Arts & Entertainment
Out actor relishes ‘Superstore’ role
Nico Santos says playing gay and Filipino is double blessing


Nico Santos, front left, as Mateo in ‘Superstore.’ (Photo by Chris Haston; courtesy NBCUniversal)
While big-box retail store customers have their own set of problems, such as navigating the endless aisles, employees dwell in their own retail hell. “Superstore” is NBC’s latest workplace comedy from the executive producer of “The Office” and stars America Ferrera (Amy) and D.C. native Ben Feldman (Jonah). Employee frustrations are amplified at the fictional Cloud 9, a Walmart-esque superstore, such as assisting irate customers and accidentally marking electronics at $0.25 instead of 25 percent off causing a riot in the store.
Mateo, played by Nico Santos, 37, is a newly hired Cloud 9 associate who won’t let the annoyance of retail, or anyone, stand in the way of his ambition to succeed at work. Mateo also happens to be a gay Filipino man and undocumented illegal immigrant.
Santos and Mateo have a lot in common — Santos is also a gay Filipino man, but is launching a professional acting career instead of working the sales floor. Born and raised in the Philippines, Santos immigrated to the United States at 15 years old and has been immersed in the performing arts ever since.
Speaking to the Washington Blade in between filming the show’s Halloween episode, Santos talked the horrors of retail, Mateo’s upcoming love interest and how wearing chaps might be the hardest part of being a cowboy.
WASHINGTON BLADE: How did you get into acting?
NICO SANTOS: I was in a few high school plays and musicals and I majored in theater as well. But I kind of deviated from that and my background mostly is in stand-up comedy. When I lived in San Francisco, I started stand up comedy there. I moved to Los Angeles six years ago doing stand up and just trying to get my half-hour Comedy Central special going and trying to get my name into comedy clubs here. But I auditioned for the CBS Diversity Showcase, which is an industry showcase here that’s presented to agents and casting directors. And that’s how I got my agent. I started going out on auditions and started booking small roles here and there. Then “Superstore” came along and it’s been my first professional acting job. I still can’t believe that all of this is happening. It’s a new world to me.
BLADE: When you first auditioned for “Superstore” did you immediately connect with the character of Mateo?
SANTOS: I did. Mateo was originally written as a straight, Latino guy. Sort of like a tough gangster guy. But I was reading the text of the materials that were sent to me and he comes from the same sort of immigrant background and had a large family, and I came from the same background. So it was something I was drawn to. But I was reading the text and I was thinking to myself there’s no way I can play a butch, Latino gangster. I can play butch, but not that butch. So I just kind of scanned the text and was like, “I can totally picture a shady queen saying these words.” So I kind of made it my own, and they loved my take on the character and changed the character to be a gay Filipino.
BLADE: That’s a rare representation on TV. How do you feel about that?
SANTOS: I’m so happy that I get to be a part of this new way of Asian representation that’s happening right now. The last couple years you’ve had shows like “Fresh Off the Boat” and “Dr. Ken” and now “Superstore.” But certainly the representation of Asian Americans and Asians in general has been a lot better these last couple of years. But it is so rare to see a gay Filipino character in television. I’ve talked to all my other Filipino actor friends and a lot of times we get asked to play other Asian parts. Like the auditions we go to we get asked to play Japanese or Chinese or Korean. We never get to play Filipino, which still boggles my mind because we are one of the largest Asian minorities in the United States, but we’re hardly represented in the media. I’m definitely so happy that I get to represent not only the LGBT side of my community, but the whole Filipino community as well.
BLADE: “Superstore” is a workplace comedy comparable to other shows like “The Office” and “Parks and Recreation.” Do you ever feel any pressure to live up to that?
SANTOS: Yes and no. Obviously I would love for our show to have such a long and successful run like “The Office” and “Parks and Recreation.” I certainly hope that’s in our future. I know we’ve been compared to those shows, but I think we are very unique and have found our own voice early on. I will say the one main difference that separates us from those shows is not everyone has worked in an office. But everybody has been in one of these stores whether you have been behind the register or in front of the register. It’s something we’ve all experienced. I think that’s why it’s struck a chord with everybody. Not only do you see or recognize these characters and everyone in the cast but it’s something you experience every day. You have to go to a store every day to get your necessities.
BLADE: Have you ever worked in a big-box store like Cloud 9?
SANTOS: I’ve never worked in a big-box store, but I have plenty of retail experience. When I used to live in San Francisco and started doing stand up comedy, my day job was working retail. But I worked in high-end luxury retail. So I worked at Neiman’s and Jimmy Choo and Dior. Honestly once I started working on this show, I was able to draw on that retail experience and use it. I was like, “All eight years of working retail finally paid off.” Because it doesn’t matter whether you’re selling $0.99 toilet paper or a $10,000 gown, it’s all the same crazy customers that you have to deal with.
BLADE: How would you compare yourself and Mateo as employees?
SANTOS: There’s a lot of me in Mateo and that’s why I love playing him. I’m maybe not as backstabby. Mateo will backstab anybody who gets in his way. When I’m working on the job I want to do it well and I kind of obsess over it. I always make sure that the job that I take is something that I enjoy. So there’s definitely a whole lot of me in Mateo.
BLADE: Being an out, gay actor, what’s it like representing the LGBT community on a show that has such a wide reach as “Superstore”?
SANTOS: I’m really happy to do that. LGBT representation has sort of changed throughout the years. With shows like “Will and Grace,” you have Will who is sort of like a more masculine character, but the character Jack got a lot of criticism for being flamboyant. And now a character like mine who is more on the feminine side I think even like five years ago would have been criticized like, “Oh, you guys are playing a stereotype.” To me, I always get so annoyed when people criticize gay men for being feminine. Being feminine is not a bad thing. That’s part of the spectrum of the LGBT community. Just because a gay man is feminine that’s not a stereotype. Feminine gay men exist, and they need to be represented. Especially for me, I am feminine in real life and not having seen those characters before as just a regular guy on television I think is important.
BLADE: What can you tell us about Mateo’s upcoming love interest this season?
SANTOS: It’s great because how it comes about is really unexpected. For Mateo, he’s still figuring out does he like this guy, how is this going to benefit him. There’s always that question in the back of his head of what’s in it for him. I think the storyline is really great. My love interest is being played by this great actor Michael Bunin who is so funny and so charming. I think audiences will get a real kick out of it.
BLADE: Any sneak peaks about the Halloween episode that you’re filming?
SANTOS: All I can tell you right now is that I’m a cowboy for this episode and I’ve been wearing cowboy boots and chaps all day. After doing all my scenes in chaps and cowboy boots, I have a newfound appreciation for cowboys. I will certainly be watching “Brokeback Mountain” with a completely different lens now.

Nico Santos as Mateo in ’Superstore.’ Though he says he’s less ‘backstabby’ in real life, Santos identifies with his character. (Photo by Chris Haston; coutesy NBCUniversal)
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.
(Washington Blade photos by Michael Key)























The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.
(Washington Blade photos by Michael Key)


































