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Pet Shop Boys revisit recent albums with three-disc deluxe reissues

‘Nightlife,’ ‘Release’ & ‘Fundamental’ are first three in a series that will eventually include their entire oeuvre

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Pet Shop Boys, gay news, Washington Blade

The Pet Shop Boys’ underappreciated 2006 album ‘Fundamental’ is one of three being re-released in a deluxe expanded edition. (Photo courtesy the Karpel Group)

Reservoir wells for popular acts vary greatly in quality and quantity. There are almost always some little gems nestled in the outtakes, B-sides and deep album cuts the casual fans miss out on, but longtime fans know that Pet Shop Boys’ B-sides are often as essential as their singles and album cuts.

Sixteen years after a 2001 series of double-disc expanded editions, the veteran synthpop duo is once again mining their back catalog and this time they’re presenting fans with even more ear candy than before.

The first batch in a series that will eventually include all of their albums up through 2009’s “Yes” covers arguably the Pet Shop Boys’ three most underappreciated albums: “Nightlife” (1999), “Release” (2002) and “Fundamental” (2006). Once again Neil Tennant and Chris Lowe put the time and effort into carefully curated collections that other artists should emulate with their own archival releases. The first two are presented as three-CD sets including two full discs of “Further Listening” material, while “Fundamental” is two discs.

“Nightlife” (1999) is a glossy collection of well-crafted electronic dance pop, atmospheric and vast in sound but instilled with heart and genuine emotion. First single “I Don’t Know What You Want But I Can’t Give It Anymore” is one of their greatest studio triumphs, a true pop masterpiece of repressed rage simmering below an icy sheen of detachment as Tennant delivers barbed swipes at a cheating lover over Chris Lowe’s slow-building, immaculately arranged layers of string synths.

Other singles include “New York City Boy” and “You Only Tell Me You Love Me When I’m Drunk,” and there is a wealth of high quality bonus material like the excellent B-sides “Lies” and “The Ghost of Myself.” Studio outtakes like the tight disco-funk “Nightlife,” a track left off the album despite providing its title, are finally dusted off and getting a must-deserved moment in the sun.

Even more undervalued is the band’s next album, “Release” (2002). Johnny Marr of the Smiths’ fame contributes on guitar on an album that has a mellower vibe than typical for the duo, but the songwriting and arrangements are superb throughout. First single “Home and Dry” exudes the same kind of effusive love that flowed out of the speakers in palpable waves on their buoyant 1993 single “Liberation.”

The haunting allegory “Birthday Boy” is among the very finest recordings the duo has ever produced. Several highly commercial pop-oriented songs were dropped from the album to preserve its singular atmosphere, so the “Further Listening” discs will be sure to please fans who prefer the Pet Shop Boys higher-energy material. Highlights among the extras include “Sexy Northerner” and “I  Didn’t Get Where I Am Today,” a song that easily could have been a Top 10 single (in the U.K., that is — pop radio in the U.S. has basically ignored the duo since their last Top 40 hit “Domino Dancing” in 1988) if given the opportunity.

The third in the first batch of reissues is “Fundamental” (2006), produced by the great Trevor Horn. The duo returns to a more electronic sound but the album is still diverse, ranging from dance-floor bangers to poignant ballads. “Minimal” is the absolute highlight, a gleaming masterpiece of pop songcraft. The sharply political “Integral” could not have been more suited for our times today than if it had been specifically written about the last six months in America.

The album’s biggest hit, “I’m With Stupid,” is an artifact of the George W. Bush years, although the duo (and anyone else, for that matter) surely would have scoffed if told that a decade later a president would be elected that makes George W. Bush seem like a towering intellect. There are again plenty of extras to explore on the “Further Listening” discs, highlighted by outstanding non-album cuts like “The Resurrectionist” and “After the Event.”

The new Pet Shop Boys reissues should be cause for celebration among die-hard and casual fans alike, as they allow those who missed these great albums the first time around to discover them now, and the expanded “Further Listening” discs offer enough extra material to keep listeners well occupied until the next batch of arrives. They are a reminder of the seemingly limitless reservoir of amazing pop songs the Pet Shop Boys have relentlessly churned out over their remarkable 30-plus year career, with even more to come. Time to build that ultimate Pet Shop Boys playlist; one could hardly ask for a better soundtrack for summer.

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Music & Concerts

DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami

Pool party celebrates most charismatic personalities, creative artists in adult entertainment

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DJ Chanel Santini (Photo courtesy of Miss Lainie PR)

Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.

Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.

“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade. 

“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.

While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.” 

Santini loves how DJ-ing brings people together. 

“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”

 Santini describes DJs as the “modern rock stars” in today’s world. 

“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

DJ Chanel Santini / Photo courtesy of Miss Lainie PR

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.

Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.

“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.” 

Santini acknowledged they felt respected more when dressed as a woman.

“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”

Recently, Santini has been embracing their feminine side more.

“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.” 

And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

DJ Chanel Santini / Photo courtesy of Miss Lainie PR

Santini is already working on big plans for the future.

“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”

Santini plans to go “all out” for this show. 

“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”

Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.

“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”

Santini acknowledged that, in the recent past, it was a struggle.

“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”

In addition to being a DJ/artist, Santini is starting college next semester. 

“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”

Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”

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Gaga, Cardi B, and more to grace D.C. stages this spring

Shake off your winter doldrums at a local concert

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Lady Gaga plays Capital One Arena on March 23. (File photo courtesy of Might Real Agency)

D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.

March

3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.

3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.

April

4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”

4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.

4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.

4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”

4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.

4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP. 

4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.

4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.

May

5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.

5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.

5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.

5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.

June

6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.

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Washington chorale kicks off Christmas with vibrant program

‘Thine Own Sweet Light’ concerts planned

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(Photo by orson/Bigstock)

The full Washington Master Chorale will return for its annual holiday concert tradition with “Thine Own Sweet Light” on Friday, Dec. 19 and Sunday, Dec. 21 at St. Ann’s Catholic Church (D.C.) and Church of the Epiphany (D.C.).

The concert will feature the rich sounds of the 50-voice, a cappella chorus performing lush, seasonal choral music inspired by the theme of light. Highlights include Edvard Grieg’s “Ave Maris Stella,” Eric Whitacre’s “Lux Aurumque,” and Christopher Hoh’s “Holy, Holy, Holy is the Lord God of Hosts.” The program will also present a new work by Barcelona composer Josep Ollé i Sabaté, along with charming holiday folk songs and seasonal favorites. 

For more details, visit the Washington Master Chorale website.

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