Arts & Entertainment
Gloria Vanderbilt dies at 95
The socialite was known for tabloid scandal and fashion empire
Gloria Vanderbilt. (Photo via Wikimedia Commons)
Actress, fashion designer and socialite Gloria Vanderbilt died at her home on Monday after a battle with stomach cancer. She was 95.
Her son, CNN news anchor Anderson Cooper, confirmed the news to CNN.
“Gloria Vanderbilt was an extraordinary woman, who loved life, and lived it on her own terms,” Cooper said in a statement to CNN. “She was a painter, a writer, and designer but also a remarkable mother, wife, and friend. She was 95 years old, but ask anyone close to her, and they’d tell you, she was the youngest person they knew, the coolest, and most modern. She died this morning, the way she wanted to – at home, surrounded by family and friends.”
Vanderbilt was born on Feb. 20, 1924 as the only child to Reginald Claypoole Vanderbilt, the grandson of railroad tycoon Cornelius Vanderbilt, and Gloria Morgan Vanderbilt. When he was 45, Reginald died of cirrhosis of the liver leaving his 18-month-old daughter to be raised by her mother. Vanderbilt and her half-sister Cathleen Vanderbilt each inherited half of a $5 million inheritance.
Gloria Morgan was known to frivolously spend her daughter’s inheritance partying with her identical twin sister Thelma Morgan by her side. When Vanderbilt was 10 years old, her paternal aunt Gertrude Vanderbilt Whitney stepped in to fight for custody of her niece. What followed was dubbed “the Trial of the Century” and Vanderbilt became the country’s “poor little rich girl.” The custody battle was tabloid fodder for months in 1934.
Whitney won the court case and Vanderbilt was sent to live on her aunt’s Long Island, N.Y. estate. Gloria Morgan received limited visitation rights.
In 1982, an NBC mini-series, titled “Little Gloria… Happy at Last,” aired based on the famous trial. It was nominated for six Emmy Awards and a Golden Globe Award.
At age 17, Vanderbilt moved to Hollywood to pursue acting. She married agent and alleged mobster Pat DiCicco in 1941. The couple divorced in 1945.
The same year she married conductor Leopold Stokowski. The couple had two children, Leopold Stanislaus “Stan” Stokowski, 68, and Christopher Stokowski, 66. Vanderbilt and Stokowski divorced in 1955.
In 1956, she married director Sidney Lumet but the couple divorced in 1963.
Vanderbilt married author Wyatt Emory Cooper in 1963. They had two children, Anderson, 52, and Carter. The couple remained married until Cooper’s death in 1978 from open heart surgery. Tragedy struck again when Carter committed suicide at the age of 23.
In between marriages she also had relationships with author Roald Dahl, filmmakers Howard Hughs and Gordon Parks, singer Frank Sinatra and actor Marlon Brando.
Vanderbilt spearheaded the movement of turning tight jeans into a women’s fashion staple in the 1970s. She partnered with Indian designer Mohan Murjani’s Murjani Corporation to create jeans known for having her signature and swan logo embroidered on the back. She would go on to release a line of perfume and home goods with her name.
In 2001 she opened up her first art exhibit which was considered a critical success.
Vanderbilt was also a bestselling author for her 2016 book “The Rainbow Comes and Goes: A Mother and Son on Life, Loss and Love,” which she co-wrote with Anderson. She and Anderson also appeared together in the 2016 HBO documentary, “Nothing Left Unsaid: Gloria Vanderbilt and Anderson Cooper.”
Anderson paid tribute to his mother with a special obituary that aired on CNN.
Watch @AndersonCooper‘s obituary for his mother Gloria Vanderbilt. “What an extraordinary life. What an extraordinary mom. And what an incredible woman.” pic.twitter.com/YXz66LOr7W
— Brian Stelter (@brianstelter) June 17, 2019
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino
‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.
(Washington Blade photos by Michael Key)
The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.
(Washington Blade photos by Michael Key)
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