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‘Define yourself’ — Ariadne Getty on family, philanthropy and queer activism

‘I encourage everybody who has any way of being part of a cause to make the time and become involved’

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‘I’ve never pretended that I made a penny in my life. I inherited this money and I’m a steward. I have to honor it,’ says philanthropist Ariadne Getty. (Photo courtesy of the Getty Foundation)

“Money is like manure,” said J. Paul Getty. “You have to spread it around or it smells.”  Getty himself was redolent of a rascally sort of rapaciousness. He was also a tough old coot with a tumescent appetite for beautiful women. But he had a soft spot for one particular beauty in his life: his granddaughter and godchild, Ariadne Getty, now 57, who has always been a bit of a rascal herself — one part punk, one part princess.  

“I’ve never taken any of this for granted,” the philanthropist tells me when she is read that quote from her grandfather. “I’ve never pretended that I made a penny in my life. I inherited this money and I’m a steward. I have to honor it. Actually, I have to honor my great-grandmother who set up the trust. She didn’t trust my grandfather because he was a womanizer,” she says, confirming this lede paragraph and letting loose a signature burst of laughter, a quick gale of it that can blow through a conversation like a gust of gumption. 

Such frankness is refreshing as she sits at a table in her Los Angeles home on this conference call as we converse in the disembodied way that such calls engender on top of the already stilted badinage of an interview’s back-and-forth, a kind of disembodied, distilled discourse all its own with which such wealthy patrons raised by the wolves of fame and fortune engage journalists after having been coached to do so by the experts they hire to smooth their heralded heredity into but a smattering of personality quirks and wisecracks. Call it the knowingness of the known. 

Getty has an expert publicist and the expert head of her charitable foundation there at the table with her at each of her elbows, which I imagine to be well-lotioned, even though she is unafraid to throw such elbows around a bit roughly if need be in the staid world of philanthropy. That is her charm: her ability, elbows ready, to challenge others to find their inner iconoclast even as they serve a higher purpose to better society as a whole. Yet there is nothing slippery about this iconoclastic woman even if the emollients of lotion and lavish privilege come to mind when speaking with her.  

Indeed, Ariadne Getty speaks haltingly — a bit shyly — and chooses her words quite carefully. This is not out of a fear of being misquoted so much as it is out of the seriousness with which she takes her philanthropic impulse.   

When she was first starting her charitable foundation, she came up with a one-line, two-word mission statement: “Unpopular Causes.” It has since expanded to the more generalized assertion that the goal of the Ariadne Getty Foundation is to “work with partners worldwide to improve the lives of individuals and communities through large-scale investments & hands-on advocacy.”  

The focus most recently at  the foundation has been shoring up LGBTQ organizations,  such as the Los Angeles LGBT Center and GLAAD. Getty joined the board of directors of the latter in 2016 and last year at the World Economic Forum in Davos she pledged $15 million to the organization, which focuses on media and how we as a culture can rewrite the script for LGBTQ acceptance. 

I ask her if maybe her daughter Nats Getty’s mission statement for her gender-fluid streetwear line, Strike Oil, might be an even better fit for her foundation. It reads, in part: “For the misfits and the outcasts, The unseen and the unheard, For anyone who dares to be different, Because different is dope.”  

She readily agrees and tells me that Nats and her brother August, also a fashion designer but one with a more high-end couture aesthetic focused on the female client, are her “beacons of information and light.” They are her only two children. August is gay. Nats is a lesbian and married to Gigi Gorgeous, the YouTube sensation and transgender activist. They are the kind of adults who still have a cool-kid vibe about them, as does their part punk/part princess mom.  They are quite a triple-treat as a close-knit family as well as a style council of creative spirits who straddle lots of worlds  — Getty runs both the fashion lines — and I’d wager some of that Getty wealth that when you use the term “grommet” around them they know it is not only something that can reinforce an eyelet sewn into a piece of clothing, but also a term for an inexperienced  skateboarder with scratched-up knees and no real scratch of his own.  

“Inexperienced” is not a term anyone would use for Ariadne Getty who grew up outside Siena, Italy, with her mother after her parents divorced. It was in many ways an idyllic setting for a childhood but anywhere would have been within reach of the tentacles of the family scandals that, as she grew up and realized what her last name meant to the larger world, strengthened her even as it all made her a bit wary — and, yes, for a time quite weary — of public attention. Her father J. Paul Getty II was a drug addict for much of his life (her stepmother died of a heroin overdose) and became a recluse in England in his later years, but one finally with a generous spirit which she seems to have inherited from him. She survived the actual narrative of the kidnapping of her older brother, J. Paul Getty III, and his subsequent heartbreaking health issues as well as the faux narratives made more noxious for their rather mercenary and monetary reasons.   

She bonded with her sister Aileen who is herself an activist and philanthropist, roles that were motivated by Aileen’s HIV-positive status. She lived in London and had a swinging time designing T-shirts and being a bit of dilettante who dallied in lots of sybaritic endeavors. She even had an academic interregnum at Bennington College in Vermont.   

Getty’s gust of laughter again blows through the conversation when I bring up her college days because of how few those days actually were.   

So she didn’t go for the whole four years?  

“I certainly did not.”   

Does she even remember her time at Bennington or was it basically one long, however brief, blackout?  

“It’s a little bit fuzzy to be honest,” she confesses. “But I did learn a lot there. I really did.  I had some fantastic people I was exposed to. It really was an environment that allows you to find your own personality without the restrictions of rules.  It’s almost like a Waldorf approach to college,” she tells me, citing the Rudolf Steiner holistic model of education. But I take it as another kind of cue. “A Waldorf salad approach?” I ask. Another gust of of laughter. “It does put nuts into your life,” she says.

Some would claim that her children and their circle of friends — many of them the misfits and outcasts cited in Nats’s mission statement for Strike Oil streetwear — are the latest nuts in her life with whom she has surrounded herself. She is a kind of den mother of the denizen of acceptance that her home has become for this extended LA family. They even call her Mama G.   Does she think she would be so viscerally focused on LGBTQ rights if she weren’t the mother of two gay children and seen as a mother figure for so many of their friends? There is a maternal aspect to her activism. “I always say I am here doing this mostly to support what my children have made me aware of … I’m not sure how the Mama G thing started, but it’s so sweet. I get texts to Mama G all the time from the friends of my children and my daughter-in-law Gigi. I am a fiercely loyal mother.  I will go to war for my children and their friends.”

“You’re like a polar bear,” I tell her.

“I can’t believe you said that. That’s my spirit animal. You got me there. They are my cubs — Nats and August. And all of their friends are, too.”

“Yet not all wealthy parents support their gay children in the way that you have chosen to support yours. Some of them even donate to Donald Trump. Would you meet with Trump if he invited you to the White House?”

“Oh, Kevin … Kevin …,” she says, moaning. No laughter is launched into the conversation at the thought of this. There is a long silence instead. “I would have to say, ‘I’m sorry. Under most other situations, I would be honored to be invited and I would love to go,’” she carefully begins. “But as Trump continues to stop people’s human rights and disregards the basic … ah … ah, ” she stops again. Time to throw some elbows, after all. “You know what, I would tell him in a heartbeat that under any other circumstances I would love to go but I actually wouldn’t know what to do with myself if I met with him in the Oval Office. I would probably even have a couple of rotten tomatoes in my pocket,” she says, that gust of laughter finally unleashed as she references her time in England and how the groundlings there would respond to their own vulgarians on their Elizabethan stages by throwing such weaponized fruit at them. 

“You could bring your children and daughter-in-law to bear visual witness to your meeting with him,” I suggest, knowing that Gigi is sort of Trump’s type and how disconcerting that would be for him to be turned on by her. 

“If he allowed me even to bring them with me,” says Getty. “Can you imagine? Or we could wear MAGA caps but install little mini-cams in them and tape his reaction when I introduced him to my daughter-in-law, ‘Mr. President, this is Gigi.  She’s transgender.’” 

We have been speaking on this conference call the same day that Ellen DeGeneres was getting media flak for her friendship with another president, George W. Bush. What does Ariadne think of Ellen’s response to the criticism?  

“I personally believe that if you have a platform no matter what it is — even if it is your single voice as a human — you have a responsibility to it. Ellen is extremely fortunate to have such a fan base and a platform. I personally believe that there is nothing wrong with being friendly in private, but going public with it and saying what she said sends a mixed message. It not only might confuse her fans but also those who aren’t necessarily her fans but use her as a sort of barometer. Since she is a comedian, she gets to tackle a lot of topics. I do think that this is a message that does not need to be so public. Yes, it’s important to respect and accept everyone for who they are. I haven’t read exactly what she said. But if she is using her platform but she is ignoring the facts that there were so many rollbacks with Bush and his administration and there were so many LGBTQ injustices passed, then I don’t agree with that. 

“She is not referencing that. She is not saying even though these things happened, we can affect a change if we approach those who have been against us in a fair and kind way in order to try and find a middle ground … After the election in 2016, I called Sarah Kate Ellis, the president and CEO at GLAAD. I said I’m going to bed and closing my curtain and I’m going to stay here for a couple of weeks because I’m so very depressed. And she said, ‘I’m going to give you 24 hours to be depressed and then I want you to get out of bed, get dressed, brush your hair, and make 10 calls to talk about the changes you want to see happen. Get up and stand up and get to work.’ And that’s what I did.”  

“Here is another quote from your grandfather,” I say, winding down our conference call.  “’The rich are not born skeptical or cynical,’” he said. “They are made that way by events and circumstances.’And yet you, Ariadne, have had the opposite reactions to the events and circumstances of your life. They have made you less cynical and skeptical. They have given you a social conscience and spurred you to activism.” 

The laughter is no longer a gust of gumption. It is now more a lovely little breeze, a hum of humility underlying it here on the line.  

“You know what, life is too short,” she says. “I’ve had all the things happen to me that you can imagine — especially people taking advantage. There could be plenty of space in my life to just shut down and not interact and just basically be a victim, or what have you. But I love my life. It is really a privilege to be involved with the LGBT Center in LA, which has so many intergenerational programs there. I’m fortunate. I encourage everybody who has any way of being part of a cause to make the time and become involved.” She pauses. The breeze erupts into one last gust that carries more than itself forward. “Don’t let what other people do define you,” says Getty.  “Define yourself.”

(Editor’s note: Ariadne Getty is being honored with the Washington Blade Lifetime Achievement Award for LGBTQ Advocacy for her commitment to equality. The award is being presented to her at the Blade’s 50th anniversary gala on Oct. 18 in D.C.)

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Memorial for groundbreaking bisexual activist set for May 2

Loraine Hutchins remembered as a ‘force of nature’

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Loraine Hutchins died last year. (File photo courtesy of Hutchins)

The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m. 

Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com. 

An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all. 

Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.

In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”

“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.

“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”

“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”

“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day. 

Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.  

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Queery: Meet artist, performer John Levengood

Modern creative talks nightlife, coming out, and his personal queer heroes

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John Levengood (Blade photo by Michael Key)

John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.

Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.

“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.

He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”

He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.

How long have you been out and who was the hardest person to tell?

I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.

Whos your LGBTQ hero?

My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.

Whats Washingtons best nightspot, past or present?

Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.

We live in challenging times. How do you cope?

I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.

What streaming show are you binging?

After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.

What do you wish youd known at 18?

At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.

What are your friends messaging about in your most recent group chat?

We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.

Why Washington?

It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.

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Project GLOW celebrates LGBTQ acts

D.C.’s electronic music festival set for May 30-31

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A scene from last year’s Project GLOW. (Photo courtesy organizers)

Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.

Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.

President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.

As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.

“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”

The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”

K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.

Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.

K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.

Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.

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