a&e features
Rehoboth’s Sundance party returns this weekend
Dance, auction to be held in memory of co-founder Steve Elkins

The Sundance dance party is a Rehoboth Beach Labor Day tradition. (Washington Blade photo by Daniel Truitt)
Sundance 2018
Rainbow XXXI: In the Name of Love
Auction: Saturday, Sept. 1
7-10 p.m.
Dance: Sunday, Sept. 2
7 p.m.-2 a.m.
$80 for both events or $45 for one
Rehoboth Beach Convention Center
229 Rehoboth Ave.
Rehoboth Beach, Del.
302-227-5620
Sundance, the annual CAMP Rehoboth Labor Day weekend tradition, will be somewhat bittersweet this year.
“Sundance 2018: Rainbow XXXI: In the Name of Love” will be held this weekend to benefit CAMP Rehoboth in memory of the late Steve Elkins, who died in March from lymphoma. He was 67.

The late Steve Elkins (left) with husband Murray Archibald. The two founded Sundance more than 30 years ago. Elkins died in March. (Washington Blade file photo by Michael Key)
Sundance was created by CAMP Rehoboth founders Elkins and his husband Murray Archibald in response to the AIDS crisis in the 1980s. Archibald had been Elkins’ husband and partner for 40 years at the time of Elkins’ death. They decided to make Sundance a dance party with the purpose of raising money for AIDS charities. Archibald said in an article of a recent issue of Letters from CAMP Rehoboth that many people were dying and there was no treatment for AIDS at the time.
“It was 1988. We were losing friends left and right. We were still living in New York in those days but spending a lot of time down here,” Archibald says. “It was terrible, and we wanted to do something. It was our 10th anniversary party, Steve and mine, and everybody in our house down here wanted to do something. And I said, well, we wanted to make it a fundraiser. We did a lot of events actually back then — dance events — so we thought that would be a great way to make money.”
The Sundance Auction will be held on Saturday, Sept. 1 with an open bar, food by Plate Catering, music by Stephen Strasser and silent and live auctions. On Sunday, Sept. 2, there will be a dance party from 7 p.m.-2 a.m. with an open bar, Joe Gauthreaux as DJ and special guest Studio 54/Saint DJ Robbie Leslie. Both events will be held at the Rehoboth Beach Convention Center.
There was no auction the first year; it was added the second year. Initially, the auction happened right before the dance, but a couple years later, the auction and dance were separated into different events. Sundance has always been held on Labor Day weekend and has become a tradition.
Sundance has received an increasing amount of support and sponsorship over the years, raising more than $2 million overall.
“It’s grown. It just keeps growing. It has for years,” Archibald says. “We have tremendous community support for it. I think its growth is probably the main thing and the support that it gets. The way we’ve raised money has changed. For a good while, it was only AIDS work, and a lot of it went to Sussex County AIDS Council and helped them stay afloat.”
Archibald says when CAMP got started, its volunteers quickly began expanding AIDS services they were doing and started splitting the money raised from Sundance between CAMP and the Sussex County AIDS Council. By the time the Sussex County AIDS Council closed, CAMP was doing a lot of AIDS work and other kinds of health-related work. The money raised from Sundance has been used for CAMP Rehoboth for years now. Archibald said Sundance raised $6,000 its first year and now raises around $120,000-125,000 per year.
Elkins and Archibald have advocated for LGBT rights in Rehoboth for decades. There was tension between the gay and straight communities in the late ‘80s into the early ‘90s, with one group in town that started a campaign with bumper stickers that read, “Keep Rehoboth A Family Town.” In response, Elkins and Archibald decided to open CAMP Rehoboth, looking to promote inclusion for all.
“During the ‘80s, Rehoboth had grown tremendously as a gay resort. Gay people had been coming here for a long time,” Archibald says. “During that time, there was the Strand, which was controversial because of its location. It was open for seven years. It was a huge club. The Renegade was just outside of town. Those were two big dance clubs, and we had people coming, the crowds had gotten bigger. Everything had changed in that decade.”
Elkins and Archibald wanted to ease stress and build bridges. They developed CAMP Rehoboth with the mindset that it would work within the community, making the decision to not be “in your face” or “radical.” They wanted to work with people. Elkins and Archibald started using the language of making Rehoboth a place with “room for all.” Archibald said that when Elkins died earlier this year, the press was using that language to describe CAMP Rehoboth, showing that it worked.
The influence that Elkins and Archibald have had over the years can be seen on a statewide level, with then-Gov. Jack Markell adding sexual orientation to Delaware’s anti-discrimination law in 2009, which was signed by Markell at CAMP Rehoboth on Elkins’ birthday. Additionally, Elkins and the current president of the CAMP Rehoboth Board of Directors, Chris Beagle, testified in support of the legalization of civil unions in Delaware in 2011.
On July 1, 2013, Beagle and his husband, Eric Engelhart, decided to have their wedding ceremony at the CAMP Rehoboth Community Center because they wanted to make the occasion a celebration for the entire community. Beagle and Engelhart were selected to be the first same-sex couple to marry in Sussex County by then Sussex County Justice of the Peace, John Brady, after the legalization of same-sex marriage in Delaware.
“I gave several press interviews immediately after Steve’s passing in March, and in virtually every one of them I mentioned that I’ve had many proud moments representing CAMP Rehoboth over the years here on the board,” Beagle says. “Next to marrying my husband, Eric Engelhart, on the stage of the CAMP Community Center on July 1, 2013, my other proudest moment was testifying with Steve Elkins for the civil union legislation in 2011. He was a mentor to me in many ways, and he will always have a very special place in my heart for the leadership and difference he made in my life, and countless others. So many of us wouldn’t enjoy the life we have here today, and the protections we’re entitled too, if not for Steve Elkins and Murray Archibald.”
Beagle began volunteering for Sundance in 2006, making this his 13th year helping put it together. He has mostly worked with the decor crew and set-up team, along with Archibald and other key volunteers, many of whom have been helping Archibald for 20 years or more. Beagle also co-founded the Sundance 5k in 2010.
“It amazes us every year how Murray is able to create a visual masterpiece celebrating the particular theme of the year,” Beagle says. “A true camaraderie has evolved over these many years, and it has become a type of family reunion for many of us, something we all cherish very much. And nothing beats the sense of gratification we all share as the auction doors open at 7 p.m. The crowds start pouring in and we see the look of awe and amazement in their faces. At that moment, we know we’ve done good work.”
Natalie Moss began volunteering at CAMP Rehoboth in 1991. Moss has served as treasurer for both CAMP Rehoboth and the CAMP Rehoboth Community Center Project. She is also auction co-chair of Sundance and has been helping with the event for 28 years.
“We send out letters to all the businesses and ask them for donations. Then, we have callers and picker uppers that follow up on the letters and run around town to pick the stuff up,” Moss says. “We have a lot of individual people, as well as businesses, that give us stuff.”
Once the donations for the auction are brought to CAMP, Moss goes through them and lists them on spreadsheets. Once that’s done, the donations are brought over to the convention center where another team of volunteers displays them on the floor. Moss oversees the team that tallies the auction sheets. CAMP made the decision to use old-fashioned bid sheets because they want people to enjoy themselves and to not take away from their experience by them looking at their phones trying to bid on something.
“We get some really, really fun stuff. A lot of quirky things, games, books, glassware,” Moss says. “And the businesses give us gift certificates to restaurants — gift certificates for dinners and lunches and breakfast. Once it’s displayed, it looks beautiful.”
The Sundance auction will also have artwork, jewelry and a 60-inch TV among other things that will be up for bid. Moss says Sundance all comes together with the help of about 200 volunteers and the result has the appearance of a “fabulous-looking disco.”

The Sundance auction started 30 years ago. Organizers have intentionally kept it low tech — all the bidding takes place with paper and pen. (Photo courtesy CAMP Rehoboth)
Moss says working with Elkins was great and that everyone on the Sundance team had their role. She said Elkins did a lot behind the scenes. Elkins would run out and get whatever the Sundance team needed. He would negotiate with the liquor store to get more tonic and mixes, order lunches, pick up the lunches and did some computer work, which included printing pictures for the live auction. Moss said Elkins did everything to make sure the volunteers were taken care of.
“I used to be down here a lot, like I am now, and I’d have the music on. He was a very good singer, he had a very good voice. He used to sing in church. He would come down here and sing to me all the time, so I miss that,” Moss says. “So, Murray came in the other day. I said, ‘Are you going to sing to me?’ and he said, ‘No, you don’t want me to sing to you.’”
Monica Parr, who serves as CAMP Rehoboth’s administrative coordinator, is helping organize Sundance for her fourth year. She is managing the volunteers needed for the front-end production. Parr is working alongside Archibald taking over some of Elkins’ tasks.
“It was a joy to work with Steve. I knew Steve Elkins and Murray Archibald long before I began working at CAMP Rehoboth. I was a volunteer for Sundance almost from the beginning,” Parr says. “Steve was one of a kind. He was the kindest and most generous man you would ever meet. He would make sure that everyone felt welcome at CAMP, and at any event that CAMP Rehoboth sponsored. He will be truly missed.”
a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
a&e features
Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
