love each other than beating up each other or shooting up each other.
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
a&e features
Looking back at the 10 biggest A&E stories of 2025
‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more
Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.
With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:
10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes

The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.
Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”
9. ‘The Last of Us’ returns for an even gayer season 2
While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.
8. ‘Emilia Pérez’ sparks controversy
Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.
7. ‘Sorry, Baby’ establishes Eva Victor as major talent
Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.
Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.
6. Paul Reubens comes out in posthumous doc

While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.
The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.
5. Lady Gaga releases ‘Mayhem’
Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”
4. Cynthia Erivo, Ariana Grande perform at the Oscars

While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.
3. Indya Moore speaks out against Ryan Murphy
Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.
2. Cole Escola wins Tony for Best Leading Actor
Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.
The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!
1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’

The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.
“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.
a&e features
Your guide to D.C.’s queer New Year’s Eve parties
Ring in 2026 with drag, leather, Champagne, and more
With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.
Pitchers
This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.” There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.
Trade
D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.
Number Nine
While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.
Crush
Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.
Bunker
This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.
District Eagle
This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.
Kiki, Shakiki
Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.
Spark
This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks).
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