Arts & Entertainment
IMDb changes dead name policy for transgender industry professionals
Projects before transition will still include birth names
The Internet Movie Database (IMDb), the largest online resource for film and television, has revised its policy on talent profiles of transgender industry professionals including their birth names.
The controversy began when IndieWire reported that two trans actors with major television credits had their birth names listed on their profiles. Despite lobbying from Hollywood management, talent agencies, and GLAAD for the removal of the names, IMDb refused citing anti-discrimination laws.
“Deadnaming” is using a transgender individual’s name, intentionally or not, from before they transitioned.
An IMDb spokesperson revealed to Variety that the policy has now changed and transgender industry professionals can remove their birth names from their biography page.
“IMDb now permits the removal of birth names if the birth name is not broadly publicly known and the person no longer voluntarily uses their birth name” the statement reads. “To remove a birth name either the person concerned or their professional industry representative simply needs to contact IMDb’s customer support staff to request a birth name removal. Once the IMDb team determines that an individual’s birth name should be removed – subject to this updated process – we will review and remove every occurrence of their birth name within their biographical page on IMDb.”
IMDb has removed actress Laverne Cox’s birth name. However, Chaz Bono and Caitlyn Jenner’s birth names are still listed on their biography pages and in film projects they were in before their transition.
SAG-AFTRA released a statement in response to the policy revision.
“While this half-measure is a step forward in protecting the personal safety of and reducing employment discrimination for transgender people, in revising its birth name policy, IMDb admits to invading the privacy of performers and putting them at risk for discrimination. IMDb can make no principled distinction to justify its arbitrary choices about when to invade the privacy of performers,” SAG-AFTRA President Gabrielle Carteris said in a statement. “IMDb has more work to do. SAG-AFTRA and its allies continue to fight to protect all performers and for enforcement of California’s anti-age discrimination law. This change in birth name policy should help make it clear to the appellate judges that the harm here is fundamental and compelling, and that California law AB 1687 is necessary in order to remedy IMDb’s discriminatory practice.”
GLAAD’s Director of Transgender Media Nick Adams also released a statement noting the policy change still puts transgender individuals at risk.
“Revealing a transgender person’s birth name without permission is an invasion of privacy that can put them at risk for discrimination,” Adams says. “IMDb’s new policy is a step in the right direction and gives some transgender professionals in the entertainment industry the dignity and respect that they’ve long deserved – however, it remains imperfect. Trans people with credits under their old name for work in front of or behind the camera will still be affected by IMDb’s determination to publish outdated information. The platform still has a long way to go in maintaining the privacy of all the entertainment industry professionals listed on the site. GLAAD and SAG-AFTRA, along with trans people working in Hollywood, will continue to advocate that IMDb create policies that respect everyone’s privacy and safety.”
Other online databases such as Wikipedia.org and Biography.com do not publish the birth names of transgender people.
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Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)
Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
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