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Queer company Sean Dorsey Dance preps weekend D.C. performances

Out choreographer says social justice for LGBT people is key motivation

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Sean Dorsey Dance, gay news, Washington Blade

The cast of ‘Boys in Trouble,’ a Sean Dorsey-choreographed work. (Photo by Lydia Daniller)

Sean Dorsey Dance
 
‘Boys in Trouble’
 
Saturday, May 19 at 8 p.m.
 
Sunday, May 20 at 7 p.m.
 
Dance Place
 
3225 8th St., N.E.
 
$15-30

Transgender choreographer Sean Dorsey had a love for dance from a young age but was always surrounded by cis-gender dancers. He became discouraged by the lack of representation and decided to shelve his dream.

“I never saw a single person like me, namely a transgender person, in dance. I think a part of my brain kind of shut that off as an option for my life’s journey,” Dorsey says.

At 25, Dorsey, who was pursuing a career in social justice community organizing, decided he could fuse his love for social justice with storytelling through movement. 

Now 45, Dorsey is the first transgender modern dance choreographer in the U.S. The Vancouver, British Columbia native spearheads Sean Dorsey Dance, an all-queer dance company, that uses dance to tell LGBT stories. It’s a privilege Dorsey says is not given to many LGBT dancers. While Dorsey is the only transgender member of the dance company, he notes that cis-gender, LGB dancers have their own struggles.

“There is a great and tragic irony that there are many, many LGBQ in the dance field but very little work that allows those LGBQ people to be their full, authentic, out-of-the-closet selves on stage,” Dorsey says. “While there are many cis-gender gay, bisexual, lesbian, queer professional dancers and choreographers, what they mostly create or perform is work that’s rooted in heterosexual narratives with very binary movement, costumes and roles. Our company is really celebrated for breaking out of those things.”

One such work the company is performing is “Boys in Trouble,” a project Dorsey started working on three years ago. Dorsey’s choreography for the dance formed through his experience teaching free movement workshops to cis-gender, transgender, gender-non-conforming and other members of the LGBT community who identify on the masculine spectrum. He also traveled the U.S. and recorded interviews with people on the topic of masculinity.

Dorsey learned through speaking with people that there was an artistic hole for the issue of masculinity.

“We’ve really heard so loudly from communities that people’s struggles with things like toxic masculinity and peer pressure from within trans and queer communities to be the right kind of man or to be trans enough and the continued struggles of black communities and communities of color dealing with a nation founded on white supremacy,” he says. “We hurt so passionately in these communities that people are so hungry not for just dialogue about these issues but also an artistic conversation that would allow them to respond to the work and also to begin their own healing around these issues.”

“Boys in Trouble” will embark on a two-year, 20-city tour across the country following its two-night engagement at Dance Place. This is the first time the project will be on tour but Dorsey has toured with other LGBT-focused performances before.

“The Missing Generation,” which the company will simultaneously tour with along with “Boys in Trouble,” received a positive response from audiences ranging from large cities to rural areas. The performance “gives a voice to trans and queer longtime survivors of the early AIDS epidemic,” according to Dorsey. He recorded 75 hours of oral history from these survivors which was used to inspire the work.

Dorsey says that even though his projects are LGBT-focused, they can be enjoyed and understood by straight audiences as well. He believes the performance’s key themes can resonate with anyone regardless of gender identity or sexuality.

“Straight audiences are deeply moved by the work,” he says. “They tell us that seeing transgender and queer bodies on stage feels extremely resonant to them and really succeeds revealing truly universal themes and narratives like difference, loss, love or all of our deep longing to be connected to other humans.”

It’s a process Dorsey works hard to conceptualize for that exact response. Dorsey uses storytelling as a key element to bring emotional themes and social justice issues to life on stage.

“I don’t create modern dance that is just dance for dance’s sake and it’s not just random, abstract, movements. Everything that I create is driven by the themes and concepts that I’m working on.”

Sean Dorsey Dance members have a busy summer ahead of them. The company will perform at dance festivals including Fresh Meat Festival, a festival of transgender and queer performances, in San Francisco June 14-16. Fresh Meat Festival is produced by Fresh Meat Productions, a transgender and queer arts production company started by Dorsey.

The company also booked its first European gig in Stockholm, Sweden this summer. Dorsey says all these bookings are notable for a transgender choreographer.

Whether it’s introducing marginalized communities to audiences or giving a voice to audiences that felt silenced, Dorsey wants everyone to leave the theater connected by the same emotion.

“I hope that audiences will leave with a heart full to overflowing and a feeling in their body of having been altered or changed in some ways and to have experienced some kind of loving shift in their mind,” Dorsey says. “This is a work so far that has just really cracked open people’s hearts and minds.”

Sean Dorsey says there are too many binary strictures in most contemporary dance. (Photo by Lydia Daniller; courtesy SDD)

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Italy

Olympics Pride House ‘really important for the community’

Italy lags behind other European countries in terms of LGBTQ rights

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Joseph Naklé, the project manager for Pride House at the Milan Cortina Winter Olympics, carries the Olympic torch in Milan, Italy, on Feb. 5, 2026. (Photo courtesy of Joseph Naklé)

The four Italian advocacy groups behind the Milan Cortina Winter Olympics’ Pride House hope to use the games to highlight the lack of LGBTQ rights in their country.

Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano organized the Pride House that is located in Milan’s MEET Digital Culture Center. The Washington Blade on Feb. 5 interviewed Pride House Project Manager Joseph Naklé.

Naklé in 2020 founded Peacox Basket Milano, Italy’s only LGBTQ basketball team. He also carried the Olympic torch through Milan shortly before he spoke with the Blade. (“Heated Rivalry” stars Hudson Williams and Connor Storrie last month participated in the torch relay in Feltre, a town in Italy’s Veneto region.)

Naklé said the promotion of LGBTQ rights in Italy is “actually our main objective.”

ILGA-Europe in its Rainbow Map 2025 notes same-sex couples lack full marriage rights in Italy, and the country’s hate crimes law does not include sexual orientation or gender identity. Italy does ban discrimination based on sexual orientation in employment, but the country’s nondiscrimination laws do not include gender identity.

ILGA-Europe has made the following recommendations “in order to improve the legal and policy situation of LGBTI people in Italy.”

• Marriage equality for same-sex couples

• Depathologization of trans identities

• Automatic co-parent recognition available for all couples

“We are not really known to be the most openly LGBT-friendly country,” Naklé told the Blade. “That’s why it (Pride House) was really important for the community.”

“We want to use the Olympic games — because there is a big media attention — and we want to use this media attention to raise the voice,” he added.

The Coliseum in Rome on July 12, 2025. (Washington Blade photo by Michael K. Lavers)

Naklé noted Pride House will host “talks and roundtables every night” during the games that will focus on a variety of topics that include transgender and nonbinary people in sports and AI. Another will focus on what Naklé described to the Blade as “the importance of political movements now to fight for our rights, especially in places such as Italy or the U.S. where we are going backwards, and not forwards.”

Seven LGBTQ Olympians — Italian swimmer Alex Di Giorgio, Canadian ice dancers Paul Poirier and Kaitlyn Weaver, Canadian figure skater Eric Radford, Spanish figure skater Javier Raya, Scottish ice dancer Lewis Gibson, and Irish field hockey and cricket player Nikki Symmons — are scheduled to participate in Pride House’s Out and Proud event on Feb. 14.

Pride House Los Angeles – West Hollywood representatives are expected to speak at Pride House on Feb. 21.

The event will include a screening of Mariano Furlani’s documentary about Pride House and LGBTQ inclusion in sports. The MiX International LGBTQ+ Film and Queer Culture Festival will screen later this year in Milan. Pride House Los Angeles – West Hollywood is also planning to show the film during the 2028 Summer Olympics.

Naklé also noted Pride House has launched an initiative that allows LGBTQ sports teams to partner with teams whose members are either migrants from African and Islamic countries or people with disabilities.

“The objective is to show that sports is the bridge between these communities,” he said.

Bisexual US skier wins gold

Naklé spoke with the Blade a day before the games opened. The Milan Cortina Winter Olympics will close on Feb. 22.

More than 40 openly LGBTQ athletes are competing in the games.

Breezy Johnson, an American alpine skier who identifies as bisexual, on Sunday won a gold medal in the women’s downhill. Amber Glenn, who identifies as bisexual and pansexual, on the same day helped the U.S. win a gold medal in team figure skating.

Glenn said she received threats on social media after she told reporters during a pre-Olympics press conference that LGBTQ Americans are having a “hard time” with the Trump-Vance administration in the White House. The Associated Press notes Glenn wore a Pride pin on her jacket during Sunday’s medal ceremony.

“I was disappointed because I’ve never had so many people wish me harm before, just for being me and speaking ‍about being decent — human rights and decency,” said Glenn, according to the AP. “So that was really disappointing, and I do think it kind of lowered that excitement for this.”

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Puerto Rico

Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga

Puerto Rican activist celebrates half time show

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Bad Bunny performs at the Super Bowl halftime show on Feb. 8, 2026. (Screen capture via NFL/YouTube)

Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.

Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.

“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”

La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.

“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”

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Drag

PHOTOS: Drag in rural Virginia

Performers face homophobia, find community

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Four drag performers dance in front of an anti-LGBTQ protester outside the campus of James Madison University in Harrisonburg, Va. (Blade photo by Landon Shackelford)

Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.

(Washington Blade photos by Landon Shackelford)

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