a&e features
Christmastime with Lorrie Morgan
Country diva reflects on life, family and career in advance of Birchmere show

Lorrie Morgan has had a busy year. In addition to her first solo album in five years, she also put out a collection of re-recordings of her hits. (Photo courtesy Morgan)
Lorrie Morgan’s Enchanted Christmas
Sunday, Dec. 18
7:30 p.m.
The Birchmere
3701 Mount Vernon Ave.
Alexandria, VA
$45
It’s been a busy and successful year for country diva Lorrie Morgan. February saw the release of her first solo album in five years, “Letting Go … Slow,” followed by a re-recorded hits collection, “A Picture Of Me — Greatest Hits & More,” a month later.
In addition to recording, Morgan has been on the road performing her own concert dates along with doing her “Grits and Glamour” show featuring fellow country star, Pam Tillis.
December finds Morgan touring with her “Enchanted Christmas” show, which comes to the Birchmere on Sunday, Dec. 18. This is the country star’s third time in the D.C. area this year, but her first time playing the Birchmere.
During an early morning phone interview, Morgan talks about Christmas, her new music, her gay following among other things from the front porch of her new home in Portland, Tenn.
WASHINGTON BLADE: What can fans expect from your Christmas show?
LORRIE MORGAN: The only thing they can expect is I’m actually not doing any of my hits. It’s all keeping Christ in Christmas and it’s all about Christmas. I just decided you know what, I’m not here to promote my songs. I love Christmas. I’m very dedicated to that time of year and I feel like all through the year I do songs about me and now it’s about Christ so that’s what we’re gonna do.
BLADE: Do you have a favorite childhood Christmas memory?
MORGAN: People ask me all the time about my favorite childhood Christmas memory and I don’t have any, because they were all the best I ever had. Christmas growing up at our house was a magical time. My dad believed in surprises and magic and candy land and just created this fantasy for us children that was a double-edged sword because when we grew up, we were in for a big surprise (laughs). It was always a magical time for me. There were no favorite memories, they were all perfect for me.
BLADE: You’ve recorded two Christmas albums, the popular 1993 “Merry Christmas From London” and 2007’s “An Old Fashioned Christmas.” With touring the last few holiday seasons, do you plan on recording another Christmas album?
MORGAN: Not right now. My next album I want to do is a country oldies and the next one is a gospel album. I’m really looking forward to that. I don’t know when a Christmas album would be due. I don’t think I could ever top “Merry Christmas From London.”
BLADE: Would your country oldies album be similar to your 2009 country covers album, “A Moment In Time”?
MORGAN: Um, not as lush as “A Moment in Time.” I’m actually gonna do it as a duet album with Pam Tillis. She’ll be doing part of ’em and I’ll be doing part of ’em. It’ll be produced by Richard Landis, so I’m really excited about that. Very excited.
BLADE: Speaking of Pam Tillis, the two of you have been doing a successful tour for the past few years called “Grits and Glamour” and recorded an album together (2013’s “Dos Divas”). You have this great chemistry together on stage. Why do you two get along so well?
MORGAN: It’s funny (laughs) I don’t know if you’ll understand this or print it correctly, but we’re like a couple old broads walking around in a daze in a new music industry … blind leading the blind and we’re having a blast. We laugh at everything. We’re blessed, selling out crowds. I get tickled and she gets tickled and most of the time I get tickled about her. Pam is … we’re both perfectionists in our music. I’m more loose on stage and she about falls off her stool because she never knows what I’m going to say.
BLADE: You’ve released quite a few albums that while they’ve had great songs, they didn’t get the recognition they deserved. Do you ever get discouraged?
MORGAN: Oh yeah, I do, but it’s a natural part of the business (pauses). It’s kind of like living and dying. You know dying is a natural part of living and nobody’s on top forever and nobody can be on top forever and you never brace yourself for that moment when your like, “Damn, I haven’t had a hit record in 24 years.” (laughs)
BLADE: Your new album, “Letting Go…Slow” is a mixture of different genres that features originals along with a handful of covers. What inspired you to record this type of album?
MORGAN: Well, it’s been over five years since I’ve had a solo album of my own and these are songs I handpicked myself, songs I wanted to do for 20 some years and for one reason or another never got to do them. I don’t know, I don’t feel like there’s a reason or plan to release a country album. I just wanted to release these songs. The song that inspired the album is a song called “Spilt Milk.” I heard that song, God, 16, 17 years ago. I was at a benefit in New York City and the entertainer that night was Kristina Train and I never heard of her in my life and she came out and was just this class act with a great band behind her. She started singing “Spilt Milk” and my eyes started crying, I was like, “I’m out of control here.” I finally got to meet her this year at the Opry and she was so sweet and complimentary of our version of her song.
BLADE: Has “Spilt Milk” inspired you to maybe record a jazz album?
MORGAN: Oh yes! I plan on doing everything. I’m excited about it.
BLADE: You released a second album this year, “A Picture of Me — Greatest Hits & More.” How did that come about?
MORGAN: Well, a label contacted me from California and they wanted to redo, remake the hits, which is always kind of weird to me. The only thing that interested me in doing it was I got to put new songs on the album. I got to do a lot of Keith (Whitley) songs.
BLADE: Any plans to do a whole album of Keith Whitley songs?
MORGAN: I want to, but it’s a fine line to what people think you’re doing it for and just being respectful. My son (Jesse Keith Whitley) is following in his dad’s footsteps and he’s doing great. I’m gonna save that stuff for him.
BLADE: When did you first notice you had a gay following?
MORGAN: God, it’s been a long time, a long time! Let me see (pauses) it’s been probably 30 years (laughs).
BLADE: What do you think the appeal is?
MORGAN: I think they know I’m real. I don’t judge people. I love music, I love singing about real issues and life and women just don’t go through that stuff, men do as well. I’ve had a lot of gay friends all my life. One of my best friends is gay and we have the best time when we’re together that I can ever have with anybody. I guess it’s just the appeal that I don’t judge, I really don’t give a damn what your sexual preference is, I really don’t care. You know what my favorite movie is? “Birdcage.” I love that movie, me and my best friend always … he calls Miss. Albert because I’m always like, “I need a Pirin tablet” (laughs). I love that people are lightening up and seeing that this is not a bad thing. I’d like to delve back, I don’t know if anybody ever has, but I’d like to delve back to the early days of Christianity or before and see (pauses) I’d like to see when people first started feeling those emotions. Wouldn’t you?
BLADE: Yeah, it would clear a lot of things up. I think so much of how you treat people has to do with how you’re raised and your surroundings.
MORGAN: I think a lot of it and most of it. What doesn’t bother me is the love. When you love somebody with your heart and soul, I don’t think God can look down on that. I just don’t. Now if you walked around hating people and looting, killing people, that’s not good. But softness and being kind to people, nurturing someone. I don’t believe God looks down on that. I did a gay pride festival a couple years ago and it was one of the most fun shows I’ve ever done in my life. These people knew ever word, they were dressed like me, we were excited, they were excited and we had the best time.
BLADE: Quite a few years ago, you said, “Drama is something that lets you know you’re still alive.” Do you still feel that way?
MORGAN: I do, you know, the older I’ve gotten I thought the drama would settle down, but there’s a new kind of drama now. I had a friend of mine who told me that every seven to 10 years you go through changes with your body that open your eyes to learning what you had questions to for years. Now there’s a new drama in my life, not so much romantic drama, boyfriend/girlfriend drama, now it’s losing people you love, it’s a different age of my life and kids growing up, and grandkids and worrying about different things. With each part of your life there becomes a different drama you have to deal with. Yeah, it still lets you know you’re alive. You have tears and you have heartbreak and I feel sorry for people who don’t have a friend who they have loved and have lost because there’s no way to describe that feeling of overcoming, but you gotta learn to live with it and it makes you a stronger and better person.
BLADE: I feel you gotta lose a little bit to gain more in the long run as you get older.
MORGAN: Well you are right. Let me tell you something sweetie, it only gets better. It does. When I hit 40, my girlfriend told me it’s like magic. You wake up and you’re 40 and (laughs) I get it now! I wake up and I’m like, “Oh my God, I know all the answers to the questions I had all these years.” Then you hit another slump and you’re an idiot again (laughs). Then you find out that every five, seven, 10 years, you hit this new horizon that puts you at another level and it’s interesting to sit back and let it happen.
BLADE: You’ve accomplished so much in your professional and personal life. What are you most proud of?
MORGAN: I know it’s corny, but it’s gotta be my children. What they lived through at the height of my career and they were little. I always tried to make their basketball games and their proms and their school picnics and I did really damn good. You know, I would cancel a $60,000 date to make my son’s basketball game. I didn’t care at that time. They were and they are the most important things in my life. My daughter is a wonderful mother and she’s full of funny, loving ways. My son is wild as a damn buck, but he’ll give you the shirt off his back. He’s just a good ol’ southern rocker boy. My grand kids and what we have, what Randy and I tried to make is a peaceful place our kids can always come. I’ll never turn my kids away. Are they perfect? No, show me someone who is. To me they are. My son gets to go on the road with me a lot. He sings a couple songs when he’s not working. I just love those kids! They are my life.

Lorrie Morgan says despite the ups and downs of her career and personal life, her gay fans have stuck by her. (Photo courtesy Morgan)
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
a&e features
Looking back at the 10 biggest A&E stories of 2025
‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more
Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.
With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:
10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes

The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.
Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”
9. ‘The Last of Us’ returns for an even gayer season 2
While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.
8. ‘Emilia Pérez’ sparks controversy
Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.
7. ‘Sorry, Baby’ establishes Eva Victor as major talent
Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.
Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.
6. Paul Reubens comes out in posthumous doc

While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.
The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.
5. Lady Gaga releases ‘Mayhem’
Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”
4. Cynthia Erivo, Ariana Grande perform at the Oscars

While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.
3. Indya Moore speaks out against Ryan Murphy
Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.
2. Cole Escola wins Tony for Best Leading Actor
Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.
The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!
1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’

The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.
“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.
a&e features
Your guide to D.C.’s queer New Year’s Eve parties
Ring in 2026 with drag, leather, Champagne, and more
With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.
Pitchers
This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.” There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.
Trade
D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.
Number Nine
While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.
Crush
Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.
Bunker
This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.
District Eagle
This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.
Kiki, Shakiki
Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.
Spark
This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks).
-
Photos4 days agoThe year in photos
-
Sponsored3 days agoSafer Ways to Pay for Online Performances and Queer Events
-
District of Columbia2 days agoTwo pioneering gay journalists to speak at Thursday event
-
a&e features2 days agoQueer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
