Arts & Entertainment
2019 DC Brau & Washington Blade Pride Can Design Contest Finalist Voting
DC Brau Brewing Company and The Washington Blade are excited to announce the Top 3 designs for a special can of Brau Pils to be released during this summer’s Pride celebration. This year’s release is extra special as the LGBT community celebrates 50 years since Stonewall, as well as the golden anniversary of The Washington Blade, the nation’s oldest LGBT newspaper.
Voting on the Top 3 designs will be open to the public through March 7, 2019. Approximately 1,200 cases of Brau Pils will be re-packaged as PRIDE PILS for distribution during PRIDE 2019 this June in Washington, D.C.
Finalist #1: Maggie Dougherty

This design is about celebrating 50 years of incredible progress, while acknowledging the inequality that still exists and recognizing the need to address it. When I was reading about Stonewall to get inspiration for this project, I learned about Marsha P. Johnson. Not only was Marsha beautiful and striking, but she was a badass. When people asked her gender, she would reply flippantly, “Pay it no mind.” She was a leader during Stonewall and worked with the Gay Liberation Front to improve conditions for LGBTQ citizens by ending homophobic legislation. She started Street Transvestite (now Transgender) Action Revolutionaries (STAR) which is still active today and helps homeless LGBTQ youth. She was active during the early 1980s when AIDS was ravishing the gay community, protesting to increase accessibility to new HIV/AIDS medication for all. She did it all.
As an African American transwoman, sex worker and drag queen in the 60s, 70s, 80s and early 90s, Marsha faced incredible discrimination, marginalization, sexism, violence and barriers to employment and mental health. Marsha, unfortunately, died mysteriously in 1992. Originally ruled a suicide, Marsha case has recently been re-open. The actual cause of death is still unknown.
What struck me deeply as I thought about Marsha, was how transgender people still face many of the same challenges and barriers today. And – horrifically – the same violence. In 2018, 26 transgender people were killed by violence. In 2019, there’s already been one reported death. According to HRC, “…fatal violence disproportionately affects transgender women of color, and that the intersections of racism, sexism, homophobia and transphobia conspire to deprive them of employment, housing, healthcare and other necessities, barriers that make them vulnerable.”
This same sentence could have been written in Marsha’s time. It’s important to celebrate all that’s changed in the 50 years since Stonewall, but it’s also important to recognize what hasn’t and reprioritize that as we go into the next 50 years.
Finalist #2: Sarah Muse

The design for this Pride Pils 50th Anniversary celebration can is inspired by images of bouquets of various flowers, flags and tokens left at the Stonewall Inn in NYC and the beautiful flowers that adorn the archway and gardens at Stonewall National Monument across the street. Visitors from all over the world travel to these special places to remember and to honor those that started the modern fight for LGBTQ rights. The neon letters of the name are representative of the neon sign that glows brightly in the window of the Stonewall Inn. I imagine anyone who holds this celebration can to be remembering and honoring what happened at Stonewall in the summer of 69, and also taking and active part in the pride celebrations that continue, 50 years later.
Finalist #3: Wenny Dong

The jewel-encrusted PRIDE beer can pays tribute to resilience and strength under pressure, irreverent glamor, and the power of crafting one’s identity. Inspired by drag queens, club kids, and artists, the DIY design plays on shapes, colors, and volume—transforming a muted 2-dimentional background with bedazzled movement and vibrancy. Each gem is unique. The forms flow into, envelop, and even run up against another; they celebrate the LGBTQ community’s diversity, complexity, and ongoing dialogue. An eye-catching display and conversation piece, it embraces big personalities and hearts, as well as creative possibilities in the everyday.
Theater
Studio’s ‘Mother Play’ draws from lesbian playwright’s past
A poignant memory piece laced with sadness and wry laughs
‘The Mother Play’
Through Jan. 4
Studio Theatre
1501 14th St., N.W.
$42 – $112
Studiotheatre.org
“The Mother Play” isn’t the first work by Pulitzer Prize-winning lesbian playwright Paula Vogel that draws from her past. It’s just the most recent.
Currently enjoying an extended run at Studio Theatre, “The Mother Play,” (also known as “The Mother Play: A Play in Five Evictions,” or more simply, “Mother Play”) is a 90-minute powerful and poignant memory piece laced with sadness and wry laughs.
The mother in question is Phyllis Herman (played exquisitely by Kate Eastwood Norris), a divorced government secretary bringing up two children under difficult circumstances. When we meet them it’s 1964 and the family is living in a depressing subterranean apartment adjacent to the building’s trash room.
Phyllis isn’t exactly cut out for single motherhood; an alcoholic chain-smoker with two gay offspring, Carl and Martha, both in their early teens, she seems beyond her depth.
In spite (or because of) the challenges, things are never dull in the Herman home. Phyllis is warring with landlords, drinking, or involved in some other domestic intrigue. At the same time, Carl is glued to books by authors like Jane Austen, and queer novelist Lytton Strachey, while Martha is charged with topping off mother’s drinks, not a mean feat.
Despite having an emotionally and physically withholding parent, adolescent Martha is finding her way. Fortunately, she has nurturing older brother Carl (the excellent Stanley Bahorek) who introduces her to queer classics like “The Well of Loneliness” by Radclyffe Hall, and encourages Martha to pursue lofty learning goals.
Zoe Mann’s Martha is just how you might imagine the young Vogel – bright, searching, and a tad awkward.
As the play moves through the decades, Martha becomes an increasingly confident young lesbian before sliding comfortably into early middle age. Over time, her attitude toward her mother becomes more sympathetic. It’s a convincing and pleasing performance.
Phyllis is big on appearances, mainly her own. She has good taste and a sharp eye for thrift store and Goodwill finds including Chanel or a Von Furstenberg wrap dress (which looks smashing on Eastwood Norris, by the way), crowned with the blonde wig of the moment.
Time and place figure heavily into Vogel’s play. The setting is specific: “A series of apartments in Prince George’s and Montgomery County from 1964 to the 21st century, from subbasement custodial units that would now be Section 8 housing to 3-bedroom units.”
Krit Robinson’s cunning set allows for quick costume and prop changes as decades seamlessly move from one to the next. And if by magic, projection designer Shawn Boyle periodically covers the walls with scurrying roaches, a persistent problem for these renters.
Margot Bordelon directs with sensitivity and nuance. Her take on Vogel’s tragicomedy hits all the marks.
Near the play’s end, there’s a scene sometimes referred to as “The Phyllis Ballet.” Here, mother sits onstage silently in front of her dressing table mirror. She is removed of artifice and oozes a mixture of vulnerability but not without some strength. It’s longish for a wordless scene, but Bordelon has paced it perfectly.
When Martha arranges a night of family fun with mom and now out and proud brother at Lost and Found (the legendary D.C. gay disco), the plan backfires spectacularly. Not long after, Phyllis’ desire for outside approval resurfaces tenfold, evidenced by extreme discomfort when Carl, her favorite child, becomes visibly ill with HIV/AIDS symptoms.
Other semi-autobiographical plays from the DMV native’s oeuvre include “The Baltimore Waltz,” a darkly funny, yet moving piece written in memory of her brother (Carl Vogel), who died of AIDS in 1988. The playwright additionally wrote “How I Learned to Drive,” an acclaimed play heavily inspired by her own experiences with sexual abuse as a teenager.
“The Mother Play” made its debut on Broadway in 2024, featuring Jessica Lange in the eponymous role, earning her a Tony Award nomination.
Like other real-life matriarch inspired characters (Mary Tyrone, Amanda Wingfield, Violet Weston to name a few) Phyllis Herman seems poised to join that pantheon of complicated, women.
Bars & Parties
Mixtape Sapphics hosts holiday party on Dec. 13
‘Sugar & Spice’ night planned for Saturday
Mixtape Sapphics will host “Sapphic Sugar & Spice: A Naughty-Nice Mixtape Holiday Party” on Saturday, Dec. 13 at 4 p.m. at Amsterdam Lounge.
This is a festive, grown holiday party for queer women and sapphics 35 and older at Revolt’s Christmas pop-up. There will be music, joy, and an optional White Elephant.
This is Mixtape Sapphics’ first-ever holiday party — a cozy, flirty, intentionally grounded night created just for queer women and sapphics 35+ who want real connection, festive joy, and a warm place to land at the end of the year.
Tickets start at $13.26 and can be purchased on Eventbrite.
Friday, December 12
“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected].
Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at Freddie’s Beach Bar and Restaurant. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Women in Their Twenties and Thirties will be at 8 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, go to Facebook.
Saturday, December 13
Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. D.C.’s queer community will gather for good food, laughter, and community. For more information, email [email protected].
Sunday, December 14
SADBrunch will host “HokiSlay Drag Brunch” at 12 p.m. at Throw Social. This festive affair brings fierce performances, over-the-top holiday looks, and more sparkle than a tinsel explosion. Expect powerhouse lip-syncs, laughter, and cheer hotter than your spiked cocoa. Cake Pop will host the event. Tickets cost $28.52 and are available on Eventbrite.
Monday, December 15
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, December 16
Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather and discuss issues related to bisexuality or as Bi individuals in a private setting. Visit Facebook or Meetup for more information.
The DC Center for the LGBT Community will host “Self-Defense Class with Avi Rome” at 12:30 p.m. Rome is a proud member of the LGBTQ community and a full-time martial arts instructor with 25 years of teaching experience. He holds a Fifth Degree Black Belt in Jhoon Rhee Tae Kwon Do and is the director of the studio’s Adaptive Tae Kwon Do program for students with special needs. He has also run numerous self-defense workshops for various groups and situations. For more details, visit the center’s website.
Wednesday, December 17
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Asexual and Aromantic Group will be at 7 p.m. on Zoom. This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected].
Thursday, December 18
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
