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Christmastime with Lorrie Morgan

Country diva reflects on life, family and career in advance of Birchmere show

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Lorrie Morgan, gay news, Washington Blade

Lorrie Morgan has had a busy year. In addition to her first solo album in five years, she also put out a collection of re-recordings of her hits. (Photo courtesy Morgan)

Lorrie Morgan’s Enchanted Christmas

 

Sunday, Dec. 18

 

7:30 p.m.

 

The Birchmere

 

3701 Mount Vernon Ave.

 

Alexandria, VA

 

$45

 

birchmere.com

It’s been a busy and successful year for country diva Lorrie Morgan. February saw the release of her first solo album in five years, “Letting Go … Slow,” followed by a re-recorded hits collection, “A Picture Of Me — Greatest Hits & More,” a month later.

In addition to recording, Morgan has been on the road performing her own concert dates along with doing her “Grits and Glamour” show featuring fellow country star, Pam Tillis.

December finds Morgan touring with her “Enchanted Christmas” show, which comes to the Birchmere on Sunday, Dec. 18. This is the country star’s third time in the D.C.  area this year, but her first time playing the Birchmere.

During an early morning phone interview, Morgan talks about Christmas, her new music, her gay following among other things from the front porch of her new home in Portland, Tenn.

WASHINGTON BLADE: What can fans expect from your Christmas show?

LORRIE MORGAN: The only thing they can expect is I’m actually not doing any of my hits. It’s all keeping Christ in Christmas and it’s all about Christmas. I just decided you know what, I’m not here to promote my songs. I love Christmas. I’m very dedicated to that time of year and I feel like all through the year I do songs about me and now it’s about Christ so that’s what we’re gonna do.

BLADE: Do you have a favorite childhood Christmas memory?

MORGAN: People ask me all the time about my favorite childhood Christmas memory and I don’t have any, because they were all the best I ever had. Christmas growing up at our house was a magical time. My dad believed in surprises and magic and candy land and just created this fantasy for us children that was a double-edged sword because when we grew up, we were in for a big surprise (laughs). It was always a magical time for me. There were no favorite memories, they were all perfect for me.

BLADE: You’ve recorded two Christmas albums, the popular 1993 “Merry Christmas From London” and 2007’s “An Old Fashioned Christmas.” With touring the last few holiday seasons, do you plan on recording another Christmas album?

MORGAN: Not right now. My next album I want to do is a country oldies and the next one is a gospel album. I’m really looking forward to that. I don’t know when a Christmas album would be due. I don’t think I could ever top “Merry Christmas From London.”

BLADE: Would your country oldies album be similar to your 2009 country covers album, “A Moment In Time”?

MORGAN: Um, not as lush as “A Moment in Time.” I’m actually gonna do it as a duet album with Pam Tillis. She’ll be doing part of ’em and I’ll be doing part of ’em. It’ll be produced by Richard Landis, so I’m really excited about that. Very excited.

BLADE: Speaking of Pam Tillis, the two of you have been doing a successful tour for the past few years called “Grits and Glamour” and recorded an album together (2013’s “Dos Divas”). You have this great chemistry together on stage. Why do you two get along so well?

MORGAN: It’s funny (laughs) I don’t know if you’ll understand this or print it correctly, but we’re like a couple old broads walking around in a daze in a new music industry … blind leading the blind and we’re having a blast. We laugh at everything. We’re blessed, selling out crowds. I get tickled and she gets tickled and most of the time I get tickled about her. Pam is … we’re both perfectionists in our music. I’m more loose on stage and she about falls off her stool because she never knows what I’m going to say.

BLADE: You’ve released quite a few albums that while they’ve had great songs, they didn’t get the recognition they deserved. Do you ever get discouraged?

MORGAN: Oh yeah, I do, but it’s a natural part of the business (pauses). It’s kind of like living and dying. You know dying is a natural part of living and nobody’s on top forever and nobody can be on top forever and you never brace yourself for that moment when your like, “Damn, I haven’t had a hit record in 24 years.” (laughs)

BLADE: Your new album, “Letting Go…Slow” is a mixture of different genres that features originals along with a handful of covers. What inspired you to record this type of album?

MORGAN: Well, it’s been over five years since I’ve had a solo album of my own and these are songs I handpicked myself, songs I wanted to do for 20 some years and for one reason or another never got to do them. I don’t know, I don’t feel like there’s a reason or plan to release a country album. I just wanted to release these songs. The song that inspired the album is a song called “Spilt Milk.” I heard that song, God, 16, 17 years ago. I was at a benefit in New York City and the entertainer that night was Kristina Train and I never heard of her in my life and she came out and was just this class act with a great band behind her. She started singing “Spilt Milk” and my eyes started crying, I was like, “I’m out of control here.” I finally got to meet her this year at the Opry and she was so sweet and complimentary of our version of her song.

BLADE: Has “Spilt Milk” inspired you to maybe record a jazz album?

MORGAN: Oh yes! I plan on doing everything. I’m excited about it.

BLADE: You released a second album this year, “A Picture of Me — Greatest Hits & More.” How did that come about?

MORGAN: Well, a label contacted me from California and they wanted to redo, remake the hits, which is always kind of weird to me. The only thing that interested me in doing it was I got to put new songs on the album. I got to do a lot of Keith (Whitley) songs.

BLADE: Any plans to do a whole album of Keith Whitley songs?

MORGAN: I want to, but it’s a fine line to what people think you’re doing it for and just being respectful. My son (Jesse Keith Whitley) is following in his dad’s footsteps and he’s doing great. I’m gonna save that stuff for him.

BLADE: When did you first notice you had a gay following?

MORGAN: God, it’s been a long time, a long time! Let me see (pauses) it’s been probably 30 years (laughs).

BLADE: What do you think the appeal is?

MORGAN: I think they know I’m real. I don’t judge people. I love music, I love singing about real issues and life and women just don’t go through that stuff, men do as well. I’ve had a lot of gay friends all my life. One of my best friends is gay and we have the best time when we’re together that I can ever have with anybody. I guess it’s just the appeal that I don’t judge, I really don’t give a damn what your sexual preference is, I really don’t care. You know what my favorite movie is? “Birdcage.” I love that movie, me and my best friend always … he calls Miss. Albert because I’m always like, “I need a Pirin tablet” (laughs). I love that people are lightening up and seeing that this is not a bad thing. I’d like to delve back, I don’t know if anybody ever has, but I’d like to delve back to the early days of Christianity or before and see (pauses) I’d like to see when people first started feeling those emotions. Wouldn’t you?

BLADE: Yeah, it would clear a lot of things up. I think so much of how you treat people has to do with how you’re raised and your surroundings.

MORGAN: I think a lot of it and most of it. What doesn’t bother me is the love. When you love somebody with your heart and soul, I don’t think God can look down on that. I just don’t. Now if you walked around hating people and looting, killing people, that’s not good. But softness and being kind to people, nurturing someone. I don’t believe God looks down on that. I did a gay pride festival a couple years ago and it was one of the most fun shows I’ve ever done in my life. These people knew ever word, they were dressed like me, we were excited, they were excited and we had the best time.

BLADE: Quite a few years ago, you said, “Drama is something that lets you know you’re still alive.” Do you still feel that way?

MORGAN: I do, you know, the older I’ve gotten I thought the drama would settle down, but there’s a new kind of drama now. I had a friend of mine who told me that every seven to 10 years you go through changes with your body that open your eyes to learning what you had questions to for years. Now there’s a new drama in my life, not so much romantic drama, boyfriend/girlfriend drama, now it’s losing people you love, it’s a different age of my life and kids growing up, and grandkids and worrying about different things. With each part of your life there becomes a different drama you have to deal with. Yeah, it still lets you know you’re alive. You have tears and you have heartbreak and I feel sorry for people who don’t have a friend who they have loved and have lost because there’s no way to describe that feeling of overcoming, but you gotta learn to live with it and it makes you a stronger and better person.

BLADE: I feel you gotta lose a little bit to gain more in the long run as you get older.

MORGAN: Well you are right. Let me tell you something sweetie, it only gets better. It does. When I hit 40, my girlfriend told me it’s like magic. You wake up and you’re 40 and (laughs) I get it now! I wake up and I’m like, “Oh my God, I know all the answers to the questions I had all these years.” Then you hit another slump and you’re an idiot again (laughs). Then you find out that every five, seven, 10 years, you hit this new horizon that puts you at another level and it’s interesting to sit back and let it happen.

BLADE: You’ve accomplished so much in your professional and personal life. What are you most proud of?

MORGAN: I know it’s corny, but it’s gotta be my children. What they lived through at the height of my career and they were little. I always tried to make their basketball games and their proms and their school picnics and I did really damn good. You know, I would cancel a $60,000 date to make my son’s basketball game. I didn’t care at that time. They were and they are the most important things in my life. My daughter is a wonderful mother and she’s full of funny, loving ways. My son is wild as a damn buck, but he’ll give you the shirt off his back. He’s just a good ol’ southern rocker boy. My grand kids and what we have, what Randy and I tried to make is a peaceful place our kids can always come. I’ll never turn my kids away. Are they perfect? No, show me someone who is. To me they are. My son gets to go on the road with me a lot. He sings a couple songs when he’s not working. I just love those kids! They are my life.

Lorrie Morgan, gay news, Washington Blade

Lorrie Morgan says despite the ups and downs of her career and personal life, her gay fans have stuck by her. (Photo courtesy Morgan)

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Visit Cambridge, a ‘beautiful secret’ on Maryland’s Eastern Shore

New organization promotes town’s welcoming vibe, LGBTQ inclusion

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Cambridge, Md., is home to quaint shops, restaurants, and Victorian homes on Maryland’s Eastern Shore. (Photo courtesy James Lumalcuri)

CAMBRIDGE, Md. — Driving through this scenic, historic town on Maryland’s Eastern Shore, you’ll be charmed by streets lined with unique shops, restaurants, and beautifully restored Victorian homes. You’ll also be struck by the number of LGBTQ Pride flags flying throughout the town.

The flags are a reassuring signal that everyone is welcome here, despite the town’s location in ruby red Dorchester County, which voted for Donald Trump over Kamala Harris by a lopsided margin. But don’t let that deter you from visiting. A new organization, Proudly Cambridge, is holding its debut Pride event this weekend, touting the town’s welcoming, inclusive culture.

“We stumbled on a beautiful secret and we wanted to help get the word out,” said James Lumalcuri of the effort to create Proudly Cambridge.

The organization celebrates diversity, enhances public spaces, and seeks to uplift all that Cambridge has to share, according to its mission statement, under the tagline “You Belong Here.”

The group has so far held informal movie nights and a picnic and garden party; the launch party is June 28 at the Cambridge Yacht Club, which will feature a Pride celebration and tea dance. The event’s 75 tickets sold out quickly and proceeds benefit DoCo Pride.

“Tickets went faster than we imagined and we’re bummed we can’t welcome everyone who wanted to come,” Lumalcuri said, adding that organizers plan to make “Cheers on the Choptank” an annual event with added capacity next year.

One of the group’s first projects was to distribute free Pride flags to anyone who requested one and the result is a visually striking display of a large number of flags flying all over town. Up next: Proudly Cambridge plans to roll out a program offering affirming businesses rainbow crab stickers to show their inclusiveness and LGBTQ support. The group also wants to engage with potential visitors and homebuyers.

“We want to spread the word outside of Cambridge — in D.C. and Baltimore — who don’t know about Cambridge,” Lumalcuri said. “We want them to come and know we are a safe haven. You can exist here and feel comfortable and supported by neighbors in a way that we didn’t anticipate when we moved here.”

James Lumalcuri and Lou Cardenas sailing in Cambridge, Md. The couple bought a second home there and are spreading the word about the town’s pro-LGBTQ culture. (Photo courtesy the couple)

Lumalcuri, 53, a federal government employee, and his husband, Lou Cardenas, 62, a Realtor, purchased a Victorian house in Cambridge in 2021 and embarked on an extensive renovation. The couple also owns a home in Adams Morgan in D.C.

“We saw the opportunity here and wanted to share it with others,” Cardenas said. “There’s lots of housing inventory in the $300-400,000 range … we’re not here to gentrify people out of town because a lot of these homes are just empty and need to be fixed up and we’re happy to be a part of that.”

Lumalcuri was talking with friends one Sunday last year at the gazebo (affectionately known as the “gayzebo” by locals) at the Yacht Club and the idea for Proudly Cambridge was born. The founding board members are Lumalcuri, Corey van Vlymen, Brian Orjuela, Lauren Mross, and Caleb Holland. The group is currently working toward forming a 501(c)3.

“We need visibility and support for those who need it,” Mross said. “We started making lists of what we wanted to do and the five of us ran with it. We started meeting weekly and solidified what we wanted to do.”

Mross, 50, a brand strategist and web designer, moved to Cambridge from Atlanta with her wife three years ago. They knew they wanted to be near the water and farther north and began researching their options when they discovered Cambridge.

“I had not heard of Cambridge but the location seemed perfect,” she said. “I pointed on a map and said this is where we’re going to move.”

The couple packed up, bought a camper trailer and parked it in different campsites but kept coming back to Cambridge. 

“I didn’t know how right it was until we moved here,” she said. “It’s the most welcoming place … there’s an energy vortex here – how did so many cool, progressive people end up in one place?” 

Corey van Vlymen and his husband live in D.C. and were looking for a second home. They considered Lost River, W.Va., but decided they preferred to be on the water.

“We looked at a map on both sides of the bay and came to Cambridge on a Saturday and bought a house that day,” said van Vlymen, 39, a senior scientist at Booz Allen Hamilton. They’ve owned in Cambridge for two years.

They were drawn to Cambridge due to its location on the water, the affordable housing inventory, and its proximity to D.C.; it’s about an hour and 20 minutes away.

Now, through the work of Proudly Cambridge, they hope to highlight the town’s many attributes to residents and visitors alike.

“Something we all agree on is there’s a perception problem for Cambridge and a lack of awareness,” van Vlymen said. “If you tell someone you’re going to Cambridge, chances are they think, ‘England or Massachusetts?’”

He cited the affordability and the opportunity to save older, historic homes as a big draw for buyers.

“It’s all about celebrating all the things that make Cambridge great,” Mross added. “Our monthly social events are joyful and celebratory.” A recent game night drew about 70 people.

She noted that the goal is not to gentrify the town and push longtime residents out, but to uplift all the people who are already there while welcoming new visitors and future residents. 

They also noted that Proudly Cambridge does not seek to supplant existing Pride-focused organizations. Dorchester County Pride organizes countywide Pride events and Delmarva Pride was held in nearby Easton two weeks ago.

“We celebrate all diversity but are gay powered and gay led,” Mross noted.  

To learn more about Proudly Cambridge, visit the group on Facebook and Instagram.

What to see and do

Cambridge, located 13 miles up the Choptank River from the Chesapeake Bay, has a population of roughly 15,000. It was settled in 1684 and named for the English university town in 1686. It is home to the Harriet Tubman Museum, mural, and monument. Its proximity to the Blackwater National Wildlife Refuge makes it a popular stop for birders, drawn to more than 27,000 acres of marshland dubbed “the Everglades of the north.”

The refuge is walkable, bikeable, and driveable, making it an accessible attraction for all. There are kayaking and biking tours through Blackwater Adventures (blackwateradventuresmd.com).

Back in town, take a stroll along the water and through historic downtown and admire the architecture. Take in the striking Harriet Tubman mural (424 Race St.). Shop in the many local boutiques, and don’t miss the gay-owned Shorelife Home and Gifts (421 Race St.), filled with stylish coastal décor items. 

Stop for breakfast or lunch at Black Water Bakery (429 Race St.), which offers a full compliment of coffee drinks along with a build-your-own mimosa bar and a full menu of creative cocktails.

The Cambridge Yacht Club (1 Mill St.) is always bustling but you need to be a member to get in. Snapper’s on the water is temporarily closed for renovations. RaR Brewing (rarbrewing.com) is popular for craft beers served in an 80-year-old former pool hall and bowling alley. The menu offers burgers, wings, and other bar fare.

For dinner or wine, don’t miss the fantastic Vintage 414 (414 Race St.), which offers lunch, dinner, wine tasting events, specialty foods, and a large selection of wines. The homemade cheddar crackers, inventive flatbreads, and creative desserts (citrus olive oil cake, carrot cake trifle) were a hit on a recent visit.

Also nearby is Ava’s (305 High St.), a regional chain offering outstanding Italian dishes, pizzas, and more.  

For something off the beaten path, visit Emily’s Produce (22143 Church Creek Rd.) for its nursery, produce, and prepared meals.

“Ten minutes into the sticks there’s a place called Emily’s Produce, where you can pay $5 and walk through a field and pick sunflowers, blueberries, you can feed the goats … and they have great food,” van Vlymen said.

As for accommodations, there’s the Hyatt Regency Chesapeake Bay (100 Heron Blvd. at Route 50), a resort complex with golf course, spa, and marina. Otherwise, check out Airbnb and VRBO for short-term rentals closer to downtown.

Its proximity to D.C. and Baltimore makes Cambridge an ideal weekend getaway. The large LGBTQ population is welcoming and they are happy to talk up their town and show you around. 

“There’s a closeness among the neighbors that I wasn’t feeling in D.C.,” Lumalcuri said. “We look after each other.”

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James Baldwin bio shows how much of his life is revealed in his work

‘A Love Story’ is first major book on acclaimed author’s life in 30 years

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(Book cover image courtesy of FSG)

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages

“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.

The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.

Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender. 

Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.

The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.

An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.

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Looking back at 50 years of Pride in D.C

Washington Blade’s unique archives chronicle highs, lows of our movement

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Gay Pride Day 1976 (Washington Blade archive photo)

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

D.C.’s Different Drummers march in the 2006 Capital Pride Parade. (Washington Blade archive photo by Adam Cuthbert)

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies. 

Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays. 

The 1995 Lesbian and Gay Freedom Festival was held on Freedom Plaza on June 18. (Washington Blade archive photo by Clint Steib)

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.

We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.

I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.

The D.C. Black Gay Men & Women’s Community Conference table at Gay Pride Day in 1978. (Washington Blade archive photo by Jim Marks)
A scene from 1985 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the 1988 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the Capital Pride Block Party in 2018. (Washington Blade photo by Daniel Truitt)
Keke Palmer performs at the 2024 Capital Pride Festival. (Washington Blade photo by Michael Key)
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