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Christmastime with Lorrie Morgan

Country diva reflects on life, family and career in advance of Birchmere show

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Lorrie Morgan, gay news, Washington Blade

Lorrie Morgan has had a busy year. In addition to her first solo album in five years, she also put out a collection of re-recordings of her hits. (Photo courtesy Morgan)

Lorrie Morgan’s Enchanted Christmas

 

Sunday, Dec. 18

 

7:30 p.m.

 

The Birchmere

 

3701 Mount Vernon Ave.

 

Alexandria, VA

 

$45

 

birchmere.com

It’s been a busy and successful year for country diva Lorrie Morgan. February saw the release of her first solo album in five years, “Letting Go … Slow,” followed by a re-recorded hits collection, “A Picture Of Me — Greatest Hits & More,” a month later.

In addition to recording, Morgan has been on the road performing her own concert dates along with doing her “Grits and Glamour” show featuring fellow country star, Pam Tillis.

December finds Morgan touring with her “Enchanted Christmas” show, which comes to the Birchmere on Sunday, Dec. 18. This is the country star’s third time in the D.C.  area this year, but her first time playing the Birchmere.

During an early morning phone interview, Morgan talks about Christmas, her new music, her gay following among other things from the front porch of her new home in Portland, Tenn.

WASHINGTON BLADE: What can fans expect from your Christmas show?

LORRIE MORGAN: The only thing they can expect is I’m actually not doing any of my hits. It’s all keeping Christ in Christmas and it’s all about Christmas. I just decided you know what, I’m not here to promote my songs. I love Christmas. I’m very dedicated to that time of year and I feel like all through the year I do songs about me and now it’s about Christ so that’s what we’re gonna do.

BLADE: Do you have a favorite childhood Christmas memory?

MORGAN: People ask me all the time about my favorite childhood Christmas memory and I don’t have any, because they were all the best I ever had. Christmas growing up at our house was a magical time. My dad believed in surprises and magic and candy land and just created this fantasy for us children that was a double-edged sword because when we grew up, we were in for a big surprise (laughs). It was always a magical time for me. There were no favorite memories, they were all perfect for me.

BLADE: You’ve recorded two Christmas albums, the popular 1993 “Merry Christmas From London” and 2007’s “An Old Fashioned Christmas.” With touring the last few holiday seasons, do you plan on recording another Christmas album?

MORGAN: Not right now. My next album I want to do is a country oldies and the next one is a gospel album. I’m really looking forward to that. I don’t know when a Christmas album would be due. I don’t think I could ever top “Merry Christmas From London.”

BLADE: Would your country oldies album be similar to your 2009 country covers album, “A Moment In Time”?

MORGAN: Um, not as lush as “A Moment in Time.” I’m actually gonna do it as a duet album with Pam Tillis. She’ll be doing part of ’em and I’ll be doing part of ’em. It’ll be produced by Richard Landis, so I’m really excited about that. Very excited.

BLADE: Speaking of Pam Tillis, the two of you have been doing a successful tour for the past few years called “Grits and Glamour” and recorded an album together (2013’s “Dos Divas”). You have this great chemistry together on stage. Why do you two get along so well?

MORGAN: It’s funny (laughs) I don’t know if you’ll understand this or print it correctly, but we’re like a couple old broads walking around in a daze in a new music industry … blind leading the blind and we’re having a blast. We laugh at everything. We’re blessed, selling out crowds. I get tickled and she gets tickled and most of the time I get tickled about her. Pam is … we’re both perfectionists in our music. I’m more loose on stage and she about falls off her stool because she never knows what I’m going to say.

BLADE: You’ve released quite a few albums that while they’ve had great songs, they didn’t get the recognition they deserved. Do you ever get discouraged?

MORGAN: Oh yeah, I do, but it’s a natural part of the business (pauses). It’s kind of like living and dying. You know dying is a natural part of living and nobody’s on top forever and nobody can be on top forever and you never brace yourself for that moment when your like, “Damn, I haven’t had a hit record in 24 years.” (laughs)

BLADE: Your new album, “Letting Go…Slow” is a mixture of different genres that features originals along with a handful of covers. What inspired you to record this type of album?

MORGAN: Well, it’s been over five years since I’ve had a solo album of my own and these are songs I handpicked myself, songs I wanted to do for 20 some years and for one reason or another never got to do them. I don’t know, I don’t feel like there’s a reason or plan to release a country album. I just wanted to release these songs. The song that inspired the album is a song called “Spilt Milk.” I heard that song, God, 16, 17 years ago. I was at a benefit in New York City and the entertainer that night was Kristina Train and I never heard of her in my life and she came out and was just this class act with a great band behind her. She started singing “Spilt Milk” and my eyes started crying, I was like, “I’m out of control here.” I finally got to meet her this year at the Opry and she was so sweet and complimentary of our version of her song.

BLADE: Has “Spilt Milk” inspired you to maybe record a jazz album?

MORGAN: Oh yes! I plan on doing everything. I’m excited about it.

BLADE: You released a second album this year, “A Picture of Me — Greatest Hits & More.” How did that come about?

MORGAN: Well, a label contacted me from California and they wanted to redo, remake the hits, which is always kind of weird to me. The only thing that interested me in doing it was I got to put new songs on the album. I got to do a lot of Keith (Whitley) songs.

BLADE: Any plans to do a whole album of Keith Whitley songs?

MORGAN: I want to, but it’s a fine line to what people think you’re doing it for and just being respectful. My son (Jesse Keith Whitley) is following in his dad’s footsteps and he’s doing great. I’m gonna save that stuff for him.

BLADE: When did you first notice you had a gay following?

MORGAN: God, it’s been a long time, a long time! Let me see (pauses) it’s been probably 30 years (laughs).

BLADE: What do you think the appeal is?

MORGAN: I think they know I’m real. I don’t judge people. I love music, I love singing about real issues and life and women just don’t go through that stuff, men do as well. I’ve had a lot of gay friends all my life. One of my best friends is gay and we have the best time when we’re together that I can ever have with anybody. I guess it’s just the appeal that I don’t judge, I really don’t give a damn what your sexual preference is, I really don’t care. You know what my favorite movie is? “Birdcage.” I love that movie, me and my best friend always … he calls Miss. Albert because I’m always like, “I need a Pirin tablet” (laughs). I love that people are lightening up and seeing that this is not a bad thing. I’d like to delve back, I don’t know if anybody ever has, but I’d like to delve back to the early days of Christianity or before and see (pauses) I’d like to see when people first started feeling those emotions. Wouldn’t you?

BLADE: Yeah, it would clear a lot of things up. I think so much of how you treat people has to do with how you’re raised and your surroundings.

MORGAN: I think a lot of it and most of it. What doesn’t bother me is the love. When you love somebody with your heart and soul, I don’t think God can look down on that. I just don’t. Now if you walked around hating people and looting, killing people, that’s not good. But softness and being kind to people, nurturing someone. I don’t believe God looks down on that. I did a gay pride festival a couple years ago and it was one of the most fun shows I’ve ever done in my life. These people knew ever word, they were dressed like me, we were excited, they were excited and we had the best time.

BLADE: Quite a few years ago, you said, “Drama is something that lets you know you’re still alive.” Do you still feel that way?

MORGAN: I do, you know, the older I’ve gotten I thought the drama would settle down, but there’s a new kind of drama now. I had a friend of mine who told me that every seven to 10 years you go through changes with your body that open your eyes to learning what you had questions to for years. Now there’s a new drama in my life, not so much romantic drama, boyfriend/girlfriend drama, now it’s losing people you love, it’s a different age of my life and kids growing up, and grandkids and worrying about different things. With each part of your life there becomes a different drama you have to deal with. Yeah, it still lets you know you’re alive. You have tears and you have heartbreak and I feel sorry for people who don’t have a friend who they have loved and have lost because there’s no way to describe that feeling of overcoming, but you gotta learn to live with it and it makes you a stronger and better person.

BLADE: I feel you gotta lose a little bit to gain more in the long run as you get older.

MORGAN: Well you are right. Let me tell you something sweetie, it only gets better. It does. When I hit 40, my girlfriend told me it’s like magic. You wake up and you’re 40 and (laughs) I get it now! I wake up and I’m like, “Oh my God, I know all the answers to the questions I had all these years.” Then you hit another slump and you’re an idiot again (laughs). Then you find out that every five, seven, 10 years, you hit this new horizon that puts you at another level and it’s interesting to sit back and let it happen.

BLADE: You’ve accomplished so much in your professional and personal life. What are you most proud of?

MORGAN: I know it’s corny, but it’s gotta be my children. What they lived through at the height of my career and they were little. I always tried to make their basketball games and their proms and their school picnics and I did really damn good. You know, I would cancel a $60,000 date to make my son’s basketball game. I didn’t care at that time. They were and they are the most important things in my life. My daughter is a wonderful mother and she’s full of funny, loving ways. My son is wild as a damn buck, but he’ll give you the shirt off his back. He’s just a good ol’ southern rocker boy. My grand kids and what we have, what Randy and I tried to make is a peaceful place our kids can always come. I’ll never turn my kids away. Are they perfect? No, show me someone who is. To me they are. My son gets to go on the road with me a lot. He sings a couple songs when he’s not working. I just love those kids! They are my life.

Lorrie Morgan, gay news, Washington Blade

Lorrie Morgan says despite the ups and downs of her career and personal life, her gay fans have stuck by her. (Photo courtesy Morgan)

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MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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Visible and unapologetic: MAL brings the kink this weekend

Busy lineup includes dances, pups, super heroes, and more

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A scene from the 2025 Mr. Mid-Atlantic Leather competition. (Washington Blade file photo by Michael Key)

MLK Weekend in D.C. brings the annual Mid-Atlantic Leather (MAL) Weekend. Just a short walk from where Congress has been attacking queer Americans this year, MAL takes place at the Hyatt Regency Washington for several days of intrigue, excitement, leather, and kink. 

The Centaur Motorcycle Club — one of several similar groups dedicated to leather in the country — has been hosting MAL in its current form for more than 40 years. Originally a small gathering of like-minded people interested in the leather lifestyle, MAL has grown to include a full four days of events, taking place onsite at the Hyatt Regency Washington (400 New Jersey Ave., N.W.). Select partner happenings take place each night, and many more non-affiliated events are scattered across the DMV in honor of and inspired by MAL.

MAL Weekend has become an internationally renowned event that celebrates fetish culture, yet it also raises funds for LGBTQ organizations, “reinforcing its legacy as both a cultural and philanthropic cornerstone of the global leather community,” according to MAL organizers.

During the day, MAL events at the Hyatt include workshops, social gatherings, shopping, and other in-person engagements for the community.

“The Hyatt underwent an extensive top to bottom renovation after last year’s event,” says Jeffrey LeGrand-Douglass, the event chair. The lobby, meeting spaces, guest rooms, and other areas have been updated, he notes, “so I am very excited for our guests to experience the new design and layout for the first time. And of course as with every year, we look forward to the contest on Sunday afternoon and  seeing who will become our new Mr. MAL.”

In the evening, MAL hands the reins to partner KINETIC Presents, the D.C.-based nightlife production company. KINETIC will host four consecutive nights of high-production events that fuse cutting-edge music, immersive environments, and performance. This year, KINETIC is popping open doors to new-to-MAL venues, international collabs, play zones, and a diverse lineup.

According to KINETIC managing partner Zach Renovátes, 2026 is the most extensive MAL production to date. “The talent lineup is unreal: an all-star roster of international DJs, plus drag superstar performances at the Saturday main event,” he says.

Renovátes added that he’s “most excited about the collaborations happening all weekend — from bringing in MACHO from WE Party Madrid, to teaming up with local leather groups, to nonprofit partners, and Masc Diva [a queer nightlife collective].”

Official MAL events begin on Thursday with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. at the Hyatt. 

Thursday night is also the KINETIC kickoff party, called LUST. Running 10 p.m. – 3 a.m., it’s being held at District Eagle. DJ Jay Garcia holds it down on the first floor, while DJ Mitch Ferrino spins in the expansive upstairs. LUST features special performances from the performers including Serg Shepard, Arrow, Chase, and Masterpiece.

Renovátes notes that the LUST opening party at District Eagle coincides with the bar’s grand re-opening weekend. The bar will unveil its new permanent home on the renovated second floor. “it felt like the perfect place to start Mid-Atlantic Leather weekend — right in D.C.’s only dedicated home for kink communities,” he says.

After Thursday night, Friday is when daytime events begin at the Hyatt. The Exhibit Hall, on the ballroom level below the lobby, hosts upwards of 30 vendors, exhibitors, and booths with leather goods, fetish wear, clothes, toys, other accessories, providing hours of time to shop and connect with attendees and business owners. The Exhibit Hall will be open on Friday from 4-10 p.m., as well as on Saturday and Sunday afternoons. 

DC Health is once again back at MAL, to provide preventative health services. In the past, DC Health has provided MPox vaccines, Doxy PEP, HIV testing, Narcan kits, and fentanyl test strips. This booth will be open on Friday 4-10 p.m.

Later, at 6 p.m., the Centaur MC is holding its welcome reception on the ballroom floor. After the Centaur’s Welcome Reception, the MIR Rubber Social is 8-11 p.m. A Recovery Meeting is scheduled at 10 p.m. 

Many attendees enjoy visiting the guest room levels of the hotel. Note that to get in an elevator up to a hotel room, a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.

Friday night, for the first time, KINETIC Presents is joining forces with WE Party to bring MACHO to Washington, D.C. This official MAL Friday event delivers two stages and two genres. On the UNCUT XXL stage, international Brazilian circuit superstars Erik Vilar and Anne Louise bring their signature high-energy sound. On the MACHO stage, Madrid’s Charly is joined by Chicago’s tech-house force, Karsten Sollors, for a blend of techno and tech house. UNCUT also features the XL Play Zone, a massive, immersive space exclusive to this event. The party takes place at the Berhta space from 10 p.m.-4 a.m.. 

“This year we’re bringing back the two-room format we debuted at WorldPride for both Friday and Saturday, so attendees can really tailor their experience — whether they’re in the mood for circuit or tech house.” says Renovátes.

Directly after Friday’s UNCUT XXL, UNDERWORLD Afters takes over District Eagle, from 3:30-8 a.m. International DJ Eliad Cohen commands the music. 

Saturday, the Exhibit Hall opens earlier, at 11 a.m.. DC Health will also be back from 11 a.m. to 6 p.m.

Saturday is also time for one of the most anticipated events, the Puppy Mosh, running from 11 a.m. to 1 p.m. During the event, pup culture comes to life, when pups, handlers, and friends can enjoy an inclusive, safe pup zone. There is also a Recovery Meeting at 11 a.m., and the IML Judges Announcement takes place at noon.

The popular Super Hero Meet Up will be held 1:30 p.m. – 3 p.m., sponsored by One Magical Weekend, for cosplayers, comic enthusiasts, and their friends.

From 2-6 p.m., the Onyx Fashion Show will take place to showcase and highlight people of color in leather.

Finally, the Leather Cocktail Party – the original event of MAL – will be held 7-9 p.m. in the Ballroom. While this requires special tickets to attend, at 9 p.m. is the MAL cocktail party, which is open to wider attendees.

The last event of Saturday leaves the hotel, again a partnership with KINETIC. Kicking off at 10 p.m. and running until 4 a.m., it’s just the second time that KINETIC’s Saturday night party is an official MAL event and serves as the main weekend engagement. 

Saturday night’s centerpiece is called KINK: Double Trouble. The night will feature a first-ever back-to-back set from international electronic music icons Nina Flowers and Alex Acosta on the Circuit/Tribal Stage. The other room – the Tech House Stage – curated by The Carry Nation and Rose, provides a darker, underground counterpoint, reinforcing the event’s musical depth and edge.

Beyond the DJs, KINETIC has called in the big shots for this party: “RuPaul’s Drag Race” legends Nymphia Wind and Plastique Tiara are set to headline. The party also takes place at Berhta.

Sunday, back at the hotel, there will be another Recovery Meeting at 10 a.m., and the Exhibit Hall opens again from 11 a.m.-5 p.m. 

At 1 p.m., the anticipated and prestigious Mr. MAL Contest that celebrates the achievements of the leather community will be held in the Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. Sash and title winners must be (1) male, (2), a resident of North America, (3) At least 21 years of age; and (4) self-identify as gay. The first Mr. MAL was crowned in 1985. The Winner of Mr. MAL has the privilege of later competing in International Mr. Leather (IML) in Chicago on Memorial Day Weekend 2025. 

From 4 p.m. to 12 a.m., MAL will hold its Game Night for the gaymers in attendance. There will also be a special screening of A24’s new film, “Pillion,” about a man who is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.

Sunday closes with a community partner event produced by Masc Diva, featuring Horse Meat Disco with support from Coach Chris, at A.I. Warehouse in the Union Market district. It’s the same team that produced HMD during WorldPride at A.I. Warehouse. 

Note that there are several types of passes for attendance to the hotel and parties. KINK VIP Weekend Passes include express entry, VIP areas, and enhanced amenities throughout the weekend, while MAL Full Weekend Package holders receive access to the official Sunday closing event.

At last year’s MAL events, KINETIC Presents raised more $150,000 for LGBTQ charities, and expects to match or exceed that impact in 2026.

Renovátes stated that “now more than ever, it’s important to create safe, affirming spaces for our community — but it’s just as important to be visible and unapologetic. We want to make it clear that the LGBTQ+ and leather communities aren’t going anywhere. We’ve fought too long and too hard to ever feel like we have to shrink ourselves again, no matter what the political climate looks like.”

In addition to the KINETIC events, various LGBTQ bars will hold parties celebrating the theme of the weekend. For example, Kiki, located on U Street NW, is hosting a party called KINKI, hosted by DJ Dez, on Saturday night. Sister bar Shakiki, on 9th Street NW, is hosting a party called Railed Out, a fetish-inspired party that features a play zone, on Thursday night. Flash, on U Street NW, will hold its infamous Flashy Sunday party to close out the weekend. 

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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