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Queer company Sean Dorsey Dance preps weekend D.C. performances

Out choreographer says social justice for LGBT people is key motivation

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Sean Dorsey Dance, gay news, Washington Blade

The cast of ‘Boys in Trouble,’ a Sean Dorsey-choreographed work. (Photo by Lydia Daniller)

Sean Dorsey Dance
 
‘Boys in Trouble’
 
Saturday, May 19 at 8 p.m.
 
Sunday, May 20 at 7 p.m.
 
Dance Place
 
3225 8th St., N.E.
 
$15-30

Transgender choreographer Sean Dorsey had a love for dance from a young age but was always surrounded by cis-gender dancers. He became discouraged by the lack of representation and decided to shelve his dream.

“I never saw a single person like me, namely a transgender person, in dance. I think a part of my brain kind of shut that off as an option for my life’s journey,” Dorsey says.

At 25, Dorsey, who was pursuing a career in social justice community organizing, decided he could fuse his love for social justice with storytelling through movement. 

Now 45, Dorsey is the first transgender modern dance choreographer in the U.S. The Vancouver, British Columbia native spearheads Sean Dorsey Dance, an all-queer dance company, that uses dance to tell LGBT stories. It’s a privilege Dorsey says is not given to many LGBT dancers. While Dorsey is the only transgender member of the dance company, he notes that cis-gender, LGB dancers have their own struggles.

“There is a great and tragic irony that there are many, many LGBQ in the dance field but very little work that allows those LGBQ people to be their full, authentic, out-of-the-closet selves on stage,” Dorsey says. “While there are many cis-gender gay, bisexual, lesbian, queer professional dancers and choreographers, what they mostly create or perform is work that’s rooted in heterosexual narratives with very binary movement, costumes and roles. Our company is really celebrated for breaking out of those things.”

One such work the company is performing is “Boys in Trouble,” a project Dorsey started working on three years ago. Dorsey’s choreography for the dance formed through his experience teaching free movement workshops to cis-gender, transgender, gender-non-conforming and other members of the LGBT community who identify on the masculine spectrum. He also traveled the U.S. and recorded interviews with people on the topic of masculinity.

Dorsey learned through speaking with people that there was an artistic hole for the issue of masculinity.

“We’ve really heard so loudly from communities that people’s struggles with things like toxic masculinity and peer pressure from within trans and queer communities to be the right kind of man or to be trans enough and the continued struggles of black communities and communities of color dealing with a nation founded on white supremacy,” he says. “We hurt so passionately in these communities that people are so hungry not for just dialogue about these issues but also an artistic conversation that would allow them to respond to the work and also to begin their own healing around these issues.”

“Boys in Trouble” will embark on a two-year, 20-city tour across the country following its two-night engagement at Dance Place. This is the first time the project will be on tour but Dorsey has toured with other LGBT-focused performances before.

“The Missing Generation,” which the company will simultaneously tour with along with “Boys in Trouble,” received a positive response from audiences ranging from large cities to rural areas. The performance “gives a voice to trans and queer longtime survivors of the early AIDS epidemic,” according to Dorsey. He recorded 75 hours of oral history from these survivors which was used to inspire the work.

Dorsey says that even though his projects are LGBT-focused, they can be enjoyed and understood by straight audiences as well. He believes the performance’s key themes can resonate with anyone regardless of gender identity or sexuality.

“Straight audiences are deeply moved by the work,” he says. “They tell us that seeing transgender and queer bodies on stage feels extremely resonant to them and really succeeds revealing truly universal themes and narratives like difference, loss, love or all of our deep longing to be connected to other humans.”

It’s a process Dorsey works hard to conceptualize for that exact response. Dorsey uses storytelling as a key element to bring emotional themes and social justice issues to life on stage.

“I don’t create modern dance that is just dance for dance’s sake and it’s not just random, abstract, movements. Everything that I create is driven by the themes and concepts that I’m working on.”

Sean Dorsey Dance members have a busy summer ahead of them. The company will perform at dance festivals including Fresh Meat Festival, a festival of transgender and queer performances, in San Francisco June 14-16. Fresh Meat Festival is produced by Fresh Meat Productions, a transgender and queer arts production company started by Dorsey.

The company also booked its first European gig in Stockholm, Sweden this summer. Dorsey says all these bookings are notable for a transgender choreographer.

Whether it’s introducing marginalized communities to audiences or giving a voice to audiences that felt silenced, Dorsey wants everyone to leave the theater connected by the same emotion.

“I hope that audiences will leave with a heart full to overflowing and a feeling in their body of having been altered or changed in some ways and to have experienced some kind of loving shift in their mind,” Dorsey says. “This is a work so far that has just really cracked open people’s hearts and minds.”

Sean Dorsey says there are too many binary strictures in most contemporary dance. (Photo by Lydia Daniller; courtesy SDD)

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Italy

44 openly LGBTQ athletes to compete in Milan Cortina Winter Olympics

Games to begin on Friday

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(Public domain photo)

More than 40 openly LGBTQ athletes are expected to compete in the Milan Cortina Winter Olympics that open on Friday.

Outsports.com notes eight Americans — including speedskater Conor McDermott-Mostowy and figure skater Amber Glenn — are among the 44 openly LGBTQ athletes who will compete in the games. The LGBTQ sports website also reports Ellis Lundholm, a mogul skier from Sweden, is the first openly transgender athlete to compete in any Winter Olympics.

“I’ve always been physically capable. That was never a question,” Glenn told Outsports.com. “It was always a mental and competence problem. It was internal battles for so long: when to lean into my strengths and when to work on my weaknesses, when to finally let myself portray the way I am off the ice on the ice. That really started when I came out publicly.”

McDermott-Mostowy is among the six athletes who have benefitted from the Out Athlete Fund, a group that has paid for their Olympics-related training and travel. The other beneficiaries are freestyle skier Gus Kenworthy, speed skater Brittany Bowe, snowboarder Maddy Schaffrick, alpine skier Breezy Johnson, and Paralympic Nordic skier Jake Adicoff.

Out Athlete Fund and Pride House Los Angeles – West Hollywood on Friday will host a free watch party for the opening ceremony.

“When athletes feel seen and accepted, they’re free to focus on their performance, not on hiding who they are,” Haley Caruso, vice president of the Out Athlete Fund’s board of directors, told the Los Angeles Blade.

Four Italian LGBTQ advocacy groups — Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano — have organized the games’ Pride House that will be located at the MEET Digital Culture Center in Milan.

Pride House on its website notes it will “host a diverse calendar of events and activities curated by associations, activists, and cultural organizations that share the values of Pride” during the games. These include an opening ceremony party at which Checcoro, Milan’s first LGBTQ chorus, will perform.

ILGA World, which is partnering with Pride House, is the co-sponsor of a Feb. 21 event that will focus on LGBTQ-inclusion in sports. Valentina Petrillo, a trans Paralympian, is among those will participate in a discussion that Simone Alliva, a journalist who writes for the Italian newspaper Domani, will moderate.

“The event explores inclusivity in sport — including amateur levels — with a focus on transgender people, highlighting the role of civil society, lived experiences, and the voices of athletes,” says Milano Pride on its website.

The games will take place against the backdrop of the U.S. Olympic and Paralympic Committee’s decision to ban trans women from competing in women’s sporting events.

President Donald Trump last February issued an executive order that bans trans women and girls from female sports teams in the U.S. A group of Republican lawmakers in response to the directive demanded the International Olympics Committee ban trans athletes from women’s athletic competitions.

The IOC in 2021 adopted its “Framework on Fairness, Inclusion and Nondiscrimination on the Basis of Gender Identity and Sex Variations” that includes the following provisions:

• 3.1 Eligibility criteria should be established and implemented fairly and in a manner that does not systematically exclude athletes from competition based upon their gender identity, physical appearance and/or sex variations.

• 3.2 Provided they meet eligibility criteria that are consistent with principle 4 (“Fairness”, athletes should be allowed to compete in the category that best aligns with their self-determined gender identity.

• 3.3 Criteria to determine disproportionate competitive advantage may, at times, require testing of an athlete’s performance and physical capacity. However, no athlete should be subject to targeted testing because of, or aimed at determining, their sex, gender identity and/or sex variations.

The 2034 Winter Olympics are scheduled to take place in Salt Lake City. The 2028 Summer Olympics will occur in Los Angeles.

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Theater

Out dancer on Alvin Ailey’s stint at Warner Theatre

10-day production marks kickoff of national tour

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Renaldo Maurice (Photo by Dario Calmese)


Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org

The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May. 

“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.

Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour. 

Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”

Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.

He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”

Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.

WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989. 

RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to  break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.  

BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.

MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body. 

That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.

BLADE: Is “Revelation” a meaningful piece for you?

MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old. 

BLADE: How can a dancer in a prestigious company also be a ballroom house father? 

MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.  

I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance. 

BLADE: Any message for queer audiences? 

MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do. 

BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?

MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great. 

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Out & About

This queer comedy show will warm you up

Catfish Comedy to feature LGBTQ lineup

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(Promotional image via Eventbrite)

Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.

Tickets are $17.85 and can be purchased on Eventbrite

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