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‘Messiah,’ ‘Nutcracker’ and gay fare among D.C.-area’s 2018 holiday shows

Gay Men’s Chorus, John Waters, several versions of ‘A Christmas Carol’ and more slated

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Holiday shows, gay news, Washington Blade

Craig Wallace as Scrooge and James Konicek as Marley in Ford Theatre’s ‘A Christmas Carol.’ (Photo by Scott Suchman; courtesy Ford’s)

Let the festivities begin! From drag queens to Queen Elizabeth I, there are fabulous holiday celebrations happening throughout the D.C. metro area this year.

“A Drag Queen Christmas: The Naughty Tour” comes to the Warner Theatre on Sunday, Nov. 18. Featuring contestants from “RuPaul’s Drag Race,” the evening includes holiday songs and fierce drag performances from the catwalk. Details can be found at warnertheatredc.com.

As part of the Smithsonian Ingenuity Festival (smithsonianmag.com/ingenuity), singer-songwriter Jewel will present her “Handmade Holiday Tour”at the Lincoln Theatre on Tuesday, Dec. 6.

The Lincoln Theatre will also host “The Holiday Show” by the Gay Men’s Chorus of Washington (gmcw.org/season-shows/the-holiday-show). Their annual holiday extravaganza returns with an all-new show, featuring dancing elves, falling snowflakes, soaring vocals and a special visit from Santa Claus. Performances run from Dec. 8-16 and some performances will include ASL interpretation.

The Gay Men’s Chorus of Washington’s holiday show last year. (Washington Blade file photo by Michael Key)

From Dec. 14-23, the Folger Consort (folger.edu/folger-consort), the early music ensemble in residence at the Folger Shakespeare Library will present 12 concerts of “A Christmas Messe: A Banquet of Seasonal English Music.” In addition to seasonal English music from the 14th-17th centuries, celebrated D.C. actor Rick Foucheux will read scenes from a 1619 Christmas comedy.

The Folger Consort in concert. (Photo by Teresa Wood; courtesy Folger Shakespeare Library)

The Folger Shakespeare Library (folger.edu) will also celebrate the season with the annual Emily Dickinson Birthday Tribute. On Monday, Dec. 10, there will be a discussion of Dickinson’s poetry followed by a wine reception featuring slices of Dickinson’s famous black cake.  

Since 1983, the Washington Revels have held its annual “Christmas Revels” to celebrate the winter solstice and the “return of the sun.” Presided over by Queen Elizabeth I (Katrina Van Duyn), this year’s festivities will include performances by mummers and “rude mechanicals,” Morris dancing from the all-female Rock Creek Morris Women, performances of children’s singing games and dancing in the aisles for everyone. Performances run Dec. 8-16 at GW’s Lisner Auditorium. Details at revelsdc.org.

A scene from last year’s Christmas Revels show. (Photo courtesy Revels)

D.C. Different Drummers (dcdd.org) will hold their annual holiday concert on Sunday, Dec. 9 at the Church of the Redemption near Union Station.

On Dec. 1-2, the Smithsonian Holiday Film Festival will take place at the Smithsonian’s Warner Bros. Theatre. Screenings will include “A Christmas Story,” “It’s A Wonderful Life,” “Meet Me in St. Louis,” “Elf” and “Wonder Woman.” More information can be found at si.edu/theaters/holiday-film-festival.

Charles Dickens will of course be making his annual holiday appearance. For a maximalist approach to “A Christmas Carol,” head to Ford’s Theatre (fords.org) where award-winning D.C. actor Craig Wallace leads a large cast in a splendid retelling of the timeless tale.

From Dec. 15-31, the Keegan Theatre (keegantheatre.com) offers a non-traditional adaptation of the classic tale for the adults in the family. Set in modern Dublin, Matthew Keenan’s “An Irish Carol” is about a prosperous pub owner who is forced to reevaluate his life on Christmas Eve.

For a minimalist approach to the Yuletide classic, head to the Olney Theatre (olneytheatre.org) where company member Paul Morella will present his annual solo rendition of “A Christmas Carol: A Ghost Story of Christmas.”

Olney Theatre will also present the musical “Elf the Musical” through Jan. 6. Based on the hit Will Ferrell movie, the warm-hearted family musical tells the story of Buddy, a human accidentally transported to the North Pole as a baby.

In a somewhat jazzier mode, Arena Stage is offering gay composer Cole Porter’s effervescent musical “Anything Goes” this holiday season. Directed by Molly Smith and choreographed by Parker Esse, the madcap musical includes such classics as “Blow, Gabriel Blow,” “You’re the Top,” “I Get a Kick out of You” and the exhilarating title number.

Dragons (and imaginations) soar in Synetic Theatre’s wordless Family Theatre production of “My Father’s Dragon.” Based on the book by Ruth Stiles Gannett, the story centers on a young child and his cat companion as they try to rescue a captive baby dragon (synetictheater.org).

The staff at Wolf Trap says that “the best way to spread holiday cheer is singing loud for all to hear.” Attendees at the “Annual Holiday Sing-A-Long”are invited to bring a new, unwrapped toy for Toys for Tots and a candle to participate in the traditional candlelit recessional during the last verse of “Silent Night” Admission is free and details can be found at wolftrap.org/tickets.

From Dec. 14-30, the Atlas Performing Arts Centre on H Street, NE (atlasarts.secure.force.com/ticket) will present Step Afrika!’s Magical Musical Holiday Step Show. This contemporary holiday tradition features percussive beats, friendly, furry characters, pre-show instrument-making workshops and a dance party hosted by DJ Frosty the Snowman.

From free shows on the Millennium Stage to a diverse array of concerts and shows in several theaters, every corner of the Kennedy Center will be filled with holiday cheer this season. This year’s schedule includes “Love, Factually,” the Second City’s farcical take on the beloved holiday film (Dec. 4-31); NSO Pop’s “A Holiday Pops! Under the Mistletoe with special guest Ashley Brown (who played Mary Poppins on Broadway) (Dec. 14-14); and “The Nutcracker” performed by Utah’s Ballet West (Dec. 5-9).

From Dec. 14-16, the Kennedy Center will also host the Washington National Opera’s annual Family Holiday Opera “The Lion, the Unicorn and Me” based on the book by lesbian author Jeanette Winterson and directed by Francesca Zambello, the out artistic director of the WNO. From Dec. 20-23, the National Symphony Orchestra will present the perennial audience favorite Handel’s “Messiah.” The popular “Sing-Along Messiah” will take place Dec. 23. Free general admission tickets will be distributed starting at 4:30 p.m. the day of the event.

For a full list of holiday events at the Kennedy Center, go to kennedy-center.org.

Fans of “The Nutcracker” can also see the beloved holiday ballet at other venues throughout the area. The Washington Ballet will present “Septime Weber’s The Nutcracker” at THEARC Theatre Nov. 24-25 and at the Warner Theatre Nov. 29-Dec. 28. Set in Georgetown in 1882, the cast includes George Washington, King George III and other historical characters. More information on the 15th anniversary production can be found at washingtonballet.org.

The Strathmore in Bethesda, Md., is presenting two versions of “The Nutcracker.” Featuring authentic Russian costumes and hand-painted sets, the “Moscow Ballet’s Great Russian Nutcracker” (Dec. 16-17) returns the dance to its European roots. With digital scenery and an on-stage DJ, “The Hip Hop Nutcracker” (Dec. 18-19) offers a contemporary take on the classic tale. For other holiday programming at the Strathmore, head to strathmore.org.

Seasonal programming at the legendary Birchmere in Alexandria, Va., (birchmere.com) includes concerts by Melissa Etheridge (Nov. 26-28), Sara Evans (Dec. 8), Judy Collins (Dec. 18-19), John Waters (Dec. 20) and Maysa (Dec. 22).

With beautiful holiday decorations augmenting the legendary stained-glass windows, the Washington National Cathedral (cathedral.org)  is a splendid place to celebrate the holiday season. On Dec. 7-9, the Cathedral Choir will sing Handel’s “Messiah,” and on Dec. 8, the chorus will present a special family edition of the “Messiah.” This shortened version of this iconic work focuses on the birth of Jesus and continues the story of his death and resurrection through selected arias and choruses, ending with the famous “Hallelujah Chorus.”

Dance Place in the Brookland neighborhood (danceplace.org) will hold a Kwanzaa Celebration Dec. 15-16. Led by director Sylvia Soumah, the communal event will celebrate the seven principles of the holiday.

On Dec. 28, the Smithsonian’s Anacostia Community Museum (anacostia.si.edu) will host an interactive introduction to Kwanzaa with Baba Ras D and the LeSole Dance Project. The audience participatory program includes dancers, singers, music, colorful costumes and lively characters designed for young children and adults alike.

If you’re gorged out on holiday fare and want something different, The Washington Stage Guild presents the world premiere of “All Save One” by local playwright Greg Jones Ellis Nov. 15-Dec. 9. Set in 1950s Hollywood, it’s a witty dramedy that depicts what goes on behind closed doors when a world-famous writer, his actress wife and longtime “secretary” arrive in England only to have their comfortable household disrupted by the arrival of a handsome young priest and a film producer. It’s at The Undercroft Theatre of Mount Vernon Place United Methodist Church (900 Massachusetts Ave., N.W.). E-mail [email protected] for details.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

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Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

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The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

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Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

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