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Baltimore Eagle set to take flight

Iconic bar readies for long-awaited reopening



Baltimore Eagle, gay news, Washington Blade
Baltimore Eagle, gay news, Washington Blade

Logo on wall of Sports Bar, ground floor. (Photo by Bob Ford)

The world was recently fascinated by the hatching of baby bald eagles in Florida. The leather community and other interested individuals in the mid-Atlantic area are excited about the long-awaited rebirth of a different eagle—the Baltimore Eagle.

Since the iconic leather bar closed its doors in December 2012, its path to reopening has been characterized by major challenges, setbacks and ultimate victories.

The owners and the management team dealt with unforeseen problems with the building’s structure, plumbing and wiring soon after the property, located at 2022 N. Charles St., was purchased by local developers Charles Parrish and Ian Parrish for $300,000. This necessitated the virtual gutting of the original building.

There were other impediments including early opposition from local community associations, the refusal to approve the transfer of the original license by the city liquor board, construction and utility delays, and the usual red tape.

However, through the efforts of Charles King, Greg King, Robert Gasser and John Gasser—all partners in the business—as well as the Parrishes, the management team was able to allay the concerns of the community associations; the liquor license transfer subsequently purchased from former Club Hippo owner Chuck Bowers was approved by the liquor board; and the massive renovations, which continued while the earlier battles were being waged, are all but complete.

Baltimore Eagle, gay news, Washington Blade

3 of 4 partners/managers From left, Robert Gasser, Greg King, Charles King of the new Baltimore Eagle. (Photo by Bob Ford)

“In a city plagued by economic hardship and social injustice, we endeavored a highly technical and financially demanding reconstruction in order to welcome back friends of the Baltimore Eagle to their home away from home,” Ian Parrish told the Blade. “Our fight for equal treatment by the city liquor board strengthened my belief that equality isn’t just an LGBT issue; it’s a cause that affects every member of our community, and we’re honored and humbled by how our friends and neighbors came together to support us. We’ve come out on top, and our new opening shows that there’s no wrong in this town that our pride can’t cure.”

Accordingly, the Baltimore Eagle’s owners and managers can state at last that the bar is about to be open for business, though an exact date hasn’t been announced. The final inspection and permit issuance are scheduled to take place this week.

The management team, with its experience in the leather community, designed the concept for the Baltimore Eagle. From a physical standpoint, the differences between the original Eagle and the new iteration couldn’t be starker.

Baltimore Eagle, gay news, Washington Blade

Part of the new Sports Bar at the Eagle. (Photo by Bob Ford)

The previous Baltimore Eagle consisted of a gritty, long narrow space that, aside from a small leather store above a staircase in the rear, was confined to the ground floor. The extensive reconstruction of the building, which cost $1.7 million, has dramatically increased the area of the original footprint and added a full-use second floor. It will have a state-of-the-art air conditioning system among its myriad improvements.

From a thematic standpoint, the Baltimore Eagle retains and enhances its leather identity and vibe while adding features that will appeal to a broader community.

The popular outdoor courtyard that offered a respite from the often crowded and stuffy air inside the old bar will continue to be a facet of the new establishment. The courtyard with its own bar will have many improvements according to management and is expected to be ready for use this spring.

Inside the front entrance on heavily travelled Charles Street—a main artery that runs north though the city—sits the Sports Bar with several flat screen TVs.  There are also open spaces for casual dining with “gastro-pub” inspired lunch and dinner menus and custom catering by European-trained Master Chef Ed Scholly with his 26 years of culinary experience. A DJ booth from which an eclectic mix of music will be played is situated in that space.

Baltimore Eagle, gay news, Washington Blade

Part of the Eagle Sports Bar including a new DJ booth. (Photo by Bob Ford)

Outside the Sports Bar is a sitting area and lounge. Along the wall there is a display case containing a variety of leather-related memorabilia and artifacts. That area also includes a pansexual restroom.

Additionally, on the street level is an exclusive Code Bar whereby only those in leather or fetish gear will be admitted. This area, with a garage-themed décor, has its own DJ set-up.

“For those who are concerned about having a dark cruise bar, we will encompass that,” explains Charles King, the general manager.

A package goods store is located on the ground level where the entrance to the original Eagle stood.

In a dramatic departure from the old Eagle there is a Moulin Rouge-inspired cabaret/nightclub space on the upper floor called Nest. This includes a stage with professional digital video projection and sound that can be used for entertainment, film festivals and special events.

Management promises regular dance parties bringing the Montreal and European dance music scene to Nest and perhaps the occasional Hippo Retro Dance Party. It is also suitable for weddings, banquets and other celebrations.   

Part of the Nest area, second floor of the new Baltimore Eagle. (Photo by Charles King)

Part of the Nest area, second floor of the new Baltimore Eagle. (Photo by Charles King)

Nest has a bar of its own as well as a patio. On this level, another set of restrooms is located, but they are separated by gender. In addition, there is a leather and fetish store as well as an erotic art gallery.

The successful end to this arduous journey is not lost on partner John Gasser, who oversees the package goods store operations as well as administration.

“With gay bars shutting their doors here and across the country, people told us we were crazy to reopen one, hence the name of our corporation, 4 Crazy Guys. Really!” Gasser told the Blade.

“What has given us the most confidence in this project and Baltimore in particular has been the incredible community support and the many volunteers who have generously given freely of their time and various areas of expertise — far too many to start telling you about them all. It is they who have helped us make it possible for the Baltimore Eagle to soar again and even higher. I am inspired, personally deeply grateful, and humbled.”

Baltimore Eagle, gay news, Washington Blade

A wall inside the Eagle’s newly decorated Sports Bar. (Photo by Bob Ford)

For more information about the Baltimore Eagle and upcoming events, visit and the Facebook page.

Baltimore Eagle, gay news, Washington Blade

Items in the Eagle’s new memorabilia display case. (Photo by Bob Ford)

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a&e features

Baltimore DJ on using music as a bridge to combat discrimination

Deezy brings high-energy show to the Admiral on Jan. 28



DJ Deezy has hosted multiple events in D.C. and Baltimore. (Photo by Carlos Polk from We Dream Photography and Studios)

A Baltimore DJ will conclude a month of performances in Baltimore and Washington, D.C. clubs this Friday, Jan. 28, according to the artist’s management. DJ Deezy is set to perform at the Admiral in D.C. at 9 p.m. 

Since the year began, Deezy has hosted electric events at clubs such as Hawthorne DC, DuPont and the Baltimore Eagle Bar & Nightclub. 

The Washington Blade sat down with the DJ to discuss the course of her career. 

The beginning of DJ Deezy’s infatuation with music dates back to her childhood spent between her mother’s house in Baltimore City and her father’s house in the suburbs. 

In Baltimore, Deezy was exposed to the local rap and raw hip-hop scene that inspired her to embark on a rap career in high school. 

Concurrently, she was entrenched in Motown and classic rock by virtue of her singer, songwriter, and guitarist father Ron Daughton’s involvement in a classic rock band. He is a member of “The Dalton Gang” and was inducted into the Maryland Entertainment Hall of Fame in 2015.

“Before I embarked on my DJ journey, my father let me record ‘a little 16’ on his tape recorder,” said Deezy. “Eventually, he bought me a wireless microphone that I carried around with me to performances.”

Between her experience as a rapper and watching her father maneuver the classic rock music scene, Deezy acquired varying tastes in music that have influenced how she curates her sets today. 

She “specializes in open format vibes with spins from multiple genres including hip-hop, rap, circuit, and top 40s hits,” according to a summer 2021 press release from her management.

Deezy is also a proud member of the LGBTQ community — she identifies as a lesbian — and this also informs her approach to her work.

“I’m easily able to transition and rock the crowd because I can relate to many different backgrounds,” said Deezy. “I can DJ in places that are predominantly white, Black, or gay [and still do my job effortlessly].”

Centering community

Deezy values representation. Not only because she exists in a field dominated by men, but also because DJs who inhabit other identities aside from being men are less common in the industry. 

The scarcity of Black and lesbian DJs has prompted her to use her career as evidence that people who are different can attract audiences and succeed.

“I want to put us out there especially for Baltimore,” said Deezy. “I know that there’s Black lesbians out there doing the same thing as me, but why aren’t we getting [recognized]?”

In 2018, Deezy rented out a “Lez” lot at the Baltimore Pride block party where she set up a tent and played a set for the crowds tailgating around her. While entertaining them, she distributed her business cards — an act she believes yielded her the contact who eventually got her booked for a residency at the Baltimore Eagle.

While this was a step forward in her career, Deezy acknowledges that it wasn’t without challenges. She likened entering the Baltimore Eagle — traditionally a leather bar frequented predominantly by men —to navigating foreign territory. 

“When I first got there, I got funny looks,” she said. “There’s a lot of these guys who are like, ‘Why are you bringing a lesbian DJ to a gay bar?’”

But Deezy powered through her performance, lifted the crowd from its seats and “rocked the house [so that] no one will ever ask any questions again.” 

She admits that she’s an acquired taste but believes in her ability to play music infectious enough to draw anyone to the dance floor.  

“Feel how you want to feel about a Black lesbian DJ being in the gay bar,” said Deezy. “But music is a bridge that [will] connect us all, and you’ll forget about your original discrimination when you [experience] me.”

While Deezy has mostly performed in the DMV, she has also made appearances in Arizona where she hosted a family event and also in clubs in Atlanta and New York City. 

Her work has also attracted international attention and she was the cover star of  French publication Gmaro Magazine’s October 2021 issue

Looking to the future, Deezy’s goal is to be a tour DJ and play her sets around the world.

“I had a dream that Tamar Braxton approached me backstage at one of her concerts and asked me to be her tour DJ,” she said. “So, I’m manifesting this for myself.” 

In the meantime, Deezy will continue to liven up audiences in bars and clubs around the country while playing sets for musicians like Crystal Waters and RuPaul’s Drag Race celebrity drag queens like Alyssa Edwards, Plastique Tiara, La La Ri, Joey Jay and Eureka O’Hara — all of whom she has entertained alongside in the past. 

Outside the club, Deezy’s music can be heard in Shoe City where she created an eight-hour music mix split evenly between deep house and hip-hop and R&B. 

DJ Deezy (Photo by Carlos Polk from We Dream Photography and Studios)
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Rodriquez scores historic win at otherwise irrelevant Golden Globes

Award represents a major milestone for trans visibility



Michaela Jaé Rodriguez, on right, and Billy Porter in 'Pose.' (Photo courtesy of FX)

HOLLYWOOD – Despite its continuing status as something of a pariah organization in Hollywood, the Hollywood Foreign Press Association has managed to cling to relevance in the wake of last night’s behind-closed-doors presentation of its 79th Annual Golden Globe Awards by sole virtue of having bestowed the prize for “Best Leading Actress in a Television Series – Drama” on Michaela Jaé Rodriguez for her work in the final season of “Pose” – making her the first transgender performer to win a Golden Globe.

The ceremony took place as a private, no-press-or-audience event in which winners were revealed via a series of tweets from the Golden Globes Twitter account. No celebrities were present (not even the nominees or winners), although actress Jamie Lee Curtis participated by appearing in a video in which she pronounced her continuing loyalty to the HFPA – without mention of the  longstanding issues around diversity and ethical practices, revealed early in 2021 by a bombshell Los Angeles Times report, that have led to an nearly industry-wide boycott of the organization and its awards as well as the cancellation of the annual Golden Globes broadcast by NBC for the foreseeable future.

While the Golden Globes may have lost their luster for the time being, the award for Rodriquez represents a major milestone for trans visibility and inclusion in the traditionally transphobic entertainment industry, and for her part, the actress responded to news of her win with characteristic grace and good will.

Posting on her Instagram account, the 31-year old actress said: 

“OMG OMGGG!!!! @goldenglobes Wow! You talking about sickening birthday present! Thank you!

“This is the door that is going to Open the door for many more young talented individuals. They will see that it is more than possible. They will see that a young Black Latina girl from Newark New Jersey who had a dream, to change the minds others would WITH LOVE. LOVE WINS.

“To my young LGBTQAI babies WE ARE HERE the door is now open now reach the stars!!!!!”

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As You Are Bar and the importance of queer gathering spaces

New bar/restaurant poised to open in 2022



As You Are Bar had a pop-up venue at Capital Pride's "Colorful Fest" block party in October. (Washington Blade photo by Michael Key)

More than just a watering hole: As You Are Bar is set to be the city’s newest queer gathering place where patrons can spill tea over late-morning cappuccinos as easily as they can over late-night vodka-sodas.

Co-owners and founders Jo McDaniel and Rachel Pike built on their extensive experience in the hospitality industry – including stints at several gay bars – to sign a lease for their new concept in Barracks Row, replacing what was previously District Soul Food and Banana Café. In a prime corner spot, they are seeking to bring together the disparate colors of the LGBTQ rainbow – but first must navigate the approval process (more on that later).

The duo decided on this Southeast neighborhood locale to increase accessibility for “the marginalized parts of our community,” they say, “bringing out the intersectionality inherent in the queer space.”

Northwest D.C., they explain, not only already has many gay bar options, but is also more difficult to get to for those who don’t live within walking distance. The Barracks Row location is right by a Metro stop, “reducing pay walls.” Plus, there, “we are able to find a neighborhood to bring in a queer presence that doesn’t exist today.”

McDaniel points out that the area has a deep queer bar history. Western bar Remington’s was once located in the area, and it’s a mere block from the former Phase 1, the longest-running lesbian bar, which was open from 1971-2015.

McDaniel and Pike hope that As You Are Bar will be an inclusive space that “welcomes anyone of any walk of life that will support, love, and celebrate the mission of queer culture. We want people of all ages, gender, sexual identity, as well as drinkers and non-drinkers, to have space.”

McDaniel (she/her) began her career at Apex in 2005 and was most recently the opening manager of ALOHO. Pike (she/they) was behind the bar and worked as security at ALOHO, where the two met.

Since leaving ALOHO earlier this year, they have pursued the As You Are Bar project, first by hosting virtual events during the pandemic, and now in this brick-and-mortar space. They expressed concern that receiving the Alcoholic Beverage Regulation Administration (ABRA) liquor license approval and the local Advisory Neighborhood Commission, or ANC, approval will be a long and expensive process.

They have already received notice that some neighbors intend to protest As You Are Bar’s application for the “tavern” liquor license that ABRA grants to serve alcohol and allow for live entertainment (e.g. drag shows). They applied for the license on Nov. 12, and have no anticipated opening date, estimating at least six months. If ABRA and the city’s Alcoholic Beverage Control Board give final approval, the local ANC 6B and nearby residents can no longer protest the license until the license comes up for renewal.

Until approval is given, they continue physical buildout (including soundproofing) and planning their offerings. If the license is approved, ABRA and the ABC Board can take action against As You Are Bar, like any bar, at any time if they violate the terms of the license or create a neighborhood disturbance that violates city laws such as the local noise ordinance.  In the kitchen, the duo snagged Chef Nina Love to develop the menu. Love will oversee café-style fare; look out for breakfast sandwiches making an appearance all the way until close. They will also have baked goods during the day.

McDaniel and Pike themselves will craft the bar menu. Importantly, they note, the coffee bar will also serve until close. There will be a full bar as well as a list of zero-proof cocktails. As with their sourcing, they hope to work with queer-, minority-, and women-owned businesses for everything not made in-house.

Flexible conceptually, they seek to grow with their customer base, allowing patrons to create the culture that they seek.

Their goal is to move the queer space away from a focus on alcohol consumption. From book clubs, to letter-writing, to shared workspaces, to dance parties, they seek an all-day, morning-to-night rhythm of youth, families, and adults to find a niche. “We want to shift the narrative of a furtive, secretive, dark gay space and hold it up to the light,” they say. “It’s a little like The Planet from the original L Word show,” they joke.

Pike notes that they plan on working closely with SMYAL, for example, to promote programming for youth. Weekend potential activities include lunch-and-learn sessions on Saturdays and festive Sunday brunches.

The café space, to be located on the first floor, will have coffeehouse-style sofas as well as workstations. A slim patio on 8th Street will hold about six tables.

Even as other queer bars have closed, they reinforce that the need is still present. “Yes, we can visit a café or bar, but we always need to have a place where we are 100 percent certain that we are safe, and that our security is paramount. Even as queer acceptance continues to grow, a dedicated queer space will always be necessary,” they say.

To get there, they continue to rally support of friends, neighbors, and leaders in ANC6B district; the ANC6B officials butted heads with District Soul Food, the previous restaurant in the space, over late-night noise and other complaints. McDaniel and Pike hope that once nearby residents and businesses understand the important contribution that As You Are Bar can make to the neighborhood, they will extend their support and allow the bar to open.

AYA, gay news, Washington Blade
Rachel Pike and Jo McDaniel signed a lease for their new concept in Barracks Row. (Photo courtesy Pike and McDaniel)
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