Arts & Entertainment
LGBT ally Kacey Musgraves wins big at queer-dominated Grammys
Brandi Carlile, Lady Gaga also rack up wins

Country singer Kacey Musgraves won the coveted Album of the Year award for her album “Golden Hour” marking the end of a Grammys award show filled with plenty of queer women representation.
Musgraves, who also won Country Album of the Year, has emerged as an LGBTQ ally in the country music world. She has spoken up for more LGBTQ inclusion in country music and her song “Follow Your Arrow” was hailed as a pro-LGBTQ anthem. Musgraves also served as
Lesbian singer/songwriter Brandi Carlile won three awards during the pre-telecast including Best Americana Album for “By the Way, I Forgive You” and Best American Roots Song and Best American Roots Performance for “The Joke.” She received the most nominations of any woman this year and became the first LGBTQ person to win awards in those categories.
While accepting the award for Best American Roots Performance, she shared that she came out in high school at age 15. She says she never was invited to high school parties or dances.
“I never got to attend a dance. To be embraced by this enduring and loving community has been a dance of a lifetime,” Carlile said. “Thank you for being my island.”
Brandi Carlile just won 3 Grammys in a row, and if there was one for “Best Speech,” it might have been 4 pic.twitter.com/CBtXyX3lyl
— Dave Paulson (@ItsDavePaulson) February 10, 2019
Carlile also received a standing ovation for her vocal powerhouse performance of “The Joke” during the televised ceremony.
Other queer artists with impactful Grammys performances were Ricky Martin who performed with Camila Cabello, J Balvin, Arturo Sandoval and Young Thug for a Broadway musical-inspired Grammys opener to Cabello’s song “Havana.”
Miley Cyrus, who identifies as pansexual, dueted with Shawn Mendes on his song “In My Blood.” She later also teamed up with Katy Perry, Maren Morris, Musgraves and Little Big Town for a tribute to Dolly Parton.
Janelle Monáe performed her bisexual anthem “Make Me Feel” off her album “Dirty Computer,” mixed in with her feminist song “
She didn’t win for either category she was nominated for (Album of the Year and Best Music Video) but she did dedicate her nominations to her “trans brothers and sisters.” In an interview with Variety, the singer was asked about coming out as queer last year.
“People do it everyday,” she replied. “My trans brothers and sisters, they do it everyday. And they are shunned from these sorts of events. So this one is for them.”
Lady Gaga scored two wins (Best Pop Duo/Group Performance and Best Song Written For Visual Media) for her “A Star is Born” duet with Bradley Cooper, “Shallow,” which she also performed.
Dua Lipa and St. Vincent, who is sexually fluid, did a steamy joint performance of her song “
“Masseduction” + “R-E-S-P-E-C-T” +”One Kiss” = @st_vincent and @DUALIPA #GRAMMYs pic.twitter.com/HlLcUAjCcF
— Recording Academy / GRAMMYs (@RecordingAcad) February 11, 2019
History continued to be made with Cardi B becoming the first woman to win Best Rap Album and “This is America” by Childish Gambino winning Best Song. This is the first time a rap song has won in that category.
Jennifer Lopez also gave a dance-filled tribute to Motown while Diana Ross honored her own birthday, which is in March, with a performance. Michelle Obama, Lady Gaga, Jada Pinkett-Smith and Lopez also made appearances at the top of the show to help host Alicia Keys reflect on the importance of music.
Check out the complete list of winners below.
Album Of The Year — “Golden Hour”- Kacey Musgraves
Record Of The Year — “This Is America” – Childish Gambino
Best New Artist — Dua Lipa
Best Rap Album — “Invasion Of Privacy”- Cardi B
Best R&B Album Winner — “H.E.R.”- H.E.R.
Best Rap Song — “God’s Plan”- Drake
Best Country Album — “Golden Hour”- Kacey Musgraves
Song Of The Year — “This Is America”- Childish Gambino
Best Pop Duo/Group Performance — “Shallow” Lady Gaga & Bradley Cooper
Producer Of The Year, Non-Classical — Pharrell Williams
Best Rap/Sung Performance — “This Is America”-Childish Gambino
Best Rap Performance — “King’s Dead”- Kendrick Lamar, Jay Rock, Future & James Blake / Bubblin,
Best Rock Album — “From The Fires”-Greta Van Fleet
Best Rock Song — “Masseduction” – St. Vincent
Best Metal Performance — “Electric Messiah”- High On Fire
Best Rock Performance — “When Bad Does Good”- Chris Cornell
Best Urban Contemporary Album — “Everything Is Love”- The Carters
Best R&B Song — “Boo’d Up”- Ella Mai
Best Traditional R&B Performance — “Bet Ain’t Worth The Hand”- Leon Bridges / “How Deep Is Your Love”-Pj Morton Featuring Yebba
Best R&B Performance — “Best Part”- H.E.R. Featuring Daniel Caesar
Best Latin Jazz Album — “Back To The Sunset”- Dafnis Prieto Big Band
Best Large Jazz Ensemble Album — “American Dreamers: Voices Of Hope, Music Of Freedom”- John Daversa Big Band Featuring Daca Artists
Best Jazz Instrumental Album — “Emanon”- The Wayne Shorter Quartet
Best Jazz Vocal Album — “The Window”- Cécile Mclorin Salvant
Best Improvised Jazz Solo — “Don’t Fence Me In”- John Daversa
Best Reggae Album — “44/876”- Sting & Shaggy
Best Dance/Electronic Album — “Woman Worldwide”- Justice
Best Dance Recording — “Electricity”- Silk City & Dua Lipa Featuring Diplo & Mark Ronson
Best Contemporary Classical Composition — “Kernis: Violin Concerto”- James Ehnes, Ludovic Morlot & Seattle Symphony
Best Classical Compendium — “Fuchs: Piano Concerto ‘Spiritualist’”; Poems Of Life; Glacier; Rush”- Joann Falletta
Best Classical Solo Vocal Album —” Songs Of Orpheus”-Monteverdi, Caccini, D’india & Landi, Karim Sulayman
Best Classical Instrumental Solo — “Kernis: Violin Concerto”- James Ehnes
Best Chamber Music/Small Ensemble Performance — “Anderson”- Laurie: Landfall, Laurie Anderson & Kronos Quartet
Best Choral Performance — “Mcloskey: Zealot Canticles”- Donald Nally
Best Opera Recording — “Bates: The (R)Evolution Of Steve Jobs”-Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edward Parks & Jessica E. Jones
Best Orchestral Performance — “Shostakovich: Symphonies Nos. 4 & 11”- Andris Nelsons
Producer Of The Year, Classical — Blanton Alspaugh
Best Engineered Album, Classical — “Shostakovich: Symphonies Nos. 4 & 11”- Andris Nelsons & Boston Symphony Orchestra
Best Pop Vocal Album — “Sweetener”- Ariana Grande
Best Traditional Pop Vocal Album — “My Way” -Willie Nelson
Best Pop Solo Performance — “Joanne (Where Do You Think You’re Goin’?)”- Lady Gaga
Best Country Song — “Space Cowboy” – Kacey Musgraves
Best Country Duo/Group Performance — “Tequila”- Dan + Shay
Best Country Solo Performance — “Butterflies”- Kacey Musgraves
Best Music Film — “Quincy”- Quincy Jones
Best Music Video — “This Is America”-Childish Gambino
Best Regional Roots Music Album — “No ‘Ane’I”- Kalani Pe’a
Best Tropical Latin Album — “Anniversary”- Spanish Harlem Orchestra
Best Regional Mexican Music Album (Including Tejano) — “¡México Por Siempre!”- Luis Miguel
Best Latin Rock, Urban Or Alternative Album — “Aztlán”- Zoé
Best Latin Pop Album — “Sincera”- Claudia Brant
Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling) — “Faith – A Journey For All”- Jimmy Carter
Best Children’s Album — “All The Sounds”- Lucy Kalantari & The Jazz Cats
Best Folk Album — “All Ashore”- Punch Brothers
Best Contemporary Blues Album —” Please Don’t Be Dead”- Fantastic Negrito
Best Traditional Blues Album — “The Blues Is Alive And Well”- Buddy Guy
Best Bluegrass Album —”The Travelin’ Mccourys”- The Travelin’ Mccourys
Best Americana Album — “By The Way, I Forgive You”- Brandi Carlile
Best American Roots Song — “The Joke”- Brandi Carlile
Best American Roots Performance — “The Joke”- Brandi Carlile
Best New Age Album — “Opium Moon”- Opium Moon
Best Song Written For Visual Media — “Shallow”- Lady Gaga & Bradley Cooper
Best Score Soundtrack For Visual Media — “Black Panther”- Ludwig Göransson
Best Compilation Soundtrack For Visual Media — “The Greatest Showman”- Hugh Jackman (& Various Artists)
Best World Music Album — “Freedom”- Soweto Gospel Choir
Best Roots Gospel Album — “Unexpected”- Jason Crabb
Best Contemporary Christian Music Album — “Look Up Child”- Lauren Daigle
Best Gospel Album — “Hiding Place”-Tori Kelly
Best Contemporary Christian Music Performance/Song — “You Say” -Lauren Daigle
Best Gospel Performance/Song — “Never Alone”- Tori Kelly Featuring Kirk Franklin
Best Contemporary Instrumental Album — “Steve Gadd Band”- Steve Gadd Band
Best Immersive Audio Album —” Eye In The Sky – 35th Anniversary Edition”- The Alan Parsons Project
Best Remixed Recording — “Walking Away (Mura Masa Remix)”- Haim
Best Engineered Album, Non-Classical — “Colors”- Beck
Best Historical Album — “Voices Of Mississippi: Artists And Musicians Documented By William Ferris”
Best Album Notes —” Voices Of Mississippi: Artists And Musicians Documented By William Ferris”
Best Boxed Or Special Limited Edition Package — “Squeeze Box: The Complete Works Of ‘Weird Al’ Yankovic” Weird Al Yankovic
Best Recording Package — “Masseduction”- St. Vincent
Best Arrangement, Instruments And Vocals — “Spiderman Theme”- Randy Waldman Featuring Take 6 & Chris Potter
Best Arrangement, Instrumental Or A Cappella — “Stars And Stripes Forever”- John Daversa Big Band Featuring Daca Artists
Best Instrumental Composition — “Blut Und Boden (Blood And Soil)”- Terence Blanchard
Best Alternative Music Album — “Colors”- Beck
Best Musical Theater Album — “The Band’s Visit”- Original Broadway Cast
Best Comedy Album — “Equanimity & The Bird Revelation”- Dave Chappelle
Television
‘The Pitt’ stars discuss what season two gets right about queer representation
Noah Wyle and Taylor Dearden spoke with Blade in LA
As season two of “The Pitt” comes to a close this Thursday, stars Noah Wyle and Taylor Dearden are looking back on what this season got right about queer representation.
“There is some intentionality behind it, but it’s not necessarily for the representation to be anything other than human or ubiquitous to anyone that would come into an emergency room,” Noah Wyle, who plays Dr. Robby, told the Los Angeles Blade at PaleyFest event in Los Angeles on April 12. “I know that we’ve done some storylines with some gay couples, and we did a storyline in season 1 where a woman comes in who’s cut her arm, who’s trans. But in both of those storylines, that wasn’t the point.”
Wyle continues, “In doing it that way, and not making a point of orientation being part of the problem that brings you to the emergency room, we have been told in feedback that that has been extremely revolutionary, almost, and extremely appreciated. But that’s true whether we do storylines with any kind of minority or a person with a disability. We try to have a cosmology of cast and representation on the show that’s indicative of what you find in Pittsburgh.”
Dearden, who plays Dr. Mel King, echoed Wyle’s sentiment: “I think constantly battling tropes is always important. It’s not a show about romance; it’s a show about real life and a shift in the ER. The more we represent everyday people going through everyday life, they just happen to be queer, they just happen to be trans, and making it not the plot, is putting everyone on equal playing [field]. You don’t have to have a big coming out scene.”
Queer representation on “The Pitt” is also notable through the actual actors themselves, including openly queer actor Supriya Ganesh, who plays Dr. Samira Mohan (who didn’t attend PaleyFest after the news that she is not returning for season three), and Amielynn Abellera, who plays Perlah Alawi.
“Doctors don’t put value judgments on who they treat,” Wyle concludes. “That’s not a luxury extended to them, and so that’s not part of our storytelling.”
The season two finale will air Thursday, April 16, on HBO Max, while season three has already been confirmed and is currently being written.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
