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Tennis court ‘Battle’

Actors say art inspired life on new Billie Jean King movie



movie review, gay news, Washington Blade

Andrea Riseborough (left) with Emma Stone in ‘Battle of the Sexes.’ (Photo courtesy Fox Searchlight)

Editor’s note: Washington Blade movie critic Brian T. Carney interviewed actresses Andrea Riseborough and Natalie Morales at the Los Angeles premiere of ‘Battle of the Sexes’ last weekend. 

LOS ANGELES — “Battle of the Sexes,” the excellent movie currently showing in D.C.-area theaters, is a passionate examination of the people and politics that led to the game-changing 1973 tennis match between Billie Jean King and Bobby Riggs, a match that is stunningly recreated in the film’s finale.

Produced by Fox Searchlight Pictures, “Battle of the Sexes” is the rare Hollywood film that features a strong female cast and that features a lesbian relationship as just one of many elements in a complex plot. It’s also one of the rare movies that passes the famous Bechdel test.

The Bechdel test first appeared in Alison Bechdel’s “Dykes to Watch Out For” comic strip in 1985. A character says she will only see a movie if it meets three criteria: that the movie has at least two women in it, that they talk to each other and that they talk about something besides a man. “Battle of the Sexes” passes the test with flying colors. It also passes the Russo test, named for the late activist and cultural critic Vito Russo, which applies the same criteria to LGBT characters.

Two of the women who star in the film, Andrea Riseborough and Natalie Morales, were eager to talk about the challenges of playing strong women with recent historical footprints and about turning Billie Jean King’s vision of equal pay for women and female economic empowerment into reality.

Acclaimed British actress, writer and filmmaker Riseborough plays Marilyn Barnett, King’s first girlfriend. For Riseborough, known for playing strong historical character like Wallis Simpson (“W.E.”), Margaret Thatcher (“The Long Walk to Finchley”) and Svetlana Stalin (the upcoming “The Death of Stalin”), playing Barnett offered a different challenge: the lack of documentation.

“There was so little to unearth compared to other characters I’ve played,” she says. “They’re over-documented. You have to forget the noise and get to the center of who they are.”

Playing Barnett, she says, “I had the opposite pressure, it was a process of excavation. For me as an actor, it was very fulfilling because there was so much I had to fill in, so much I had to imagine.”

Riseborough discovered that Barnett was “a very liberated, free-spirited woman. She embodies the hopefulness of the early ‘70s, the wholesome part of it. She was incredibly happy and very much in love.”

Working with a few period photographs, she collaborated with Costume Designer Mary Zophres to recreate Barnett’s look, that of a long-haired California beauty.

In fact, Austin Stowell (who plays King’s husband Larry) and Riseborough joked that, “the cinematic Billie certainly had a type; in the film, we’re both tanned and blond.”

In addition to her award-winning appearances in front of the camera, Riseborough founded her own production company in 2013. “Mother Sucker,” named in honor of her mother, is an all-female company. Its staff is now working on “Nancy,” an anti-hero piece starring Riseborough and written and directed by Christina Choe.

Natalie Morales faced a different set of challenges playing Rosie Casals. Morales says Casals, “was frequently Billie Jean’s doubles partner and one of her best friends at the time. She was one of the few women of color in the tennis world at the time and one of the few people of color in this movie, because that’s the way the tennis world was at the time.”

Casals also worked with famed sportscaster Howard Cosell to provide on-air commentary during the match. Morales (“Grinder,” “Parks and Recreation” and “Girls”) was edited into the actual film from ABC, which offered an exciting challenge for the actor.

“I had to match Rosie’s voice perfectly, her intonation and the way she ended sentences. Everything had to be an exact copy so it would match. I had to look at him at the exact same time. It was a fun puzzle. I’m a director and I really love the technical aspect of making movies.”

Morales has directed several music videos as well as segments for “Funny Or Die” and is working on deals to direct a television series and a feature film.

Morales was not able to meet Casals until the film’s premiere last weekend in Los Angeles. She was thrilled when both Casals and King said she got it “really, really great.”

Inspired in part by her participation in “Battles of the Sexes,” Morales came out as a lesbian in June. She says she’s a private person who avoids the spotlight.

“I was already out to my friends and some of my family, so it really wasn’t a big deal coming out in my personal life,” she says.

But since she knew she would be heavily involved in the press tour for this movie, Morales made the decision to come out publicly.

“I wanted to support this film fully in a way that is honest to me. I’d like to be candid while also being private,” Morales says. “I was always an advocate of LGBTQ rights, but I thought I was omitting something by not saying publicly that I was actually a part of that community and not just a straight ally. I thought I don’t mind sacrificing a little bit of privacy for the visibility and the normalizing that that will do for the queer community. If I make anyone feel a little less alone or a little more understood, or if I educate a single person it’s worth it.”

Battle of the Sexes review, gay news, Washington Blade

Natalie Morales (right) with Emma Stone and Alan Cumming in ‘Battle of the Sexes.’ Morales says her work in the film inspired her to come out. (Photo courtesy Fox Searchlight)

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Rodriquez scores historic win at otherwise irrelevant Golden Globes

Award represents a major milestone for trans visibility



Michaela Jaé Rodriguez, on right, and Billy Porter in 'Pose.' (Photo courtesy of FX)

HOLLYWOOD – Despite its continuing status as something of a pariah organization in Hollywood, the Hollywood Foreign Press Association has managed to cling to relevance in the wake of last night’s behind-closed-doors presentation of its 79th Annual Golden Globe Awards by sole virtue of having bestowed the prize for “Best Leading Actress in a Television Series – Drama” on Michaela Jaé Rodriguez for her work in the final season of “Pose” – making her the first transgender performer to win a Golden Globe.

The ceremony took place as a private, no-press-or-audience event in which winners were revealed via a series of tweets from the Golden Globes Twitter account. No celebrities were present (not even the nominees or winners), although actress Jamie Lee Curtis participated by appearing in a video in which she pronounced her continuing loyalty to the HFPA – without mention of the  longstanding issues around diversity and ethical practices, revealed early in 2021 by a bombshell Los Angeles Times report, that have led to an nearly industry-wide boycott of the organization and its awards as well as the cancellation of the annual Golden Globes broadcast by NBC for the foreseeable future.

While the Golden Globes may have lost their luster for the time being, the award for Rodriquez represents a major milestone for trans visibility and inclusion in the traditionally transphobic entertainment industry, and for her part, the actress responded to news of her win with characteristic grace and good will.

Posting on her Instagram account, the 31-year old actress said: 

“OMG OMGGG!!!! @goldenglobes Wow! You talking about sickening birthday present! Thank you!

“This is the door that is going to Open the door for many more young talented individuals. They will see that it is more than possible. They will see that a young Black Latina girl from Newark New Jersey who had a dream, to change the minds others would WITH LOVE. LOVE WINS.

“To my young LGBTQAI babies WE ARE HERE the door is now open now reach the stars!!!!!”

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As You Are Bar and the importance of queer gathering spaces

New bar/restaurant poised to open in 2022



As You Are Bar had a pop-up venue at Capital Pride's "Colorful Fest" block party in October. (Washington Blade photo by Michael Key)

More than just a watering hole: As You Are Bar is set to be the city’s newest queer gathering place where patrons can spill tea over late-morning cappuccinos as easily as they can over late-night vodka-sodas.

Co-owners and founders Jo McDaniel and Rachel Pike built on their extensive experience in the hospitality industry – including stints at several gay bars – to sign a lease for their new concept in Barracks Row, replacing what was previously District Soul Food and Banana Café. In a prime corner spot, they are seeking to bring together the disparate colors of the LGBTQ rainbow – but first must navigate the approval process (more on that later).

The duo decided on this Southeast neighborhood locale to increase accessibility for “the marginalized parts of our community,” they say, “bringing out the intersectionality inherent in the queer space.”

Northwest D.C., they explain, not only already has many gay bar options, but is also more difficult to get to for those who don’t live within walking distance. The Barracks Row location is right by a Metro stop, “reducing pay walls.” Plus, there, “we are able to find a neighborhood to bring in a queer presence that doesn’t exist today.”

McDaniel points out that the area has a deep queer bar history. Western bar Remington’s was once located in the area, and it’s a mere block from the former Phase 1, the longest-running lesbian bar, which was open from 1971-2015.

McDaniel and Pike hope that As You Are Bar will be an inclusive space that “welcomes anyone of any walk of life that will support, love, and celebrate the mission of queer culture. We want people of all ages, gender, sexual identity, as well as drinkers and non-drinkers, to have space.”

McDaniel (she/her) began her career at Apex in 2005 and was most recently the opening manager of ALOHO. Pike (she/they) was behind the bar and worked as security at ALOHO, where the two met.

Since leaving ALOHO earlier this year, they have pursued the As You Are Bar project, first by hosting virtual events during the pandemic, and now in this brick-and-mortar space. They expressed concern that receiving the Alcoholic Beverage Regulation Administration (ABRA) liquor license approval and the local Advisory Neighborhood Commission, or ANC, approval will be a long and expensive process.

They have already received notice that some neighbors intend to protest As You Are Bar’s application for the “tavern” liquor license that ABRA grants to serve alcohol and allow for live entertainment (e.g. drag shows). They applied for the license on Nov. 12, and have no anticipated opening date, estimating at least six months. If ABRA and the city’s Alcoholic Beverage Control Board give final approval, the local ANC 6B and nearby residents can no longer protest the license until the license comes up for renewal.

Until approval is given, they continue physical buildout (including soundproofing) and planning their offerings. If the license is approved, ABRA and the ABC Board can take action against As You Are Bar, like any bar, at any time if they violate the terms of the license or create a neighborhood disturbance that violates city laws such as the local noise ordinance.  In the kitchen, the duo snagged Chef Nina Love to develop the menu. Love will oversee café-style fare; look out for breakfast sandwiches making an appearance all the way until close. They will also have baked goods during the day.

McDaniel and Pike themselves will craft the bar menu. Importantly, they note, the coffee bar will also serve until close. There will be a full bar as well as a list of zero-proof cocktails. As with their sourcing, they hope to work with queer-, minority-, and women-owned businesses for everything not made in-house.

Flexible conceptually, they seek to grow with their customer base, allowing patrons to create the culture that they seek.

Their goal is to move the queer space away from a focus on alcohol consumption. From book clubs, to letter-writing, to shared workspaces, to dance parties, they seek an all-day, morning-to-night rhythm of youth, families, and adults to find a niche. “We want to shift the narrative of a furtive, secretive, dark gay space and hold it up to the light,” they say. “It’s a little like The Planet from the original L Word show,” they joke.

Pike notes that they plan on working closely with SMYAL, for example, to promote programming for youth. Weekend potential activities include lunch-and-learn sessions on Saturdays and festive Sunday brunches.

The café space, to be located on the first floor, will have coffeehouse-style sofas as well as workstations. A slim patio on 8th Street will hold about six tables.

Even as other queer bars have closed, they reinforce that the need is still present. “Yes, we can visit a café or bar, but we always need to have a place where we are 100 percent certain that we are safe, and that our security is paramount. Even as queer acceptance continues to grow, a dedicated queer space will always be necessary,” they say.

To get there, they continue to rally support of friends, neighbors, and leaders in ANC6B district; the ANC6B officials butted heads with District Soul Food, the previous restaurant in the space, over late-night noise and other complaints. McDaniel and Pike hope that once nearby residents and businesses understand the important contribution that As You Are Bar can make to the neighborhood, they will extend their support and allow the bar to open.

AYA, gay news, Washington Blade
Rachel Pike and Jo McDaniel signed a lease for their new concept in Barracks Row. (Photo courtesy Pike and McDaniel)
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a&e features

Need a list-minute gift idea?

Books, non-profit donations make thoughtful choices



‘Yes, Daddy’ by Jonathan Parks-Ramage is the story of a young man with dying dreams of fame and fortune, who schemes to meet an older man.

You knew this was coming.

You knew that you were going to have to finish your holiday shopping soon but it snuck up on you, didn’t it? And even if you’re close to being done, there are always those three or five people who are impossible to buy for, right? Remember this, though: books are easy to wrap and easy to give, and they last a while, too. So why not head to the bookstore with your Christmas List and look for these gifts.

And if you still have people to shop for, why not make a donation to a local non-profit in their name? A list of D.C.-area suggestions follows.


If there’s about to be a new addition to your family, wrapping up “Queer Stepfamilies: The path to Social and Legal Recognition” by Katie L. Acosta would be a good thing. In this book, the author followed forty LGBTQ families to understand the joys, pitfalls, and legalities of forming a new union together. It can’t replace a lawyer, but it’s a good overview.

For the parent who wants to ensure that their child grows up with a lack of bias, “Raising LGBTQ Allies” by Chris Tompkins is a great book to give. It’s filled with methods to stop bullying in its tracks, to be proactive in having That Conversation, and how to be sure that the next generation you’re responsible for becomes responsible in turn. Wrap it up with “The Healing Otherness Handbook” by Stacee L. Reicherzer, Ph.D., a book that helps readers to deal with bullying by finding confidence and empowerment.

If there’s someone on your gift list who’s determined to get “fit” in the coming year, then give “The Secret to Superhuman Strength” by Alison Bechdel this holiday. Told in graphic-novel format (comics, basically), it’s the story of searching for self-improvement and finding it in a surprising place.

So why not give a little nostalgia this year by wrapping up “A Night at the Sweet Gum Head” by Martin Padgett? It’s the tale of disco, drag, and drugs in the 1970s (of course!) in Atlanta, with appearances by activists, politics, and people who were there at that fabulous time. Wrap it up with “After Francesco” by Brian Malloy, a novel set a little later – in the mid-1980s in New York City and Minneapolis at the beginning of the AIDS crisis.

The LGBTQ activist on your gift list will want to read “The Case for Gay Reparations” by Omar G. Encarnacion. It’s a book about acknowledgment, obligation on the part of cis citizens, and fixing the pain that homophobia and violence has caused. Wrap it up with “Trans Medicine: The Emergence and Practice of Treating Gender” by Stef M. Shuster, a look at trans history that may also make your giftee growl.


Young readers who have recently transitioned will enjoy reading “Both Sides Now” by Peyton Thomas. It’s a novel about a high school boy with gigantic dreams and the means to accomplish them all. Can he overcome the barriers that life gives him? It’s debatable… Pair it with “Can’t Take That Away” by Steven Salvatore, a book about two nonbinary students and the troubles they face as they fall in love.

The thriller fan on your list will be overjoyed to unwrap “Yes, Daddy” by Jonathan Parks-Ramage. It’s the story of a young man with dying dreams of fame and fortune, who schemes to meet an older, more accomplished man with the hopes of sparking his failing career. But the older man isn’t who the younger thinks he is, and that’s not good. Wrap it up with “Lies with Man” by Michael Nava, a book about a lawyer who agrees to be counsel for a group of activists. Good so far, right? Until one of them is accused of being involved in a deadly bombing.

For the fan of Southern fiction, you can’t go wrong when you wrap up “The Tender Grave” by Sheri Reynolds. It’s the tale of two sisters, one homophobic, the other lesbian, and how they learn to forgive and re-connect.


Like nonprofit organizations throughout the country, D.C.-area LGBTQ supportive nonprofit groups have told the Blade they continue to rebuild amid the coronavirus pandemic, which disrupted their fundraising efforts while increasing expenses, at least in part by prompting more people to come to them for help.

This holiday season, if you’re looking for a thoughtful gift, consider making a donation to one of our local LGBTQ non-profit organizations in someone else’s name. This list is by no means exhaustive, but a good place to start your research.

Contributions to the LGBTQ supportive nonprofit organizations can be made via the websites of these local organizations:

• Blade Foundation, which funds local scholarships and fellowships for queer student journalists,

• DC Center, our local community center that operates a wide range of programming,

Food & Friends, which delivers meals to homebound patients,

HIPS, which advances the health rights and dignity of those impacted by sex work and drugs,

• SMYAL, which advocates for queer youth,

Wanda Alston Foundation, which offers shelter and support for LGBTQ youth,

• Whitman-Walker Health, the city’s longtime LGBTQ-inclusive health care provider,

Casa Ruby, which provides shelter and services to youth in need,

• Us Helping Us, which helps improve the health of communities of color and works to reduce the impact of HIV/AIDS on the Black community,

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