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Creepy ‘Handmaid’s Tale’ returns for equally good second season

‘Mad Men’ vet Elisabeth Moss returns to Emmy-winning role as Offred

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Handmaid's Tale, gay news, Washington Blade

Yvonne Strahovki and Joseph Fiennes in ‘The Handmaid’s Tale.’ (Photo courtesy Hulu)

Season two of “The Handmaid’s Tale” (premiering on Hulu on April 25) is off to a great start. As the series moves into uncharted territory, the suspense increases and the personal and political pressures become even more intense.

The series is based on Margaret Atwood’s monumental 1985 dystopian novel in which the United States is taken over by theocratic terrorists who establish the repressive Republic of Gilead. Environmental disasters have rendered most women infertile; the women who can still bear children are forced to become Handmaids (dressed in red), reproductive surrogates for the Commanders and their wives (dressed in blue).

Season one follows the outline of Atwood’s novel closely, although it zooms out from the first-person narrative of the Handmaid Offred to add the stories and perspectives of other characters. Bruce Miller’s masterful adaptation also expands Offred’s flashbacks of her life before Gilead.

Like the novel, season one ends with Offred (Elisabeth Moss) being forced into a van by the omnipresent guards, but season two opens with her arriving at an unexpected location, a stadium where Aunt Lydia (the magnificent Ann Dowd) has arranged a terrible punishment for the Handmaids who have defied her. The Aunts, dressed in brown, train the Handmaids and enforce their proper submissive behavior.

Episode one becomes largely a battle of wills between Offred and Aunt Lydia. Aunt Lydia has the fearful power of the state behind her, but Offred has powers of her own: her fierce will and the fact that she is pregnant. Both actresses won Emmy Awards for their outstanding performances in season one and their work in season two is even stronger and richer.

Forced into silence and stillness by the restrictive costume and strict decorum of the Handmaids, Moss creates a powerful portrait of an independent woman beaten into compliance. Through subtle gestures, penetrating close-ups of her expressive face and frequently acerbic voice-overs, Moss and her colleagues provide Offred with a rich inner life. Her performance as June Osborne (as Offred was known before the coup) is a stunning contrast.

As a representative of the oppressive new government, Dowd’s Aunt Lydia marshals both the might and righteousness of the new regime with great ferocity, but Miller and Dowd create a surprisingly multi-faceted character.

In addition to Moss and Dowd, the entire principal cast returns for the second season, including Joseph Fiennes as Offred’s Commander and Yvonne Strahovski as his long-suffering wife (who was ironically one of the architects of the revolution); Max Minghella as Nick Blaine, the Commander’s chauffeur and the father of Offred’s unborn baby; O.T. Fagbenle as June’s husband and Samira Wiley as her friend Moira, both of whom have finally escaped to Canada; and Alexis Bledsel (Emily/Ofglen), Madeline Brewer (Janine/Ofwarren) and Nina Kiri (Alma) as Offred’s fellow Handmaids.

Season two also introduces new characters: Bradley Whitford as Commander Joseph Lawrence, Clea Duvall as Emily’s wife, Cherry Jones as June’s mother Holly Osborne, and Marisa Tomei as a character whose identity has not yet been revealed. The new season also introduces a new location — the poisonous “Colonies,” where “Unwomen” are sent to clean up toxic waste.

Season two also focuses more on Mayday, the growing resistance to Gilead. As Offred wryly notes, “It’s their own fault. They should never have given us uniforms if they didn’t want us to be an army.”

“The Handmaid’s Tale” is a show that should not be missed. Besides the fascinating characters and gripping storylines, the series is a subtle examination of the mechanics or repression and the birth of a resistance movement. A timely tale, it is brave, bold, brutal and beautiful, sometimes all at the same time.

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Eastern Shore chef named James Beard Finalist

Harley Peet creates inventive food in an inclusive space

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Chef Harley Peet works to support the LGBTQ community inside and outside of the kitchen.

In a small Eastern Shore town filled with boutiques, galleries, and the occasional cry of waterfowl from the Chesapeake, Chef Harley Peet is most at home. In his Viennese-inflected, Maryland-sourced fine-dining destination Bas Rouge, Peet draws from his Northern Michigan upbringing, Culinary Institute of America education, and identity as a gay man, for inspiration.

And recently, Peet was named a James Beard Finalist for Best Chef: Mid-Atlantic – the first “Best Chef: Mid-Atlantic” finalist representing the Eastern Shore.

Peet, after graduation from the Culinary Institute of America, took a position as sous chef at Tilghman Island Inn, not far from Bas Rouge. Falling in love with the Eastern Shore, he continued his passion for racing sailboats, boating, gardening, and fishing, and living his somewhat pastoral life as he opened Bas Rouge in 2016 as head chef, a restaurant part of the Bluepoint Hospitality group, which runs more than a dozen concepts in and around Easton, Md.  

Coming from a rural area and being gay, Peet knew he had his work cut out for him. He was always aware that the service and hospitality industry “can be down and dirty and rough.”

 Now as a leader in the kitchen, he aims to “set a good example, and treat people how I want to be treated. I also want to make sure if you’re at our establishment, I’m the first to stand up and say something.” 

The Bas Rouge cuisine, he says, is Contemporary European. “I’m inspired by old-world techniques of countries like Austria, Germany, and France, but I love putting a new spin on classic dishes and finding innovative ways to incorporate the bounty of local Chesapeake ingredients.”

His proudest dish: the humble-yet-elevated Wiener Schnitzel. “It is authentic to what one would expect to find in Vienna, down to the Lingonberries.” From his in-house bakery, Peet dries and grinds the housemade Kaiser-Semmel bread to use as the breadcrumbs.

Peet works to support the LGBTQ community inside and outside of the kitchen. “I love that our Bluepoint Hospitality team has created welcoming spaces where our patrons feel comfortable dining at each of our establishments. Our staff have a genuine respect for one another and work together free of judgment.” 

Representing Bluepoint, Peet has participated in events like Chefs for Equality with the Human Rights Campaign, advocating for LGBTQ rights.

At Bas Rouge, Peet brings together his passion for inclusion steeped in a sustainability ethic. He sees environmental stewardship as a way of life. Peet and his husband have lived and worked on their own organic farm for several years. Through research in Europe, he learned about international marine sourcing. Witnessing the impacts of overfishing, Peet considers his own role in promoting eco-friendly practices at Bas Rouge. To that end, he ensures responsible sourcing commitments through his purveyors, relationships that have helped create significant change in how people dine in Easton.

“I have built great relationships in the community and there’s nothing better than one of our long-standing purveyors stopping in with a cooler of fresh fish from the Chesapeake Bay. This goes especially for catching and plating the invasive blue catfish species, which helps control the species’ threat to the local ecosystem.

Through his kitchen exploits, Peet expressed a unique connection to another gay icon in a rural fine-dining restaurant: Patrick O’Connell, of three Michelin starred Inn at Little Washington. In fact, Peet’s husband helped design some of O’Connell’s kitchen spaces. They’ve both been able to navigate treacherous restaurant-industry waters, and have come out triumphant and celebrated. Of O’Connell, Peet says that he “sees [his restaurants] as canvas, all artistry, he sees this as every night is a show.” But at the same time, his “judgment-free space makes him a role model.”

Being in Easton itself is not without challenges. Sourcing is a challenge, having to either fly or ship in ingredients, whereas urban restaurants have the benefit of trucking, he says. The small town “is romantic and charming,” but logistics are difficult – one of the reasons that Peet ensures his team is diverse, building in different viewpoints, and also “making things a hell of a lot more fun.”

Reflecting on challenges and finding (and creating) space on the Eastern Shore, Peet confirmed how important it was to surround himself with people who set a good example, and “if you don’t like the way something is going, fuck them and move on.”

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PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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