a&e features
Olivia Newton-John on what really matters to her
Cancer survivor talks music, ‘Grease,’ her memoirs and why she can never seem to slow down


Olivia Newton-John says she’s been making music more meaningful to her in the last few years. (Photo by Denise Truscello)
Capital Caring
40th anniversary benefit concert
Hospice Comes to Washington
Malen Smith Davis, president Capital Caring
Olivia Newton-John
Beth Nielsen Chapman
Amy Sky
Monday, May 1
Ronald Reagan Building
1300 Pennsylvania Ave., N.W.
7 p.m.
Tickets: $95 (meet-and-greet package: $350)

Olivia Newton-John, center, with music pals Amy Sky, left, and Beth Nielsen Chapman. They’re in Washington Monday night for a benefit concert. (Photo courtesy Caprio Media Design)
Multi-talented singer, actress and activist, Olivia Newton-John will make a special stop in the nation’s capital at the Ronald Reagan Building and International Trade Center Monday, May 1 for Capital Caring’s 40th anniversary.
The “Physical” singer and “Grease” icon will perform a special acoustic show with Amy Sky and Beth Nielsen Chapman in honor of their album together, “Liv On.”
Released in October, “Liv On” is about healing and coping with loss. In a statement about the album, the three women say it’s “intended for those who wish to transcend loss while walking a journey toward newfound meaning and hope.”
The album is extremely personal for the three women as each have suffered loss in recent years. Newton-John lost her sister to brain cancer, Sky lost her mother to cancer and Nielsen Chapman lost her husband to cancer as well. Newton-John and Nielsen Chapman are also breast cancer survivors or “thrivers” as they call themselves.
WASHINGTON BLADE: You’re in D.C. for Capital Caring’s 40th anniversary. Why is this an important event for you to be a part of?
OLIVIA NEWTON-JOHN: Well, I’ve never been part of this event before, but I just recorded an album with two of my dear friends, Amy Sky and Beth Nielsen Chapman. We recorded an album called “Liv On.” Have you heard it yet?
BLADE: I have actually. It’s a great album, very soothing and comforting.
NEWTON-JOHN: Aw, thank you. So the album is about loss and grief and moving through it. We were asked to do this event and it seems to fit in with the theme of the album, am I correct?
BLADE: You are. The event is also celebrating the 10th anniversary of Hospice Comes to Washington as well.
NEWTON-JOHN: Exactly, so that’s why we’re proud of this album. The three of us have all experienced the emotions of loss and grief and this album is really inspired by when I lost my sister nearly four years ago now to a brain tumor. I realized there wasn’t music about going through loss and grief and I would write songs and my friends Beth and Amy had written some songs on the same subject and we started collaborating and writing some new ones. It’s a healing experience for us.
BLADE: You worked with Amy on “Grace and Gratitude.” Had you worked with Beth before?
NEWTON-JOHN: Yes, we wrote a few things together and she’s an amazing writer and friend. We’re friends more than anything. She had breast cancer and I talked to her and helped her through that time period, so we’ve been friends for a long time.
BLADE: In 2014, a year after the death of your sister, you released a great EP called “The Hotel Sessions.”
NEWTON-JOHN: Yes, thank you. I did the EP with my nephew, Rona’s son (Brett Goldsmith).
BLADE: Was that part of the healing process for the two of you?
NEWTON-JOHN: No, not really. We had started it four years before. Every time I’d go to Australia I’d go to his house in Melbourne and we’d finish another track. We had just finished it right around the time she got sick. It was just perfect timing.
BLADE: How long did the process of recording “Liv On” take?
NEWTON-JOHN: It took about a year. We had to write the songs and I was in Vegas and the girls have their own careers, so we had to find a time we could all get together. It was a long process, but it was really worth it because it’s a timeless subject that everyone can relate to.
BLADE: You’ve done a few shows so far with Amy and Beth. What can fans expect?
NEWTON-JOHN: It’s going to be the album plus maybe a song or two of our own. It’s a trio, you know. It’s been wonderful working with them and singing as a trio rather than by myself and having the support of them on stage with the emotional aspect of this, it’s been fabulous.
BLADE: Have you heard from fans and what their reactions have been to “Liv On”?
NEWTON-JOHN: Oh yes, they love it. We’ve had some strong reactions to it. You know, everybody goes through loss and pain in their life and not everyone has someone to talk to about it and that can be very devastating. I think it’s a wonderful outlet for people to share.
BLADE: Family is important to you and in 2015, you released “You Have To Believe” with your daughter, Chloe Lattanzi and it went to No. 1 on the Billboard U.S. Hot Dance Songs Chart. Was that a surprise for you?
NEWTON-JOHN: It was a wonderful surprise! (laughs) We thought it would do well, but for it be number one was fantastic.
BLADE: For some of the die-hard fans out there, is there a vault of unreleased Olivia songs that are just waiting to see the light of day?
NEWTON-JOHN: You know what, there are. I’m going to be doing a box set at some point.
BLADE: Have you thought about releasing a memoir?
NEWTON-JOHN: Yes, I’ve thought about it. It’ll probably be in the works at some point.
BLADE: Along with the “Liv On” shows, you’re also touring with your own show. You wrapped up Vegas last year and are doing select dates across the country. Do you prefer doing a residency or do you have more fun hitting the road?
NEWTON-JOHN: I like them both for different reasons. I wouldn’t say one over the other. I enjoyed my three years in Vegas and I liked the consistency and waking up in the same bed, having my husband and my animals with me, so that was fantastic. Touring is a whole other thing too, but it’s fun and different.
BLADE: Your last few albums have been more on the inspirational side. Any thought on releasing any more pop music?
NEWTON-JOHN: Ummm, well, I don’t close the door on anything. Who knows what will happen. What I’m doing now is more of what I’ve wanted to do lately.
BLADE: During your concert shows, you pay tribute to your country music beginnings. When you first came to Nashville, there was a lot of opposition with you treading into this established traditional community. Did you ever feel the backlash back then?
NEWTON-JOHN: You know what, I wasn’t really aware of the backlash till afterward. I was traveling and touring and I heard about it after and heard Dolly and Loretta had backed me up so I had great support. It was just a few people, you know — it was change. John Denver and I were the first people to cross over from country to pop and I think that was threatening to them, but they later on saw the advantage (laughs).
BLADE: You sparked some excitement recently when you announced you were planning something for the 40th anniversary of “Grease.”
NEWTON-JOHN: I didn’t actually make any announcement (laughs). I don’t know where that came from. I said we’ll probably do something is all I said. I’m not sure what we’re going to do yet for it.
BLADE: Do you feel any of your movies were overshadowed by the success and popularity of “Grease”?
NEWTON-JOHN: Not really. I don’t think so. I made “Xanadu” afterward and a few little movies that were fun to make. I did one about five years ago called “A Few Best Men” that was pretty funny, but I don’t think it’s gotten released here in the States.
BLADE: Over the last few years you’ve been hinting about retiring and taking it easy. Do you think you could ever really settle down outside the spotlight?
NEWTON-JOHN: I’m gonna do less. I’ve been saying for 10 years I was gonna do less, but fun things come up and I never know what’s going to happen. That’s the fun of it really.
BLADE: Everyone knows you from something different — some from your acting, your music, charity work. What do you want to be most remembered for?
NEWTON-JOHN: Gosh, I haven’t really thought about that. Well of course for having nice music, lovely music and if I may have touched someone’s heart or helped them in some way. And of course for the hospital (Olivia-Newton John Cancer Wellness and Research Centre). I’m hoping my hospital is where we’ll see an end to cancer, that’s my dream.
a&e features
Visit Cambridge, a ‘beautiful secret’ on Maryland’s Eastern Shore
New organization promotes town’s welcoming vibe, LGBTQ inclusion

CAMBRIDGE, Md. — Driving through this scenic, historic town on Maryland’s Eastern Shore, you’ll be charmed by streets lined with unique shops, restaurants, and beautifully restored Victorian homes. You’ll also be struck by the number of LGBTQ Pride flags flying throughout the town.
The flags are a reassuring signal that everyone is welcome here, despite the town’s location in ruby red Dorchester County, which voted for Donald Trump over Kamala Harris by a lopsided margin. But don’t let that deter you from visiting. A new organization, Proudly Cambridge, is holding its debut Pride event this weekend, touting the town’s welcoming, inclusive culture.
“We stumbled on a beautiful secret and we wanted to help get the word out,” said James Lumalcuri of the effort to create Proudly Cambridge.
The organization celebrates diversity, enhances public spaces, and seeks to uplift all that Cambridge has to share, according to its mission statement, under the tagline “You Belong Here.”
The group has so far held informal movie nights and a picnic and garden party; the launch party is June 28 at the Cambridge Yacht Club, which will feature a Pride celebration and tea dance. The event’s 75 tickets sold out quickly and proceeds benefit DoCo Pride.
“Tickets went faster than we imagined and we’re bummed we can’t welcome everyone who wanted to come,” Lumalcuri said, adding that organizers plan to make “Cheers on the Choptank” an annual event with added capacity next year.
One of the group’s first projects was to distribute free Pride flags to anyone who requested one and the result is a visually striking display of a large number of flags flying all over town. Up next: Proudly Cambridge plans to roll out a program offering affirming businesses rainbow crab stickers to show their inclusiveness and LGBTQ support. The group also wants to engage with potential visitors and homebuyers.
“We want to spread the word outside of Cambridge — in D.C. and Baltimore — who don’t know about Cambridge,” Lumalcuri said. “We want them to come and know we are a safe haven. You can exist here and feel comfortable and supported by neighbors in a way that we didn’t anticipate when we moved here.”

Lumalcuri, 53, a federal government employee, and his husband, Lou Cardenas, 62, a Realtor, purchased a Victorian house in Cambridge in 2021 and embarked on an extensive renovation. The couple also owns a home in Adams Morgan in D.C.
“We saw the opportunity here and wanted to share it with others,” Cardenas said. “There’s lots of housing inventory in the $300-400,000 range … we’re not here to gentrify people out of town because a lot of these homes are just empty and need to be fixed up and we’re happy to be a part of that.”
Lumalcuri was talking with friends one Sunday last year at the gazebo (affectionately known as the “gayzebo” by locals) at the Yacht Club and the idea for Proudly Cambridge was born. The founding board members are Lumalcuri, Corey van Vlymen, Brian Orjuela, Lauren Mross, and Caleb Holland. The group is currently working toward forming a 501(c)3.
“We need visibility and support for those who need it,” Mross said. “We started making lists of what we wanted to do and the five of us ran with it. We started meeting weekly and solidified what we wanted to do.”
Mross, 50, a brand strategist and web designer, moved to Cambridge from Atlanta with her wife three years ago. They knew they wanted to be near the water and farther north and began researching their options when they discovered Cambridge.
“I had not heard of Cambridge but the location seemed perfect,” she said. “I pointed on a map and said this is where we’re going to move.”
The couple packed up, bought a camper trailer and parked it in different campsites but kept coming back to Cambridge.
“I didn’t know how right it was until we moved here,” she said. “It’s the most welcoming place … there’s an energy vortex here – how did so many cool, progressive people end up in one place?”
Corey van Vlymen and his husband live in D.C. and were looking for a second home. They considered Lost River, W.Va., but decided they preferred to be on the water.
“We looked at a map on both sides of the bay and came to Cambridge on a Saturday and bought a house that day,” said van Vlymen, 39, a senior scientist at Booz Allen Hamilton. They’ve owned in Cambridge for two years.
They were drawn to Cambridge due to its location on the water, the affordable housing inventory, and its proximity to D.C.; it’s about an hour and 20 minutes away.
Now, through the work of Proudly Cambridge, they hope to highlight the town’s many attributes to residents and visitors alike.
“Something we all agree on is there’s a perception problem for Cambridge and a lack of awareness,” van Vlymen said. “If you tell someone you’re going to Cambridge, chances are they think, ‘England or Massachusetts?’”
He cited the affordability and the opportunity to save older, historic homes as a big draw for buyers.
“It’s all about celebrating all the things that make Cambridge great,” Mross added. “Our monthly social events are joyful and celebratory.” A recent game night drew about 70 people.
She noted that the goal is not to gentrify the town and push longtime residents out, but to uplift all the people who are already there while welcoming new visitors and future residents.
They also noted that Proudly Cambridge does not seek to supplant existing Pride-focused organizations. Dorchester County Pride organizes countywide Pride events and Delmarva Pride was held in nearby Easton two weeks ago.
“We celebrate all diversity but are gay powered and gay led,” Mross noted.
To learn more about Proudly Cambridge, visit the group on Facebook and Instagram.
What to see and do
Cambridge, located 13 miles up the Choptank River from the Chesapeake Bay, has a population of roughly 15,000. It was settled in 1684 and named for the English university town in 1686. It is home to the Harriet Tubman Museum, mural, and monument. Its proximity to the Blackwater National Wildlife Refuge makes it a popular stop for birders, drawn to more than 27,000 acres of marshland dubbed “the Everglades of the north.”
The refuge is walkable, bikeable, and driveable, making it an accessible attraction for all. There are kayaking and biking tours through Blackwater Adventures (blackwateradventuresmd.com).
Back in town, take a stroll along the water and through historic downtown and admire the architecture. Take in the striking Harriet Tubman mural (424 Race St.). Shop in the many local boutiques, and don’t miss the gay-owned Shorelife Home and Gifts (421 Race St.), filled with stylish coastal décor items.
Stop for breakfast or lunch at Black Water Bakery (429 Race St.), which offers a full compliment of coffee drinks along with a build-your-own mimosa bar and a full menu of creative cocktails.
The Cambridge Yacht Club (1 Mill St.) is always bustling but you need to be a member to get in. Snapper’s on the water is temporarily closed for renovations. RaR Brewing (rarbrewing.com) is popular for craft beers served in an 80-year-old former pool hall and bowling alley. The menu offers burgers, wings, and other bar fare.
For dinner or wine, don’t miss the fantastic Vintage 414 (414 Race St.), which offers lunch, dinner, wine tasting events, specialty foods, and a large selection of wines. The homemade cheddar crackers, inventive flatbreads, and creative desserts (citrus olive oil cake, carrot cake trifle) were a hit on a recent visit.
Also nearby is Ava’s (305 High St.), a regional chain offering outstanding Italian dishes, pizzas, and more.
For something off the beaten path, visit Emily’s Produce (22143 Church Creek Rd.) for its nursery, produce, and prepared meals.
“Ten minutes into the sticks there’s a place called Emily’s Produce, where you can pay $5 and walk through a field and pick sunflowers, blueberries, you can feed the goats … and they have great food,” van Vlymen said.
As for accommodations, there’s the Hyatt Regency Chesapeake Bay (100 Heron Blvd. at Route 50), a resort complex with golf course, spa, and marina. Otherwise, check out Airbnb and VRBO for short-term rentals closer to downtown.
Its proximity to D.C. and Baltimore makes Cambridge an ideal weekend getaway. The large LGBTQ population is welcoming and they are happy to talk up their town and show you around.
“There’s a closeness among the neighbors that I wasn’t feeling in D.C.,” Lumalcuri said. “We look after each other.”
a&e features
James Baldwin bio shows how much of his life is revealed in his work
‘A Love Story’ is first major book on acclaimed author’s life in 30 years

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages
“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.
The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.
Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender.
Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.
The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.
An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.
a&e features
Looking back at 50 years of Pride in D.C
Washington Blade’s unique archives chronicle highs, lows of our movement

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies.
Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays.

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.
We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.
I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.





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