Arts & Entertainment

Before Stonewall, newspapers complicit with police in gay bar raids

Published

7 years ago

June 25, 2019

gay bar raids, gay news, Washington Blade — ‘The Post never made a big deal out of it,’ said former Washington Post editor **Ben Bradlee** of covering arrests of gay men for public sex. (Photo by Miguel Ariel Contreras Drake-McLaughlin via Flickr)

Fifty years ago, members of the LGBT community tired of continuous police raids on gay bars were driven to riot in the streets of New York City after the latest incursion at the Stonewall Inn on the evening of June 26, 1969.

But police raids on gay bars in the days before the Stonewall riots went hand-in-hand with the subsequent reports in newspapers the next day outing individuals caught in the raids, which would have potentially blacklisted them for the remainder of their lives.

In terms of Washington news coverage, the authority on newspapers outing gay men caught in police raids is Edward Alwood, a former CNN correspondent and now adjunct lecturer at the Philip Merrill College of Journalism at University of Maryland, College Park.

Alwood wrote about the practice in his 1996 book “Straight News: Gays, Lesbians, and the News Media,” and spoke about it in an interview with the Washington Blade.

“Washington was very different from New York,” Alwood said, “in that so much of the gay community here was connected with the federal government, and for that reason…gay men were much more closeted here and much less likely to protest as they did in New York.”

That perspective within D.C.’s gay community started to change, Alwood said, when gay rights pioneer Frank Kameny was outed, lost his job in the federal government as an astronomer and formed the Mattachine Society. Nonetheless, Alwood said during that time there would be newspaper articles reporting on gay raids that named individuals who were caught.

Reading from his book, Alwood said the D.C. press after World War II made vague references to homosexuals in describing street crimes, “particularly police campaigns to clean up public parks, including Lafayette Park across from the White House.” (Lafayette Park had been a place where gay men would meet to have sex discreetly.)

The Washington Post in the 1940s, Alwood said, described how officers shuttled groups of men from the park to the city jail throughout one night in July 1947 as 41 were arrested in the park.

The Washington Star reported that the metropolitan police staged a raid just to see who the men were. Similarly, the Post celebrated a crackdown a year later, when a headline read, “One-Man Vice Squad Arrests Eight More.”

“The article lavished praise on a handsome undercover officer who was deemed the the city’s most successful weapon in combating vice,” Alwood said. “Neither newspaper explained why the police felt compelled to target law-abiding citizens because they were considered unwelcome in public parks.”

Alwood quoted Benjamin Bradlee, the Post editor during its Pentagon Papers and Watergate coverage in the 1970s, as dismissive of the coverage in reflections of the time when he started at the newspaper covering vice on the crime beat.

“The police sent these guys into men’s rooms where they sort of lollygag around to see if anybody would make a pass at them,” Alwood quoted Bradlee as saying. “They would make sure the press heard about it. The Post never made a big deal out of it. We had little one paragraph that had that no news value, of course, but that’s what it was.”

For lesbians, Alwood said, the situation was different. For starters, sodomy was an offense perceived as something only men could commit, he said, so homosexual acts weren’t considered against the law. There were no lesbian bars, he said, so women met instead at women’s homes.

“They had these social clubs, so that’s part of the difference that happened, which is why so many more men wound up having their names and their ages and their street addresses listed in the newspapers,” Alwood said.

Nonetheless, Alwood said there was coverage of lesbians. One piece in the Washington Times-Herald, drew on the Red Scare of a Russian threat during the Cold War for a sensational article.

Under the headline, “Reds entice women here in sex orgies,” the article described an alleged plot by Russian agents to entice women employees of the State Department into homosexuality,” Alwood said.

“Russian agents were waging a systematic campaign to bring women employees of the State Department under their control by enticing them into a life of lesbianism,” Alwood said. “As many as 65 or 70 persons attended a single one of these lavish get-togethers, according to a congressional committee. Many were garbed in rich Oriental costumes to help them get into the spirit of things.”

Such coverage isn’t found today in Washington-area newspapers, which have been accepting of the D.C. LGBT community and seek to capitalize on LGBT events, such as Capital Pride. The Post, however, didn’t respond to the Washington Blade’s request for comment on past coverage outing gay men and whether any formal decision was made to change it.

Alwood said he’s unaware of any one instance that indicated “any flipping of the switch, so to speak,” but said the arrest of Walter Jenkins, a close aide to former President Lyndon Johnson, in 1964 on “moral charges” at the YMCA was a turning point.

“I think it was a wake-up call for journalists in this city because now it wasn’t just anonymous low-ranking people in men’s rooms and parks getting arrested, it was a high-level front page story of a presidential aide,” Alwood said. “And I think as a result of that, I’m just guessing, more journalists, such as those at the Post, realized they knew gay people and they didn’t fit the stereotype.”

Also at that time, Alwood said, more and more D.C. gay groups were protesting police actions, which led to a re-examination of the strict laws.

One period that marked a change, Alwood said, was when Albert Finney became managing editor of the Post. During his tenure, Alwood said Finney assigned a reporter to write an in-depth series about gay people in D.C.

“The series was stunning for its time,” Alwood said. “It was in-depth, bold, insightful. Though its premise rested on old stereotypes and clinical language, like homosexual, it pushed the boundaries of ignorance and denial to a new level of openness.”

Up Next

Jake Shears says ‘Let’s Have a Kiki’ broke up the Scissor Sisters

Don't Miss

Brandon Flynn responds to rumors he’s dating Richard Madden

FUND LGBTQ JOURNALISM

Nightlife

In D.C. comedy, be sure to shop local

A thriving patchwork of queer-friendly stages in Washington, Baltimore

Published

17 hours ago

March 7, 2026

Jamie Mack

(Photo courtesy of Jamie Mack)

Most people know stand-up comedy from Netflix specials or late-night sets on Comedy Central. The reality is far different for local working comics like me. A few times a month, I might get paid $50 for a 10-minute set and my photo on a bar flyer to show off to the ladies in my scrapbooking club.

Still, it’s a joy sharing laughs about my well-worn Washington career arc — from conservative reporter to openly trans organic grocery store worker and nightclub comedian. Or, as I like to say onstage, from Fox to foxy.

Stand-up is hard. Offstage, it’s even harder. It took more than a year and nearly 80 open mics to land my first paid set. Since then, I’ve performed in coffee shops, bars, restaurants and even on a city sidewalk. I once performed in the Catskills, which felt like a big deal — even if it was a bigger deal in the 1950s.

As an older trans comic in Washington, I’ve found it nearly impossible to get stage time — or even the courtesy of a returned email — at the big, corporate-owned comedy clubs. Fortunately, there’s a thriving patchwork of queer-friendly producers in Washington and Baltimore creating shows that reflect the diversity of our communities, instead of straight male-dominated lineups that look like the cast of “Ice Road Truckers.”

“There are so many kinds of funny people, but a lot of barriers exist for women and queer people because it’s a very masculine culture,” said Dana Fleitman, who runs the Just Kidding Comedy Collective and is helping produce the Woke Mob Comedy Festival in April, featuring many women and queer comics.

Full disclosure: I’m not performing in the festival. But I am proud to be one of more than 50 women and nonbinary comics Fleitman and her colleagues have helped “train up” through an incubator program she first ran through Grassroots Comedy and now through Just Kidding Comedy Collective.

Another trans comic, Charlie Girard, who splits time between New York and Washington, runs an incubator program called Queers Can’t Take a Joke. He has trained more than 100 comics in Washington.

Girard has one rule: no punching down.

“The best comics speak truth to power,” Girard said. “Making fun of marginalized communities is simple lazy writing based on tired, old stereotypes.”

Ultimately, Girard wants to prepare students not just for queer rooms, but to find their voice and expand into all kinds of spaces.

Comics trained by Girard and Fleitman have gone on to produce or help run shows like Clocked Comedy, Backbone Comedy, the Crackin’ Up open mic and Funny Side Up. Several have found a home on Barracks Row at As You Are — one of my favorite places to perform. In Washington, comic Jenny Cavallero’s show Seltzer is a sober comedy night frequently featuring local queer comics.

In Washington, performer and producer Arzoo Malhotra, who runs Zoo Animal Productions, said it’s a critical moment to support community-based comedy producers, often the first hit by worsening economic conditions.

“We’re losing spaces faster than we’re creating them,” Malhotra said. “We are in the use-it-or-lose-it stage. If there’s a restaurant you like or a performer you want to keep seeing, patronize them now — because they’re going away.”

I’m also grateful for producers in Baltimore, which has a thriving queer comedy scene. Comic Hannah Alden Jeffrey’s monthly “The Really Cool Open Mic,” created for women and trans performers but open to all, regularly draws up to 100 people.

Hannah’s mic and Kenny Rooster’s “Dramedy” open stage have provided safety and opportunity when other stages felt out of reach. Comedians Michael Furr and Jake Leizear also produce shows regularly featuring queer comics.

“We started the REALLY COOL Open Mic because every other mic in town catered toward straight dudes that dominated the Baltimore scene,” Alden Jeffrey said. “Contrary to the lineups of many shows today, people don’t want to see a show of eight guys being bigots. Go figure.”

One of the most important moments for me came when I attended a free showcase at a well-known Adams Morgan club. Like other big venues, it hadn’t responded to emails from a new comic looking for a shot. I sat in the back row thinking maybe these comics were just way funnier than I am.

Then a straight male comedian — with hair even more gorgeous than mine — launched into a long joke comparing eating pizza to performing oral sex on a woman.

At that moment, I walked out feeling better about myself. I remember thinking: nope. I absolutely deserve to be on that stage, too.

Lots of us do.

Jamie Mack is a stand up comedian, speaker and writer. Follow them on Instagram at @jamiemack_blt or email [email protected].

Celebrity News

Liza Minnelli makes surprise appearance at GLAAD Media Awards

Laverne Cox’s fiery speech earned standing ovation

Published

1 day ago

March 6, 2026

Matt Minton

Liza Minnelli surprises at the GLAAD Media Awards (Photo courtesy of GLAAD)

Last night’s GLAAD Media Awards had a few pleasant surprises in store.

Throughout the evening, which was hosted by “Mean Girls” star Jonathan Bennett on Thursday at the Beverly Hilton in Los Angeles, the audience was clued into the fact that a mystery guest would make an appearance. By the end of the night, it was revealed to be none other than “Cabaret” star and queer icon Liza Minnelli, who was in attendance to accept the newly-created Liza Minnelli Storyteller Award.

An emotional Minnelli told the crowd of queer attendees and creatives, “You make me so proud because you’re so strong, and you stand up for what you believe in. You really do, and it’s so nice to be here. I feel like a five-year-old!” Everyone then joined in a happy birthday celebration for Minnelli’s upcoming birthday on March 12, and the release of her upcoming memoir, “Kids, Wait Till You Hear This!”

Another moment that got the audience standing and cheering was when “Orange Is the New Black” star Laverne Cox took to the stage to call out how “what is going on right now in the United States of America is not right.”

She said, “Identify, I said this earlier, and I’m going to say it again, what dehumanizing language and images are. Call it out and don’t buy into it! So much of my struggle over the past several years [has been] trying to figure out how to combat this assault on my community, rhetorically. I do not want to have the conversation about my life and my humanity on the oppressor’s terms.”

That message was echoed by Bowen Yang and Matt Rogers when accepting the Stephen F. Kolzak Award for their “Las Culturistas” podcast and pledging to donate $10,000 to Equality Kansas after the state revoked transgender people’s driver’s licenses. “We cannot accept this award without condemning the rampant active transphobia from this administration,” Rogers said. “We are also here to let them know in advance that they are fighting a losing battle. When we gather in rooms like this, we are always going to have each other’s backs.”

View this post on Instagram

A post shared by GLAAD (@glaad)

Among the big winners last night were “Heated Rivalry” for outstanding new TV series, “The Traitors” for outstanding reality competition program, “Stranger Things” for outstanding drama series, “Palm Royale” (which was just cancelled after two seasons) for outstanding comedy series, “Come See Me in the Good Light” for outstanding documentary, “Kiss of the Spider Woman” for outstanding wide theatrical release film and a tie between “A Nice Indian Boy” and “Plainclothes” for outstanding limited theatrical release film.

Quinta Brunson received the Vanguard Award for her hit TV series “Abbott Elementary,” which features Jacob, an openly queer character played by Chris Perfetti. Brunson said, “Queer people have been a part of my life since birth. I have to shout out my uncle … who was the first example of representation in my life of queer people, who allowed me to be free. There are so many people in the room who changed my life.”

View this post on Instagram

A post shared by GLAAD (@glaad)

On the music side, Young Miko won for outstanding music artist, and KATSEYE won for outstanding breakthrough music artist. Demi Lovato even opened the show with a steamy performance of her single “Kiss.”

The GLAAD Media Awards will officially air Saturday, March 21 on Hulu.