Arts & Entertainment
Calendar: Jan 18-24
Dances, movies, openings and the MLK parade in the week to come


Friday, Jan. 18
Reel AffirmationsĀ screens āThe Heiressesā at Human Rights Campaign (1640 Rhode Island Ave., N.W.) tonight from 7-9 p.m. The film, set in Asunción, Paraguay, tells the story of Chela and Chiquita who are both descended from wealthy families and have been together for more than 30 years. The couple faces financial crisis and Chiquita is sent to prison for fraud. Chela must start her new life without him when she meets Angy, a much younger woman. Rayceen Pendarvis hosts the screening. General admission tickets are $12. VIP tickets are $25 and include VIP seating, one complimentary cocktail, beer or wine and movie candy or popcorn. For more information, visit thedccenter,org/events/theheiresses.
LezLink Events hosts Vibez, an R&B social for LGBT women, at XX+ (1926 9th St., N.W.) tonight from 10 p.m.-2 a.m. Wristbands will be available for guests to wear that designate āsingle,ā ātaken,ā āopen,ā āpolyā and āI have no idea.ā There will also be games such as Connect Four, pool, Conversation Dice, Cuff Cards, Uno and more. No dress code. Tickets are $10 and available online. A limited amount of tickets will be available at the door. For more details, visit facebook.com/lezlinkevents.
Trade (1410 14th St., N.W.) hosts a āRuPaulās Drag Race All Stars 4ā viewing party tonight from 8-9:30 p.m. Trade queens and guest hosts will add commentary throughout the episode. There will be games and prizes. WesstheDJ will spin tracks before, during and after the episode. For more information, visit facebook.com/tradebardc.
The Point in Fells (1738 Thames St., Baltimore) presents Friday Night Drag Brunch tonight from 6:30-9:30 p.m. Robyn YaāMen hosts the brunch. Performing queens will be announced. Doors open at 6:30 p.m. and show begins at 7:30 p.m. Tickets are $30 and include a seat and a brunch buffet. $20 bottomless brunch is also available featuring unlimited mimosas, rum punch, sangria, screwdrivers and Natty Bohs. For more details, visit facebook.com/thepoint1738.
A Knyght Productions hosts Miss Gay Northern Marylandās āThe Feather Ballā at The Lodge (21614 National Pike, Boonsboro, Md.) tonight from 8:30 p.m.-2 a.m. The show will honor Miss Gay Maryland 2018 and Miss Gay Northern Maryland 2018, Nicole James, and will crown the 2019 Miss Gay Northern Maryland queen. Performers will include Anastacia Amor, Dezi Minaj, Joanna Blue, Ashley Bannks, Stephanie Michaels, Chi Chi Ray Colby and Rebecca Blaqueout. Pageant starts at 9 p.m. and dance floor opens at midnight. For more information, search āMiss Gay Northern Marylandās The Feather Ballā on Facebook.
Saturday, Jan. 19
New Spire Arts (115 East Church St., Frederick, Md.) presents the grand opening of its New Spire Stages, its brand new theater, featuring āDancing with the Starsā and āAmericaās Next Top Modelā winner Nyle DiMarco. DiMarco, who identifies as sexually fluid, is a Frederick, Md., native and a Maryland School for the Deaf alum. Tango dancer Augusto Balizano will perform and Celeste Miller will premiere a new theater work in collaboration with Frederick-based actors, dancers and musicians. General admission tickets are $55 and student and senior tickets are $41.25. For details, visit newspirearts.org.
Freddieās Beach Bar (555 23rd St. S Arlington, Va.) hosts itsĀ Freddieās Follies Drag ShowĀ tonight from 8-10 p.m. Cover is $5. Drag show starts at 8 p.m. and karaoke begins at 10 p.m. Reservations are highly recommended. For more details, visitĀ facebook.com/freddiesbeachbararlington.
LURe D.C. celebrates the 10th anniversary of BARE, a queer womenās dance party, at Cobalt (1639 R St., N.W.) tonight from 10 p.m.-3 a.m. DJ Rosie will play music on the Cobalt level dance floor and DJ Keenan will spin on the Level One floor. Admission is $7 before midnight and $10 after. For more information, visit facebook.com/lurewdc.
Sunday, Jan. 20
Pretty Boi Drag celebrates its three-year anniversary with #PrettyBoiAnniversay at Bier Baron Tavern (1523 22nd St., N.W.) today from 2-5 p.m. The show will feature ASL interpretation. General admission tickets are $20. Anniversary package tickets include one general admission ticket, one limited edition anniversary T-shirt in gold or silver and one Pretty Boi Drag shot glass. For details, visit facebook.com/prettyboidrag.
Panic! at the Disco, featuring pansexual frontman Brandon Urie, plays at Capitol One Arena (601 F St., N.W.) tonight at 7 p.m. Tickets range from $30-70. For more information, visit ticketmaster.com.
Monday, Jan. 21
The D.C. Center and the Capital Area Gay and Lesbian Chamber of Commerce march as part of the LGBT Continent in the annual Martin Luther King Jr. Holiday Parade today from 10 a.m.-2 p.m. All LGBT individuals and organizations are welcome to join. The parade kicks off at noon from Good Hope Road near the Anacostia Park entrance along MLK Avenue to the Rise Center on St. Elizabethās campus where the MLK Holiday Festival and Health Fair takes place. The group will meet near the Anacostia Park entrance (1900 Anacostia Dr., S.E.) at 10 a.m. For details, visit thedccenter.org.
Tuesday, Jan. 22
Republic (6939 Laurel Ave., Takoma Park, Md.) hostsĀ Alegre Happy Hour, an LGBT happy hour,Ā this evening from 5-7 p.m. For more information, visitĀ republictakoma.com.
Wednesday, Jan. 23
Queer Girl Move Night presents a screening of the 2008 British romantic drama āI Canāt Think Straightā at Denizens Brewing Co. (1115 East-West Hwy., Silver Spring, Md.) tonight from 7-10 p.m. The film tells the story of a Palestinian woman living in London who is planning her wedding in the Middle East. She meets a British-Indian woman who is dating her best friend and the women find themselves falling for each other. Doors open at 7 p.m. and the movie starts at 8 p.m. For more information, visit facebook.com/queergrrlmovienight.
Bier Baron Tavern (1523 22nd St., N.W.) presents Profs and Pints: Hamiltonās History Remix tonight from 6-9 p.m. Richard Bell, associate professor of history at the University of Maryland, will examine how accurate the musical is about Alexander Hamilton, the American Revolution and the birth of the United States. Bell will lead a discussion on how the musical dramatized and simplified some of the events told in the story. Advance tickets are $12. Tickets at the door are $15. Talk begins at 6:30 p.m. For more details, visit facebook.com/profsandpints.
Thursday, Jan. 24
The D.C. Eagle (3701 Benning Rd., N.E.) hosts Blackout Thursdays tonight at 9 p.m. This lights-out party includes happy hour until 9 p.m. featuring $2 off all drinks, $10 bottomless Bud/Bud Lights and $12 bottomless premium drafts. Guys who wear harnesses, jocks or underwear will receive $3 rail and domestic drinks. For more information, visit dceagle.com.
Books
New book goes behind the scenes of āA League of Their Ownā
āNo Crying in Baseballā offers tears, laughs, and more

āNo Crying in Baseball: The Inside Story of āA League of Their Ownā
By Erin Carlson
c.2023, Hachette Books
$29/320 pages
You donāt usually think of Madonna as complaining of being ādirty all dayā from playing baseball. But thatās what the legendary diva did during the shooting of āA League of Their Own,ā the 1992 movie, beloved by queers.
āNo Crying in Baseball,ā the fascinating story behind āA League of Their Own,ā has arrived in time for the World Series. Nothing could be more welcome after Amazon has cancelled season 2 of its reboot (with the same name) of this classic film.

In this era, people donāt agree on much. Yet, āA League of Their Ownā is loved by everyone from eight-year-old kids to 80-year-old grandparents.
The movie has strikes, home runs and outs for sports fans; period ambience for history buffs; and tears, laughs and a washed-up, drunk, but lovable coach for dramady fans.
The same is true for āNo Crying in Baseball.ā This āmaking ofā story will appeal to history, sports and Hollywood aficionados. Like āAll About Eveā and āThe Rocky Horror Picture Show,ā āA League of Their Ownā is Holy queer Writ.
Carlson, a culture and entertainment journalist who lives in San Francisco, is skilled at distilling Hollywood history into an informative, compelling narrative. As with her previous books, āIāll Have What Sheās Having: How Nora Ephronās three Iconic Films Saved the Romantic Comedyā and āQueen Meryl: The Iconic Roles, Heroic Deeds, and Legendary Life of Meryl Streep,ā āNo Crying in Baseball,ā isnāt too āeducational.ā Itās filled with gossip to enliven coffee dates and cocktail parties.
āA League of Their Ownā is based on the true story of the All-American Girls Professional Baseball League (AAGPBL). From 1943 to 1954, more than 600 women played in the league in the Midwest. The leagueās players were all white because the racism of the time prohibited Black women from playing. In the film, the characters are fictional. But the team the main characters play for ā the Rockford Peaches ā was real.
While many male Major and Minor League Baseball players were fighting in World War II, chewing gum magnate Philip K. Wrigley, who owned the Chicago Cubs, founded the league. He started the AAGPBL, āTo keep spectators in the bleachers,ā Carlson reports, āand a storied American sportāmore important: his business afloat.ā
In 1943, the Office of War Information warned that the baseball season could be āscrappedā ādue to a lack of men,ā Carlson adds.
āA League of Their Ownā was an ensemble of womenās performances (including Rosie OāDonnell as Doris, Megan Cavanagh as Marla, Madonna as Mae, Lori Petty as Kit and Geena Davis as Dottie) that would become legendary.
Girls and women still dress up as Rockford Peaches on Halloween.
Tom Hanksās indelible portrayal of coach Jimmy Dugan, Gary Marshallās depiction of (fictional) league owner Walter Harvey and Jon Lovitzās portrayal of Ernie have also become part of film history.
Filming āA League of Their Own,ā Carlson vividly makes clear, was a gargantuan effort. There were āactresses who canāt play baseballā and ābaseball players who canāt act,ā Penny Marshall said.
The stadium in Evansville, Ind., was rebuilt to look like it was in the 1940s āwhen the players and extras were in costume,ā Carlson writes, āit was easy to lose track of what year it was.ā
āNo Crying in Baseballā isnāt written for a queer audience. But, Carlson doesnāt pull any punches.
Many of the real-life AAGPBL players who OāDonnell met had same-sex partners, OāDonnell told Carlson.
āWhen Penny, angling for a broad box-office hit chose to ignore the AAGPGLās queer history,ā Carlson writes, āshe perpetuated a cycle of silence that muzzled athletes and actresses alike from coming out on the wider stage.ā
āIt was, as they say, a different time,ā she adds.
Fortunately, Carlsonās book isnāt preachy. Marshall nicknames OāDonnell and Madonna (who become buddies) āRoā and āMo.ā Kodak is so grateful for the one million feet of film that Marshall shot that it brings in a high school marching band. Along with a lobster lunch. One day, an assistant director āstreaked the set to lighten the mood,ā Carlson writes.
āNo Crying in Baseball,ā is slow-going at first. Marshall, who died in 2018, became famous as Laverne in āLaverne & Shirley.ā Itās interesting to read about her. But Carlson devotes so much time to Marshallās bio that you wonder when sheāll get to āA League of Their Own.ā
Thankfully, after a couple of innings, the intriguing story of one of the best movies ever is told.
Youāll turn the pages of āNo Crying in Baseballā even if you donāt know a center fielder from a short stop.
The Blade may receive commissions from qualifying purchases made via this post.
Theater
Rupert Murdochās powers on full display in āInkā
Media baron helped pave the way for Brexit, Prime Minister Thatcher

āInkā
Through Sept. 24
Round House Theatre
4545 East-West Highway, Bethesda, MD 20814
$46-$94
Roundhousetheatre.org
Yes, Rupert Murdochās loathsome traits are many, but his skills to succeed are undeniably numerous.Ā
In the first scenes of John Graham’s West End and Broadway hit drama āInk,ā an exciting year-long detail from the life of a burgeoning media baron, Murdoch’s powers of persuasion are on full display.
Itās 1969 London. Over dinner with editor Larry Lamb, a young Murdoch shares his plan to buy the Sun and rebrand the dying broadsheet, replacing the Daily Mirror as Britainās best-selling tabloid. Whatās more, he wants to do it in just one year with Lamb at the helm.
Initially reluctant, Lamb becomes seduced by the idea of running a paper, something thatās always eluded him throughout his career, and something Murdoch, the outsider Australian, understands. Murdoch taunts him, āNot you. Not Larry Lamb, the Yorkshire-born son of a blacksmith, not the guy who didnāt get a degree from Oxford or Cambridge, who didnāt get a degree from anywhere. Not you.ā
Still, Lamb, played convincingly by Cody Nickell in Round House Theatreās stellar season-opener, a co-production with Olney Theatre Center, remains unsure. But Murdoch (a delightfully brash Andrew Rein) is undeterred, and seals the deal with a generous salary.
Superbly staged by director Jason Loweth, āInkā is riveting. Its exchanges between Lamb and Murdoch are a strikingly intimate glimpse into ambition involving an ostensibly average editor and a striving money man who doesnāt like people.
Once on board, Lamb is trolling Fleet Street in search of his launch team, played marvelously by some mostly familiar actors. He makes his most important hire ā news editor Brian McConnell (Maboud Ebrahimzadeh) ā in a steam bath. The remainder of the Sunās new masthead falls handily into place: Joyce Hopkirk (Kate Eastwood Norris) the womenās page editor whose forward thinking is marred by her casual racism; Zion Jang plays Beverley Goodway, an awkwardly amusing young photographer; persnickety deputy editor Bernard Shrimsley (Michael Glenn) who learns to love ugly things; and an old school sports editor who proves surprisingly versatile, played by Ryan Rillette, Round Houseās artistic director.
At Lambās suggestion, the team brainstorms about what interests Sun readers. They decide on celebrities, pets, sports, free stuff, and ārather revolutionarily for the time āTV. Murdoch is happy to let readersā taste dictate content and the āWhyā of the sacred āfive Wsā of journalism is out the window.
Murdoch is portrayed as a not wholly unlikable misanthrope. He dislikes his editors and pressman alike. He particularly hates unions. His advice to Lamb is not to get too chummy with his subordinates. Regarding the competition, Murdoch doesnāt just want to outperform them, he wants to grind them to dust.
Loewith leads an inspired design team. Scenic designer Tony Cisekās imposing, inky grey edifice made from modular walls is ideally suited for Mike Tutajās projections of headlines, printed pages, and Reinās outsized face as Murdoch. Sound designer and composer Matthew M. Nielson ably supplies bar noises and the nonstop, pre-digital newspaper clatter of presses, linotypes, and typewriters.
From a convenient second tiered balcony, the Daily Mirrorās establishment power trio Hugh Cudlipp (Craig Wallace), Chris Lee Howard (Chris Geneback) and Sir Percy (Walter Riddle) overlook all that lies below, discussing new tactics and (mostly failed) strategies to remain on top.
Increasingly comfortable in the role of ruthless, sleazy editor, Lamb is unstoppable.
Obsessed with overtaking the Daily Mirrorās circulation, he opts for some sketchy reportage surrounding the kidnapping and presumed murder of Muriel McKay, the wife of Murdochās deputy Sir Alick (Todd Scofield). The kidnappers mistook Muriel for Murdochās then-wife Anna (Sophia Early). Next, in a move beyond the pale, Lamb introduces āPage 3,ā a feature spotlighting a topless female model. Awesta Zarif plays Stephanie, a smart young model. She asks Lamb if he would run a semi-nude pic of his similarly aged daughter? His reaction is uncomfortable but undaunted.
For Murdochās purposes, history proves he chose well in Lamb. By yearās end, the Sun is Britainās most widely read tabloid. Together they give the people what they didnāt know they wanted, proving the pro-Labour Daily Mirrorās hold on the working class is baseless and paving the way for things like Brexit and a Prime Minister Thatcher.
āInkā at Round House closes soon. See it if you can.
Out & About
CAMP Rehobothās final concert of the season is almost here
Chorus performs ‘Music of the Night’

CAMP Rehoboth Chorus will perform āMusic of the Nightā on Friday, Sept. 29 and Saturday, Sept. 30 at 7 p.m. and on Sunday, Oct. 1 at 3 p.m. at Epworth United Methodist Church.
The chorus will sing more than 36 song selections, including āFly Me to the Moon,ā āI Couldāve Danced All Nightā and āIn the Still of the Nite.ā
Tickets cost $25 and can be purchased on CAMP Rehobothās website.
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