Arts & Entertainment
What the Blade means to me
Former employees reflect on impact of the newspaper

As we wrap our yearlong celebration of the Washington Blade’s 50th anniversary, we wanted to provide space to former employees to reflect on what the newspaper means to them. Here is a sampling of what they had to say. Thanks to everyone for contributing.
JERYL PARADE, Blade account executive, 2009-2016

“I need to tell you this is the last issue of the newspaper you will be delivering. It’s not you. It’s us. We’re shutting down.”
“What will you do?”
“Look for a job. But not here. In D.C.
“You should apply at the Blade.”
“The Blade?”
“We’ve been there trying to get their distribution business. You should see the offices. They’re beautiful”.
“Yeah. OK. Thanks for the advice.” But I’m not gay.
On July 26, 2009, I emailed publisher Lynne Brown my three-page resume with 18 bullet points of publishing accomplishments. She responded on July 31, 2009. “Thanks for writing. There are only opportunities in life.”
In a subsequent email we agreed to meet on Wednesday at 11 a.m. Lynne wrote, “We are generally a casual group. So dress to be yourself.”
I did not know if she meant this or was being crafty. Should I really show up in a ‘90s Goth thing? I decided on a business suit. The Blade is, after all, a business.
And then some!
Happily I got the job. It was advertising sales. I had been a manager for 25 years, but when you work with clients, as I had, you are in sales.
I am able to tell on the first day of a new job if it is going to work out. On that first day — even though all I did was read the employee manual — I felt good. I was breathing in fresh air.
The next day I made my first sales call. It resulted in a sale. You know it can take 10 or more calls or emails to connect with someone and five or more contacts with said someone to seal the deal. If you’re lucky. Not so with the Blade. I was batting 1,000 percent!
Still, I was feeling stilted compared to my debonair coworkers. I remember seeing a team photo from the previous holiday season. Everyone dressed in black. I don’t think anyone was smiling. I would never be as cool as that.
About two and a half months into my tenure, on Monday, Nov. 16, 2009, we came in to work and were told (by the then parent company) to go home. Plenty has been written about the days and weeks that followed. I won’t go into that here. I consulted with my father about what to do next. I told him how the employees had a plan to keep publishing. My dad advised me to stay. He said, “It might be better.”
From then on I learned how to work on a commission-only basis and have confidence in my own and our success. I had always worked at a desk, in an office. Now I was free. An advertiser would call me on my cell while I was on the streets of downtown D.C. How cool was I now? I was Blade cool.
One of my most vivid memories of working for the Blade is from 2013 in the Venetian Jewish Ghetto. My friend was on a tour while I was in the piazza taking a call from the Washington Women’s Rugby Football Club (DC Furies) about advertising in our LGBTQ Sports Issue. I had sent an email blast earlier that week from our hotel room in Rome to let everyone know I had previewed the content and it was amazing!
Being “not gay” was never an issue. My advertisers and co-workers did not care which of the letters comprising the acronym I was. I had always assumed it was A for Ally. Now I know. It’s G. For Grateful.
KEN SAIN, Blade news editor, 2003-2005
Perhaps the most important thing we have learned since Stonewall is that visibility is everything. Many of the advances the LGBTQ community has made in these past decades are because ordinary people had the courage to come out.
Each generation has made it easier for the next, and the current one will make it even easier for those who follow. It was far easier in those early years for an Anita Bryant and others to go argue for discrimination when it was just some drag queens no one knew in San Francisco who were denied rights and being assaulted.
It’s a lot harder to make that case when it’s your uncle, or sister, or child.
So yes, give credit to the leaders for inspiring us and willing to be the face that took the criticism. But remember that each of us who had the courage to tell our truth to family and friends and co-workers also did our part to help change public opinion.
And give some credit to the Washington Blade. For 50 years it has been covering the struggle, helping to inspire new generations by telling the stories of those who came before. It was a source of news for our community when others didn’t even acknowledge our issues. The Blade did so while maintaining the highest standards of journalism and ethics.
I know from my time as news editor what a vital role the Blade has in the community. I like to think that by covering the community fairly and with integrity we achieved our goals of informing and in some cases entertaining readers. I also believe that by putting a spotlight on the stories of our community, we helped moved the needle on public opinion in some small way.
I am deeply proud of my time working for the Blade and the work we did. There is something special about working with quality people on a righteous cause. Our cause was to show that we could do great journalism for LGBTQ readers and keep them informed of the issues that that in many cases no one else was covering.
In doing so, we helped make our community more visible. And as we’ve learned during these past 50 years, being more visible is one key to being accepted.
Happy 50th anniversary, Blade.
KRISTINA CAMPBELL, Blade reporter, managing editor and editor, 1992-2002

The thing I remember most about the Blade was the company’s elegant balance as a fun and often lighthearted atmosphere that was also a professional workplace where we were serious about our mission and our product. I felt close to everyone in the newsroom, especially as I rose the editor ranks and started supervising people who had been my colleagues. It was an honor to be trusted with that role. I remember the work being challenging but rewarding, every day of my tenure there, until the ownership changed and some workplace issues started clouding my focus on the news. I felt an obligation to the community the entire time I worked at the Blade, because it was so important to get the information correct, to be fair, to create a record for information and developments that the mainstream media was only beginning to cover. And I also felt a responsibility to act with objectivity and to give fair and respectful treatment to adversaries of the community or its civil rights work. That was sometimes difficult, but it made me a better journalist and, I think, a better person.
I grew up in that job, and I had fun doing it. It was an exciting time to cover gay civil rights issues — news was always developing and it felt like we as a community were on the brink of big things. Indeed, the big things gradually took shape. I often think about the current presidential administration and how working at the Blade would be so different now, and likely frustrating, as significant pieces of the progress we covered is at risk of (or in the process of) being rolled back.
The Blade was, I insisted then and maintain now, the most reliable and professional source of hard news about the gay movement anywhere in the world when I worked there, for most of the 90s and into the next decade, And that was quite something to be part of. I always had such deep respect for the people who hired me and shaped me into a professional — Don Michaels and Lisa Keen — because they gave their careers to being the daily historians of a civil rights movement. The same is true for the longest-tenured Blade staffer in history, Lou Chibbaro Jr., whose professionalism and hard-nosed reporting style made each issue of the paper better. I was fond of everyone on the staff, but those three really made that newspaper into an institution I was proud to participate in.
RHONDA SMITH, Blade reporter, features editor, 1997-2005; intern, 1984

I was a journalism undergraduate at Howard University during the early 1980s when I became an intern at the Washington Blade under the tutelage of Lisa Keen and Don Michaels. At the time, I was just coming out and trying to find my way in the world as the daughter of a Southern Baptist minister and a public school teacher from a small town in Texas. The Blade helped shape a key part of my identity in a way that few others did at that time.
I get nitty-gritty details about the LGBTQ experience from the Blade that other media organizations might still tend to gloss over. Writers and editors at the Blade take a deeper dive on topics that help determine the extent to which we thrive. The Blade reminds me that my sexual orientation is a blessing that should be embraced.
My favorite memory working at the Blade: Watching Lou Chibbaro, Jr. get the story.
BRIAN MOYLAN, Blade intern, reporter and features editor, 2000-2006
Gather round, children and let Grandpa Moylan tell you about the bad old days before marriage equality, Grindr, and RuPaul’s Drag Race. In 2000, during my senior year at George Washington University I was about to graduate and needed a job badly. As an English major with a minor in Thursday College Night at Badlands, I didn’t have many prospects, so I opened up the Washington Blade and faxed my resume to every job listing in the want ads. Don’t worry, kids, if you don’t understand half of the things in the previous sentence.
The only two responses I got from my resume were from the Blade itself and the Crew Club, both of them situated on 14th Street when you were more likely to see a prostitute or a shooting in the area rather than an Aesop. I interviewed at the Blade and, as I was getting dressed to go to my interview at the Crew Club, managing editor Kristina Campbell called and told me I got the job. I decided to ditch the Crew Club and become a journalist instead of a jizz mopper. It was my Gwyneth Paltrow “Sliding Doors” moment.
I was an editorial assistant making $22,000 a year, which was not very much even back then. One of my first responsibilities was to go to the Supreme Court and pick up the rulings for Boy Scouts of America V. Dale, where the court ruled it was perfectly acceptable for private groups to discriminate against gay people. It was a startling setback and I thought, “This is going to be a tough job if the news is always this bad.”
The news, back then was often bad: Iowa’s governor rescinded gay protections already in place, several states banned same-sex adoptions, the Millennium March stiffed its vendors, hate crimes bills got voted down left and right, “Brokeback Mountain” lost to “Crash.” Seriously? Crash?! To make it even worse, Cobalt even burned down. Then George W. Bush was elected and things got even worse as that closet case Ken Mehlman used gay marriage bans to stoke Republican turnout at the polls. Often being at work was painful.
But looking back at my time at the Blade (where I eventually rose to be the features editor before I quit in 2006 to move to New York), I don’t remember all of that awful news. Most of all what I remember is the amazing people I worked with, especially Campbell, Lyn Stoessen, and Will O’Bryan, the patient lesbians who taught me how to be a journalist. (Don’t worry, Will always self-identified as a lesbian.) And of course I think of Kevin Naff, still running the gay paper of record, and Lou Chibbaro Jr., the best reporter I have ever encountered in 20 years in journalism. (I also think of the one coworker I slept with, but we should probably not be naming names.)
Secondly, what I remember are all of the amazing events I covered. As an editorial assistant I had to go to a gay community meeting every week and report on it. I met gay SCUBA divers, Black and White Men Together, gay gun enthusiasts, Log Cabin Republicans, and gay affinity groups for every religion you could possibly imagine, including gay atheists. I think of every High Heel Race, all of the Black Prides, each of Ed Bailey’s amazing Madonnaramas at Velvet Nation, all the gay cowboys at the Atlantic Stampede, every film I reviewed at the Reel Affirmations film festival (even the wretched musical based on Matthew Shepherd’s murder).
The Blade ushered a 21-year-old kid from a small town in Connecticut into a gay community far more vibrant than he ever could have imagined. It taught me that no matter how bad things got or how slowly progress came, that we always had each other, that there was always a reason to celebrate, and another Halloween was just around the corner.
By and large many of the things we were fighting for back in the early 2000s — marriage equality, the end of the gay military ban, outing Ken Mehlman — have come to pass. Gay news these days is much sunnier and is covered by every outlet from Vice to the New York Times. But that doesn’t mean that the Blade is obsolete. The one thing it will always have going for it is that it is of the community and by the community. No one else had the dedication or support to make it through 50 years of the bad old times. I couldn’t be more proud to be a part of that legacy. Back in 2000, the Blade gave me a job and since then it has given me a career in media. But the most important thing it gave me, that it still gives me, is hope.
PHILIP VAN SLOOTEN, Blade intern, 2019

It’s important for the LGBTQ community and our issues to be treated respectfully and normalized in the same manner that mainstream media does for the cisgender-heterosexual community. The Blade takes our lives and opinions on all topics seriously and not just as “quirky” news. For example, the Blade would interview a drag performer about their political views and that becomes the news whereas the news for the straight press is simply that someone performs in drag. Their level of education or insights aren’t of interest.
I’ve read a few other LGBTQ publications in the region and very few strive to elevate LGBTQ discourse beyond the sensational.
Books
New books reveal style trends for a more enlightened century
Guidelines that hint about gendering clothing are out
Books about Fashion and Style
By various authors
c.2026, various publishers
$19.95 – $29.95
Don’t look now, but your legs are showing.
It’s OK, it’s almost summertime and you want to show both skin and style. So how about a few hints for looking your best? Check out these great books and get stylin’.
Who says there are rules about fashion? Wearing white before Memorial Day is OK; socks with sandals not so much? Fine, but in “Bending the Rules: Fashion Beyond the Binary” by Camille Benda with Gwyn Conaway (Princeton Architectural Press, $29.95), you’ll see that any guidelines that hint about gendering clothing are oh-so-last century.
Along with lively, fun narrative, there are lots of photos in this book, ads for how clothing used to be worn along male-female lines, and short biographies of some of today’s best designers. Here, you can check out prom dresses from the 1950s and new haute couture gowns practically right off the runway – and see how one parallels with the other. The timeline reaches back centuries, so you get a nice idea of where certain kinds of clothing originated and how it’s relevant today – making what’s inside here perfect for browsing.
Pick up this book, in fact, and you might also pick up some ideas for filling your closet and creating your very own style.
The fashion you wear on your body isn’t all you’ll find in “Pretend to Be Fancy: A Field Guide to Style and Sophistication” by Whitney Marston Pierce (Chronicle Books, $19.95). You’ll also read about other nice things you can have.
So you’re not a pinky-in-the-air kind of person, whatever. You can easily hang with those who are, once you read and absorb this book.
Tongue-tied at fancy soirees? Not anymore, there are tips for talking here. What do you know about canapes, hors d’oeuvres, and the kind of foods you don’t get at the corner c-store? How do you make a charcuterie that everyone will Ooooooh over? And how do you give a gift for the person whose taste seems scads better than yours? That’s all in here, along with what to drink, how to dress, and how to make every corner of your home look like something right out of a high-end magazine.
Will this book make you chic? Possibly, yes. Will it help you get invited to all the best parties? Maybe, but for sure, it’ll make you laugh, it’ll make you feel fabulous, look fabulous, and live your best life with the surroundings you deserve. Out May 5, so put it on your list.
But let’s say you need more ideas. You have questions or thorny issues with fashion that you really need answering. That’s when you ask for a talented fashionista at your local bookstore or library, that knowledgeable someone knows books and knows how to get what you need to be your most dazzling, best-dressed, finest-appointed self in a home you can be proud of, with comfortable furniture that will be the envy of everyone who sees it.
In the meantime, grab the above titles, because these books got legs.
Movies
The queer appeal of ‘The Devil Wears Prada’
Tying the feminist and LGBTQ rights movements together on screen
“Would we have fashion without gay people? Forgive me, would we have anything?”
Those words, spoken by Miranda Priestley herself (actually by Meryl Streep, the 76-year-old acting icon who played her), may well sum up why “The Devil Wears Prada” has been a touchstone for queer audiences for two decades now.
Streep, who returns to big screens this weekend in the sequel to director David Frankel’s beloved 2006 classic (succinctly titled “The Devil Wears Prada 2”), expressed this nugget of allyship in a recent interview with Out magazine, promoting the new film’s upcoming release. It would be hard, as a member of the queer community, to disagree with her assessment. The world of fashion has always been inextricably linked with queer culture, and the whims of taste that drive it are so frequently shaped by queer men – and women, too – who have adopted it as a means of expressing their sense of identity from the very first time they thumbed through a copy of Vogue.
At the same time, the notion that “Prada” has been claimed by the community as “canon” simply because of the stereotypical idea that “gay people love fashion” feels like a lazy generalization. After all, fashion is about discernment – about knowing, if you will, whether a sweater is simply blue or if it is cerulean, and, importantly, understanding why it matters – and just because something ticks off a few basic boxes, that doesn’t mean it qualifies as “haute couture.”
So yes, the setting of the “Devil Wears Prada” universe in what might be called “ground zero” of the fashion industry plays a part in piquing queer interest, but to assume our obsession with it is explained as simply as that is, frankly, insulting. The fashion angle catches our interest, but it’s the story – and, more to the point, the central characters (all of which return in the sequel) – that reels us in.
First, there’s the ostensible heroine, Anne Hathaway’s Andrea (or rather, Andy) Sachs, who falls into the world of fashion almost by accident. She’s a recent college grad who wants to be a journalist, to write for a publication that operates on a less-superficial level than Runway magazine, but fate (for lack of a better word) places her in the job that “a million girls” would kill to have – assistant to Streep’s Miranda Priestly (based on Vogue editor Anna Wintour), who can determine an entire season’s fashion trends merely by pursing her lips. She’s idealistic, and dismissive of fashion in the overall scheme of human existence; she’s also stuck with a truly terrible boyfriend (Nate, played by Adrian Grenier) and trying to live up to the self-imposed expectations and ideals that have been foisted upon her since birth.
It’s clear from the start that none of this “fits” her particularly well. More significantly, the natural grace with which she blossoms, from “sad girl” fashion-victim to the epitome of effortless style, tells us that she was meant to be exactly where she is, all along.
Then, of course, there is Nigel (Stanley Tucci), the ever-loyal art director and “Gay Best Friend” that’s always there to provide just the right saving touch for both Miranda and Andy, helping to boost the former while gifting the latter with his own insight, “tough love,” and impeccable taste. Never mind that he’s a queer character played by a straight actor – Tucci avoids stereotype and performative flamboyance by simply playing it with pure, universally relatable authenticity – or that he ends up, at the end of the original film, betrayed by his goddess yet deferring his own dream to double down on his commitment to hers. Anyone who has ever been a gay man in the orbit of a remarkable woman knows exactly how he feels. Of course, they also probably know the precarious life of being a queer person in the workplace – something that carries its own set of compromises, disappointments, and determinations to go above-and-beyond just to make oneself invaluable to the powers that be.
Which brings us to Emily (Emily Blunt), the cutthroat “first assistant” who does her level best to keep Andy in her place, who goes to extremes (“I’m just one stomach flu away from my goal weight”) to be the “favorite” no matter how much cruelty she has to unleash on those who threaten her status. Some see her as merely an obstacle in the way of Andy’s rise to success, an antagonist whose efforts to embody the “no mercy” persona of an ascendent girl boss only expose her own mediocrity. But for many, she’s just another victim doomed to fail and fall while watching others rise to the top. Queer, straight, or in-between, who among us hasn’t been there?
Finally, of course, there is Streep’s Miranda Priestley, the presumed “devil” of the title and the epitome of mercilessly autocratic authority, who has earned her status and her power by embracing the toxic modus operandiof a misogynistic hierarchy in order to conquer it. Yes, she’s more than just a little horrible, a strict gatekeeper who hones in on perceived weaknesses with all the vicious premeditation of a hawk with its eyes on a luckless rabbit, and it would be easy to despise her if she weren’t so damn fabulous. But thanks to the incomparable Oscar-nominated performance from Streep – along with the glimpses we are afforded into her “real” life along the way – she is not just aspirational, but iconic. Stoic, imperturbable, always three steps ahead and never affording an inch of slack for any perceived shortcoming, there’s an undeniable excellence about her that inspires us to see beyond the obvious dysfunction of the “work ethic” she represents; and sure, there’s enough emotionally detached enthusiasm in her torment/training of Andy to fuel countless volumes of erotic lesbian fan-fiction (Google “MirAndy,” if you dare), but when we eventually recognize that she might just be the ultimate “fashion victim” of them all, it doesn’t just cut us to the core – it strikes a chord that should be universally recognizable to anyone who has had to make their own “deal with the devil” in order to claim agency in their own lives. In this way, “The Devil Wears Prada” comes closer than probably any mainstream film to tying the feminist and queer rights movements together in common cause.
In any case, each character, in their way, can easily be tied to a facet of queer identity – and indeed, to the identity of anyone who must work twice (or more) as hard as a straight white Christian male to succeed. We can see ourselves reflected in all of them – and whether we aspire to be Miranda (I mean, who wouldn’t?), identify with Andy, recognize our worst traits in Emily, or empathize with Nigel and his deferential suffering, there’s something in “The Devil Wears Prada” that resonates with everyone.
Now let’s see if the sequel can say the same.
Lesbifriends Travel will host “Queer Night Out: DC Power FC Game” on Wednesday May 6 at 7 p.m. at Audi Field.
This will be a fun night out as DC Power FC takes the field at Audi Field, kicking off with a happy hour meetup in Navy Yard before the group walks to the stadium together. Lesbifriends and Travel group will be seated together in the stands, making it easy to connect, cheer, and enjoy the game with people who just feel like your people.
More details are available on Eventbrite.
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