Arts & Entertainment
Gloria Vanderbilt dies at 95
The socialite was known for tabloid scandal and fashion empire
Gloria Vanderbilt. (Photo via Wikimedia Commons)
Actress, fashion designer and socialite Gloria Vanderbilt died at her home on Monday after a battle with stomach cancer. She was 95.
Her son, CNN news anchor Anderson Cooper, confirmed the news to CNN.
“Gloria Vanderbilt was an extraordinary woman, who loved life, and lived it on her own terms,” Cooper said in a statement to CNN. “She was a painter, a writer, and designer but also a remarkable mother, wife, and friend. She was 95 years old, but ask anyone close to her, and they’d tell you, she was the youngest person they knew, the coolest, and most modern. She died this morning, the way she wanted to – at home, surrounded by family and friends.”
Vanderbilt was born on Feb. 20, 1924 as the only child to Reginald Claypoole Vanderbilt, the grandson of railroad tycoon Cornelius Vanderbilt, and Gloria Morgan Vanderbilt. When he was 45, Reginald died of cirrhosis of the liver leaving his 18-month-old daughter to be raised by her mother. Vanderbilt and her half-sister Cathleen Vanderbilt each inherited half of a $5 million inheritance.
Gloria Morgan was known to frivolously spend her daughter’s inheritance partying with her identical twin sister Thelma Morgan by her side. When Vanderbilt was 10 years old, her paternal aunt Gertrude Vanderbilt Whitney stepped in to fight for custody of her niece. What followed was dubbed “the Trial of the Century” and Vanderbilt became the country’s “poor little rich girl.” The custody battle was tabloid fodder for months in 1934.
Whitney won the court case and Vanderbilt was sent to live on her aunt’s Long Island, N.Y. estate. Gloria Morgan received limited visitation rights.
In 1982, an NBC mini-series, titled “Little Gloria… Happy at Last,” aired based on the famous trial. It was nominated for six Emmy Awards and a Golden Globe Award.
At age 17, Vanderbilt moved to Hollywood to pursue acting. She married agent and alleged mobster Pat DiCicco in 1941. The couple divorced in 1945.
The same year she married conductor Leopold Stokowski. The couple had two children, Leopold Stanislaus “Stan” Stokowski, 68, and Christopher Stokowski, 66. Vanderbilt and Stokowski divorced in 1955.
In 1956, she married director Sidney Lumet but the couple divorced in 1963.
Vanderbilt married author Wyatt Emory Cooper in 1963. They had two children, Anderson, 52, and Carter. The couple remained married until Cooper’s death in 1978 from open heart surgery. Tragedy struck again when Carter committed suicide at the age of 23.
In between marriages she also had relationships with author Roald Dahl, filmmakers Howard Hughs and Gordon Parks, singer Frank Sinatra and actor Marlon Brando.
Vanderbilt spearheaded the movement of turning tight jeans into a women’s fashion staple in the 1970s. She partnered with Indian designer Mohan Murjani’s Murjani Corporation to create jeans known for having her signature and swan logo embroidered on the back. She would go on to release a line of perfume and home goods with her name.
In 2001 she opened up her first art exhibit which was considered a critical success.
Vanderbilt was also a bestselling author for her 2016 book “The Rainbow Comes and Goes: A Mother and Son on Life, Loss and Love,” which she co-wrote with Anderson. She and Anderson also appeared together in the 2016 HBO documentary, “Nothing Left Unsaid: Gloria Vanderbilt and Anderson Cooper.”
Anderson paid tribute to his mother with a special obituary that aired on CNN.
Watch @AndersonCooper‘s obituary for his mother Gloria Vanderbilt. “What an extraordinary life. What an extraordinary mom. And what an incredible woman.” pic.twitter.com/YXz66LOr7W
— Brian Stelter (@brianstelter) June 17, 2019
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
I don’t see the point in a relationship
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Trans parent charged with kidnapping, allegedly fled to Cuba with child
Rehoboth Summer Kickoff Party set for May 15 with Ashley Biden
Curve magazine honors Washington Blade publisher
Inside the lonely world of MAGA gay men
Wagons ho! High-class, head-turning haulers
Rorschach stages ‘Dragon Play’ in unlikely, raw space
‘Big Mistakes’ an uneven – but worthy – comedic showcase
