Music & Concerts
‘Wonderful’ return
‘Wonderful, Wonderful’ is tight and potent retro pop/rock brew

Brandon Flowers, front, opens up on personal topics with his band the Killers’ eclectic new album. (Photo courtesy Island)
It’s hard to credit that 13 years have passed since the Killers emerged with their electrifying blend of new wave influences, a heavy dose of David Bowie and the arena-rock muscle of U2 on their smash debut “Hot Fuss.” They were hard to resist from the very beginning, blasting off with high-energy hits like “Somebody Told Me,” “Mr. Brightside,” “Smile Like You Mean It” and “All These Things That I’ve Done.” Despite the band’s decidedly retro tendencies, the Killers have always infused a slick modern sheen that has kept their music fresh and relevant.
While they’ve never quite been able to equal the commercial success of “Hot Fuss,”the Killers have managed to keep plugging away with one solid album after another. Despite being dismissed by some critics as too derivative of their influences and too eager to embrace the mainstream, the Killers still sell consistently well when many of their new wave-revivalist contemporaries of the early 2000s have fallen by the wayside. Their latest album, “Wonderful Wonderful,” is their first in five years, and their continued relevance is confirmed not only in the quality of the album but by the fact that it debuts at no. 1 on the Billboard album chart, their first ever to reach that mark. The album’s success is not surprising — “Wonderful Wonderful” is the tightest and most potent collection of the Killers’ exciting retro pop/rock brew since their debut.
Lead single “The Man” is a tight dance/funk jam that somehow manages to merge elements of ‘70s disco, ‘80s new wave and ‘90s electronica into a groove that’s immediate and engaging. Flowers’ taut falsetto lands somewhere between Barry Gibb and David Byrne, a wildly eccentric performance that’s a refreshing change from the overly perfect autotuned soullessness to which pop music fans are typically subjected these days. “The Man” sounds a bit like Maroon 5 but with an edgier kick and infinitely more personality. Also excellent is the second single “Run For Cover,” a jittery rocker with a rapid-fire vocal during the verse that gives way to the type of anthemic chorus that Brandon Flowers performs so well and with such obvious heart.
The title track opens the album with a stripped-down electronic rhythm, swoops of quavery keyboard and a slow-building intensity that eventually boils over as Flowers builds plenty of drama for the cinematic climax. In keeping with the more personal nature of this album, Flowers bares his heart in “Rut,” opening up about his wife’s experiences with PTSD. The Killers typically operate in a world of storytelling and character development, so the more intimate nature of “Wonderful Wonderful” translates to a piercing emotional immediacy that feels completely genuine.
“Some Kind of Love” is a gauzy ballad, with Flowers’ gentle multi-tracked vocals floating atop a lovely bed of swaying synths. “Out of My Mind” is reminiscent of the electronic-tinged pop that saturated Top 40 airwaves in the late ‘80s. It boasts one of the album’s simpler yet most irresistible melodic hooks and seems an obvious choice as a future single. “Life to Come” once again is built mostly on synths — the guitars take a back seat on “Wonderful Wonderful” as the band relies more heavily on electronic textures. The album’s closer is the contemplative “Have All The Songs Been Written?,” which starts as a slowly simmering ballad before rising to the point where you think it’s gonna really take off but then sorta sputters unexpectedly mid-ascent. It’s an odd ending that feels unfinished, but perhaps that’s the point. Maybe it’s meant to be a harbinger of things to come.
“Wonderful Wonderful” is the Killers at their most focused and engaging. While still unabashedly mining the past for inspiration, they also look unerringly forward with an album that is immaculately crafted, fiercely performed and brimming with solid hooks and fiery grooves. If you’re a fan, you’ll like it. If you tend to view the Killers as style over substance, as many critics do, “Wonderful Wonderful” is at least worth an open-minded listen. The Killers will probably never be critical darlings, but it hardly matters. They know their niche and they operate within its flashing neon glow with all the vitality and spirit of a band just getting started.
Music & Concerts
DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami
Pool party celebrates most charismatic personalities, creative artists in adult entertainment
Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.
Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.
“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade.
“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.
While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.”
Santini loves how DJ-ing brings people together.
“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”
Santini describes DJs as the “modern rock stars” in today’s world.
“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.
Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.
“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.”
Santini acknowledged they felt respected more when dressed as a woman.
“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”
Recently, Santini has been embracing their feminine side more.
“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.”
And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

Santini is already working on big plans for the future.
“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”
Santini plans to go “all out” for this show.
“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”
Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.
“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”
Santini acknowledged that, in the recent past, it was a struggle.
“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”
In addition to being a DJ/artist, Santini is starting college next semester.
“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”
Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”
Music & Concerts
Gaga, Cardi B, and more to grace D.C. stages this spring
Shake off your winter doldrums at a local concert
D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.
March
3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.
3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.
April
4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”
4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.
4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.
4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”
4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.
4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP.
4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.
4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.
May
5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.
5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.
5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.
5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.
June
6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.
Music & Concerts
Washington chorale kicks off Christmas with vibrant program
‘Thine Own Sweet Light’ concerts planned
The full Washington Master Chorale will return for its annual holiday concert tradition with “Thine Own Sweet Light” on Friday, Dec. 19 and Sunday, Dec. 21 at St. Ann’s Catholic Church (D.C.) and Church of the Epiphany (D.C.).
The concert will feature the rich sounds of the 50-voice, a cappella chorus performing lush, seasonal choral music inspired by the theme of light. Highlights include Edvard Grieg’s “Ave Maris Stella,” Eric Whitacre’s “Lux Aurumque,” and Christopher Hoh’s “Holy, Holy, Holy is the Lord God of Hosts.” The program will also present a new work by Barcelona composer Josep Ollé i Sabaté, along with charming holiday folk songs and seasonal favorites.
For more details, visit the Washington Master Chorale website.
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