Arts & Entertainment
Jimmy Kimmel apologizes to gay community for Sean Hannity jokes
the late night talk show host was blasted for his tweets
Jimmy Kimmel has apologized for using gay jokes to fuel his ongoing feud with Sean Hannity.
Kimmel made fun of first lady Melania Trump’s accent during a segment on his late night talk show earlier this week. Hannity blasted Kimmel for the joke on his Fox News show calling him a “despicable disgrace” and an “ass clown.”
“If I’m an ass clown, you are the whole ass circus,” Kimmel shot back during his monologue on Thursday night.
Hannity retaliated by airing old clips of Kimmel asking women to grab his crotch during a segment of his Comedy Central series “The Man Show.” He referred to Kimmel as “Mr. Weinstein Jr.” and insisted he wouldn’t stop taking jabs at Kimmel until he apologized for insulting the first lady.
Dear Mr Weinstein jr. you are a disgusting pervert. Stop projecting. How you treat the First Lady helping kids is disgusting. How you treat 18 year old girls is disgusting. And your show is a failure. Game on you pervert pig. I’ll be on this till you apologize. https://t.co/wfisPQoaLs
— Sean Hannity (@seanhannity) April 7, 2018
Kimmel continued the spat on Twitter by tweeting numerous jokes poking fun at Hannity’s sexuality and his close relationship with President Donald Trump.
When your clown makeup rubs off on Trump’s ass, does it make his butt look like a Creamsicle? https://t.co/DEhmfOh0Hn
— Jimmy Kimmel (@jimmykimmel) April 6, 2018
Don’t worry – just keep tweeting – you’ll get back on top! (or does Trump prefer you on bottom?) Either way, keep your chin up big fella..XO https://t.co/R4QJCoGYCL
— Jimmy Kimmel (@jimmykimmel) April 6, 2018
I’m starting to think SOMEONE has a crush on me! https://t.co/PPhSOqBeWn
— Jimmy Kimmel (@jimmykimmel) April 7, 2018
His remarks were deemed homophobic by some people on Twitter who didn’t appreciate that Kimmel made being gay a punchline.
Stop making shitty fucking gay jokes. Hire me to write you better gay jokes. Hire any queer person to write you literally any other jokes.
— Ryan Houlihan (@RyanHoulihan) April 6, 2018
There is nothing wrong with being gay and Kimmel is using homosexuality as an insult.
Not ok https://t.co/kZZCzoZ01t
— Tim Pool (@Timcast) April 7, 2018
And again from Jimmy Kimmel! Lazy humor to consistently use gay men as punchlines or homophobic? pic.twitter.com/LBYIVbs3Dm
— Perez (@ThePerezHilton) April 7, 2018
And your true colors show. It was only a matter of time before you fell off script. Well now conservatives and LBGT will hate you. Well done!
— Tyler Ochs (@tyochs) April 8, 2018
.@JimmyKimmel, you had to go with derogatory gay insults? .@Disney, this is the mean-spirited man you want to represent your brand? Does #Disney support this hate speech? Sure, looks like it.
— Glen Woodfin (@GlenWoodfin) April 7, 2018
After the backlash, Kimmel issued an apology to Hannity and the gay community on Twitter.
re. @seanhannity pic.twitter.com/DMtWJTMsDU
— Jimmy Kimmel (@jimmykimmel) April 8, 2018
Theater
Round House explores serious issues related to privilege
‘A Jumping-Off Point’ is absorbing, timely, and funny
‘A Jumping-Off Point’
Through May 5
Round House Theatre
4545 East-West Highway, Bethesda, Md.
$46-$83
Roundhousetheatre.org
In Inda Craig-Galván’s new play “A Jumping-Off Point,” protagonist Leslie Wallace, a rising Black dramatist, believes strongly in writing about what you know. Clearly, Craig-Galván, a real-life successful Black playwright and television writer, adheres to the same maxim. Whether further details from the play are drawn from her life, is up for speculation.
Absorbing, timely, and often funny, the current Round House Theatre offering explores some serious issues surrounding privilege and who gets to write about what. Nimbly staged and acted by a pitch perfect cast, the play moves swiftly across what feels like familiar territory without being the least bit predictable.
After a tense wait, Leslie (Nikkole Salter) learns she’s been hired to be showrunner and head writer for a new HBO MAX prestige series. What ought to be a heady time for the ambitious young woman quickly goes sour when a white man bearing accusations shows up at her door.
The uninvited visitor is Andrew (Danny Gavigan), a fellow student from Leslie’s graduate playwriting program. The pair were never friends. In fact, he pressed all of her buttons without even trying. She views him as a lazy, advantaged guy destined to fail up, and finds his choosing to dramatize the African American Mississippi Delta experience especially annoying.
Since grad school, Leslie has had a play successfully produced in New York and now she’s on the cusp of making it big in Los Angeles while Andrew is bagging groceries at Ralph’s. (In fact, we’ll discover that he’s a held a series of wide-ranging temporary jobs, picking up a lot of information from each, a habit that will serve him later on, but I digress.)
Their conversation is awkward as Andrew’s demeanor shifts back and forth from stiltedly polite to borderline threatening. Eventually, he makes his point: Andrew claims that Leslie’s current success is entirely built on her having plagiarized his script.
This increasingly uncomfortable set-to is interrupted by Leslie’s wisecracking best friend and roommate Miriam who has a knack for making things worse before making them better. Deliciously played by Cristina Pitter (whose program bio describes them as “a queer multi-spirit Afro-indigenous artist, abolitionist, and alchemist”), Miriam is the perfect third character in Craig-Galván’s deftly balanced three-hander.
Cast members’ performances are layered. Salter’s Leslie is all charm, practicality, and controlled ambition, and Gavigan’s Andrew is an organic amalgam of vulnerable, goofy, and menacing. He’s terrific.
The 90-minute dramedy isn’t without some improbable narrative turns, but fortunately they lead to some interesting places where provoking questions are representation, entitlement, what constitutes plagiarism, etc. It’s all discussion-worthy topics, here pleasingly tempered with humor.
New York-based director Jade King Carroll skillfully helms the production. Scenes transition smoothly in large part due to a top-notch design team. Scenic designer Meghan Raham’s revolving set seamlessly goes from Leslie’s attractive apartment to smart cafes to an HBO writers’ room with the requisite long table and essential white board. Adding to the graceful storytelling are sound and lighting design by Michael Keck and Amith Chandrashaker, respectively.
The passage of time and circumstances are perceptively reflected in costume designer Moyenda Kulemeka’s sartorial choices: heels rise higher, baseball caps are doffed and jackets donned.
“A Jumping-Off Point” is the centerpiece of the third National Capital New Play Festival, an annual event celebrating new work by some of the country’s leading playwrights and newer voices.
Nightlife
Ed Bailey brings Secret Garden to Project GLOW festival
An LGBTQ-inclusive dance space at RFK this weekend
When does a garden GLOW? When it’s run by famed local gay DJ Ed Bailey.
This weekend, music festival Project GLOW at RFK Festival Grounds will feature Bailey’s brainchild the Secret Garden, a unique space just for the LGBTQ community that he launched in 2023.
While Project GLOW, running April 27-28, is a stage for massive electronic DJ sets in a large outdoor space, Secret Garden is more intimate, though no less adrenaline-forward. He’s bringing the nightclub to the festival. The garden is a dance area that complements the larger stages, but also stands on its own as a draw for festival-goers. Its focus is on DJs that have a presence and following in the LGBTQ audience world.
“The Secret Garden is a showcase for what LGBTQ nightlife, and nightclubs in general, are all about,” he says. “True club DJs playing club music for people that want to dance in a fun environment that is high energy and low stress. It’s the cool party inside the bigger party.”
Project GLOW launched in 2022. Bailey connected with the operators after the first event, and they discussed Bailey curating his own space for 2023. “They were very clear that they wanted me to lean into the vibrant LGBTQ nightlife of D.C. and allow that community to be very visibly a part of this area.”
Last year, club icon Kevin Aviance headlined the Secret Garden. The GLOW festival organizers loved the its energy from last year, and so asked Bailey to bring it back again, with an entire year to plan.
This year, Bailey says, he is “bringing in more D.C. nightlife legends.” Among those are DJ Sedrick, “a DJ and entertainer legend. He was a pivotal part of Tracks nightclub and is such a dynamic force of entertainment,” says Bailey. “I am excited for a whole new audience to be able to experience his very special brand of DJing!”
Also, this year brings in Illustrious Blacks, a worldwide DJ duo with roots in D.C.; and “house music legends” DJs Derrick Carter and DJ Spen.
Bailey is focusing on D.C.’s local talent, with a lineup including Diyanna Monet, Strikestone!, Dvonne, Baronhawk Poitier, THABLACKGOD, Get Face, Franxx, Baby Weight, and Flower Factory DJs KS, Joann Fabrixx, and PWRPUFF.
Secret Garden also brings in performers who meld music with dance, theater, and audience interactions for a multi-sensory experience.
Bailey is an owner of Trade and Number Nine, and was previously an owner of Town Danceboutique. Over the last 35 years, Bailey owned and operated more than 10 bars and clubs in D.C. He has an impressive resume, too. Since starting in 1987, he’s DJ’d across the world for parties and nightclubs large and intimate. He says that he opened “in concert for Kylie Minogue, DJed with Junior Vasquez, played giant 10,000-person events, and small underground parties.” He’s also held residencies at clubs in Atlanta, Miami, and here in D.C. at Tracks, Nation, and Town.
With Secret Garden, Bailey and GLOW aim to bring queer performers into the space not just for LGBTQ audiences, but for the entire music community to meet, learn about, and enjoy. While they might enjoy fandom among queer nightlife, this Garden is a platform for them to meet the entirety of GLOW festival goers.
Weekend-long Project GLOW brings in headliners and artists from EDM and electronic music, with big names like ILLENIUM, Zedd, and Rezz. In all, more than 50 artists will take the three stages at the third edition of Project GLOW, presented by Insomniac (Electric Daisy Carnival) and Club Glow (Echostage, Soundcheck).
Out & About
Washington Improv Theatre hosts ‘The Queeries’
Event to celebrate queer DMV talent and pop culture camp
The Washington Improv Theatre, along with the Mayor’s Office of LGBTQ Affairs and the Gay Men’s Chorus of Washington DC, will team up to host “The Queeries!” on Friday, April 26 at 9:30 p.m. at Studio Theatre.
The event will celebrate Queer DMV talent and pop culture camp. With a mixture of audience-submitted nominations and blatantly undemocratically declared winners, “The Queeries!” mimics LGBTQ life itself: unfair, but far more fun than the alternative.
The event will be co-hosted by Birdie and Butchie, who have invited some of their favorite bent winos, D.C. “D-listers,” former Senate staffers, and other stars to sashay down the lavender carpet for the selfie-strewn party of the year.
Tickets are just $15 and can be purchased on WITV’s website.
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