Arts & Entertainment
Before Stonewall, newspapers complicit with police in gay bar raids

Fifty years ago, members of the LGBT community tired of continuous police raids on gay bars were driven to riot in the streets of New York City after the latest incursion at the Stonewall Inn on the evening of June 26, 1969.
But police raids on gay bars in the days before the Stonewall riots went hand-in-hand with the subsequent reports in newspapers the next day outing individuals caught in the raids, which would have potentially blacklisted them for the remainder of their lives.
In terms of Washington news coverage, the authority on newspapers outing gay men caught in police raids is Edward Alwood, a former CNN correspondent and now adjunct lecturer at the Philip Merrill College of Journalism at University of Maryland, College Park.
Alwood wrote about the practice in his 1996 book “Straight News: Gays, Lesbians, and the News Media,” and spoke about it in an interview with the Washington Blade.
“Washington was very different from New York,” Alwood said, “in that so much of the gay community here was connected with the federal government, and for that reason…gay men were much more closeted here and much less likely to protest as they did in New York.”
That perspective within D.C.’s gay community started to change, Alwood said, when gay rights pioneer Frank Kameny was outed, lost his job in the federal government as an astronomer and formed the Mattachine Society. Nonetheless, Alwood said during that time there would be newspaper articles reporting on gay raids that named individuals who were caught.
Reading from his book, Alwood said the D.C. press after World War II made vague references to homosexuals in describing street crimes, “particularly police campaigns to clean up public parks, including Lafayette Park across from the White House.” (Lafayette Park had been a place where gay men would meet to have sex discreetly.)
The Washington Post in the 1940s, Alwood said, described how officers shuttled groups of men from the park to the city jail throughout one night in July 1947 as 41 were arrested in the park.
The Washington Star reported that the metropolitan police staged a raid just to see who the men were. Similarly, the Post celebrated a crackdown a year later, when a headline read, “One-Man Vice Squad Arrests Eight More.”
“The article lavished praise on a handsome undercover officer who was deemed the the city’s most successful weapon in combating vice,” Alwood said. “Neither newspaper explained why the police felt compelled to target law-abiding citizens because they were considered unwelcome in public parks.”
Alwood quoted Benjamin Bradlee, the Post editor during its Pentagon Papers and Watergate coverage in the 1970s, as dismissive of the coverage in reflections of the time when he started at the newspaper covering vice on the crime beat.
“The police sent these guys into men’s rooms where they sort of lollygag around to see if anybody would make a pass at them,” Alwood quoted Bradlee as saying. “They would make sure the press heard about it. The Post never made a big deal out of it. We had little one paragraph that had that no news value, of course, but that’s what it was.”
For lesbians, Alwood said, the situation was different. For starters, sodomy was an offense perceived as something only men could commit, he said, so homosexual acts weren’t considered against the law. There were no lesbian bars, he said, so women met instead at women’s homes.
“They had these social clubs, so that’s part of the difference that happened, which is why so many more men wound up having their names and their ages and their street addresses listed in the newspapers,” Alwood said.
Nonetheless, Alwood said there was coverage of lesbians. One piece in the Washington Times-Herald, drew on the Red Scare of a Russian threat during the Cold War for a sensational article.
Under the headline, “Reds entice women here in sex orgies,” the article described an alleged plot by Russian agents to entice women employees of the State Department into homosexuality,” Alwood said.
“Russian agents were waging a systematic campaign to bring women employees of the State Department under their control by enticing them into a life of lesbianism,” Alwood said. “As many as 65 or 70 persons attended a single one of these lavish get-togethers, according to a congressional committee. Many were garbed in rich Oriental costumes to help them get into the spirit of things.”
Such coverage isn’t found today in Washington-area newspapers, which have been accepting of the D.C. LGBT community and seek to capitalize on LGBT events, such as Capital Pride. The Post, however, didn’t respond to the Washington Blade’s request for comment on past coverage outing gay men and whether any formal decision was made to change it.
Alwood said he’s unaware of any one instance that indicated “any flipping of the switch, so to speak,” but said the arrest of Walter Jenkins, a close aide to former President Lyndon Johnson, in 1964 on “moral charges” at the YMCA was a turning point.
“I think it was a wake-up call for journalists in this city because now it wasn’t just anonymous low-ranking people in men’s rooms and parks getting arrested, it was a high-level front page story of a presidential aide,” Alwood said. “And I think as a result of that, I’m just guessing, more journalists, such as those at the Post, realized they knew gay people and they didn’t fit the stereotype.”
Also at that time, Alwood said, more and more D.C. gay groups were protesting police actions, which led to a re-examination of the strict laws.
One period that marked a change, Alwood said, was when Albert Finney became managing editor of the Post. During his tenure, Alwood said Finney assigned a reporter to write an in-depth series about gay people in D.C.
“The series was stunning for its time,” Alwood said. “It was in-depth, bold, insightful. Though its premise rested on old stereotypes and clinical language, like homosexual, it pushed the boundaries of ignorance and denial to a new level of openness.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
The Blade may receive commissions from qualifying purchases made via this post.
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