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‘Rocky Horror’ remake is pale and pointless imitation

Despite strong Laverne Cox performance, too many commercials sap made-for-TV production

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The cast of 'Rocky Horror.' (Photo courtesy Fox)

The cast of ‘Rocky Horror.’ (Photo courtesy Fox)

With its endless commercial breaks, the broadcast of Fox TV’s “The Rocky Horror Picture Show: Let’s Do the Time Warp Again” was doomed to failure. The televised film can never gain any momentum and lots of great material had to be cut or sanitized to cram the musical highlights into a two-hour prime time network television slot.

Actually, with perpetual pop-up ads for the soundtrack running during the movie (on sale today!), the commercials never really stopped.

Although the streaming experience may not be much more pleasant, there are some moments to enjoy. With an able assist from the Transylvanians, Ryan McCartan as Brad and Victoria Justice as Janet bring an earnest unforced innocence and good comic timing to “Dammit, Janet.”  The choreography is light and inventive, and staging the number in a cemetery with a tombstone for Mary Shelley is a clever touch.

On the wild side, Laverne Cox (Dr. Frank-N-Furter) finally captures the mad scientist’s dangerous and delightful sense of menace during “Planet Schmanet Janet.” The movie briefly sparks to life as Cox strides through the mansion in her sexy new costume. Frank is suddenly in command, whipping the servants and humans into shape and releasing the powerful Medusa Transducer.

With powerful vocals and an elegant staging, Cox also delivers a fine rendition of the ballad “I’m Going Home.” The number pops when the camera pulls back from a close-up of Cox to reveal the wildly cheering onscreen audience. Although they’re separated by time and space, Cox basks in their applause. It’s a glimpse of magic.

But, aside from a few moments like these, Fox TV’s “The Rocky Horror Picture Show: Let’s Do the Time Warp Again” never captures the subversive magic or manic energy of the original stage musical or the unforgettable 1975 movie. It’s a remake without a cause, a pale imitation hampered by an awkward framing device, bad production choices and some terrible acting.

Director Kenny Ortega and Costume Designer William Ivey Long seem paralyzed by the material. In a botched attempt to capture the feel of a midnight screening, Ortega frames the movie with an onscreen audience, a poorly-conceived and unevenly executed idea. The choreography is sloppy and the bizarre design theme seems to be “anything but the original.”

Working with a director who could capitalize on her extraordinary talents and experiences, Laverne Cox could be a revelatory Frank. Here, her performance never recovers from the hideous headdress that literally masks her big entrance. The casting of veterans Tim Curry (the Criminologist) and Ben Vereen (Dr. Scott) never really works (although Jayne Eastwood is captivating as the Criminologist’s Butler) and most of the younger performers seem to fade away into the background. Reeve Carney’s Riff Raff is especially odd, a lifeless impersonation of Richard O’Brien (the man who wrote the show and played Riff Raff in the original stage and screen productions).

The original movie of “The Rocky Horror Picture Show” is both a camp classic and a cornerstone of modern queer culture. It’s offered generations of misfits a vision of a fabulous alternative space where they could find community and validation. Hopefully. “TRHPS:LDTTWA” won’t spoil that experience for future generations.

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Photos

PHOTOS: Walk and 5K to End HIV

Whitman-Walker Health holds 40th annual event

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A scene from the 2026 Walk and 5K to End HIV on Saturday. (Washington Blade photo by Michael Key)

Whitman-Walker Health held the 40th annual Walk and 5K to End HIV at Anacostia Park on Saturday, Sept. 19.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: Wanda Alston Foundation Fall Reception

LGBTQ youth services organization honors Robert White, Japer Bowles, Washington Capitals

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Rayceen Pendarvis was the emcee at the Wanda Alston Foundation 2026 Fall Reception. (Washington Blade photo by Michael Key)

The Wanda Alston Foundation held its Fall Reception at the Penthouse Rooftop at The Wharf on Friday, Sept. 18. Honorees included D.C. Councilmember Robert White, Director of the Mayor’s Office of LGBTQ+ Affairs Japer Bowles, and the Washington Capitals. Rayceen Pendarvis served as the emcee and entertainment was provided by the Thomas Circle Singers.

(Washington Blade photos by Michael Key)

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Books

Curl up with a good book this fall

New releases include mysteries, biographies, religion, and more

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(Book cover image courtesy Amazon)

The fall books season offers lots of options so curl up and get ready to read.

FICTION

For the mystery fan who likes a sprinkle of thriller, look for “The Longest Death” by Kevin Jagernauth (Soho Crime, December). Richard Cobson hates his small town, he’s bored and desperate to get away. Stealing from his employer is the only thing that makes life bearable. That all changes when Marlon Montgomery comes to town and the two fall in love because if one guy can steal so easily, what can two do?

If you like graphic novels, try the “Tripping Over You” trilogy by Suzana Harcum and Owena White. Milo and Liam are finally able to be open about their relationship, no more hiding their love. They’re living together now, but can it last? “Tripping Over You Book 3” (First Second Books) is in stores in early November.

Also try “Diana: The Punk Singer Who Ripped Through Time” by Nate Powell (Abrams ComicArts, October). It’s about a  young woman who’s trying desperately to escape her past, until a mysterious murder sidetracks her plans.

So you say you’re a romantic at heart? Then look for “Unspeakable Things: A Novel” by Elizabeth Hand (Little, Brown & Company, October). It’s a story set in the 1920s, when two young women arrive in the English Countryside to a dark and ancient manor. But, of course, nothing in a Gothic novel is easy, right? And you’ll love this tale.

NONFICTION

So this upcoming year is going to be one of exploration, right? Then look for “Free Love: Adventures in Marriage and Polyamory” by Michelle Tea (HarperOne, November). It’s a well-researched, personal, and interesting look at the lives of polyamorous couples and what it’s like to live what used to be called an “alternative” lifestyle.

If “fall” says “biography” to you, then look for “Showbiz! My Life as a Middle-Aged Man” by Murray Hill (Gallery Books, October). For decades, Hill has been making audiences laugh with his signature humor, but getting laughs hides his past all too well. He grew up in an abusive family and learning to hone his talents took some ingenuity. If you’re not a Hill fan yet, you will be, once you read this book.

For the reader who’s searching for a spiritual place, “Reading the Bible Through Queer Eyes: Good News for LGBTQ+ People from Genesis to Revelation” by podcasters Brian G. Murphy and Shannon T.L. Kearns (HarperOne, December) might help. Here, the authors look deeply at Scripture to find the queerness that’s there, proving to readers that the Word is not always what it seems.

Young readers may want to check out “Bitter Pill: Randy Shilts and the Dawn of the HIV/AIDS Epidemic” by Clement Xavier, illustrated by Heloise Cochois, foreword by Michael Lee (Abrams ComicArts, November). It’s a highly researched true story of activist Shilts, but also of Harvey Milk, and the earliest days of the AIDS crisis, when gay men needed a loud voice to advocate for them.

And finally, if you want a fun book for your kids or a child you love, look for “Good Night, Break a Leg: Life with Broadway Dads” by Bret Shuford, illustrated by Elena Hager (Penguin Workshop). What do parents do when they go to work? A little boy learns that his dads have very special jobs by day – and by night! It’s a cute book for kids, but a special tale for lovers of Broadway.

Be aware that publication dates change, titles change, books can be canceled, and your librarian or favorite bookseller can help you find what you need. Season’s readings!

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