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‘Rocky Horror’ musical gets new production at Rehoboth’s Clear Space

Creative team aims to give audiences something unexpected with classic camp material

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Rocky Horror, gay news, Washington Blade

The cast of ‘The Rocky Horror Show’ in Rehoboth Beach. (Photo courtesy Clear Space)

‘The Rocky Horror Show’

 

Clear Space Theatre Company

 

20 Baltimore Ave.

 

Rehoboth Beach, Del.

 

June 26-Sept. 1

 

7:30 p.m.

 

$17-32

 

clearspacetheatre.org

Traditional theater draws a clear line between the actors and the audience, discouraging engagement between the two; however, this is just one of many conventions the beloved cult classic “The Rocky Horror Show” breaks.

This summer at Rehoboth Beach in Delaware, Clear Space Theatre Company presents the 1970s science-fiction musical that has captivated audiences of all ages over the past four decades. The show runs until Sept. 1. A special Aug. 11 midnight performance is slated to include props for the audience provided by the theater.

Founded in 2004 and based in Rehoboth Beach, Del., Clear Space Theatre Company is a non-profit cultural organization dedicated to providing not only professional theater productions but also arts education to Southern Delaware. The theater stages approximately 150 shows each year, attracting around 15,000 guests.

David Button has worked with Clear Space for the last 13 years and is currently in his fifth year as artistic director. Though he had always “admired ‘Rocky’ from afar,” Button truly fell in love with the show after performing in a rendition of it after college. He chose the musical for Clear Space this summer with the hope that it would challenge both audience members and tradition.

“I was looking for … something that I thought the community would really enjoy,” Button says. “Something that was slightly off kilter, something that was 100 percent different than everything else we were doing in the season, something that would push some boundaries.”

Although Button began casting for the summer season in January, the cast did not start formal rehearsals until June 4 — just three shorts weeks before opening night on June 26. During those three weeks, the cast worked six days a week and 12 hours a day on not only “Rocky Horror” but also the company’s two other summer productions, “Mary Poppins” and “Footloose.”

This summer’s cast consists of 13 professional actors alongside additional community performers, with Andrew Cuccaro playing the lead role of mad scientist, Dr. Frank N. Furter (“Frank”). The 23-year-old Syracuse native previously performed “Rocky Horror” senior year in college in a supporting role, so when Button offered him the role of Frank, he was eager to explore the show through the eyes of another character.

“Seeing the show from the perspective of this character, the mad scientist, who’s leading this group of people definitely gave me a boost of confidence I hadn’t seen before,” Cuccaro says. “It was fun to see what I could do on stage.”

In addition to being a mad scientist, Frank is also a self-proclaimed “sweet transvestite.” As a gay actor, Cuccaro says there is “so much power” for him in playing such an “iconic” queer role.

“I’ve watched the movie quite a few times in preparation for this,” Cuccaro says. “I knew there were certain things that Tim Curry (original film actor for Frank) does in his genius that people want, and there are certain things that I can bring to it artistically that are different because I don’t think people go to the theater to just go through the motions that someone else created.”

As director, Button has also been walking this line between tradition and nuance, calling Clear Space’s production “‘Rocky with bling.”

“Everyone knows what they’re coming to see, so why not challenge them and push the boundaries just a little more?” Button says. “‘Rocky’s’ already a very sexually driven show, and we made it 100 times what it normally is … we asked, ‘How can we surprise the audience a little more than they thought we would?’”

The original “Rocky Horror” film gained international fame not only for its cult following but also its audience participation, with movie goers dressing up as characters and interacting with the actors on screen. To this day, attendees throw toast, toilet paper, confetti and more at appropriate moments throughout the film. Although the live musical rendition at Clear Space does not feature flying toast or toilet paper, audience members are encouraged to yell and interact with actors in “call outs,” breaking tradition with conventional theater.

“This show feels so immersive with the audience calling out at you,” Cuccaro says. “(There are) so many opportunities to get involved in the show that other shows don’t really give you…(and) with call outs, it’s a new relationship with the audience every night.”

Button echoes the importance of the relationship between the actors and the audience.

“It gives us this amazing opportunity to break the fourth wall and engage with the audience in many ways,” Button says. “(And) it offers more freedom to the cast.”

Beyond simply the presence of audience interaction, Button has also been excited by the diversity of the audience members themselves, saying, “It has been such a different audience for us, so many more young folks. … It’s been wonderful to see a diverse group of ages coming to the theater.”

Button sees “Rocky” as an embodiment of Clear Space Theatre’s goals, and he hopes audience members see the show as the intersection between its two artistic endeavors: “integrity and risk.”

“The show says everything about our mission,” Button says. “It says we’re going to give you a solid, great production with amazing actors and scenic and costume design, but we’re also going to challenge you, we’re going to take you out on a limb and we’re going to show you how risky we can actually be and how far we can take you with us.”

Andrew Cuccaro as Dr. Frank N. Furter in ‘The Rocky Horror Show.’ (Photo courtesy Clear Space)

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Rodriquez scores historic win at otherwise irrelevant Golden Globes

Award represents a major milestone for trans visibility

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Michaela Jaé Rodriguez, on right, and Billy Porter in 'Pose.' (Photo courtesy of FX)

HOLLYWOOD – Despite its continuing status as something of a pariah organization in Hollywood, the Hollywood Foreign Press Association has managed to cling to relevance in the wake of last night’s behind-closed-doors presentation of its 79th Annual Golden Globe Awards by sole virtue of having bestowed the prize for “Best Leading Actress in a Television Series – Drama” on Michaela Jaé Rodriguez for her work in the final season of “Pose” – making her the first transgender performer to win a Golden Globe.

The ceremony took place as a private, no-press-or-audience event in which winners were revealed via a series of tweets from the Golden Globes Twitter account. No celebrities were present (not even the nominees or winners), although actress Jamie Lee Curtis participated by appearing in a video in which she pronounced her continuing loyalty to the HFPA – without mention of the  longstanding issues around diversity and ethical practices, revealed early in 2021 by a bombshell Los Angeles Times report, that have led to an nearly industry-wide boycott of the organization and its awards as well as the cancellation of the annual Golden Globes broadcast by NBC for the foreseeable future.

While the Golden Globes may have lost their luster for the time being, the award for Rodriquez represents a major milestone for trans visibility and inclusion in the traditionally transphobic entertainment industry, and for her part, the actress responded to news of her win with characteristic grace and good will.

Posting on her Instagram account, the 31-year old actress said: 

“OMG OMGGG!!!! @goldenglobes Wow! You talking about sickening birthday present! Thank you!

“This is the door that is going to Open the door for many more young talented individuals. They will see that it is more than possible. They will see that a young Black Latina girl from Newark New Jersey who had a dream, to change the minds others would WITH LOVE. LOVE WINS.

“To my young LGBTQAI babies WE ARE HERE the door is now open now reach the stars!!!!!”

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As You Are Bar and the importance of queer gathering spaces

New bar/restaurant poised to open in 2022

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As You Are Bar had a pop-up venue at Capital Pride's "Colorful Fest" block party in October. (Washington Blade photo by Michael Key)

More than just a watering hole: As You Are Bar is set to be the city’s newest queer gathering place where patrons can spill tea over late-morning cappuccinos as easily as they can over late-night vodka-sodas.

Co-owners and founders Jo McDaniel and Rachel Pike built on their extensive experience in the hospitality industry – including stints at several gay bars – to sign a lease for their new concept in Barracks Row, replacing what was previously District Soul Food and Banana Café. In a prime corner spot, they are seeking to bring together the disparate colors of the LGBTQ rainbow – but first must navigate the approval process (more on that later).

The duo decided on this Southeast neighborhood locale to increase accessibility for “the marginalized parts of our community,” they say, “bringing out the intersectionality inherent in the queer space.”

Northwest D.C., they explain, not only already has many gay bar options, but is also more difficult to get to for those who don’t live within walking distance. The Barracks Row location is right by a Metro stop, “reducing pay walls.” Plus, there, “we are able to find a neighborhood to bring in a queer presence that doesn’t exist today.”

McDaniel points out that the area has a deep queer bar history. Western bar Remington’s was once located in the area, and it’s a mere block from the former Phase 1, the longest-running lesbian bar, which was open from 1971-2015.

McDaniel and Pike hope that As You Are Bar will be an inclusive space that “welcomes anyone of any walk of life that will support, love, and celebrate the mission of queer culture. We want people of all ages, gender, sexual identity, as well as drinkers and non-drinkers, to have space.”

McDaniel (she/her) began her career at Apex in 2005 and was most recently the opening manager of ALOHO. Pike (she/they) was behind the bar and worked as security at ALOHO, where the two met.

Since leaving ALOHO earlier this year, they have pursued the As You Are Bar project, first by hosting virtual events during the pandemic, and now in this brick-and-mortar space. They expressed concern that receiving the Alcoholic Beverage Regulation Administration (ABRA) liquor license approval and the local Advisory Neighborhood Commission, or ANC, approval will be a long and expensive process.

They have already received notice that some neighbors intend to protest As You Are Bar’s application for the “tavern” liquor license that ABRA grants to serve alcohol and allow for live entertainment (e.g. drag shows). They applied for the license on Nov. 12, and have no anticipated opening date, estimating at least six months. If ABRA and the city’s Alcoholic Beverage Control Board give final approval, the local ANC 6B and nearby residents can no longer protest the license until the license comes up for renewal.

Until approval is given, they continue physical buildout (including soundproofing) and planning their offerings. If the license is approved, ABRA and the ABC Board can take action against As You Are Bar, like any bar, at any time if they violate the terms of the license or create a neighborhood disturbance that violates city laws such as the local noise ordinance.  In the kitchen, the duo snagged Chef Nina Love to develop the menu. Love will oversee café-style fare; look out for breakfast sandwiches making an appearance all the way until close. They will also have baked goods during the day.

McDaniel and Pike themselves will craft the bar menu. Importantly, they note, the coffee bar will also serve until close. There will be a full bar as well as a list of zero-proof cocktails. As with their sourcing, they hope to work with queer-, minority-, and women-owned businesses for everything not made in-house.

Flexible conceptually, they seek to grow with their customer base, allowing patrons to create the culture that they seek.

Their goal is to move the queer space away from a focus on alcohol consumption. From book clubs, to letter-writing, to shared workspaces, to dance parties, they seek an all-day, morning-to-night rhythm of youth, families, and adults to find a niche. “We want to shift the narrative of a furtive, secretive, dark gay space and hold it up to the light,” they say. “It’s a little like The Planet from the original L Word show,” they joke.

Pike notes that they plan on working closely with SMYAL, for example, to promote programming for youth. Weekend potential activities include lunch-and-learn sessions on Saturdays and festive Sunday brunches.

The café space, to be located on the first floor, will have coffeehouse-style sofas as well as workstations. A slim patio on 8th Street will hold about six tables.

Even as other queer bars have closed, they reinforce that the need is still present. “Yes, we can visit a café or bar, but we always need to have a place where we are 100 percent certain that we are safe, and that our security is paramount. Even as queer acceptance continues to grow, a dedicated queer space will always be necessary,” they say.

To get there, they continue to rally support of friends, neighbors, and leaders in ANC6B district; the ANC6B officials butted heads with District Soul Food, the previous restaurant in the space, over late-night noise and other complaints. McDaniel and Pike hope that once nearby residents and businesses understand the important contribution that As You Are Bar can make to the neighborhood, they will extend their support and allow the bar to open.

AYA, gay news, Washington Blade
Rachel Pike and Jo McDaniel signed a lease for their new concept in Barracks Row. (Photo courtesy Pike and McDaniel)
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Need a list-minute gift idea?

Books, non-profit donations make thoughtful choices

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‘Yes, Daddy’ by Jonathan Parks-Ramage is the story of a young man with dying dreams of fame and fortune, who schemes to meet an older man.

You knew this was coming.

You knew that you were going to have to finish your holiday shopping soon but it snuck up on you, didn’t it? And even if you’re close to being done, there are always those three or five people who are impossible to buy for, right? Remember this, though: books are easy to wrap and easy to give, and they last a while, too. So why not head to the bookstore with your Christmas List and look for these gifts.

And if you still have people to shop for, why not make a donation to a local non-profit in their name? A list of D.C.-area suggestions follows.

BOOKS: NONFICTION

If there’s about to be a new addition to your family, wrapping up “Queer Stepfamilies: The path to Social and Legal Recognition” by Katie L. Acosta would be a good thing. In this book, the author followed forty LGBTQ families to understand the joys, pitfalls, and legalities of forming a new union together. It can’t replace a lawyer, but it’s a good overview.

For the parent who wants to ensure that their child grows up with a lack of bias, “Raising LGBTQ Allies” by Chris Tompkins is a great book to give. It’s filled with methods to stop bullying in its tracks, to be proactive in having That Conversation, and how to be sure that the next generation you’re responsible for becomes responsible in turn. Wrap it up with “The Healing Otherness Handbook” by Stacee L. Reicherzer, Ph.D., a book that helps readers to deal with bullying by finding confidence and empowerment.

If there’s someone on your gift list who’s determined to get “fit” in the coming year, then give “The Secret to Superhuman Strength” by Alison Bechdel this holiday. Told in graphic-novel format (comics, basically), it’s the story of searching for self-improvement and finding it in a surprising place.

So why not give a little nostalgia this year by wrapping up “A Night at the Sweet Gum Head” by Martin Padgett? It’s the tale of disco, drag, and drugs in the 1970s (of course!) in Atlanta, with appearances by activists, politics, and people who were there at that fabulous time. Wrap it up with “After Francesco” by Brian Malloy, a novel set a little later – in the mid-1980s in New York City and Minneapolis at the beginning of the AIDS crisis.

The LGBTQ activist on your gift list will want to read “The Case for Gay Reparations” by Omar G. Encarnacion. It’s a book about acknowledgment, obligation on the part of cis citizens, and fixing the pain that homophobia and violence has caused. Wrap it up with “Trans Medicine: The Emergence and Practice of Treating Gender” by Stef M. Shuster, a look at trans history that may also make your giftee growl.

FICTION

Young readers who have recently transitioned will enjoy reading “Both Sides Now” by Peyton Thomas. It’s a novel about a high school boy with gigantic dreams and the means to accomplish them all. Can he overcome the barriers that life gives him? It’s debatable… Pair it with “Can’t Take That Away” by Steven Salvatore, a book about two nonbinary students and the troubles they face as they fall in love.

The thriller fan on your list will be overjoyed to unwrap “Yes, Daddy” by Jonathan Parks-Ramage. It’s the story of a young man with dying dreams of fame and fortune, who schemes to meet an older, more accomplished man with the hopes of sparking his failing career. But the older man isn’t who the younger thinks he is, and that’s not good. Wrap it up with “Lies with Man” by Michael Nava, a book about a lawyer who agrees to be counsel for a group of activists. Good so far, right? Until one of them is accused of being involved in a deadly bombing.

For the fan of Southern fiction, you can’t go wrong when you wrap up “The Tender Grave” by Sheri Reynolds. It’s the tale of two sisters, one homophobic, the other lesbian, and how they learn to forgive and re-connect.

NON-PROFIT GIVING

Like nonprofit organizations throughout the country, D.C.-area LGBTQ supportive nonprofit groups have told the Blade they continue to rebuild amid the coronavirus pandemic, which disrupted their fundraising efforts while increasing expenses, at least in part by prompting more people to come to them for help.

This holiday season, if you’re looking for a thoughtful gift, consider making a donation to one of our local LGBTQ non-profit organizations in someone else’s name. This list is by no means exhaustive, but a good place to start your research.

Contributions to the LGBTQ supportive nonprofit organizations can be made via the websites of these local organizations:

• Blade Foundation, which funds local scholarships and fellowships for queer student journalists, bladefoundation.org

• DC Center, our local community center that operates a wide range of programming,  thedccenter.org/donate

Food & Friends, which delivers meals to homebound patients, foodandfriends.org

HIPS, which advances the health rights and dignity of those impacted by sex work and drugs, hips.org

• SMYAL, which advocates for queer youth, smyal.org

Wanda Alston Foundation, which offers shelter and support for LGBTQ youth, wandaalstonfoundation.org

• Whitman-Walker Health, the city’s longtime LGBTQ-inclusive health care provider, whitmanwalkerimpact.org

Casa Ruby, which provides shelter and services to youth in need, casaruby.org

• Us Helping Us, which helps improve the health of communities of color and works to reduce the impact of HIV/AIDS on the Black community, ushelpingus.org/donate

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