Arts & Entertainment
Kevin Hart steps aside as 2019 Oscar host after protests
In the age of #MeToo, a controversial host is toast

Kevin Hart. (Photo Facebook)
UPDATE: Comedian and actor Kevin Hart says he has stepped down from hosting the 2019 Oscars following a controversy over homophobic tweets and comments from his stand up act from as far back as 2009.
Hart said he does not wish to be a distraction and that he is “sorry he had hurt people” after calls for the Academy to drop him went viral.
Hart had said hosting the Oscars was “a goal on my list for a long time.”
On Thursday, Hart initially responded to outcry over his being named by the Academy as host of the ceremony with a video posted on Instagram, in which he said, “Guys, I’m nearly 40 years old. If you don’t believe that people change, grow, evolve as they get older, I don’t know what to tell you. If you want to hold people in a position where they always have to justify the past, do you. I’m the wrong guy, man.”
This was followed later on Thursday evening with another video, in which the comedian told followers the Academy had called him and offered him an ultimatum: apologize for the tweets or step down as host. He refused to apologize, saying he had “addressed this several times. This is not the first time this has come up. I’ve addressed it. I’ve spoken on it.”
Finally, late in the day, Hart announced via Twitter that he had chosen to step down “because I do not want to be a distraction on a night that should be celebrated by so many amazing talented artists.”
“I sincerely apologise to the LGBTQ community for my insensitive words of the past,” he said.
I’m sorry that I hurt people.. I am evolving and want to continue to do so. My goal is to bring people together not tear us apart. Much love & appreciation to the Academy. I hope we can meet again.
— Kevin Hart (@KevinHart4real) December 7, 2018
As its much-criticized (and now recanted) decision to add a “Best Popular Film” category to its awards roster earlier this year clearly revealed, the Oscars are desperate to increase their ever-declining ratings.
Has the Academy Award lost its way? That question is increasingly being asked.
For the broadcast of the Academy Awards’ 90th annual ceremony in 2018, viewership was about 26.5 million people – around 20% lower than the previous year, it was the first time the figure had dropped below 30 million and the lowest number since Nielsen started tracking Oscar ratings in 1974.
The Hart fiasco was born of a reckless effort to boost its relevance and regain audience.
At first glance, it seemed like the perfect solution to their problem. Hart is immensely popular, performing to sell-out crowds in huge venues like the 69,000-seat Lincoln Financial Field in his hometown of Philadelphia. He topped Forbes’ 2016 list of the highest-paid comedians, and he’s proven his appeal to movie crowds with box-office hits, like this year’s “Night School” and “Jumanji: Welcome to the Jungle.”
His films have grossed $3.5 billion worldwide, and his social media presence (35 million followers on Twitter, 65 million on Instagram) is impressive. The chance to see what he does as an Oscar host obviously had the potential to draw a lot of viewers that wouldn’t normally tune in.
In addition, Hart had been vocal about his desire to host the Oscars for several years now.
It’s a job that has proven thankless for many celebrities who have done it in the past – from Chevy Chase to David Letterman to Seth McFarlane, the ceremony has been fronted by a long list of popular comedians who were deemed to have failed spectacularly, and there’s an even longer list of personalities who have been asked and turned it down (as detailed in a recent piece by the Hollywood Reporter).
But Hart had actively been after the gig since at least 2015, when the Los Angeles Times reported him as saying, “If I can start the campaign now and get them into it, I’m all for it. I would just jump at the opportunity.”
Lastly, as only the fourth African-American person ever to host the ceremony (following Richard Pryor, Chris Rock, and four-time host Whoopi Goldberg), Hart would potentially have helped to smooth over the lingering criticism stemming from the #OscarsSoWhite controversy of two years ago, when the lack of diversity among the Academy’s award nominations – and onstage at its ceremony – underscored the inadequate representation of non-whites within the content produced by the Hollywood film industry. In a year when most of the apparent front-runners seem, yet again, to be white, having a black host might be a way to stave off any resurgence of backlash.
Unfortunately, this solution failed to take into account the messaging it sent on another front.
The Academy – in typically tone-deaf fashion – may have chosen a host who checks off several important boxes for image-conscious Hollywood, but in doing so it ignored Hart’s problematic history of homophobia.
And as you can see from the Instagram post above, Hart is now positioning himself as a victim of PC culture run amok.
It’s not all that different from the notorious comedy routine for his 2010 TV special, “Seriously Funny,” Hart joked that as a parent, “one of my biggest fears is my son growing up and being gay.” After quickly adding that he had “nothing against gay people,” he went on to say that “as a heterosexual male, if I can prevent my son from being gay, I will.” He went on to joke that every kid has a “gay moment… but when it happens, you gotta nip it in the bud.”
In a 2015 interview with Rolling Stone, Hart confessed that he “wouldn’t tell the joke today.” His reasons, however, had nothing to do with the obvious anti-gay bias involved; instead, he deflected by saying, “the times weren’t as sensitive as they are now. I think we love to make big deals out of things that aren’t necessarily big deals, because we can. These things become public spectacles. So why set yourself up for failure?”
He also responded in an interview with Parade, by saying, “I had one gay joke in my career and it was about my son at a birthday party, and it was before things got as PC as they are now.”
In other words, his only remorse was over how it affected his image.
Blaming the current #MeToo movement for creating this atmosphere is not a show of remorse. Neither is saying it’s something he’s sorry about while he keeps doing it.
Apparently, that remorse has not been strong enough to keep him from making more homophobic comments. His Twitter feed has been laced with them throughout his career – things like “Yo if my son comes home & try’s 2 play with my daughter’s doll house I’m going 2 break it over his head % say n my voice ‘stop that’s gay.’”
In one particularly offensive tweet, he called out another Twitter user by saying their profile picture looked “like a gay billboard for AIDS.”
He has repeatedly used phrases like “no homo” and “no homo gay,” and lambasted his critics by calling them such names as “f*g boy,” “gay face,” “fat faced f*g,” and “man bitch.”
According to an article published by Queerty just this morning, Hart had been deleting many of these posts – most of which had already been re-Tweeted in protest by thousands of Twitter users after news broke of his Oscar gig.
There’s also the matter of his treatment of ex-wife Torrei Hart, to whom he admitted being physically abusive in his 2017 memoir, “I Can’t Make This Up.” He also confessed in a radio interview last year to having cheated on his current wife, Eniko Parrish, just a few months earlier – while she was pregnant.
With LGBTQ-focused films like “Boy Erased” and “Bohemian Rhapsody” predicted to be in the running, as well as “A Star Is Born,” which features gay icon Lady Gaga, this year’s Oscars are shaping up to have a strong queer presence. With this in mind, placing Hart in the center of the proceedings – when his long track record of homophobic remarks was already well-documented and should have been taken into account by the Academy before offering him the job – was always a bad idea.
Whether or not the comedian really believes the homophobic viewpoints he has projected in his comedy – which, for the record, he has repeatedly insisted he does not – his selection as host sent a mixed message from the Academy to its membership and to its millions of avid followers, many of whom are either LGBTQ or allies.
It’s not the first time the organization has faced this issue. In 2011, Brett Ratner was forced to resign as producer of that year’s Oscar ceremony due to his record of homophobic slurs.
As for the Hart debacle, the Academy has yet to issue a statement.
Egypt
Iran, Egypt object to playing in Seattle World Cup ‘Pride Match’
Game to take place on June 26
Iran and Egypt have objected to playing in a “Pride Match” that will take place in Seattle during the 2026 World Cup.
The Egyptian Football Association on Tuesday said it told FIFA Secretary General Mattias Grafström in a letter that “it categorically rejects holding any activities related to supporting (homosexuality) during the match between the Egyptian national team and Iran, scheduled to be held in Seattle, USA, on June 26, 2026, in the third round of the group stage of the 2026 World Cup.” Football Federation Islamic Republic of Iran President Mehdi Taj told ISNA, a semi-official Iranian news agency that both his country and Egypt “protested this issue.”
The 2026 World Cup will take place in the U.S., Canada, and Mexico. The draw took place at the Kennedy Center on Dec. 5.
Iran is among the handful of countries in which consensual same-sex sexual relations remain punishable by death.
The State Department’s 2023 human rights report notes that while Egyptian law “did not explicitly criminalize consensual same-sex sexual activity, authorities regularly arrested and prosecuted LGBTQI+ persons on charges including ‘debauchery,’ prostitution, and ‘violating family values.’” Egyptian authorities “also reportedly prosecuted LGBTQI+ individuals for ‘misuse of social media.’”
“This resulted in de facto criminalization of same-sex conduct and identity,” notes the report.
The 2024 human rights report the State Department released earlier this year did not include LGBTQ-specific references.
Soccer has ‘unique power to unite people across borders, cultures, and beliefs’
The June 26 match between Iran and Egypt coincides with Seattle Pride. The Washington Post reported the Seattle FIFA World Cup 2026 Local Organizing Committee decided to hold the “Pride Match” before last week’s draw.
“As the Local Organizing Committee, SeattleFWC26’s role is to prepare our city to host the matches and manage the city experience outside of Seattle Stadium,” said SeattleFWC26 Vice President of Communications Hana Tadesse in a statement the committee sent to the Washington Blade on Wednesday. “SeattleFWC26 is moving forward as planned with our community programming outside the stadium during Pride weekend and throughout the tournament, partnering with LGBTQ+ leaders, artists, and business owners to elevate existing Pride celebrations across Washington.”
“Football has a unique power to unite people across borders, cultures, and beliefs,” added Tadeese. “The Pacific Northwest is home to one of the nation’s largest Iranian-American communities, a thriving Egyptian diaspora, and rich communities representing all nations we’re hosting in Seattle. We’re committed to ensuring all residents and visitors experience the warmth, respect, and dignity that defines our region.”
The 2034 World Cup will take place in Saudi Arabia.
Consensual same-sex sexual relations remain punishable by death in the country. The 2022 World Cup took place in neighboring Qatar, despite concerns over the country’s anti-LGBTQ rights record.
Television
‘Heated Rivalry’ is the gay hockey romance you didn’t know you needed
Spoiler alert: It’s not really about hockey
Spoiler Alert: “Heated Rivalry” is not about hockey.
The new limited series, produced for the Canadian streaming service Crave and available in the U.S. on HBO Max, may look from its marketing like a show about hockey. It definitely contains a lot of scenes involving hockey – being played, being watched, being talked about – and the story is surrounded by hockey; its two main characters are professional hockey players, and their competition as opposing hockey champions (the “rivalry” of the title) is a major factor that moves the plot.
Even so, if you’re a hockey fan who knows nothing about it, and you stumble across it while looking for something to watch, be warned before you press “play” that you are probably in for a big surprise.
Adapted from “Game Changers,” a popular book series by Canadian author Rachel Reid, the show follows the two above-mentioned hockey pros – Canadian Shane Hollander (Hudson Williams) and Russian Ilya Rozanov (Connor Storrie), each of whom is a star player for their respective team – as they compete against each other with puffed-up “alpha” swagger, on the ice and in the media. When the skates (and cameras) are off, however, there’s a different story going on. Despite the jocular animosity of their public relationship, there’s something else brewing between them in private, and it comes to a head when a commercial shoot leads to an unexpected rendezvous in a hotel room.
Well, unexpected for them, at least. We in the audience have seen it coming since that first smoldering glance across the rink.
From there, “Heated Rivalries” continues over a course of years as the two secret lovers use every match, tournament, or Winter Olympics where they compete against each other as an opportunity for more rendezvous in more hotel rooms. But while their meetings may be all about a release of pent-up passion, the bond between them is based on something more. In the high-stakes world of professional hockey, there’s not much they can do about that – publicly, at least – without killing their careers; in Ilya’s case, as a Russian citizen and the son of a prominent government official, the situation carries the potential for even graver consequences.
That’s just at the end of the first two episodes, though. The show, which drops an episode weekly through December, leaves us hanging there to explore the story of another hockey player, Scott (François Arnaud), teammate and best friend to Shane, who becomes entangled with smoothie barista Kip (Robbie G.K.) in a whole secret gay life of his own.
If you’re thinking that the idea of a gay love story between two butch hockey players is a preposterous premise for romance fiction, think again – or at least redefine your idea of “preposterous.” It’s a genre that has exploded in popularity among a surprisingly large demographic of romance literature fans who also love hockey, combining the thrill of forbidden love with the drama and excitement of their favorite sport to catapult numerous writers, including Reid, onto the bestseller lists, which was surely a factor in the choice to translate her “Games Changers” books to the screen, courtesy of the show’s queer creator/writer/director Jacob Tierney.
The latter (also co-creator of “Letterkenny,” another popular and queer-friendly Canadian show with a strong hockey presence) delivers it with all the glossy, high-charged passion one would expect – and more – from a romance about world-class athletes in love. Set within the rarified world of wealth and privilege that is professional sports, the drama takes place against a backdrop of packed arenas, awards ceremonies, elegant fundraisers, and luxury hotels, where the protagonists must play at being enemies while secretly planning their next hook-up with each other.
Which brings us to the thing that really makes “Heated Rivalry” the buzziest queer show of late 2025: the sex. The show takes full advantage of its story’s obvious sex appeal – as well as its leading actors’ sculpted, athletic bodies – to serve up some of the hottest onscreen trysts in gay TV memory. Though they stop just short of being “explicit,” they’re the kind of sex scenes that push the limits of “softcore” right to the edge and make sure we know exactly what’s happening, even if we can’t see the details. Tierney turns those steamy private meetings between Shane and Ilya into set pieces and centers entire episodes around them, because he knows they’re what the audience is there for. Like we said, this is not really a show about hockey.
That said, it’s not really just a story about sex, either. In between those steamy scenes of athletic carnality, there’s a lot of percolating emotion happening – and thanks to the exquisitely tuned performances of Williams and Storrie, whose electric chemistry doesn’t just spark during their lovemaking scenes, but crackles through their every moment together on screen, it all comes across with elegant clarity. Shane and Ilya may want each other’s bodies, but there’s something more they want, too. There’s a tenderness in the way they look at each other, even when they’re smack-talking on the rink, and it infuses their scenes of passion, too, which arguably makes them even more blistering hot. More than that, it calls to us with its fond familiarity; it’s that heady feeling to which most of us, if we’re lucky, can relate, a sense of yearning, of needing another person so keenly that it feels like a physical sensation. In other words, it feels like being in love.
Of course there’s another layer too, which hangs over everything and ultimately fuels all the conflict in the plot: the pervasive homophobia that exists in professional sports, creating an atmosphere in which players are pressured to present nothing but a masculine, definitively “straight” image and any hint of non-heterosexual leanings is enough to destroy a career. That’s not a situation limited only to pro athletes, of course; many of us in the wider world also face the same dilemma, which is why we can all relate to this aspect of their love story, too.
Still, it would be misleading to say that “Heated Rivalry” is really about social commentary either, though it certainly brings those issues into the mix. With only half the six-episode season released so far, it’s hard to draw a certain conclusion, but what stands out most about the series so far is the way it captures the palpable joy of being in love – and yes, that includes the joy of expressing that love physically. These joys come with pain, too, when they can only be shared in secret, and it’s that obstacle that Shane and Ilya – and apparently, with the side trip of episode three, Scott and Kip as well – must find a way to overcome if they want their real yearning to be fulfilled.
For now, we’ll have to wait to find out if they can all make it. In the meantime, you know we’ll all be watching each new installment with our full attention, waiting to see what happens during Shane and Ilya’s next match-up.
And no, we’re not talking about hockey.
The umbrella LGBTQ sports organization Team DC held a holiday party at Trade on Monday, Dec. 8. Attendees brought clothes and coats for a clothing drive.
(Washington Blade photos by Michael Key)









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