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Newseum unveils ‘Rise Up’ Stonewall-themed exhibit

New installation features media and mementos covering AIDS, religion, pop culture and more

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Newseum, gay news, Washington Blade
(Photo courtesy of the Newseum)

‘Rise Up: Stonewall and the LGBTQ Rights Movement’

Newseum

555 Pennsylvania Ave., N.W.

Opens Friday, March 8

Through Dec. 31

Family Pride Weekend (March 9-10)

Free admission for two children (18 and younger) with the purchase of one adult ticket.

Saturday, March 9

Activities with mix107.3 street team

Program with Jimmy Alexander of “The Jack Diamond Morning Show” at 2:30 p.m. in Knight TV Studio

Monday, March 18 — A Conversation with Alan Cumming

Thursday, April 4 — Fourth annual Free Expression Awards with Katie Couric and the “Queer Eye” cast

Friday, June 28 — Newseum Nights Party

Full details at newseum.org

(Washington Blade photo by Michael Key)

The madras sport coat Jim Obergefell got married in, a red suit worn by U.S. Sen. Tammy Baldwin (D-Wis.), the sewing machine on which Gilbert Baker made the first rainbow flag — all that and much more are part of a new Newseum exhibit celebrating the 50th anniversary of Stonewall.

“Rise Up: Stonewall and the LGBTQ Rights Movement” opens Friday, March 8 at the Newseum (555 Pennsylvania Ave., N.W.) and runs through year’s end. 

The exhibit explores the modern gay rights movement in the United States marking the 50th anniversary of the June, 1969 police raid of the Stonewall Inn in New York’s Greenwich Village neighborhood. The protests following the raid are considered the catalyst that inspired the modern gay liberation movement. It’s loosely part of an overall Newseum series “From Selma to Stonewall” that explore significant civil rights movements. 

Patty Rhule, vice president of content and exhibit development at the Newseum, says the exhibit was a relatively easy one to conceive and execute. It’s been in the works for a year or year and a half, she says. 

Upon contacting potential contributors, Rhule says, “I think people were excited. There’s a lot of excitement around this anniversary … and people were excited that we were planning such a big exhibit on this topic. Everybody we reached out to seemed enthused about the idea.”

It opens with a section on LGBT portrayals in pop culture. Actors such as Jesse Tyler Ferguson (“Modern Family”), Cynthia Nixon (“Sex in the City”) and George Takei (“Star Trek”) appear in video installations talking about their experiences as LGBT actors.

Next is an extensive depiction through photos and text of what actually happened at Stonewall and how it was covered (barely) in mainstream media at the time. 

“I think it was the third day before the mainstream press even paid attention and then you see headlines … in The Daily News that use slurs,” Rhule says. 

She says Stonewall’s impact on igniting the modern LGBT rights movement can’t be overstated.

“From this moment on, it’s propelling forward a movement that gets more militant, more radical and more demanding,” says Rhule, who’s straight. “It’s about demanding more than just tolerance, but demanding acceptance.”

There’s also a pre-Stonewall section that depicts Harry Hay, The Mattachine Society and Daughters of Bilitis, early ‘60s gay and lesbian groups that formed and protested in pockets around the country but lacked tailwinds since almost nobody was out at the time. 

“Young people today don’t realize just how repressive it was back then,” Rhule says. “We have headlines from newspapers like the New York Times and Chicago Daily News with horrible headlines, using horrible language that no one would ever use today just to give you an idea of what society and the accepted societal attitudes were. It kind of immerses people in that time.”

Items from gay rights pioneer Frank Kameny (his typewriter), former U.S. Rep. Barney Frank (buttons and photos from his same-sex marriage), Harvey Milk (an envelope with bullet holes that was in his jacket when he was assassinated) and more are part of the exhibit as is a wealth of media including two copies of the Washington Blade (founded 1969), The Ladder (a national lesbian publication from 1956-1972), Frontiers (a now-closed Los Angeles gay magazine) and more. (The Blade is a sponsor of the exhibit.)

The Washington Blade is featured in the exhibit. (Washington Blade photo by Michael Key)

The AIDS crisis is up next with an AIDS quilt panel from a trans woman who died in 2016, ACT UP newsletters, mainstream coverage of the epidemic and more. 

(Washington Blade photo by Michael Key)

Anti-gay quotes from Billy Graham, Jerry Falwell and Anita Bryant are countered with images of Bishop Gene Robinson (the first openly gay man consecrated Bishop in the U.S.) to show how religion has evolved on LGBT issues. 

“Rise Up” closes with bringing the issues into the present, especially the ongoing battle for transgender rights. As you exit, a large panel features famous LGBT folks such as Janelle Monae, Caitlyn Jenner, Laverne Cox, Rachel Maddow, Anderson Cooper, Adam Rippon, Ellen DeGeneres and more. 

“We really need to get that Oscar dress in here,” Newseum PR Director Sonya Gavankar says referring to out actor Billy Porter’s gown/suit. “Wasn’t that fabulous?”

A team of about 15 worked on the exhibit along with a handful of contractors in various stages. Most are straight but some LGBT employees were part of the team and outside LGBT folks, such as the Blade’s veteran reporter Lou Chibbaro Jr. were consulted on everything from appropriate language to essential issues to cover and include.

“We knew we couldn’t have an all-straight perspective on this,” Maeve Scott, the Newseum’s director of collections and registrar, who worked on securing the items, says. “We came up with a whole glossary and asked a lot of people in the community how they feel about it to make sure we were using the right language.”

Scott says by seeking input from “a lot of people with diverse backgrounds” and “relying on our experts,” the exhibit was planned to be as unbiased as possible.

“It’s definitely something we keep in mind,” she says. 

Attempts were also made to make the display relevant to longtime activists as well as D.C. visitors who may know little or nothing about Stonewall and LGBT history.

“There are always three types of museum visitors,” Rhule says. “Swimmers, skimmers and divers, people who read every word,” she says. “We try to make things look really compelling, give different access points and ways for people to interact. … We have selfie stations, people can pose behind a mic or with a protest sign. There are always going to be different levels of interest and understanding. We’re trying to meet that in the middle.” 

Scott, also straight, hopes visitors will find “Rise Up” inspiring.

“A lot of these people were just everyday people who used their First Amendment rights to enact change,” she says. “If this group did this, other groups can as well and this is not the end of the story.”

(Washington Blade photo by Michael Key)
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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

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Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.” 

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

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Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free. 

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3. 

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game. 

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances. 

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace. 

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary. 

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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