Music & Concerts
Michael W. Smith, Sandi Patty wow with Kennedy Center patriotic shows
CCM legends join massive choirs, orchestras for 4th of July-themed extravaganzas
Last week at the Kennedy Center provided a rare one-two punch for lovers of ’80s/’90s CCM (contemporary Christian music) ā Michael W. Smith played the Concert Hall July 1 with the True North Orchestra and Chorus under the baton of David Hamilton; Sandi Patty played the same room two nights later ā an unrelated coincidence ā with the Bellevue Baptist Church Choir & Orchestra, a Memphis-area-based church outfit.
Smith’s concert was part of a larger event that found hundreds of his fans descending upon the capitol to see sights, though standalone tickets were available for the concert. Smith tours constantly, but it’s a fairly rare opportunity to see him with such lavish accompaniment.
Patty has retired from major touring but, thankfully, still makes occasional appearances. Historically the best chance you had to see either one with full orchestra was at a Christmas concert, so both concerts were refreshing changes of pace.
Smith truly headlined at his concert singing or playing on (several numbers were instrumentals from his “Freedom” and “Glory” albums) all but the opening number, a choral arrangement of his song “Shine On Us” recorded by Phillips, Craig and Dean on the classic ’95 multi-artist album “My Utmost For His Highest.” There were 62 in the orchestra/band and about 196 in the choir.
The Patty concert was more half and half, with Patty and four family members (husband Don Peslis, stepdaughter Aly Peslis, daughter-in-law Katie Peslis and son Jon Helvering) singing on 10 of 20 selections, the rest handled by the 130-voice choir and 34-piece orchestra.
Standouts included the Patty classic “Love in Any Language,” “You’ll Never Walk Alone” (from “Carousel”), “God Bless America” and Patty’s trademark rendition of “The Star-Spangled Banner,” which she debuted to acclaim at the rededication of the Statue of Liberty in 1986. She doesn’t go up quite as high on the big final note as she did 30 years ago, but her voice still sounds mighty and robust. On her 2017 farewell tour, it was played on a video montage, so it was great to hear it live.
Especially nice to hear were renditions of “Battle Hymn of the Republic” and “Give Me Your Tired, Your Poor,” which Patty has never recorded. YouTube clips have surfaced the last couple years from patriotic summer mini-tours Patty and her family have given (never in our region) but there’s no comparison to hearing them live. Both were stately and regal.
The Bellevue group was better than I expected in a rousing, shimmying set (many arrangements were by accompanist/arranger Josh Stewart who was at the piano most of the evening) that included bombastic medleys, gospel standards and hymns. All the soloists were stellar but standouts were Cooper Patrick who delivered a rollicking “Walking in Memphis” with true star power and Audrey Lawrence on gospel barnburner “Heaven Bound.”
Soprano Lisa Parker initially seemed to have the deck stacked against her tackling “The Lord’s Prayer” just moments after the great Patty had left the stage, but she acquitted herself nicely with an understated performance that felt both delicate and sturdy.
Interestingly, Patty seemed most energized on two of the quieter numbers ā “His Eye is On the Sparrow,” which she sang with just piano accompaniment from her long-time pianist Jay Rouse, and during the encore, a richly harmonized rendition of “It Is Well With My Soul” she sang sans mics with her family. They’ve done numbers like this at other concerts; it always whets my appetite for a whole evening of this sort of thing. They truly give Chanticleer and Pentatonix a run for their money with their a cappella harmony work.
Patty seemed in good spirits greeting and offering sign language to long-time fans such as Lee Tucker in the first couple rows. Minor quibble: um, hello ā blue gown change for act II? We know you have ’em, girl.
Smith’s concert ran the gamut from glistening instrumentals (“Glory Overture”), a roiling Christmas number “Gloria” that brought to mind the Trans-Siberian Orchestra, choral worship thunder on “Total Praise” and even a swampy spiritual “Down to the River to Pray” from one of Smith’s Cracker Barrel hymns projects.
Things meandered a bit in the second half during a lengthy worship set in which the orchestra and choir sat out and Smith and his usual band took the reins. None of it was bad ā these passages are a staple of Smith’s usual concerts ā but at the Kennedy Center, it felt like filler, as if there weren’t quite enough charts done for a full evening of symphonic work so they padded it with easy-to-deliver classic Smitty worship fare.
The crowd enjoyed it just fine but the orchestra players looked bored out of their minds (perhaps they were merely deferring, who knows). Two Mikes who showed up ā Pence and Pompeo (along with Karen Pence, the second lady) ā were rapt if not especially demonstrative. Smitty’s crowd ā almost all white Bible Belt evangelicals ā went wild when they were introduced. I somehow managed not to vomit. It’s not so much that I mind political dissent ā that’s fine and healthy ā but it was a stark, right-there-in-front-of-you reminder of the white evangelical infatuation with this administration. How anyone takes it seriously is beyond me.
Another downside to Smitty’s set was that it was almost identical to a Kennedy Center concert he gave with the same choir and orchestra in Jan., 2014 with 14 songs (pretty much everything but the worship set) carried over verbatim. It was all stellar, but I’d hoped in five years time, Smith could have managed at least a new orchestration or two of selections from his mammoth catalogue. He constantly talks about how many songs he has to choose from in his vast discography and how there’s no way to get to everything. Well, that’s all fine and good but don’t show up five years later with the same set (pretty much) and expect us to buy that hollow line again (in fairness, he has gotten better at digging deep in his “regular” concerts the last couple years).
His canned bromides, while good natured, are also pretty stale ā he says “I will never forget this night” at every concert, he’s playing “Gloria” (a Christmas song) because “it’s my show” and he never knew he’d be playing trademark hit “Friends” “the rest of my life.” There’s just a hint of a chip on his shoulder while Patty exudes graciousness.
And while lustrous, none of it was terribly interesting. Like so much of the fare we hear when the NSO Pops appears with pop acts like Diana Ross or Melissa Etheridge, the strings just sort of saw away, the brass adds a little punch here and there and that’s about it. I was hoping, for instance, when we got to the big electric guitar solo on Smitty classic “Place in This World,” the strings would have gone crazy with some totally new contrapuntal interlude but nah ā in came the anachronistic electric guitar shooting out the exact same thing that’s on the album version.
Huge missed opportunity. With such vast arsenals of instrumentation at one’s disposal, why are the arrangements always so blah, so predictable? Smith’s long-time touring comrade Jim Daneker is a musical genius ā I salivate imagining what cool stuff he could come up with given the time. And not that there was anything too wildly wonderful going on at the Patty show either but her arrangements (both vintage and those from Bellevue) just sounded less forced, more idiomatically orchestral.
Neither artist managed to quite fill the nearly 2,442-seat Concert Hall, but Smith, on a Monday night no less, came closer (and with vastly higher ticket prices). Patty’s concert didn’t appear to be well publicized; it’s a shame, too ā it was a rare chance for Washingtonians to hear the gospel music legend who last played here at Sligo Church in November, 2016.
Nothing LGBT about either concert (although Patty has a legion of gay fans); both artists are straight. Just a fun couple nights out worth reporting on.
Michael W. Smith
True North Orchestra & Chorus
David Hamilton, conductor
Kennedy Center
7-1-19
STARTS: 7:05 p.m.
Shine On Us (choir)
Glory Overture (inst./orch+MWS)
Great is the Lord (MWS/choir/orch)
Ancient Words/Thy Word (MWS/choir/orch)
Above All (MWS/band)
Whitakerās Wonder (inst./orch+MWS)
The Giving (inst./orch+MWS)
Heroes (inst./orch+MWS)
There She Stands (MWS/choir/orch)
America the Beautiful (MWS/band)
Place in This World (MWS/orch)
Gloria (MWS/choir/orch)
INTERMISSION (20 minutes)
RESUMES: 8:29
13. Freedom (inst./orch+MWS)
14. Down to the River to Pray (MWS/choir/orch)
15. Total Praise (MWS/choir/band)
16. Do it Again (MWS/band)
17. Surrounded (MWS/band)
18. Healing Rain (MWS/band)
19. Great Are You Lord (MWS/band)
20. Agnus Dei (MWS/choir/orch)
ENCORE:
21. Friends (MWS/choir/orch)
Total Praise reprise
ENDS: 9:15
Sandi Patty & Family
Bellevue Baptist Church
Choir & Orchestra
Kennedy Center
7-3-19
STARTS: 8:03 p.m.
A Mighty Fortress (choir/orch)
Patriotās Song Medley (choir/orch)
Tennessee Medley (choir/orch)
INTRO OF SANDI ā 8:23
4. Battle Hymn of the Republic (Sandi/fam/choir/orch)
5. Give Me Your Tired, Your Poor (Sandi/fam/choir/orch)
6. What a Wonderful World (Sandi/piano)
7. The Star-Spangled Banner (Sandi/choir/orch)
SANDI EXITS ā 8:47
8. Salute to the Armed Forces (choir/orch)
9. Taps/The Lordās Prayer (choir/orch)
10. Be Thou My Vision (choir/orch)
11. Say Amen (choir/orch)
12. Heaven Bound (choir/orch)
13. Thatās Why God (choir/orch)
14. Christ is Born (choir/orch)
SANDI RETURNS 9:29
15. Anthem of Praise (Sandi/fam/choir/orch)
16. Love in Any Language (Sandi/fam/choir/orch)
17. His Eye is On the Sparrow (Sandi/piano)
18. Youāll Never Walk Alone (Sandi/fam/choir/orch)
19. God Bless America (Sandi/fam/choir/orch)
20. It is Well With My Soul (Sand/fam)
ENDS: 10:01
Music & Concerts
Lana Del Rey, Katy Perry plan fall releases
A Fleetwood Mac live album, more Joni archives among vintage options
Paris Hilton released her āInfinite Iconā album on Sept. 6. Itās just the second effort following a massive hiatus ā her debut album āParisā was released way back in 2006. Sia produces. This summerās āIām Freeā was the first single. A tour is planned. Hilton promised a āheavily gay-leaning release.ā
Miranda Lambertās āPostcards from Texasā is slated to drop today. Lambertās 10th studio album was preceded by the May release of single āWranglers,ā which stalled in the lower 30s on country radio. Lambert calls the album a musical ode to her home state. She co-produces with Jon Randall and either wrote or co-wrote 10 of the projectās 14 cuts.
Katy Perryās ā143ā is set for a Sept. 20 release. It will be her seventh studio album. Its title refers to what she says is her symbolic angel number. Perry is aiming for a dance party feel working with producers Max Martin, Dr. Luke, Stargate, Vaughn Oliver and Rocco Did It Again! The proceedings are not off to a strong start. First single āWomanās Worldā stalled at No. 63 on the Billboard Hot 100. Follow-up āLifetimesā failed to crack the Hot 100 at all.
Fleetwood Mac releases āMirage Tour ā82ā on Sept. 20. It includes six tracks previously unreleased including āDonāt Stop,ā āDreams,ā āNever Going Back Again,ā āSaraā and more. Available on double CD, triple vinyl and digitally.
Volume four of Joni Mitchellās āArchivesā series dubbed āThe Asylum Years: 1976-1980ā releases Oct. 4. Itās being offered in six-CD or four-LP (highlights) configurations. It will feature unreleased studio sessions, alternate versions, live recordings, rarities and a 36-page book with new photos and an extensive conversation between Mitchell and filmmaker/uberfan Cameron Crowe.
Sophie B. Hawkins releases her āWhaler Re-Emergingā album (a re-recording of her landmark 1994 album) on Oct. 15. Order through her site and the first 250 copies will be signed. Hawkins (who identifies as omnisexual) says it surpasses the original.
Joe Jonasās āMusic for People Who Believe in Loveā and Shawn Mendesās āShawnā are both set for Oct. 18 releases. Jonasās album (his first solo effort since 2011ās āFastlifeā) will feature songwriting he says is of a more personal nature. Billboard called it āunvarnishedā but with a shimmery pop sound aglow with garage rock and alt-pop influences. First single āWork It Outā was released over the summer and failed to chart.
āShawnā will be Mendesās first album since 2020ās āWonder,ā the tour of which he cancelled citing mental health. Two singles ā āWhy Why Whyā and āIsnāt That Enoughā ā have been released. The former stalled at no. 84 on the Hot 100. He has called the album his āmost musically intimate and lyrically honest work to date.ā
Lana Del Reyās āLassoā is expected for a possible fall release, although some sources say itās been bumped to early 2025. No date had been announced as of yet. Sheās apparently going the Beyonce route and releasing a straight-up country album.
Dolly Parton plans a Nov. 15 release for āSmoky Mountain DNA ā Family, Faith & Fables.ā Parton recruited family to help her on the 37 (!)-track collection, which will also encompass a four-part docuseries tracing Partonās familial roots. One song (āA Rose Wonāt Fix Itā) is an outtake from the feverish writing sessions that led to her solid (but underrated) 1998 album āHungry Again.ā An extremely limited-edition triple vinyl release is also planned.
Release dates shift and many more releases will be announced later. Pitchfork keeps a great running tab at pitchfork.com/news/new-album-releases. Also check your local record store for Black Friday special editions available on Friday, Nov. 29. Release info was scant as of this writing. Ā
(Joey DiGuglielmo was variously the Bladeās news and features editor from 2006-2020.)
Music & Concerts
Fall concerts feature Sivan, Eilish, Lauper, more
Ndegeocello pays tribute to Baldwin at Strathmore next month
Sigur Ros will be joined by the Wordless Music Orchestra at the Anthem (901 Wharf St., S.W.) on Wednesday, Sept. 25th. Theyāre continuing their 2023 tour in support of āAtta,ā their first LP of original music in a decade. Frontman Jonsi is gay. Tickets are $60.50-173.50 for this seated show.
Troye Sivan brings the āSweat Tourā with Charli XCX (co-headlining) to Baltimore at the CFG Bank Arena (201 West Baltimore St.) on Thursday, Sept. 26th at 7:30 p.m. Itās sold out. The latter is touring behind her 2024 album āBrat.ā The former is touring behind his 2023 album āSomething to Give Each Other.ā Sivan is gay and has performed at Capital Pride.
Cyndi Lauper brings her āGirls Just Wanna Have Fun Farewell Tourā to Capital One Arena (601 F St., N.W.) on Sunday, Oct. 27 at 7 p.m. Tickets range from $29-179. Itās her first solo arena stateside tour since her ā86-ā87 āTrue Colors World Tour.ā Lauper is a longtime and avid LGBTQ ally.
St. Vincent brings her āAll Born Screaming Tourā to the Anthem (901 Wharf St., S.W.) on Friday, Sept. 13th at 8 p.m. Tickets are $55-95. A Variety review called it āminimalistā and said āwith no video screens, backup singers or sketches, and a lot of electric guitar, itās the purest distillation of St. Vincent weāve had on stage in quite a few years.ā Anne Erin Clark (aka St. Vincent) doesnāt identify as anything sexually but has mostly dated women in recent years.
Kristin Chenoweth and Alan Cumming play Wolf Trap (1551 Trap Rd., Vienna, Va.) on Friday, Sept. 13 at 8 p.m. Individual sets are planned, but there will likely be a duet or two. Tickets are $29.
Out singer/songwriter Perfume Genius brings his āToo Bright 10th Anniversary Tourā to The Atlantis (2047 9th St., N.W.) on Monday, Sept. 16. This highly limited run will only play six dates in five cities. Mike Hadreas (aka Perfume Genius) will perform his 2014 album in its entirety. Itās sold out.
Meghan Trainor brings āThe Timeless Tourā to Jiffy Lube Live (7800 Cellar Door Dr., Bristol, Va.) on Tuesday, Sept. 17th at 6:30 p.m. Sheās touring behind her album of the same name released earlier this year. Tickets are $33-155. No lawn seats available for this show.
Queer-affirming gospel singer Amy Grant (who also had a decent pop chart run in the ā90s) brings her fall tour to The Birchmere (3701 Mt. Vernon Ave., Alexandria, Va.) on Thursday, Sept. 19 at 7:30 p.m. As sheās done on tour with previous re-releases, Grant could include more songs than usual from her 1994 āHouse of Loveā album, which was just released in an expanded edition and on LP for the first time. Tickets are $95.
Sara Bareilles, a self-described LGBTQ ally, joins the NSO Pops for a three-night stint at the Kennedy Center (2700 F St., N.W.) on Sept. 24-26 at 8 p.m. each night. Itās sold out.
Billie Eilish brings her āHit Me Hard and Soft: the Tourā to CFG Bank Arena (201 West Baltimore St.) in Baltimore on Friday, Oct. 4 at 7 p.m. Her album of the same name dropped in March. Although sheās mostly dated guys publicly, Eilish identifies as bi. Itās sold out.
Queer artist Meshell Ndegeocello plays the Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on Saturday, Oct. 5 at 8 p.m. Her show is dubbed āNo More Water: the Gospel of James Baldwinā and is billed as a tribute event to the legendary Black gay writer. A pre-concert event, āThe Gospel of Meshell Ndegeocelloā is free but advanced registration is required. Tickets for the concert are $28-74.
Former Capital Pride headliner Betty Who (āqueer/biā herself) brings her āAn Acoustic Evening in Celebration of 10 years of TMWYGā to the Lincoln Theatre (1215 U St., N.W.) on Wednesday, Oct. 9 at 9 p.m. Tickets are $55. Itās a nod to her 2014 debut album āTake Me When You Go.ā
Justin Timberlake brings his āForget Tomorrow World Tourā to Capital One Arena (601 F St., N.W.) on Sunday, Oct. 13. This seventh headlining concert tour (and first in five years) supports his 2024 sixth album āEverything I Thought it Was.ā Reviews for the tour have been strong; the setlist looks career-spanning and generous. Itās sold out.
Gay-helmed Pink Martini with China Forbes and Ari Shapiro plays the Kennedy Center (2700 F St., N.W.) on Monday, Oct. 14 at 7 p.m. Tickets are $40-80.
ā80s pop sensation Debbie Gibson brings her āAcoustic Youth: Songs & Stories from Electric Youth Eraā to the Birchmere (3701 Mt. Vernon Ave., Alexandria, Va.) on Wednesday, Oct. 16. Tickets are $59.50. Gibson is celebrating her 1989 album āElectric Youth,ā her second. Sheāll accompany herself on piano playing the songs āthe way I first wrote them.ā
DJ/producer Diplo, who says heās ānot not gay,ā plays Echostage (2135 Queens Chapel Road, N.E.) on Saturday, Oct. 19 at 9 p.m. Walker and Royce join. Tickets are $60.
Motown diva Diana Ross brings her āBeautiful Love Performances Legacy Tourā to MGM National Harbor (101 MGM National Ave., Oxon Hill, Md.) on Oct. 24-25 at 8 p.m. Except for adding a couple cuts from her abysmal 2021 album āThank Youā (her latest), her setlist has not changed much in 15 years. Sheās a little better about performing Supremes songs than she was earlier in her career (for ages, they were crammed into one medley), but she still heavily favors her solo material. Tickets start at $102.
āThe Life and Music of George Michaelā comes to the National Theatre (1321 Pennsylvania Ave., N.W.) on Friday, Oct. 25 at 8 p.m. Hard to tell from promo material if this is a typical jukebox musical-type show or more like a tribute band concert for the late gay singer. Tickets are $55.
āSapphic Factory: Queer Joy Partyā is at 9:30 Club (815 V St., N.W.) on Friday, Oct. 25 at 10 p.m. Itās slated to feature music by artists such as Mana, Chappell Roan, Fletcher, Phoebe Bridges, Kehlani, Rina Sawayama, boygenius, Kim Petras, Tegan and Sara and more. Tickets are $23.
Kacey Musgraves brings her āDeeper Well World Tourā to CFG Bank Arena (201 West Baltimore St.) on Saturday, Nov. 9 at 7:30 p.m. It supports her sixth studio album, released in March. The setlist morphed slightly over a spring run in Europe. Itās sold out.
Soul diva Gladys Knight plays the Hall at Live! (7002 Arundel Mills Circle) in Hanover, Md., on Sunday, Nov. 17th at 7:30 p.m. Knight, who hasnāt had a new album out in a decade, tends to be fairly generous with her classic Motown- and Buddha-era hits with the Pips in approximately 75-minute sets. Tickets start at $95.
(Joey DiGuglielmo was variously the Bladeās news and features editor from 2006-2020.)
Music & Concerts
National Symphony plays free concert Sunday
NSO Labor Day performance held at U.S. Capitol
The National Symphony Orchestra’s free annual Labor Day weekend concert returns to the West Lawn of the U.S. Capitol on Sunday, Sept. 1.Ā The performance is free and tickets are not required. Seating is first-come, first-served.
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