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Hayley Kiyoko calls Rita Ora’s song ‘Girls’ ‘tone-deaf,’ ‘harmful’

R&B singer Kehlani also criticized the track

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Hayley Kiyoko (Photo via Instagram)

Hayley Kiyoko has called out Rita Ora’s new single “Girls” for exploiting the LGBT community.

“Girls,” which features Ora, Bebe Rexha, Charli XCX and Cardi B, is a song about women having an attraction to other women.

“I ain’t one-sided, I’m open-minded,” Ora sings at the start of the song. “I’m fifty-fifty and I’m never gonna hide it” before launching into the chorus’ lyrics “And last night, yeah, we got with the dude / I saw him, he was lookin’ at you / So I said hey, kush lovin’ / Sometimes, I just wanna kiss girls, girls, girls / Red wine, I just wanna kiss girls, girls, girls.”

“I always looked at this song as a real gender-fluid freedom record,” Ora told People about the track.

However, pop singer Kiyoko, who is an out lesbian, took issue with the song.

“It’s the lack of consideration behind these lyrics that really get to me,” Kiyoko posted on Twitter. “I don’t need to drink wine to kiss girls; I’ve loved women my entire life. This type of message is dangerous because it completely belittles and invalidates the very pure feelings of an entire community.”

R&B singer Kehlani, who identifies as queer, also criticized the song’s lyrics.

“Hate to be THAT guy but there were many awkward slurs, quotes, and moments that were like ‘word? word,'” Kehlani tweeted.

“mmm i never assumed it was for men lol just think certain quotes weren’t progressive. done speaking about it now tho cheers everyone happy friday,” she sent in another tweet.

Ora has responded to the backlash saying that the song comes from her personal experience having romantic relationships with women.

“‘Girls’ was written to represent my truth and is an accurate account of a very real and honest experience in my life. I have had romantic relationships with women and men throughout my life and this is my personal journey,” Ora wrote. “I am sorry how I expressed myself in my song has hurt anyone. I would never intentionally cause harm to other LGBTQ+ people or anyone.”

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Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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