Connect with us

Arts & Entertainment

What the Blade means to me

Former employees reflect on impact of the newspaper

Published

on

Washington Blade staff in the 1980’s. (Washington Blade archive photo)

As we wrap our yearlong celebration of the Washington Blade’s 50th anniversary, we wanted to provide space to former employees to reflect on what the newspaper means to them. Here is a sampling of what they had to say. Thanks to everyone for contributing.

JERYL PARADE, Blade account executive, 2009-2016

Jeryl Parade, on right, with Colleen Dermody and Blade Publisher Lynne Brown. (Washington Blade file photo by Pete Exis)

“I need to tell you this is the last issue of the newspaper you will be delivering. It’s not you. It’s us. We’re shutting down.”

“What will you do?”

“Look for a job. But not here. In D.C.

“You should apply at the Blade.”

“The Blade?”

“We’ve been there trying to get their distribution business. You should see the offices. They’re beautiful”.

“Yeah. OK. Thanks for the advice.” But I’m not gay.

On July 26, 2009, I emailed publisher Lynne Brown my three-page resume with 18 bullet points of publishing accomplishments. She responded on July 31, 2009. “Thanks for writing. There are only opportunities in life.”

In a subsequent email we agreed to meet on Wednesday at 11 a.m. Lynne wrote, “We are generally a casual group. So dress to be yourself.”

I did not know if she meant this or was being crafty. Should I really show up in a ‘90s Goth thing? I decided on a business suit. The Blade is, after all, a business.

And then some!

Happily I got the job. It was advertising sales. I had been a manager for 25 years, but when you work with clients, as I had, you are in sales.

I am able to tell on the first day of a new job if it is going to work out. On that first day — even though all I did was read the employee manual — I felt good. I was breathing in fresh air.

The next day I made my first sales call. It resulted in a sale. You know it can take 10 or more calls or emails to connect with someone and five or more contacts with said someone to seal the deal. If you’re lucky. Not so with the Blade. I was batting 1,000 percent!

Still, I was feeling stilted compared to my debonair coworkers. I remember seeing a team photo from the previous holiday season. Everyone dressed in black. I don’t think anyone was smiling. I would never be as cool as that.

About two and a half months into my tenure, on Monday, Nov. 16, 2009, we came in to work and were told (by the then parent company) to go home. Plenty has been written about the days and weeks that followed. I won’t go into that here. I consulted with my father about what to do next. I told him how the employees had a plan to keep publishing. My dad advised me to stay. He said, “It might be better.”

From then on I learned how to work on a commission-only basis and have confidence in my own and our success. I had always worked at a desk, in an office. Now I was free. An advertiser would call me on my cell while I was on the streets of downtown D.C. How cool was I now? I was Blade cool.

One of my most vivid memories of working for the Blade is from 2013 in the Venetian Jewish Ghetto. My friend was on a tour while I was in the piazza taking a call from the Washington Women’s Rugby Football Club (DC Furies) about advertising in our LGBTQ Sports Issue. I had sent an email blast earlier that week from our hotel room in Rome to let everyone know I had previewed the content and it was amazing!

Being “not gay” was never an issue. My advertisers and co-workers did not care which of the letters comprising the acronym I was. I had always assumed it was A for Ally. Now I know. It’s G. For Grateful.

KEN SAIN, Blade news editor, 2003-2005

Perhaps the most important thing we have learned since Stonewall is that visibility is everything. Many of the advances the LGBTQ community has made in these past decades are because ordinary people had the courage to come out.

Each generation has made it easier for the next, and the current one will make it even easier for those who follow. It was far easier in those early years for an Anita Bryant and others to go argue for discrimination when it was just some drag queens no one knew in San Francisco who were denied rights and being assaulted.

It’s a lot harder to make that case when it’s your uncle, or sister, or child.

So yes, give credit to the leaders for inspiring us and willing to be the face that took the criticism. But remember that each of us who had the courage to tell our truth to family and friends and co-workers also did our part to help change public opinion.

And give some credit to the Washington Blade. For 50 years it has been covering the struggle, helping to inspire new generations by telling the stories of those who came before. It was a source of news for our community when others didn’t even acknowledge our issues. The Blade did so while maintaining the highest standards of journalism and ethics.

I know from my time as news editor what a vital role the Blade has in the community. I like to think that by covering the community fairly and with integrity we achieved our goals of informing and in some cases entertaining readers. I also believe that by putting a spotlight on the stories of our community, we helped moved the needle on public opinion in some small way.

I am deeply proud of my time working for the Blade and the work we did. There is something special about working with quality people on a righteous cause. Our cause was to show that we could do great journalism for LGBTQ readers and keep them informed of the issues that that in many cases no one else was covering.

In doing so, we helped make our community more visible. And as we’ve learned during these past 50 years, being more visible is one key to being accepted.

Happy 50th anniversary, Blade.

KRISTINA CAMPBELL, Blade reporter, managing editor and editor, 1992-2002

Kristina Campbell (Washington Blade archive photo)

The thing I remember most about the Blade was the company’s elegant balance as a fun and often lighthearted atmosphere that was also a professional workplace where we were serious about our mission and our product. I felt close to everyone in the newsroom, especially as I rose the editor ranks and started supervising people who had been my colleagues. It was an honor to be trusted with that role. I remember the work being challenging but rewarding, every day of my tenure there, until the ownership changed and some workplace issues started clouding my focus on the news. I felt an obligation to the community the entire time I worked at the Blade, because it was so important to get the information correct, to be fair, to create a record for information and developments that the mainstream media was only beginning to cover. And I also felt a responsibility to act with objectivity and to give fair and respectful treatment to adversaries of the community or its civil rights work. That was sometimes difficult, but it made me a better journalist and, I think, a better person.

I grew up in that job, and I had fun doing it. It was an exciting time to cover gay civil rights issues — news was always developing and it felt like we as a community were on the brink of big things. Indeed, the big things gradually took shape. I often think about the current presidential administration and how working at the Blade would be so different now, and likely frustrating, as significant pieces of the progress we covered is at risk of (or in the process of) being rolled back.

The Blade was, I insisted then and maintain now, the most reliable and professional source of hard news about the gay movement anywhere in the world when I worked there, for most of the 90s and into the next decade, And that was quite something to be part of. I always had such deep respect for the people who hired me and shaped me into a professional — Don Michaels and Lisa Keen — because they gave their careers to being the daily historians of a civil rights movement. The same is true for the longest-tenured Blade staffer in history, Lou Chibbaro Jr., whose professionalism and hard-nosed reporting style made each issue of the paper better. I was fond of everyone on the staff, but those three really made that newspaper into an institution I was proud to participate in.

RHONDA SMITH, Blade reporter, features editor, 1997-2005; intern, 1984

Rhonda Smith (Washington Blade archive photo)

I was a journalism undergraduate at Howard University during the early 1980s when I became an intern at the Washington Blade under the tutelage of Lisa Keen and Don Michaels. At the time, I was just coming out and trying to find my way in the world as the daughter of a Southern Baptist minister and a public school teacher from a small town in Texas. The Blade helped shape a key part of my identity in a way that few others did at that time.

I get nitty-gritty details about the LGBTQ experience from the Blade that other media organizations might still tend to gloss over. Writers and editors at the Blade take a deeper dive on topics that help determine the extent to which we thrive. The Blade reminds me that my sexual orientation is a blessing that should be embraced.

My favorite memory working at the Blade: Watching Lou Chibbaro, Jr. get the story.

BRIAN MOYLAN, Blade intern, reporter and features editor, 2000-2006

Gather round, children and let Grandpa Moylan tell you about the bad old days before marriage equality, Grindr, and RuPaul’s Drag Race. In 2000, during my senior year at George Washington University I was about to graduate and needed a job badly. As an English major with a minor in Thursday College Night at Badlands, I didn’t have many prospects, so I opened up the Washington Blade and faxed my resume to every job listing in the want ads. Don’t worry, kids, if you don’t understand half of the things in the previous sentence.

The only two responses I got from my resume were from the Blade itself and the Crew Club, both of them situated on 14th Street when you were more likely to see a prostitute or a shooting in the area rather than an Aesop. I interviewed at the Blade and, as I was getting dressed to go to my interview at the Crew Club, managing editor Kristina Campbell called and told me I got the job. I decided to ditch the Crew Club and become a journalist instead of a jizz mopper. It was my Gwyneth Paltrow “Sliding Doors” moment.

I was an editorial assistant making $22,000 a year, which was not very much even back then. One of my first responsibilities was to go to the Supreme Court and pick up the rulings for Boy Scouts of America V. Dale, where the court ruled it was perfectly acceptable for private groups to discriminate against gay people. It was a startling setback and I thought, “This is going to be a tough job if the news is always this bad.”

The news, back then was often bad: Iowa’s governor rescinded gay protections already in place, several states banned same-sex adoptions, the Millennium March stiffed its vendors, hate crimes bills got voted down left and right, “Brokeback Mountain” lost to “Crash.” Seriously? Crash?! To make it even worse, Cobalt even burned down. Then George W. Bush was elected and things got even worse as that closet case Ken Mehlman used gay marriage bans to stoke Republican turnout at the polls. Often being at work was painful.

But looking back at my time at the Blade (where I eventually rose to be the features editor before I quit in 2006 to move to New York), I don’t remember all of that awful news. Most of all what I remember is the amazing people I worked with, especially Campbell, Lyn Stoessen, and Will O’Bryan, the patient lesbians who taught me how to be a journalist. (Don’t worry, Will always self-identified as a lesbian.) And of course I think of Kevin Naff, still running the gay paper of record, and Lou Chibbaro Jr., the best reporter I have ever encountered in 20 years in journalism. (I also think of the one coworker I slept with, but we should probably not be naming names.)

Secondly, what I remember are all of the amazing events I covered. As an editorial assistant I had to go to a gay community meeting every week and report on it. I met gay SCUBA divers, Black and White Men Together, gay gun enthusiasts, Log Cabin Republicans, and gay affinity groups for every religion you could possibly imagine, including gay atheists. I think of every High Heel Race, all of the Black Prides, each of Ed Bailey’s amazing Madonnaramas at Velvet Nation, all the gay cowboys at the Atlantic Stampede, every film I reviewed at the Reel Affirmations film festival (even the wretched musical based on Matthew Shepherd’s murder).

The Blade ushered a 21-year-old kid from a small town in Connecticut into a gay community far more vibrant than he ever could have imagined. It taught me that no matter how bad things got or how slowly progress came, that we always had each other, that there was always a reason to celebrate, and another Halloween was just around the corner.

By and large many of the things we were fighting for back in the early 2000s — marriage equality, the end of the gay military ban, outing Ken Mehlman — have come to pass. Gay news these days is much sunnier and is covered by every outlet from Vice to the New York Times. But that doesn’t mean that the Blade is obsolete. The one thing it will always have going for it is that it is of the community and by the community. No one else had the dedication or support to make it through 50 years of the bad old times. I couldn’t be more proud to be a part of that legacy. Back in 2000, the Blade gave me a job and since then it has given me a career in media. But the most important thing it gave me, that it still gives me, is hope.

PHILIP VAN SLOOTEN, Blade intern, 2019

Philip Van Slooten (Washington Blade file photo)

It’s important for the LGBTQ community and our issues to be treated respectfully and normalized in the same manner that mainstream media does for the cisgender-heterosexual community. The Blade takes our lives and opinions on all topics seriously and not just as “quirky” news. For example, the Blade would interview a drag performer about their political views and that becomes the news whereas the news for the straight press is simply that someone performs in drag. Their level of education or insights aren’t of interest.

I’ve read a few other LGBTQ publications in the region and very few strive to elevate LGBTQ discourse beyond the sensational.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

a&e features

Summer in D.C. brings sports, Restaurant Week, festivals, and more

Published

on

Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
Continue Reading

a&e features

Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

Published

on

Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

Continue Reading

Arts & Entertainment

Sci-fi has long been at vanguard of LGBTQ representation

Story lines now criticized as ‘woke’ is weird

Published

on

Ncuti Gatwa as the Doctor and Jonathan Groff as Rogue lock lips in the long-running sci-fi show, 'Doctor Who.' (Screen capture via Doctor Who/YouTube)

Since I was a teenager, I have liked sci-fi because of the depth with which it explores social issues. At the time, I didn’t know that I was autistic and queer, so I couldn’t see myself in other autistic and queer people. Instead, I saw myself in androids, mutants, telepaths, and sometimes aliens who were portrayed as minorities persecuted by the human majority. It was a universal language for talking about alienation, systemic discrimination, conversion therapy, segregation, and internalized self-hatred.

Now, when so many sci-fi stories are being criticized online as “woke,” it seems weird for me. This is especially true when we are talking about franchises, such as the British TV series “Doctor Who” and American franchise “Star Trek,” both of which have always been remarkably progressive by the standards of their own time. 

Let’s take a closer look at “Doctor Who.”

In June 2026, the BBC cancelled the planned Christmas special, saying that viewers would have to wait longer for the next season after internal studio issues, and now the BBC is looking for new production partners. “Doctor Who” is the longest-running science fiction television series in the world, originally airing from 1963 to 1989 before returning in 2005. The future of the franchise is currently unclear, and many people online immediately began blaming “wokeness” for what had happened to their favorite show.

After all, the Doctor, an alien Time Lord who can regenerate and literally change faces, had traditionally been played by white men. But the last, Fifteenth Doctor was played by Ncuti Gatwa, a Black Scottish-Rwandan actor who has publicly identified as queer (and the doctor himself was first presented as queer character after a queer romantic episode where he kissed a man), while the Thirteenth Doctor was played for three seasons by Jodie Whittaker, the first woman to portray the Doctor. In 2023, the series also introduced Rose Noble, a trans feminine nonbinary teenager and supportive character played by transgender English actress Yasmin Finney.

But despite popular stereotypes online, “Doctor Who” did not suddenly “go woke.” The program has existed in two main eras: the classic series, which aired from 1963 to1989, and the modern revival, which has been broadcast on BBC One since 2005.

Even in the 1960s, one of the program’s earliest stories, “The Daleks” (1963–64), presented an obvious allegory for fascism, racial purity, bigotry and the horrors of war. Throughout the classic era, the Doctor frequently opposed militarism, authoritarian governments, and dictatorships. Many fans have also pointed to moments of queer coding and subtext throughout the classic series.

However, openly queer characters appeared as soon as the modern revival began. 

The 2005 revival introduced Captain Jack Harkness, played by John Barrowman, one of the first openly queer recurring characters in the “Doctor Who” universe. He openly flirted with people regardless of their gender and later became the lead character of the spin-off series “Torchwood.” “Torchwood” went even further with LGBTQ representation, featuring multiple queer characters, including trans and nonbinary characters whose identities were treated as a normal part of the story.

“Doctor Who” has always been remarkably progressive for its time. The franchise doesn’t suddenly change its values, it’s always been “woke.”

The same happened with the American franchise “Star Trek.” 

It is widely known as one of the most openly left-wing and progressive television franchises ever broadcast. The original series, which aired from 1966-1969, was created during the Cold War and featured the utopian United Federation of Planets, a society without poverty or money that can be characterised as socialist or even communist. It also featured Lt. Uhura, played by Nichelle Nichols, a Black woman serving as a highly respected bridge officer at a time when Black women weren’t portrayed in positions of authority on American television. The series also included one of the first interracial kisses in modern American television, between Capt. James T. Kirk (William Shatner) and Uhura in the 1968 episode “Plato’s Stepchildren,” a moment that had a significant cultural impact.

Gene Roddenberry, the creator of the franchise, said that he had wanted to include openly queer characters as well, but believed it would have been impossible to keep the show on the air because it had already pushed social boundaries in so many other ways.

Today, many viewers — including Elon Musk — claim that “Star Trek” has only recently become “woke.” In reality, I think it actually became less radical than the original series. Even queer characters are not a recent addition to the franchise. One of the earliest major queer characters appeared in “Star Trek: Deep Space Nine” (1993–1999): the Trill officer Jadzia Dax, played by Terry Farrell. In the 1995 episode “Rejoined,” she shared one of the first same-sex kisses in the history of the franchise.

However, for some reason, it was the openly gay couple Paul Stamets (Anthony Rapp) and Hugh Culber (Wilson Cruz) inStar Trek: Discovery” (2017–2024), together with the trans Trill character Gray Tal, played by trans actor Ian Alexander, that triggered a major backlash among conservative parts of the fandom. That backlash reached another peak with “Star Trek: Starfleet Academy,” which features the canonically gay Klingon cadet Jay-Den Kraag. The actor has spoken about receiving abuse and threats because of the role, despite the fact that there was nothing especially ideological about his character. He was simply a gay character whose sexuality was only one aspect of who he was. In fact, considering the ideals of the original “Star Trek,” I was more surprised that the franchise still includes relatively few trans or polyamorous characters, and that they are not part of the lead cast. After all, the franchise was created to imagine a future that was ahead of its time.

So why do conservatives and anti-LGBTQ people continue to watch franchises that have always been deliberately progressive? And why do they keep claiming that these shows have only recently “gone woke”?

A more logical explanation is that parts of the audience have become less willing to accept the same kinds of progressive ideas that these franchises have embraced for decades. In other words, it is not the shows that fundamentally changed. Some long-time viewers have become more conservative than they were in their youth, while newer conservative audiences have joined them and begun criticizing franchises without knowing their real history. 

In many ways, geeks have changed more than these shows have. Sci-fi hasn’t “gone woke.” Some of its fans have simply become less comfortable with the same progressive values these franchises have promoted for decades.

Continue Reading

Popular