Books
Graphic novel ‘Smahtguy’ offers timely bio of Barney Frank
Cartoonist Eric Orner makes policy suspenseful
When he was in high school, gay cartoonist Eric Orner, who makes his graphic novel debut with “Smahtguy: The Life and Times of Barney Frank,” didn’t like the food in the school cafeteria. “The principal was always talking about how good we had it,” Orner told the Blade in a recent interview.

“But the food was deep fried – inedible,” Orner added, “even for us [teens].”
To protest the food, Orner called it out with humor in the comic strip he drew for the school newspaper. “Having this platform to express yourself subversively and sarcastically to authority,” Orner said, “gave me a buzz.”
Like a hound born to hunt, Orner has always loved to draw. A proclivity for subverting the powers that be with humor has been etched in his veins from birth.
“Drawing is what I love to do,” said Orner, who is in his 50s, “It’s been that way since I was a kid.”
If there’s a problem, Orner will sit for an hour and draw. “I’ve been most brave – most outspoken when I’m drawing.”
Orner’s drawing and respect for outspokenness are in splendid form in his graphic novel “Smahtguy,” a biography of queer icon Barney Frank.
As the House (at this writing), repeatedly fails to elect a Speaker, nothing could be more timely than “Smahtguy.”
Frank, who came out as gay in the Boston Globe in 1987, was a Democratic member of the House of Representatives from Massachusetts from 1981 to 2013.
When you hear “bio of a queer and political icon,” you might well think: boring, musty, wonky tome. But you needn’t worry. “Smahtguy” is a page-turner about Frank, a politician who disliked politics, but loved policy. Orner, in this bio, does the nearly impossible: he makes policy suspenseful. Orner makes you want to know how Frank used wonkiness in issues from housing to banking to help people.
Equally important, Orner makes you see and care about Frank’s personal life – from his background and family, to his coming out to his periods of loneliness to his marriage to Jim, his longtime partner.
“Publishers Weekly,” in a starred review, called “Smahtguy,” “an astute, richly detailed profile” of Frank.
Orner jokes that he has “dual citizenship.” He has roots in two cities – Chicago and Boston.
He was born and grew up in Chicago. “My Dad’s family is in Chicago,” Orner said, “My Mom’s family is in Massachusetts.”
Orner, who lives now in New York and spends time with his partner in upstate New York, is acclaimed for his groundbreaking comic strip “The Mostly Unfabulous Social Life of Ethan Green.”
The strip, first published in 1989, ran in 100 papers (gay press and about 25 alternative weeklies). “The Blade was the second paper to run it,” Orner said.
“The work of the gay press was so important to who we became as a people,” Orner said, “I’m Jewish. The Yiddish press was so important to Jewish people at the turn of the last century.”
In 1989, before “Queer as Folk,” “Modern Family,” let alone “Fire Island” or “Bros,” there was nothing like it. Except Alison Bechdel’s trailblazing comic strip “Dykes to Watch Out For,” which ran from 1983 to 2008.
Back then, you didn’t see drawings and stories about queer people in comic strips. Especially, narratives of LGBTQ people dating, being out, dealing with break-ups, coping with AIDS, working – living ordinary lives.
Ethan was a good, but not a fabulous, guy. He wasn’t a hunky athlete or movie star. Break-ups more than picture-perfect romances were his lot. You saw yourself when you read “The Mostly Unfabulous Social Life of Ethan Green,” which was made into a movie of the same name in 2005.
Orner didn’t come out early in his life. “I knew early,” he said, “but the Midwest is a little more conservative.”
There was the Stonewall Uprising. But that wasn’t part of the culture at his high school. “My high school was so conformist,” Orner said, “it could have been the 1950s.”
After high school, Orner moved to Boston where he went to college and law school. “I’ve lived in Boston, New York, D.C., and Los Angeles,” he said, “but I’ve never lived as an adult gay person in Chicago.”
Orner’s father, now deceased, was a straight guy who revered Hugh Hefner and Sean Connery. “One of the most important cultural icons,” Orner said, “when my Dad was in his prime in the 1960s, was Playboy.”
At first, Orner’s father just couldn’t conceive of the fact that he had a gay son. “But, my Dad was a contrarian,” Orner said, “weirdly, he was the sort of person who likes to upset the apple cart.”
If there was a rule that could be broken, he’d want to break it, Orner added.
“My Dad could not get his head around my being gay,” Orner said, “until my first Ethan Green book [a collection of his Ethan Green comic strips] came out.”
One day, one of Orner’s father’s law partners saw a copy of the Ethan Green book at a bookstore at O’Hare Airport. “The straight-laced partner had a meltdown in my father’s office,” Orner said, “over how terrible it was to see my Dad’s name on the book.”
Once Orner’s nonconformist Dad saw his partner’s pearl-clutching, Orner said, “he got his head around [his son’s being gay].”
Orner’s mother was very political. Politics runs in his family, Orner said.
“The minute I came out, unbeknown to me,” Orner said, “my Mom had joined PFLAG.”
Orner has great affection for Boston. He lived there for 25 years. He’d see the Orson Welles Cinema between Harvard and Central Square as he walked toward Bay Street. The first drawing Orner sold was to the “The Phoenix,” a (now defunct) Boston alternative weekly.
He loved cartooning. But, “like most artists, I needed a day job,” Orner said.
Orner and Barney Frank crossed paths at a cocktail party. At that time, Cardinal Bernard Law (since disgraced because of his involvement in the Catholic Church sex abuse scandal) was the Archbishop of Boston.
“I was making wiseass shit about the Cardinal,” Orner said, “Barney said it was a funny cartoon – to call him if I needed a job.”
Orner took Frank up on his offer. For 20 years, on and off, he worked for Frank as staff counsel and press secretary for the House Financial Services Committee.
In between stints working for Frank, Orner worked for Disney. “Disney taught me to draw fast,” he said, “and to capture the essence of something – like a gesture – quickly.”
Frank was your classic tough boss, Orner said. “Barney was interested in policy,” he said, “he wanted government to be professional.”
Orner admires Frank, but “sometimes he makes mistakes,” he said.
“Smahtguy” isn’t an authorized biography. After working on it for three years, Orner packaged it up and sent it to Frank. “Barney had only a few, 19, I think, minor corrections,” Orner said.
One was over a drawing of a daily racing form in Frank’s mother’s purse. “Barney said I had to change that,” Orner said, “because his aunts gambled, but his Mom never gambled.”
Orner strived to convey Frank’s greatness – his political achievement and personality – warts and all. “I very much didn’t want to do hagiography,” he said.
With the news as terrible as it often is now, Orner’s art is more needed than ever.
“I never feel things are so fraught or horrible that I don’t want to draw about them,” Orner said in an email to the Blade.
“And, a lot of my work over the past 10 years has been about Israel and Palestine,” he added.
In comics, creators are able to tap into the full range of human emotions, Orner said.
“Watching the House Freedom caucus somehow convert a single clown car into an epic interstate pile up,” Orner said, “is for this longtime Capitol Hill staffer pretty funny.”
The Blade may receive commissions from qualifying purchases made via this post.
Books
New books reveal style trends for a more enlightened century
Guidelines that hint about gendering clothing are out
Books about Fashion and Style
By various authors
c.2026, various publishers
$19.95 – $29.95
Don’t look now, but your legs are showing.
It’s OK, it’s almost summertime and you want to show both skin and style. So how about a few hints for looking your best? Check out these great books and get stylin’.
Who says there are rules about fashion? Wearing white before Memorial Day is OK; socks with sandals not so much? Fine, but in “Bending the Rules: Fashion Beyond the Binary” by Camille Benda with Gwyn Conaway (Princeton Architectural Press, $29.95), you’ll see that any guidelines that hint about gendering clothing are oh-so-last century.
Along with lively, fun narrative, there are lots of photos in this book, ads for how clothing used to be worn along male-female lines, and short biographies of some of today’s best designers. Here, you can check out prom dresses from the 1950s and new haute couture gowns practically right off the runway – and see how one parallels with the other. The timeline reaches back centuries, so you get a nice idea of where certain kinds of clothing originated and how it’s relevant today – making what’s inside here perfect for browsing.
Pick up this book, in fact, and you might also pick up some ideas for filling your closet and creating your very own style.
The fashion you wear on your body isn’t all you’ll find in “Pretend to Be Fancy: A Field Guide to Style and Sophistication” by Whitney Marston Pierce (Chronicle Books, $19.95). You’ll also read about other nice things you can have.
So you’re not a pinky-in-the-air kind of person, whatever. You can easily hang with those who are, once you read and absorb this book.
Tongue-tied at fancy soirees? Not anymore, there are tips for talking here. What do you know about canapes, hors d’oeuvres, and the kind of foods you don’t get at the corner c-store? How do you make a charcuterie that everyone will Ooooooh over? And how do you give a gift for the person whose taste seems scads better than yours? That’s all in here, along with what to drink, how to dress, and how to make every corner of your home look like something right out of a high-end magazine.
Will this book make you chic? Possibly, yes. Will it help you get invited to all the best parties? Maybe, but for sure, it’ll make you laugh, it’ll make you feel fabulous, look fabulous, and live your best life with the surroundings you deserve. Out May 5, so put it on your list.
But let’s say you need more ideas. You have questions or thorny issues with fashion that you really need answering. That’s when you ask for a talented fashionista at your local bookstore or library, that knowledgeable someone knows books and knows how to get what you need to be your most dazzling, best-dressed, finest-appointed self in a home you can be proud of, with comfortable furniture that will be the envy of everyone who sees it.
In the meantime, grab the above titles, because these books got legs.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
The Blade may receive commissions from qualifying purchases made via this post.
Books
Risking it all for love during World War II
New book follows story of Black, gay expat in Paris
‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages
You couldn’t escape it.
When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.

On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.
Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”
What better place to do it than in Paris?
Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.
Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.
And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”
There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.
In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.
It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.
Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.
The Blade may receive commissions from qualifying purchases made via this post.
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