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Gloria Vanderbilt dies at 95

The socialite was known for tabloid scandal and fashion empire

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Gloria Vanderbilt. (Photo via Wikimedia Commons)

Actress, fashion designer and socialite Gloria Vanderbilt died at her home on Monday after a battle with stomach cancer. She was 95.

Her son, CNN news anchor Anderson Cooper, confirmed the news to CNN.

“Gloria Vanderbilt was an extraordinary woman, who loved life, and lived it on her own terms,” Cooper said in a statement to CNN. “She was a painter, a writer, and designer but also a remarkable mother, wife, and friend. She was 95 years old, but ask anyone close to her, and they’d tell you, she was the youngest person they knew, the coolest, and most modern. She died this morning, the way she wanted to – at home, surrounded by family and friends.”

Vanderbilt was born on Feb. 20, 1924 as the only child to Reginald Claypoole Vanderbilt, the grandson of railroad tycoon Cornelius Vanderbilt, and Gloria Morgan Vanderbilt. When he was 45, Reginald died of cirrhosis of the liver leaving his 18-month-old daughter to be raised by her mother. Vanderbilt and her half-sister Cathleen Vanderbilt each inherited half of a $5 million inheritance.

Gloria Morgan was known to frivolously spend her daughter’s inheritance partying with her identical twin sister Thelma Morgan by her side. When Vanderbilt was 10 years old, her paternal aunt Gertrude Vanderbilt Whitney stepped in to fight for custody of her niece. What followed was dubbed “the Trial of the Century” and Vanderbilt became the country’s “poor little rich girl.” The custody battle was tabloid fodder for months in 1934.

Whitney won the court case and Vanderbilt was sent to live on her aunt’s Long Island, N.Y. estate. Gloria Morgan received limited visitation rights.

In 1982, an NBC mini-series, titled “Little Gloria… Happy at Last,” aired based on the famous trial. It was nominated for six Emmy Awards and a Golden Globe Award.

At age 17, Vanderbilt moved to Hollywood to pursue acting. She married agent and alleged mobster Pat DiCicco in 1941. The couple divorced in 1945.

The same year she married conductor Leopold Stokowski. The couple had two children, Leopold Stanislaus “Stan” Stokowski, 68, and Christopher Stokowski, 66. Vanderbilt and Stokowski divorced in 1955.

In 1956, she married director Sidney Lumet but the couple divorced in 1963.

Vanderbilt married author Wyatt Emory Cooper in 1963. They had two children, Anderson, 52, and Carter. The couple remained married until Cooper’s death in 1978 from open heart surgery. Tragedy struck again when Carter committed suicide at the age of 23.

In between marriages she also had relationships with author Roald Dahl, filmmakers Howard Hughs and Gordon Parks, singer Frank Sinatra and actor Marlon Brando.

Vanderbilt spearheaded the movement of turning tight jeans into a women’s fashion staple in the 1970s. She partnered with Indian designer Mohan Murjani’s Murjani Corporation to create jeans known for having her signature and swan logo embroidered on the back. She would go on to release a line of perfume and home goods with her name.

In 2001 she opened up her first art exhibit which was considered a critical success.

Vanderbilt was also a bestselling author for her 2016 book “The Rainbow Comes and Goes: A Mother and Son on Life, Loss and Love,” which she co-wrote with Anderson. She and Anderson also appeared together in the 2016 HBO documentary, “Nothing Left Unsaid: Gloria Vanderbilt and Anderson Cooper.”

Anderson paid tribute to his mother with a special obituary that aired on CNN.

 

View this post on Instagram

 

Just came across this photo with @andersoncooper and Carter. It was probably taken around 1979. It seems like yesterday.

A post shared by Gloria Vanderbilt (@gloriavanderbilt) on

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Photos

PHOTOS: Mr. Mid-Atlantic Leather 2026

Gage Ryder wins annual competition

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Gage Ryder, center, wins the title of Mr. Mid-Atlantic Leather 2026 in a competition at the Hyatt Regency Capitol Hill in Washington, D.C. on Sunday, Jan. 18. (Washington Blade photo by Michael Key)

The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.

(Washington Blade photo by Michael Key)

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Theater

Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions

Synetic production pulls audience into grips of doomed lovers’ passion

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Stella Bunch as Mardian and Irina Kavsadze as Cleopatra in Synetic Theatre's ‘Antony & Cleopatra.’ (Photo by Katerina Kato)

‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org

A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge. 

Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.  

As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.  

Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers. 

The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.

Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.

There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.

Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.

Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc. 

When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.

Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp. 

When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.

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Out & About

Love board games and looking for love?

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(Image by VLADGRIN/Bigstock)

Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC. 

Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?

Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment. 

At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.

Tickets cost $31.80 and can be purchased on Eventbrite

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