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Tegan and Sara revisit ‘The Con’ on 10th anniversary acoustic tour

Pop wonder twins on touring with Katy Perry, their foundation, playing the Oscars and more

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Tegan Sara, gay news, Washington Blade

TEGAN AND SARA say injustices they’ve seen among their fans inspires their philanthropic work. (Photo by Pamela Littky; courtesy Warner Bros. Records)

Tegan and Sara

 

The Con 10th Anniversary Acoustic Tour

 

Saturday, Nov. 11

 

The Anthem

 

901 Wharf St., S.W.

 

8 p.m.

 

$50.50-76

 

theanthemdc.com

 

teganandsara.com

Tegan and Sara bring their acoustic tour, a 10th-anniversary commemoration of their breakthrough 2007 album “The Con,” to new Washington venue the Anthem next weekend. Sara, prepping for the sixth concert of the tour, spoke with the Blade by phone from Portland on Oct. 26

WASHINGTON BLADE: I’m told Portland has a large lesbian population. Are you aware of this?

SARA: I don’t know exactly but, um, we’ve spent a lot of time in Portland. We actually made “The Con,” the record that we’re touring on this anniversary, we actually made it in Portland but besides the lesbians who are in the band, we didn’t do a lot of socializing outside of the studio (laughs). But I love Portland. It’s a beautiful sunny day and it’s a little cooler than it was in California. I had a nice breakfast and walked around and it’s just a great town, I love it.

BLADE: Is this concept something you might also do for other albums when they turn 10 or is revisiting “The Con” different? If so, why?

SARA: You know, I think, first off, this record is incredibly special and just purely from a business perspective, you know, it was a big step for us. We moved over to Warner Brothers and there was a big push behind the album. It was really well received by the press and we saw our audience grow quite a bit and we started traveling more internationally. The reach of the album was pretty substantial and over the years, the record has been one of those signature pieces where even fans who discovered us on later albums generally find themselves back at “The Con” and love the songs. I think it’s a really cherished album within our community of fans so it felt really appropriate to go out and perform these songs again because for so many people, a lot of our fans tell us, “We were too young to see the show the first time around,” they were underage or they had yet to discover us, so it felt like the first album in our discography that felt like it had enough of an impact and that people liked enough that we could go out and do something like this. And then to be able to tie it to the launch of our foundation and be able to use it also as a fundraiser to try to raise money for some programming and grants we want to do next year, to have those two elements stitched together, that feels really special.

BLADE: Aside from being acoustic, how is this tour different from the original “Con” tour?

SARA: We didn’t want to just go out and do the album versions. We wanted to strip things back and make it more of an intimate show and allow for storytelling and really improvised moments even within the music itself. … The songs are very short. Even though there are 14 songs on the “The Con,” the whole album is only like 34 minutes or something. So we actually wanted to not feel completely beholden to the original recordings and wanted to be a little more flexible on the tour itself. So we’re playing them a bit more sparsely and we’ve slightly adjusted some of the arrangements, made some songs longer, changed keys, slowed things down, but the important thing for me was that none of the songs start and people go, “What is this?” We wanted it to be recognizable as the original song, just not boxed in to the way we recorded them.

BLADE: Are you playing the album through sequentially? What else are you playing?

SARA: Yeah, we are playing it through start to finish which takes roughly about an hour. … Then we have an eight-song set that follows “The Con” and that is also about an hour. As we’ve gotten older, our songs have gotten a bit longer so we don’t have to play as many to fill that second hour.

BLADE: I’ve been to shows where the band plays a classic album straight through and seen the audience kind of zone out on deeper cuts. Is that happening or was that a concern?

SARA: No, it really didn’t concern me. It’s one of those albums that our fans constantly reference and talk about so while there are definitely songs that are more popular, I actually think some of those deep cuts that weren’t singles are the songs people are more excited to hear. We still play “Call it Off,” “Nineteen,” “Back in Your Head,” “Dark Come Soon.” Those are songs that have been in our set list for 10 years, so people hear them a lot. I think for us to go into the deeper cuts was actually what fans wanted. They were always asking us to play, like, “Are You Ten Years Ago,” and I’d be like, “I don’t know how to play that, we’re not gonna do that.” So to go back and learn some of those songs again, that’s actually been the most thrilling part of the evening and the reception has just been wonderful. In fact, after L.A. we had done four shows and we added a song to the set because it almost felt too short. And that’s a two-hour show, but we still thought we could do one more song and people would be happy.

BLADE: Last time we talked, Tegan told us you sometimes spent as much as 80 hours writing one song but she didn’t have the patience for that. Was she slightly exaggerating or is that true?

SARA: Sometimes certain compositions come together really quickly and that much time isn’t needed but there are other songs that yeah, I’ll spend like ridiculous amounts of time working on absolutely. Sometimes if you know you have something special you’re willing to invest a bunch of time into it. Or sometimes you’ll spend a bunch of time on it, send it out to everybody then you will get feedback and will go back to the drawing board and sort of dismantle it and put it back together again. I’m extremely methodical and I love to tinker and revise. I love sort of disappearing into those worlds when I’m recording. … I spend a lot of time programming, working on what I want the drums to sound like, what I want the bass to sound like so I’m not just sitting down with a guitar and spending 80 hours, I’m really looking at the song three dimensionally and creating something that will be like a blueprint once we’re in the studio.

BLADE: Some acts like the Indigo Girls, Melissa Etheridge, you look back and it’s kind of surprising they were out so early on. Do you feel they paved the way or is that kind of a trite, sentimental thing people say?

SARA: Oh yeah, I mean, absolutely like a hundred percent. You know, Melissa Etheridge, the Indigo Girls, k.d. lang, these artists were extremely brave and they were trailblazers. What’s interesting is that as a result there was almost like a gap generationally where, you know, while I totally respect and admire those artists, especially for what they did, in terms of, you know, laying down the ground work for the rest of us. But they were older so, I mean, my mom was listening to them. My mom loved Melissa Etheridge, she loved k.d. lang and I was a teenager listening to hip-hop and electronic music so I sort of missed the musical inspiration side of it because I was totally, you know, into what was relevant to me and my friends in high school. But in terms of the inspiration to live a life where you didn’t have to be in the closet or hide who you were, I think they are deeply important and what was difficult in the first 10 years or so of our career was that there didn’t seem to be those same type of artists anymore. I don’t know what exactly happened or what the reaction was about, but it felt like a lot of artists started being more closeted or felt, you know, they didn’t feel compelled to be out about their sexuality so it was a bit lonely and isolating for us. But now there’s this big wave of musicians coming out and starting their careers in their 20s and what’s inspiring about them is that they are very vocal and their identity and who they are as people is intrinsically linked with their music and they’re happy to talk about it and embrace it and challenge people who sort of push back against it and that inspires me.

BLADE: What’s the biggest difference that struck you being at the Academy Awards in person versus watching in on TV? (Tegan and Sara performed their song “Everything is Awesome” from “The Lego Movie” at the Academy Awards in 2015 when it was nominated for Best Original Song.)

SARA: It’s quite surreal and the space definitely looks smaller in person than on television. But just to know that everywhere your eyeballs go and rest it’s somebody crazily famous. But yeah, it was a really cool experience and I’m a Virgo, so I’m a very organized person and I love being in well-run organizations and man, the Academy Awards is just the top of the top. They have that thing dialed in so it was really inspiring to watch that whole thing come together in person. Very, very cool.

BLADE: You all have done a lot of cool things with merchandising and fan stuff and stuff for Record Store Day and so on. Who comes up with those ideas?

SARA: We have a really cool team of people we’ve been working with most of our career. Our art director has been with us since 2003 and, you know, we are always batting around ideas. We really see the band as a really creative and collaborative project and it’s not just for music. For us it’s really about making things that we love and that we care about and in a way if we were teenagers and we loved the band, these are things we would want. I loved the Smashing Pumpkins and when they would put out a box set or an unreleased song, I would be the first person in line at the store the day it came out and I think those are things, gestures to our audience, we know they desire a little more behind the scenes or a little more information and those are things they can tangibly interact with and we really enjoy making them as a group.

BLADE: Yeah, the Pumpkins were great with that stuff. Remember “The Aeroplane Flies High”?

SARA: Yes, that black and white box! I loved that.

BLADE: You’ve toured with a lot of huge acts like Katy Perry and Gaga. Are y’all like hanging out backstage some or do they tend to pretty much keep to themselves?

SARA: Well, with Katy Perry, we know her, so she’s extremely kind and affable. She just sort of wanders around and you see her all the time. She’s a really down-to-earth person so that tour felt very inclusive and we were friends with a lot of people on the crew, the dancers were super nice and everybody was very friendly so it was a really integrated experience as the support band. But there are definitely other tours where you’re sort of lower down on the food chain and I never take it personally. Every artist is different. We’ve toured with other artists who are extremely shy, extremely nervous people and they sort of avoid that type of social interaction and I completely respect that. But we’ve been really lucky. We’ve had a lot of really positive touring experiences. Katy Perry was amazing, the Killers were amazing. Our very first tour in 2000, we opened for Neil Young for a summer. We went out for two months and really learned how to tour and we really watched closely how his business ran and how he interacted with people and the way he treated his fans and that was really instrumental in how we run our business.

BLADE: Can you give us any hint of what your next album might be like or roughly when we might hear it?

SARA: The truth is I can’t. I have no clue. I feel really hyper focused on the work we’re doing philanthropically and we always have a lot of irons in the fire, projects we’re working on and right now musically, I would say it’s likely people won’t hear anything new from us for at least a year or two. I think we’re pretty busy working on other stuff and you gotta kinda wait for for the inspiration to hit you. I song write every day and I work on new music all the time but something tells me right now these other areas are crucial and we should focus there instead.

BLADE: What’s going on with the Tegan and Sara Foundation and why are you passionate about this work?

SARA: It’s focused on women and girls in the LGBTQ community. We’re specifically working on building solidarity with organizations and groups that center on women and girls and we’re right now mostly writing out grants to people we think are doing great work in the community but we’re also fundraising to develop some of our own programming with health care and social justice and economic inequities that queer women face in our community. For us, it sort of feels like a no brainer. Obviously being gay ourselves and having a strong female queer following all thse years, it just sort of feels like an area of philanthropy that really makes sense for us. We understand it, we’ve experienced it personally and we’ve had a lot of interaction with people in our community. We’ve been extremely fortunate that we’ve had a lot of success over the years and we’re looking forward to using that success and privilege and visibility to redistribute some of that wealth and power back to the community.

Tegan and Sara, gay news, Washington Blade

SARA of Tegan and Sara says Katy Perry and Neil Young have been some of her band’s favorite artists for which to open. (Photo by Lindsey Byrnes; courtesy Warner Bros. Records)

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MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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Visible and unapologetic: MAL brings the kink this weekend

Busy lineup includes dances, pups, super heroes, and more

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A scene from the 2025 Mr. Mid-Atlantic Leather competition. (Washington Blade file photo by Michael Key)

MLK Weekend in D.C. brings the annual Mid-Atlantic Leather (MAL) Weekend. Just a short walk from where Congress has been attacking queer Americans this year, MAL takes place at the Hyatt Regency Washington for several days of intrigue, excitement, leather, and kink. 

The Centaur Motorcycle Club — one of several similar groups dedicated to leather in the country — has been hosting MAL in its current form for more than 40 years. Originally a small gathering of like-minded people interested in the leather lifestyle, MAL has grown to include a full four days of events, taking place onsite at the Hyatt Regency Washington (400 New Jersey Ave., N.W.). Select partner happenings take place each night, and many more non-affiliated events are scattered across the DMV in honor of and inspired by MAL.

MAL Weekend has become an internationally renowned event that celebrates fetish culture, yet it also raises funds for LGBTQ organizations, “reinforcing its legacy as both a cultural and philanthropic cornerstone of the global leather community,” according to MAL organizers.

During the day, MAL events at the Hyatt include workshops, social gatherings, shopping, and other in-person engagements for the community.

“The Hyatt underwent an extensive top to bottom renovation after last year’s event,” says Jeffrey LeGrand-Douglass, the event chair. The lobby, meeting spaces, guest rooms, and other areas have been updated, he notes, “so I am very excited for our guests to experience the new design and layout for the first time. And of course as with every year, we look forward to the contest on Sunday afternoon and  seeing who will become our new Mr. MAL.”

In the evening, MAL hands the reins to partner KINETIC Presents, the D.C.-based nightlife production company. KINETIC will host four consecutive nights of high-production events that fuse cutting-edge music, immersive environments, and performance. This year, KINETIC is popping open doors to new-to-MAL venues, international collabs, play zones, and a diverse lineup.

According to KINETIC managing partner Zach Renovátes, 2026 is the most extensive MAL production to date. “The talent lineup is unreal: an all-star roster of international DJs, plus drag superstar performances at the Saturday main event,” he says.

Renovátes added that he’s “most excited about the collaborations happening all weekend — from bringing in MACHO from WE Party Madrid, to teaming up with local leather groups, to nonprofit partners, and Masc Diva [a queer nightlife collective].”

Official MAL events begin on Thursday with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. at the Hyatt. 

Thursday night is also the KINETIC kickoff party, called LUST. Running 10 p.m. – 3 a.m., it’s being held at District Eagle. DJ Jay Garcia holds it down on the first floor, while DJ Mitch Ferrino spins in the expansive upstairs. LUST features special performances from the performers including Serg Shepard, Arrow, Chase, and Masterpiece.

Renovátes notes that the LUST opening party at District Eagle coincides with the bar’s grand re-opening weekend. The bar will unveil its new permanent home on the renovated second floor. “it felt like the perfect place to start Mid-Atlantic Leather weekend — right in D.C.’s only dedicated home for kink communities,” he says.

After Thursday night, Friday is when daytime events begin at the Hyatt. The Exhibit Hall, on the ballroom level below the lobby, hosts upwards of 30 vendors, exhibitors, and booths with leather goods, fetish wear, clothes, toys, other accessories, providing hours of time to shop and connect with attendees and business owners. The Exhibit Hall will be open on Friday from 4-10 p.m., as well as on Saturday and Sunday afternoons. 

DC Health is once again back at MAL, to provide preventative health services. In the past, DC Health has provided MPox vaccines, Doxy PEP, HIV testing, Narcan kits, and fentanyl test strips. This booth will be open on Friday 4-10 p.m.

Later, at 6 p.m., the Centaur MC is holding its welcome reception on the ballroom floor. After the Centaur’s Welcome Reception, the MIR Rubber Social is 8-11 p.m. A Recovery Meeting is scheduled at 10 p.m. 

Many attendees enjoy visiting the guest room levels of the hotel. Note that to get in an elevator up to a hotel room, a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.

Friday night, for the first time, KINETIC Presents is joining forces with WE Party to bring MACHO to Washington, D.C. This official MAL Friday event delivers two stages and two genres. On the UNCUT XXL stage, international Brazilian circuit superstars Erik Vilar and Anne Louise bring their signature high-energy sound. On the MACHO stage, Madrid’s Charly is joined by Chicago’s tech-house force, Karsten Sollors, for a blend of techno and tech house. UNCUT also features the XL Play Zone, a massive, immersive space exclusive to this event. The party takes place at the Berhta space from 10 p.m.-4 a.m.. 

“This year we’re bringing back the two-room format we debuted at WorldPride for both Friday and Saturday, so attendees can really tailor their experience — whether they’re in the mood for circuit or tech house.” says Renovátes.

Directly after Friday’s UNCUT XXL, UNDERWORLD Afters takes over District Eagle, from 3:30-8 a.m. International DJ Eliad Cohen commands the music. 

Saturday, the Exhibit Hall opens earlier, at 11 a.m.. DC Health will also be back from 11 a.m. to 6 p.m.

Saturday is also time for one of the most anticipated events, the Puppy Mosh, running from 11 a.m. to 1 p.m. During the event, pup culture comes to life, when pups, handlers, and friends can enjoy an inclusive, safe pup zone. There is also a Recovery Meeting at 11 a.m., and the IML Judges Announcement takes place at noon.

The popular Super Hero Meet Up will be held 1:30 p.m. – 3 p.m., sponsored by One Magical Weekend, for cosplayers, comic enthusiasts, and their friends.

From 2-6 p.m., the Onyx Fashion Show will take place to showcase and highlight people of color in leather.

Finally, the Leather Cocktail Party – the original event of MAL – will be held 7-9 p.m. in the Ballroom. While this requires special tickets to attend, at 9 p.m. is the MAL cocktail party, which is open to wider attendees.

The last event of Saturday leaves the hotel, again a partnership with KINETIC. Kicking off at 10 p.m. and running until 4 a.m., it’s just the second time that KINETIC’s Saturday night party is an official MAL event and serves as the main weekend engagement. 

Saturday night’s centerpiece is called KINK: Double Trouble. The night will feature a first-ever back-to-back set from international electronic music icons Nina Flowers and Alex Acosta on the Circuit/Tribal Stage. The other room – the Tech House Stage – curated by The Carry Nation and Rose, provides a darker, underground counterpoint, reinforcing the event’s musical depth and edge.

Beyond the DJs, KINETIC has called in the big shots for this party: “RuPaul’s Drag Race” legends Nymphia Wind and Plastique Tiara are set to headline. The party also takes place at Berhta.

Sunday, back at the hotel, there will be another Recovery Meeting at 10 a.m., and the Exhibit Hall opens again from 11 a.m.-5 p.m. 

At 1 p.m., the anticipated and prestigious Mr. MAL Contest that celebrates the achievements of the leather community will be held in the Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. Sash and title winners must be (1) male, (2), a resident of North America, (3) At least 21 years of age; and (4) self-identify as gay. The first Mr. MAL was crowned in 1985. The Winner of Mr. MAL has the privilege of later competing in International Mr. Leather (IML) in Chicago on Memorial Day Weekend 2025. 

From 4 p.m. to 12 a.m., MAL will hold its Game Night for the gaymers in attendance. There will also be a special screening of A24’s new film, “Pillion,” about a man who is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.

Sunday closes with a community partner event produced by Masc Diva, featuring Horse Meat Disco with support from Coach Chris, at A.I. Warehouse in the Union Market district. It’s the same team that produced HMD during WorldPride at A.I. Warehouse. 

Note that there are several types of passes for attendance to the hotel and parties. KINK VIP Weekend Passes include express entry, VIP areas, and enhanced amenities throughout the weekend, while MAL Full Weekend Package holders receive access to the official Sunday closing event.

At last year’s MAL events, KINETIC Presents raised more $150,000 for LGBTQ charities, and expects to match or exceed that impact in 2026.

Renovátes stated that “now more than ever, it’s important to create safe, affirming spaces for our community — but it’s just as important to be visible and unapologetic. We want to make it clear that the LGBTQ+ and leather communities aren’t going anywhere. We’ve fought too long and too hard to ever feel like we have to shrink ourselves again, no matter what the political climate looks like.”

In addition to the KINETIC events, various LGBTQ bars will hold parties celebrating the theme of the weekend. For example, Kiki, located on U Street NW, is hosting a party called KINKI, hosted by DJ Dez, on Saturday night. Sister bar Shakiki, on 9th Street NW, is hosting a party called Railed Out, a fetish-inspired party that features a play zone, on Thursday night. Flash, on U Street NW, will hold its infamous Flashy Sunday party to close out the weekend. 

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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