Books
Queer author Carmen Maria Machado draws raves for ‘Her Body’ short story collection
Writer says family storytelling tradition, collegiate experiences inform her fiction

Author Carmen Maria Machado says her love of reading and the storytelling tradition of her family deeply inform her work. (Photo courtesy Tom Storm Photography)
All fiction writers need imagination. Carmen Maria Machado’s is so vivid, she sometimes passes it on to her characters.
“Sometimes I sat on the porch and gave imaginary interviews to NPR personalities,” says the narrator of “The Resident,” a short story in Machado’s debut collection “Her Body and Other Parties.” “”When I write, I feel like I’m being hypnotized,’ I told Terry Gross. ‘It was at that moment I knew everything was going to change,’ I told Ira Glass.’”
For most writers, such daydreams remain mere fantasies. Few authors become literary superstars or suddenly find themselves under the spotlight on NPR. Yet this is what happened to Machado, a 31-year-old queer writer.
Her short story collection “Her Body and Other Parties” (Graywolf Press), released in October, has received the attention usually bestowed on the work of literary giants such as Toni Morrison or Michael Cunningham. “Parties” was a finalist for the National Book Award, the Kirkus Prize and the National Book Critics Circle’s John Leonard Prize. It won the Bard Fiction Prize. It’s her first full-length work though she has had many of her stories published in various outlets.
“Parties” is unlike any previous short story collection. Women’s bodies, queerness and feminism pulsate through the tales in “Parties” from “Inventory” to “Difficult at Parties.” Yet the book isn’t didactic or the least bit doctrinaire. Like the horror movie “Get Out,” the stories pop with horror and comedy.
Women have joyous sex, even as people die worldwide from a virus spread by physical contact. A sexual assault survivor hears the inner thoughts of characters in porn. A novella “Especially Heinous: 272 Views of Law & Order: SVU,” is a piercing, but hilarious send up of “Law & Order: SVU” and its fascination with sexually traumatized women.
“The collection is that hallowed thing: an example of almost preposterous talent,” the Los Angeles Times said of “Her Body and Other Parties,” “that also encapsulates something vital but previously diffuse about the moment.”
Storytelling, Machado says during a Blade phone interview, is part of her family tradition. Her paternal grandfather came to the U.S. from Cuba; his wife was from Austria. They met as immigrants in New York. Her mother’s family is white.
“Storytelling, especially on the Cuban side of the family, is important,” Machado, an Allentown, Pa., native who now lives with her wife Val in Philadelphia, says. “My grandfather has dementia, but we can still recite stories back to him and he remembers.”
She incorporates that oral storytelling tradition in her work. Her love of reading and writing, as one might imagine, has deep roots.
As a child, Machado read voraciously. She went to the library and devoured books like candy, reading at breakneck speed, she says.
“All kids write stories. I wrote them and typed them out. I always loved the idea of being a writer.”
Machado sent her stories to publishers and authors. Her letters yielded no publishing offers, but, “my wife who works in publishing says that some delighted interns at the publishing houses must have loved my letters.”
To her surprise and delight, Machado heard back from Livia Bitton-Jackson, a Holocaust survivor and author of the memoir “I Have Lived a Thousand Years: Growing Up in the Holocaust.”
“In the book, Bitton-Jackson talked about how the poems she wrote were left behind when she was taken by the Nazis,” she says. “I wrote to her and asked what happened to her poems. One day, my mom, who was confused by it, said, ‘There’s a letter for you from Israel.’”
Bitton-Jackson told Machado that she didn’t get her poems back, but that she’d kept on writing.
“She asked me about myself,” she says. “It felt magical that a real person — a writer — wrote back to me.”
When she was young in the 1990s, Machado didn’t understand that she was queer.
“I had crushes on girls, but I didn’t think of it in that way. I didn’t have any framework,” she says. “I didn’t know anyone who was out and queer until I went to college.”
Machado graduated from American University in 2008 with a degree in visual media. During her years in Washington, she read the Blade as she was coming out.
“I thought, ‘Oh this is who I am,’” she says. “My parents were pretty chill, though they were a bit confused because I was lesbian/bi. They didn’t quite understand why I would date a guy, but they were great about it.”
Attitudes about being queer were different for some of Machado’s extended family.
“Some of them were very religious,” she says, “but I didn’t have to deal with a lot of that kind of nonsense. I feel extremely lucky.”
Machado went to college to study journalism, but quickly realized that wasn’t what she wanted to do, so she switched to literature and photography.
“I wanted to get loose with my sentences,” Machado says. “I didn’t have the blood thirst, the nose for news, to be a reporter.”
After graduating, Machado moved to Berkeley, Calif., working random jobs during the recession and enduring a bad break-up, which she says made her miserable. But she didn’t stop writing. A creative writing teacher, whom she calls “a lovely human being,” encouraged her to keep writing stories.
Her stint at the Iowa Writers’ Workshop from 2010-2012, where she earned a master’s degree, changed everything professionally for her.
“Suddenly, I was getting paid to be in grad school and write,” she says. “I didn’t have to worry about finding jobs. I had good health insurance. I could go to therapy and figure out my aesthetic.”
And, of course, her success with “Her Body” has helped fuel ongoing efforts. “House in Indiana,” a memoir about same-sex domestic violence is due in 2019.
“Same-sex violence isn’t talked about,” Machado says. “I wanted to talk about it.”
Kathi Wolfe, a writer and a poet, is a regular contributor to the Blade.
Books
A history of lesbian workarounds to build family
Fighting for the right to have and raise kids
‘Radical Family: Trailblazing Lesbian Moms Tell Their Stories’
Edited by Margaret Mooney
c.2025, Wisconsin Historical Society Press
$20/150 pages
You don’t have a white picket fence with an adorable gate.
The other parts of the American Dream – the house in the suburbs, a minivan, and a big backyard – may also be beyond your reach. You’ve never wanted the joyous husband-wife union, but the two-point-five kids? Yeah, maybe that’s possible. As in the new book “Radical Family,” edited by Margaret Mooney, it’s surely more so than it was in the past.

Once upon a time, if a lesbian wanted to raise a family, she had two basic options: pregnancy or adoption. That is, says Mooney, if she was willing to buck a hetero-centric society that said the former was “selfish, unnatural and radical” and the latter was often just simply not possible or even legal.
Undaunted, and very much wanting kids, many lesbians ignored the rules. They built “chains” of women who handed off sperm from donor to doctor to potential mother. They demanded that fertility clinics allow single women as customers. They wrote pamphlets and publications aimed to help others become pregnant by themselves or with partners. They carefully sought lesbian-friendly obstetricians and nurses.
Over time, lesbians who wanted kids were “emboldened by the feminist movement and the gay and lesbian rights movement” and did what they had to do, omitted facts when needed, traveled abroad when they could, and found workarounds to build a family.
This book tells nine stories of everyday lesbians who succeeded.
Denise Matyka and Margaret McMurray went to Russia to adopt. Martha Dixon Popp and Alix Olson raised their family, in part and for awhile in conjunction with Popp’s husband. Gail Hirn learned from an agriculture publication how to inseminate herself. MC Reisdorf literally stood on her head to get pregnant. Mooney says that, like most lesbian parents then, she became a mother “without any safety nets…”
Such “struggles likely will feel familiar as you read about [the] desire to become parents…” says Mooney. “In short, these families are ordinary and extraordinary all at once.”
In her introduction, editor Margaret Mooney points out that the stories in this book generally take place in the latter part of the last century, but that their relevance is in the struggles that could happen tomorrow. There’s urgency in those words, absolutely, and they’re tinged with fear, but don’t let them keep you from “Radical Family.”
What you’ll see inside these nine tales is mostly happy, mostly triumphant – and mostly Wisconsin-centric, though the variety in dream-fulfillment is wide enough that the book is appropriate anywhere. The determination leaps out of the pages here, and the storytellers don’t hide their struggles, not with former partners, bureaucracy, or with roadblocks. Reading this book is like attending a conference and hearing attendees tell their tales. Bonus: photos and advice for any lesbian thinking of parenthood, single or partnered.
If you’re in search of positive stories from lesbian mothers and the wall-busting they did, or if you’ve lived the same tales, this slim book is a joy to read. For you, “Radical Family” may open some gates.
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Books
Florida’s war on Black, queer lives hidden no more
New book ‘American Scare’ exposes truth of decades of erasure, attacks
‘American Scare: Florida’s Hidden Cold War on Black and Queer Lives’
By Robert W. Fieseler
“What’s with Florida?,” Bobby Fieseler, disgusted, asked after completing his initial research into the vicious investigation of suspected homosexual teachers by the Florida Legislative Investigation Committee (FLIC) in the 1950s. How did the official animus toward all things queer happen in Florida, Fieseler pitched his publisher. We can be grateful Dutton gave him the green light for “American Scare, Florida’s Hidden Cold War on Black and Queer Lives.”

Fieseler’s book is a masterpiece of archive activism that begins in a rental van escaping Florida with some 20 boxes of historical documents meant to be seen by no one. The cartons contained a secret second copy of materials that had been held back from the jaws of the Florida State Archives in Tallahassee. Soon, more folders would surface with unredacted materials. “There are friends of Dorothy in any system,” he explains his archival detective work with a wink.
What’s with Florida? In the 1950s, it was all about legislators exposing politically helpless homosexuals to justify the committee’s investigations and budgets. The FLIC documents reveal the names of the accused “perverts,” the cops who raided the restrooms, the terrified queer informants and the professional interview techniques that would extract confessions from the victims. On another level, this was about old-school Southern racists determined to stop integration at all costs with intention to weave lies about Communist infiltration of the NAACP. Finally, Fieseler encountered first-hand an official determination to erase and lock-up this history. The statewide obsession with erasing history continues to this day. The Florida Department of Transportation this year painted over the community rainbow crosswalk memorial to the Pulse nightclub massacre victims in Orlando.
“American Scare” is such a fully documented investigation of what unfolded, it will be impossible to paint over the magnitude of this assault. The book bears witness in gory detail to the ruination of private people that exceeds in pure perniciousness the more famous “Lavender Scare.” Although the “Lavender Scare” purged many more individuals, it was about the U.S. Department of State firing public officials slimed as “pinstripe twerps.” The Florida investigations were a statewide purge using a dark politics of exposure of schoolteachers leading private lives. Fieseler quotes Remus Strickland, the head homo-hunter and executive director of the Southern Association of Intelligence Agents formed in response to the Supreme Court’s Brown v. Board of Education desegregation decision (1954), “If the Committee’s first pursuit (race and Communism) was a mandate, its second pursuit (homosexuals) was an opportunity.” Remus (that’s really this Southerner’s name) explained years later without remorse, “We first looked at the University of Florida for Communists….then we came back and did the homosexual purge.” Fieseler’s archival research reveals how far-right politicians and investigators like Strickland characterized Communists, African Americans (through the NAACP) and homosexuals as aligned “treasonously in a subversive societal infestation.”
The whole show was the creation of a wily, populist politician — a Florida “Pork Chopper” — Charley Johns, president of the Florida Senate. “Pork Choppers,” the rural, white Northern Florida wing of the old Democratic Party, controlled the state legislature from the 1930s to the 1960s. They were strongly opposed to integration, Communists, homosexuals, reapportionment and government reform. Johns owned the Charley E. Johns Insurance Agency, which insured state agencies. Fieseler’s history brings these North Florida politicians into grotesque focus. Their “power had lynched history,” he writes about his passion to excavate how they sealed and redacted the records so they would never face responsibility for their actions.
“American Scare” reveals how these Pork Choppers were willing to crush homosexuals as an instrument to maintain power. Their victims were isolated gay and lesbian teachers who could only plead for mercy, vanish or inform on one another. They were entrapped by the system itself. Fieseler tells the story of how Remus Strickland pulled Miss Poston, a physical education teacher out of her classroom surprising her with a tape recorder and a request to give a misdirecting statement about the prevention of child molestation. Suddenly Remus changed the subject: “Miss Poston, in your acts with Miss Bradshaw whom you referred to on this record, would she play the part of the aggressor…..She was known as the butch is that true?….Was there any occasion of any oral copulation?” He closed in for the kill, “Could there have been more than one time”? Miss Poston caved, “Possibly but if so only one more time.” The reel-to-reel tape is turning.
Concert pianist and music teacher William James Neal received the same taped grilling. Remus begins the interview, “You’re an educated Nigra,” confronting Neal with testimony he was a homosexual “nigra.” Years later, Neal remembered, “He told me I would never teach within the continental limits of the United States. He said he had proof I was a homosexual.” An African-American concert pianist, Neal had extensively toured the U.S. playing with major orchestras and hosting his own radio program in Florida. Neal had the self-respect and courage to take his illegal termination to the Florida Supreme Court. In 1962, the court ruled in his favor (Neal v. Bryant) handing Remus Strickland a devastating defeat, writing “The statements accused teachers allegedly made were obviously extracted under a threat of publicity.” Vindicated, William Neal nonetheless left Florida never to return.
There have been resolutions for an acknowledgment and apology. None have advanced through the Republican-controlled legislature occupied with a slew of “Don’t Say Gay” bills. “American Scare’ is larger than a small-bore history of investigations. It is the story of a Great Florida Teacher’s Purge launched to stop integration. Fieseler is done with redactions. He names names. If there is anything redemptive in this Southern hot mess, it is this: Bobby Fieseler, a queer historian, rescued the boxes and delivers readers their contents with history’s gale force.
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Books
New book celebrates gay rights pioneer you’ve never heard of
Craig Rodwell was at Stonewall riots, helped start first Pride, and more
‘Insist That They Love You: Craig Rodwell and the Fight for Gay Pride’
By John Van Hoesen
c.2025, University of Toronto Press
$36.95/432 pages
Craig Rodwell is, sadly, not nearly as well known as he should be, given his accomplishments. He opened the first bookstore devoted to gay and lesbian literature. He led a chant of “Gay power!” at the Stonewall riots and contributed many articles about the struggle for equality and fair treatment. He helped organize the first Pride march. Thankfully, journalist John Van Hoesen’s new book, “Insist that They Love You,” tells Rodwell’s story.

Rodwell was born in Chicago in 1940 and spent his early years at a Christian Science-run children’s home. As a teenager, he roamed the streets, connecting with older men. One of those lovers was arrested and later died by suicide. He moved to New York to study dancing and joined the Mattachine Society, one of the first groups involved in “gay liberation.” He dated Harvey Milk, a challenging relationship, as the older Milk was still closeted while Rodwell was out and deeply involved in the cause. This was when being gay was a crime and public exposure risked getting fired and evicted.
In 1967, he opened the Oscar Wilde Memorial Bookshop (correcting anyone calling it a bookstore), which openly displayed gay and lesbian books and materials. It had large, inviting windows, different from the typical places gay people congregated. Many walked past it, working up the courage to go in. Once they did, they found a welcoming place where they could learn and connect with others. Van Hoesen writes about the diversity of the Bookshop’s employees, gay, lesbian, Black, and white, who all loved the sense of community and purpose Rodwell created.
That same year he helped form the group Homophile Youth Movement in Neighborhood and created their periodical HYMNAL. He wrote many articles for them and later, for QQ Magazine, describing the forces in straight “heterosexist” society, as he termed it, against gay people. He wrote about mafia-controlled gay bars, including the Stonewall Inn, seedy places that overcharged for watered-down drinks. He decried how the law was used to persecute gay people, describing his arrest for wearing “too-short” swim trunks. He explained what to do if arrested: never speak without a lawyer present and never provide names of other gay people. Van Hoesen helpfully includes these articles in an appendix.
Rodwell’s history of activism is impressive. In 1966, he participated in a “sip-in” protesting a law forbidding bars serving alcohol to homosexuals; it took three attempts before one refused to serve him. He and his partner happened by the Stonewall Inn when the riots began, offering the protesters support. He helped lead a group that picketed Independence Hall in Philadelphia every year as an “Annual Reminder,” arguing with organizer Frank Kameny over the required conservative dress code.
He organized the first Pride march in 1969. One of the biggest challenges was getting all the different gay rights groups, with different objectives, to work together. The police only issued the permit the morning of the march. Among the book’s photos is one of Rodwell and his partner afterwards, looking exhausted but happy.
Rodwell never sought the spotlight for his work, always working with others. Yet he often chaffed against many of the organizations’ philosophies, one of the few Mattachine Society members to use his real name. He refused to sell pornography in the Bookshop, or work with gay business owners funded by the mob. He even threw some customers out. Let’s hope this biography shines more attention on this lesser-known leader of the gay rights movement.
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