Arts & Entertainment
LGBT ally Kacey Musgraves wins big at queer-dominated Grammys
Brandi Carlile, Lady Gaga also rack up wins

Country singer Kacey Musgraves won the coveted Album of the Year award for her album “Golden Hour” marking the end of a Grammys award show filled with plenty of queer women representation.
Musgraves, who also won Country Album of the Year, has emerged as an LGBTQ ally in the country music world. She has spoken up for more LGBTQ inclusion in country music and her song “Follow Your Arrow” was hailed as a pro-LGBTQ anthem. Musgraves also served as
Lesbian singer/songwriter Brandi Carlile won three awards during the pre-telecast including Best Americana Album for “By the Way, I Forgive You” and Best American Roots Song and Best American Roots Performance for “The Joke.” She received the most nominations of any woman this year and became the first LGBTQ person to win awards in those categories.
While accepting the award for Best American Roots Performance, she shared that she came out in high school at age 15. She says she never was invited to high school parties or dances.
“I never got to attend a dance. To be embraced by this enduring and loving community has been a dance of a lifetime,” Carlile said. “Thank you for being my island.”
Brandi Carlile just won 3 Grammys in a row, and if there was one for “Best Speech,” it might have been 4 pic.twitter.com/CBtXyX3lyl
— Dave Paulson (@ItsDavePaulson) February 10, 2019
Carlile also received a standing ovation for her vocal powerhouse performance of “The Joke” during the televised ceremony.
Other queer artists with impactful Grammys performances were Ricky Martin who performed with Camila Cabello, J Balvin, Arturo Sandoval and Young Thug for a Broadway musical-inspired Grammys opener to Cabello’s song “Havana.”
Miley Cyrus, who identifies as pansexual, dueted with Shawn Mendes on his song “In My Blood.” She later also teamed up with Katy Perry, Maren Morris, Musgraves and Little Big Town for a tribute to Dolly Parton.
Janelle Monáe performed her bisexual anthem “Make Me Feel” off her album “Dirty Computer,” mixed in with her feminist song “
She didn’t win for either category she was nominated for (Album of the Year and Best Music Video) but she did dedicate her nominations to her “trans brothers and sisters.” In an interview with Variety, the singer was asked about coming out as queer last year.
“People do it everyday,” she replied. “My trans brothers and sisters, they do it everyday. And they are shunned from these sorts of events. So this one is for them.”
Lady Gaga scored two wins (Best Pop Duo/Group Performance and Best Song Written For Visual Media) for her “A Star is Born” duet with Bradley Cooper, “Shallow,” which she also performed.
Dua Lipa and St. Vincent, who is sexually fluid, did a steamy joint performance of her song “
“Masseduction” + “R-E-S-P-E-C-T” +”One Kiss” = @st_vincent and @DUALIPA #GRAMMYs pic.twitter.com/HlLcUAjCcF
— Recording Academy / GRAMMYs (@RecordingAcad) February 11, 2019
History continued to be made with Cardi B becoming the first woman to win Best Rap Album and “This is America” by Childish Gambino winning Best Song. This is the first time a rap song has won in that category.
Jennifer Lopez also gave a dance-filled tribute to Motown while Diana Ross honored her own birthday, which is in March, with a performance. Michelle Obama, Lady Gaga, Jada Pinkett-Smith and Lopez also made appearances at the top of the show to help host Alicia Keys reflect on the importance of music.
Check out the complete list of winners below.
Album Of The Year — “Golden Hour”- Kacey Musgraves
Record Of The Year — “This Is America” – Childish Gambino
Best New Artist — Dua Lipa
Best Rap Album — “Invasion Of Privacy”- Cardi B
Best R&B Album Winner — “H.E.R.”- H.E.R.
Best Rap Song — “God’s Plan”- Drake
Best Country Album — “Golden Hour”- Kacey Musgraves
Song Of The Year — “This Is America”- Childish Gambino
Best Pop Duo/Group Performance — “Shallow” Lady Gaga & Bradley Cooper
Producer Of The Year, Non-Classical — Pharrell Williams
Best Rap/Sung Performance — “This Is America”-Childish Gambino
Best Rap Performance — “King’s Dead”- Kendrick Lamar, Jay Rock, Future & James Blake / Bubblin,
Best Rock Album — “From The Fires”-Greta Van Fleet
Best Rock Song — “Masseduction” – St. Vincent
Best Metal Performance — “Electric Messiah”- High On Fire
Best Rock Performance — “When Bad Does Good”- Chris Cornell
Best Urban Contemporary Album — “Everything Is Love”- The Carters
Best R&B Song — “Boo’d Up”- Ella Mai
Best Traditional R&B Performance — “Bet Ain’t Worth The Hand”- Leon Bridges / “How Deep Is Your Love”-Pj Morton Featuring Yebba
Best R&B Performance — “Best Part”- H.E.R. Featuring Daniel Caesar
Best Latin Jazz Album — “Back To The Sunset”- Dafnis Prieto Big Band
Best Large Jazz Ensemble Album — “American Dreamers: Voices Of Hope, Music Of Freedom”- John Daversa Big Band Featuring Daca Artists
Best Jazz Instrumental Album — “Emanon”- The Wayne Shorter Quartet
Best Jazz Vocal Album — “The Window”- Cécile Mclorin Salvant
Best Improvised Jazz Solo — “Don’t Fence Me In”- John Daversa
Best Reggae Album — “44/876”- Sting & Shaggy
Best Dance/Electronic Album — “Woman Worldwide”- Justice
Best Dance Recording — “Electricity”- Silk City & Dua Lipa Featuring Diplo & Mark Ronson
Best Contemporary Classical Composition — “Kernis: Violin Concerto”- James Ehnes, Ludovic Morlot & Seattle Symphony
Best Classical Compendium — “Fuchs: Piano Concerto ‘Spiritualist’”; Poems Of Life; Glacier; Rush”- Joann Falletta
Best Classical Solo Vocal Album —” Songs Of Orpheus”-Monteverdi, Caccini, D’india & Landi, Karim Sulayman
Best Classical Instrumental Solo — “Kernis: Violin Concerto”- James Ehnes
Best Chamber Music/Small Ensemble Performance — “Anderson”- Laurie: Landfall, Laurie Anderson & Kronos Quartet
Best Choral Performance — “Mcloskey: Zealot Canticles”- Donald Nally
Best Opera Recording — “Bates: The (R)Evolution Of Steve Jobs”-Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edward Parks & Jessica E. Jones
Best Orchestral Performance — “Shostakovich: Symphonies Nos. 4 & 11”- Andris Nelsons
Producer Of The Year, Classical — Blanton Alspaugh
Best Engineered Album, Classical — “Shostakovich: Symphonies Nos. 4 & 11”- Andris Nelsons & Boston Symphony Orchestra
Best Pop Vocal Album — “Sweetener”- Ariana Grande
Best Traditional Pop Vocal Album — “My Way” -Willie Nelson
Best Pop Solo Performance — “Joanne (Where Do You Think You’re Goin’?)”- Lady Gaga
Best Country Song — “Space Cowboy” – Kacey Musgraves
Best Country Duo/Group Performance — “Tequila”- Dan + Shay
Best Country Solo Performance — “Butterflies”- Kacey Musgraves
Best Music Film — “Quincy”- Quincy Jones
Best Music Video — “This Is America”-Childish Gambino
Best Regional Roots Music Album — “No ‘Ane’I”- Kalani Pe’a
Best Tropical Latin Album — “Anniversary”- Spanish Harlem Orchestra
Best Regional Mexican Music Album (Including Tejano) — “¡México Por Siempre!”- Luis Miguel
Best Latin Rock, Urban Or Alternative Album — “Aztlán”- Zoé
Best Latin Pop Album — “Sincera”- Claudia Brant
Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling) — “Faith – A Journey For All”- Jimmy Carter
Best Children’s Album — “All The Sounds”- Lucy Kalantari & The Jazz Cats
Best Folk Album — “All Ashore”- Punch Brothers
Best Contemporary Blues Album —” Please Don’t Be Dead”- Fantastic Negrito
Best Traditional Blues Album — “The Blues Is Alive And Well”- Buddy Guy
Best Bluegrass Album —”The Travelin’ Mccourys”- The Travelin’ Mccourys
Best Americana Album — “By The Way, I Forgive You”- Brandi Carlile
Best American Roots Song — “The Joke”- Brandi Carlile
Best American Roots Performance — “The Joke”- Brandi Carlile
Best New Age Album — “Opium Moon”- Opium Moon
Best Song Written For Visual Media — “Shallow”- Lady Gaga & Bradley Cooper
Best Score Soundtrack For Visual Media — “Black Panther”- Ludwig Göransson
Best Compilation Soundtrack For Visual Media — “The Greatest Showman”- Hugh Jackman (& Various Artists)
Best World Music Album — “Freedom”- Soweto Gospel Choir
Best Roots Gospel Album — “Unexpected”- Jason Crabb
Best Contemporary Christian Music Album — “Look Up Child”- Lauren Daigle
Best Gospel Album — “Hiding Place”-Tori Kelly
Best Contemporary Christian Music Performance/Song — “You Say” -Lauren Daigle
Best Gospel Performance/Song — “Never Alone”- Tori Kelly Featuring Kirk Franklin
Best Contemporary Instrumental Album — “Steve Gadd Band”- Steve Gadd Band
Best Immersive Audio Album —” Eye In The Sky – 35th Anniversary Edition”- The Alan Parsons Project
Best Remixed Recording — “Walking Away (Mura Masa Remix)”- Haim
Best Engineered Album, Non-Classical — “Colors”- Beck
Best Historical Album — “Voices Of Mississippi: Artists And Musicians Documented By William Ferris”
Best Album Notes —” Voices Of Mississippi: Artists And Musicians Documented By William Ferris”
Best Boxed Or Special Limited Edition Package — “Squeeze Box: The Complete Works Of ‘Weird Al’ Yankovic” Weird Al Yankovic
Best Recording Package — “Masseduction”- St. Vincent
Best Arrangement, Instruments And Vocals — “Spiderman Theme”- Randy Waldman Featuring Take 6 & Chris Potter
Best Arrangement, Instrumental Or A Cappella — “Stars And Stripes Forever”- John Daversa Big Band Featuring Daca Artists
Best Instrumental Composition — “Blut Und Boden (Blood And Soil)”- Terence Blanchard
Best Alternative Music Album — “Colors”- Beck
Best Musical Theater Album — “The Band’s Visit”- Original Broadway Cast
Best Comedy Album — “Equanimity & The Bird Revelation”- Dave Chappelle
Theater
Rorschach stages ‘Dragon Play’ in unlikely, raw space
Out sound designer Madeline ‘Mo’ Oslejsek notes ‘sound is my bag’
‘Dragon Play’
Through May 17
Rorschach Theatre
The Stacks @ Buzzard Point
101 V St., S.W.
$50 ($35 for students and seniors)
Rorschachtheatre.org
Celebrated for its site-specific, immersive productions, Rorschach Theatre puts on plays all over town. The unlikely spots have included greenhouses, church vestibules, closed retail spaces (including a vacant downtown big and tall men’s store) and historic locales like Rock Creek Cemetery’s Adams Memorial.
For its current offering “Dragon Play” (through May 17), a tale of love and longing, Rorschach is using a raw space in The Stacks at Buzzard Point, a new mixed-use neighborhood situated where the Anacostia and Potomac rivers meet.
Out sound designer Madeline ‘Mo’ Oslejsek considers all sites – whether traditional theatrical spaces or not – specific, particularly in terms of sound. She says, “Part of my practice is if you’re creating a soundscape for a theatrical production you’re also working with sound that already exists with the space.”
For instance, The Stacks space comes with its own unique qualities. It’s a large cement room that has a different reverberation, an echo.
“Some sounds (a car, dog bark) are planted or they might just happen. What starts as a live sound might be heard again as something recorded.”
Whip smart with a ready laugh, Oslejsek never set out to be a sound designer. She was going to direct. And now, the 2025 Helen Hayes Award nominee for Outstanding Sound Design (“Astro Boy and the God of Comics” at Flying V,) says, “Sound is my bag. Sometimes it seems that I’m the only one in the room thinking about it.”
As an undergrad studying theater at Ohio Wesleyan University, she was first exposed to sound design, but it didn’t make a big impression.
In grad school at Royal Central School of Speech and Drama, University of London, she was interested in direction. But when students were offered a choice of three more specific tracks to choose from (performance, composition, and scenography, which includes sound design), Oslejsek was swayed.
“An introduction to scenography by the department head radically changed the course of my life,” she says.
What struck her most about sound was the subjectivity: “The core of my practice is that sound has no meaning until it’s experienced. All sound is noise. It’s just a pitch, active, or vocalization. It becomes real when you hear it and apply meaning to it. That’s very exciting to me.”
Today, Oslejsek and partner Caitlin Hooper, an actor and intimacy choreographer, are based in Baltimore but work primarily in D.C.
“It feels good to be in a place where art and queerness in art are celebrated. It’s not like that everywhere, and making that kind of work down the street from this White House where that’s not the vibe, is real resistance. That feels really meaningful.”
Also important to Oslejsek (who identifies alternately as queer and lesbian) is “queer as a practice,” a concept suggesting that a queer identity or practice does not seek to replace other identities but to encompass and bridge them.
“I’m queer because I like women, but the work is more about making room for what everyone in the room hears,” she says. “Never do I want to come into a space thinking I have all the answers. That’s no fun.”
As its title might suggest, Jenny Connell Davis’ play directed by Rorschach’s Randy Baker is filled with magic. “Dragon Play,” blurs the past and present; one world bleeds into the next; and, of course, there are dragons. At 80 minutes with no intermission, the play moves in and out of different timelines; increasingly things start to overlap.
And it’s also about the magic of relationships – all kinds. There’s a line where the dragon girl asks a Texas boy what he dreams about and he replies “you, always you.”
Oslejsek, 30, is touched by those words: “In my little gay heart, I cried. It makes me think of my partner. This play is about the idea of people who strike a match in your heart that never really goes away.”
In creating a layered soundscape, she brings her own brand of magic to the production. Her big goal was “not to play with how we think a dragon might sound, but rather with how does the world sound to a dragon.”
Sometimes sound design takes the lead, but in some productions, sound is purposely subtle or secondary, she says. Either way, sound can be monumental in shaping theater.
Friday, April 17
Center Aging Monthly Luncheon With Yoga will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Social in the City” at 7 p.m. at Hotel Zena. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans and Genderqueer Game Night will be at 7:00p.m. at the DC Center for the LGBT Community. This is a relaxing, laid-back evening of games and fun. All are welcome and there’ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Center’s website.
Saturday, April 18
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Sunday, April 19
Go Gay DC will host “LGBTQ+ Community Lunch” at 11 a.m. at Federico Ristorante Italiano. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Monday, April 20
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, April 21
Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.
Senior Self Defense Class with Avi Rome will be at 12:30 p.m. This inclusive and beginner-friendly class, led by Instructor Avi Rome, offers a light warm-up, stretching, and instruction in basic techniques, patterns, and striking padded targets. Each session is designed to be adaptable for all ability and mobility levels, creating a welcoming space for everyone to build strength, confidence, and community through martial arts. For more details, visit the DC Center’s website.
Wednesday, April 22
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Asexual and Aromantic Group will meet at 7 p.m. on Zoom. This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected].
Thursday, April 23
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
Out & About
Team DC’s annual gala set for this weekend
LGBTQ sports organization to hold annual ‘Night of Champions’
Team DC will host “Night of Champions Gala” on Saturday, April 18 at 6 p.m. at the Georgetown Marriott.
This will be an evening of celebration and inspiration as Team DC honors remarkable individuals and supports the next generation of LGBTQ student-athletes.
There will be opportunities to support Team DC through auctions. The Silent Auction items will offer an array of unique goods and experiences. Additionally, Team DC will feature an exclusive selection of live auction items for those looking to make a significant impact.
This year, Team DC will recognize six outstanding awardees who have made significant contributions to the LGBTQ community and sports:
- Trailblazer Award – Adam Peck, District Wrestling
- Most Valuable Person Award – Sean Bartel (posthumously)
- Champion Award – Dan Martin
- Clark Ray Horizon Award – Manuel Montelongo, aka Mari Con Carne
- Bernard Jude Delia Award – Dr. Sara Varghai
- Platinum All Star Award – Centaur Motorcycle Club
To purchase tickets, visit Team DC’s website.
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