a&e features
‘Drag Race’ season 11 champ Yvie on her tour, sisters, adventures, love life and more
Oddly and arch rival Silky now close as ‘sister

‘RuPaul’s Drag Race: Werq the World Tour’
Sunday, Oct. 27
8 p.m.
The Anthem
901 Wharf St., S.W.
$52-62

Boasting three season winners (Aquaria, Violet Chachki and Yvie Oddly), the 2019 “RuPaul’s Drag Race: Werq the World Tour” features one of the stronger lineups the franchise has ever launched.
Hosted by Michelle Visage, a “Drag Race” legend in her own right at the judge’s table, the show features “mission leader” Asia O’Hara on a journey to save the universe with the help of Detox, Monet Exchange, Naomi Smalls, Plastique, Kameron Michaels and Vanessa “Vanjie” Mateo. The tour comes to Washington Sunday night.
Yvie (aka Jovan Bridges), the 26-year-old 2019/season 11 “Drag Race” champ, unleashed her throaty trademark cackle liberally during a phone interview last week from Williamsville, N.Y. Her comments have been slightly edited for length.
WASHINGTON BLADE: How’s the tour going so far?
YVIE ODDLY: It’s really fun. It’s definitely been a challenge just trying to adapt my drag to a whole other thing on a crazy, massive scale, but I feel like I finally got the swing of things and it’s just a stellar show. It’s so much fun to be a part of. I love the girls, I love the people we work with and they feed me well (laughs).
BLADE: Any queens from other seasons you didn’t know before you’ve bonded with?
YVIE: Well, basically the whole cast. Up to this point, I’d only had the pleasure of working with Vanjie and Plastique so it’s been really cool to get one-on-one tme and hang out with a lot of the girls. I’d say the people I’ve probably gotten to know the best so far would be, like Naomi is really cool. I never would have imagined being friends with a pair of legs (laughs). I’ve also gotten along really well with Detox so far. I’m enjoying this experience.
BLADE: You’re also touring with two past season winners. Is there any unspoken deference to you three from the other girls?
YVIE: I mean I’d like to think that I could probably get away with more shit if I wanted to (laughs). Uh, but no. It really does just feel like all of the girls, as much as the competition is the thing that elevated our careers to this point and in a way brought us all together, that’s all behind us know and we’re just working queens all in the same field, all trying to make a living.
BLADE: What’s the drama meter like on tour vs. on the show? I’m sure you’re gonna say you’re all getting along great but c’mon — it’s drag, there has to be some drama right?
YVIE: It literally has been like zero. Sorry to be the wet blanket. There’s something about being in a competition environment and not having anybody you can talk to at home, not having a phone and being put in isolation that really will just rattle up the most human emotions out of everybody. When you’re in that environment, it’s super volatile at points, but on tour, we’re all just working queens. There literally hasn’t been almost anything.
BLADE: There was some controversy earlier this year when Monet X Change was fired from the “Haters Roast: the Shady Tour” after she bailed one of the dates to accept an offer from Madonna. How has this tour promoter (Voss) been like to work with for you and what would you do if Madonna called you to be ditch the tour to be in one of her videos?
YVIE: I love working with Voss. They’ve been producing things for a very long time and have the capability to put on some of the craziest, biggest shows and spectacles and they just treat me nice, they treat me well, that’s why I’m here. The Madonna video, that depends, is she asking me?
BLADE: Sorry, this is just hypothetical.
YVIE: Well that’s why I love working with Voss. I would never have to leave a tour to work on a Madonna video. They want my career to be as beautiful and blossoming as possible so they’d figure out a way to make it work.
BLADE: Did anything jump out at you watching your season on TV vs. how it felt in the moment?
YVIE: No. I typically have a pretty good idea of what’s going on around me at all moments (laughs). So literally the only thing that was surprising was hearing the other girl’s confessionals. That’s the only thing I wasn’t in the room for.
BLADE: You were quite abrasive at times. You said you were trying to be helpful but some were offended. Do you regret any of it?
YVIE: I don’t care whether or not I came across as abrasive. It’s something that many people value and many people don’t and that’s all on their plates. I just wanted to live authentically especially when I saw how inauthentic others were being and if it’s abrasive to tell the truth in a world that’s more comfortable telling lies outright then so be it, let me be that abrasive bitch.
BLADE: What was it like performing at Pride in Denver (your home town) fresh off your win in June?
YVIE: That was actually unimaginable. It felt like coming home from war. I know that’s a really intense comparison, but I had worked so hard to get on “Drag Race” to get my career to that point and I never thought, there’s one part of me that never really thought about what it would feel like to win or to lose or what any of it would feel like regardless. So after it all hit, so coming back home after making my city proud and being only the second person from Denver on the show I felt like what I imagine sports teams feel like when they win their championships (laughs).
BLADE: Are you still based in Denver?
YVIE: Yes I am.
BLADE: Do you plan to stay or are you considering moving to one of the coasts?
YVIE: I’m not moving to one of the coasts … at least as it stands right now, I really like the idea of being home when I’m home so if I’m only ever home for short amounts of time, then Denver is where I want to be.
BLADE: Overall what’s life been like since you won?
YVIE: It’s been like I’ve died and been reborn a thousands times. It really has. Not only am I trying so many different things that never thought I would try but I wake up literally in a different city every day, meet a whole bunch of new people every day and just have some of the most insane experiences, so I feel like since getting on “Drag Race” and definitely since airing and 100 percent since winning, I feel like every day is a crazy-ass rebirth (laughs).
BLADE: I’m trying to think how to ask this diplomatically: you have so much insane flexibility in your performances. Does that come in handy in your, um, romantic life or is it just for stage?
YVIE: (laughs) Unfortunately not. You know that whole adage about ladies in the street vs. in the sheets? I’m a freak on the streets and a blouse in the sheets.
BLADE: Your lip sync against Brooke Lynn Hytes in episode eight was so mind-bogglingly epic. What was it like in the moment? Did you realize she was really turning it out as well? And how did you feel when you found out you were both saved?
YVIE: I definitely was hyper focused on delivering the best performance I could, so while I didn’t necessarily see Brooke Lynn during any of our lip sync except for maybe one split second here or there, there’s something to be said about the energy of going and fighting for your chance to stay and fighting for your chance to continue being seen that just flips a switch on in you and Brooke Lynn up until that point was already the fiercest competitor around and the one person I really didn’t want to have to lip sync against, so when both of us were called for the bottom, I could just feel the energy going full throttle. I could feel Brooke Lynn fighting to stay too and I knew I had to put up a damn good fight if I wanted to be there beside her. That being said, I feel like the fans sometimes get into this mindset, like, “Oh it’s obviously going to be a double save” or, “These things are predictable,” to them but when we were there on that stage, I never even considered like the possibility of a double save. I just considered was I good enough to beat her, was I good enough to secure my place in this competition, and if not, am I ready to pack my bags? So getting called at the same time felt like some strange act of God, like some weird miracle, like, “Oh yeah, by the way, this doesn’t ever happen but merry Christmas.”
BLADE: How are you and Silky now? That was such a “Drag Race” rivalry for the ages.
YVIE: I mean Silky is probably one of the girls I’m closer to from the show just ‘cause we did go through so much shit with each other in the experience itself and then having to watch the fans relive that in a way, so even though I only ever get to see her occasionally, she’s my sister.
BLADE: You drew a lot of ire for your selfie policy. Sorry if I missed some of it, but was it more about you being exhausted after a show or did you not think it was fair to be taking a bunch of selfies after a show to the people who had paid for the meet and greet?
YVIE: My thinking on it is that I didn’t want people to be selfish for me. It was always about the fact that regardless of whether it’s for money or for my body or for whatever reason, if somebody says no, you just have to be respectful of that and I was getting so many people who started to get to a really creepy, unsettling level when I would tell them no. They would follow me back to my hotel room, they would like be berating me because they felt they deserved something for having watched me on TV (laughs). It’s just not how I feel. So when I made the initial tweets, it was out of frustration of people not listening to that. It was mostly because I’m tired, I’m fucking exhausted after a show, and people would rather believe it’s about money or it’s about me being some spoiled diva who wants all the fame fortune and none of the work that goes into it when really I never wanted fame and fortune, I wanted to be an artist and I feel like that’s who fans appreciate and respect. I’ve had plenty of people who love the hugs I’ve ben giving out (laughs) in place of bullshit selfies, which will just fade away into a timeline of, “Look at me and vaidate my life.”
BLADE: Bianca del Rio …. (cuts off; Bianca criticized Yvie’s policy)
YVIE: That grumpy old bitch. Whatever. That’s why I was shocked. I wasn’t shocked by fans being upset by what I said but I was shocked when she and a few other queens kind of jumped on the bandwagon because they chose to believe the most (inaudible) part about it and being a part of “Drag Race,” there’s always a deeper level that not everybody is going to read into or will even want to read into sympathetically and being like, “This life is hard.” She turns down photos with fans as well, instead of being, “Life is hard, sometime it’s OK to say no,” she was like this spoiled bitch who doesn’t want to take any photos but wants fame and fortune and she wants your money. So good on her, she can give as much terrible life advice as she wants.
BLADE: You said on the show because of your (genetic connective tissue disorder) condition you won’t be able to do drag forever. Any idea how long you might have for this? And what would you be doing if not drag?
YVIE: If I wasn’t doing drag, I’d still be creating. I was an artist before I found the medium of drag and I’ll be an artist afterwards. I have to create to survive, that’s just how I feel, the only way that I feel like I’m living my life authentically so I have had to think about that and remind myself that even if I can’t do things the way I’m doing them now, there is always a future, however I don’t have a timeline. … It’s just some days my body is there for me and some days it’s not and I know that if I keep doing drag the way I do it right now, there’s going to be a lot more of those not days.
BLADE: How long did it take to film season 11?
YVIE: It’s like a regular filming schedule, Monday-Friday, all hours of the day. I honestly don’t remember how long I was there for the whole time. I know it takes a few days to film an episode.
BLADE: Did you feel pressed for time during the competition?
YVIE: No. Only during the time challenges when they make it quite apparent how little you have of anything.
BLADE: Have you been watching “Drag Race U.K.”?
YVIE: Yes I have.
BLADE: Any thoughts or favorites?
YVIE: Um, it’s too early for me to call favorites, especially since what their queens offer is such a different dynamic from what we’ve seen in the U.S. seasons. However I’m just in love with some of the camp and wit that goes into their drag. I love a stupid bitch.
BLADE: It was announced you were gonna have your own World of Wonder show. When can we look for that?
YVIE: It’s actually called “Yvie’s Odd School” and it’s already out on the World of Wonder plus app. I think we’re like four episodes deep. Go check it out.
BLADE: You’ve released several singles. Would you like to establish a long-running music career?
YVIE: I mean it’s something I’d never considered prior to “Drag Race” but I’ve really enjoyed exploring it so it’s definitely one of the routes I’d like to take artistically.
BLADE: Had you auditioned before you got on “Drag Race”?
YVIE: It was my third time. The old third time’s the charm thing.
BLADE: Who was your favorite celebrity guest judge?
YVIE: Either Elvira — because she’s like everything, or Troye Sivan, because he saw my penis.
BLADE: Was that on the show? I don’t remember that.
YVIE: I think he said it on “Untucked.”
BLADE: Hmmmm, how did that happen? You weren’t shy about parading it around.
YVIE: I mean, it wasn’t a parade necessarily. I only had a certain amount of time to get my whole body pink and I didn’t have time when you’re under those constraints, you just don’t have time for decency or shyness (laughs). I guess he was just watching through one of those mirrors or something.

BLADE: Are you just naturally super thin or do you work out and watch your diet?
YVIE: I mean I live a super active lifestyle and always have. Way more active than honestly I probably should be. But I eat like crap (laughs) and my only exercise is drag
BLADE: Are you seeing anybody? What’s it like trying to date when you’re on the road so much?
YVIE: I actually have been dating the same guy since literally the week before our show started airing. I feel like I’ve been lucky because I’ve gotten to enter a relationship in the unique context of he didn’t know me before, so he doesn’t have any claims to my previous identity or what I was like before “Drag Race” and he didn’t come to know me through the medium or through the time when I was on TV, so he like never had any like fan girl moment or anything, he was there with me fright from the beginning, so it’s been magical to kind of get to know somebody authentically as myself and just ride this whole experience with him. To answer your second part, yes, it’s super hard.
BLADE: Does he live in Denver?
YVIE: That’s what makes it even harder. He moved to Boston to go to law school like right when I left for tour. I will be seeing him shortly.
BLADE: Is his name out there publicly?
YVIE: I mean, I’m not ashamed of him, but I don’t want to put him on blast like that.
BLADE: Thanks and good luck with the tour and your other endeavors, this was fun.
YVIE: Thank you darling.

a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
a&e features
Visible and unapologetic: MAL brings the kink this weekend
Busy lineup includes dances, pups, super heroes, and more
MLK Weekend in D.C. brings the annual Mid-Atlantic Leather (MAL) Weekend. Just a short walk from where Congress has been attacking queer Americans this year, MAL takes place at the Hyatt Regency Washington for several days of intrigue, excitement, leather, and kink.
The Centaur Motorcycle Club — one of several similar groups dedicated to leather in the country — has been hosting MAL in its current form for more than 40 years. Originally a small gathering of like-minded people interested in the leather lifestyle, MAL has grown to include a full four days of events, taking place onsite at the Hyatt Regency Washington (400 New Jersey Ave., N.W.). Select partner happenings take place each night, and many more non-affiliated events are scattered across the DMV in honor of and inspired by MAL.
MAL Weekend has become an internationally renowned event that celebrates fetish culture, yet it also raises funds for LGBTQ organizations, “reinforcing its legacy as both a cultural and philanthropic cornerstone of the global leather community,” according to MAL organizers.
During the day, MAL events at the Hyatt include workshops, social gatherings, shopping, and other in-person engagements for the community.
“The Hyatt underwent an extensive top to bottom renovation after last year’s event,” says Jeffrey LeGrand-Douglass, the event chair. The lobby, meeting spaces, guest rooms, and other areas have been updated, he notes, “so I am very excited for our guests to experience the new design and layout for the first time. And of course as with every year, we look forward to the contest on Sunday afternoon and seeing who will become our new Mr. MAL.”
In the evening, MAL hands the reins to partner KINETIC Presents, the D.C.-based nightlife production company. KINETIC will host four consecutive nights of high-production events that fuse cutting-edge music, immersive environments, and performance. This year, KINETIC is popping open doors to new-to-MAL venues, international collabs, play zones, and a diverse lineup.
According to KINETIC managing partner Zach Renovátes, 2026 is the most extensive MAL production to date. “The talent lineup is unreal: an all-star roster of international DJs, plus drag superstar performances at the Saturday main event,” he says.
Renovátes added that he’s “most excited about the collaborations happening all weekend — from bringing in MACHO from WE Party Madrid, to teaming up with local leather groups, to nonprofit partners, and Masc Diva [a queer nightlife collective].”
Official MAL events begin on Thursday with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. at the Hyatt.
Thursday night is also the KINETIC kickoff party, called LUST. Running 10 p.m. – 3 a.m., it’s being held at District Eagle. DJ Jay Garcia holds it down on the first floor, while DJ Mitch Ferrino spins in the expansive upstairs. LUST features special performances from the performers including Serg Shepard, Arrow, Chase, and Masterpiece.
Renovátes notes that the LUST opening party at District Eagle coincides with the bar’s grand re-opening weekend. The bar will unveil its new permanent home on the renovated second floor. “it felt like the perfect place to start Mid-Atlantic Leather weekend — right in D.C.’s only dedicated home for kink communities,” he says.
After Thursday night, Friday is when daytime events begin at the Hyatt. The Exhibit Hall, on the ballroom level below the lobby, hosts upwards of 30 vendors, exhibitors, and booths with leather goods, fetish wear, clothes, toys, other accessories, providing hours of time to shop and connect with attendees and business owners. The Exhibit Hall will be open on Friday from 4-10 p.m., as well as on Saturday and Sunday afternoons.
DC Health is once again back at MAL, to provide preventative health services. In the past, DC Health has provided MPox vaccines, Doxy PEP, HIV testing, Narcan kits, and fentanyl test strips. This booth will be open on Friday 4-10 p.m.
Later, at 6 p.m., the Centaur MC is holding its welcome reception on the ballroom floor. After the Centaur’s Welcome Reception, the MIR Rubber Social is 8-11 p.m. A Recovery Meeting is scheduled at 10 p.m.
Many attendees enjoy visiting the guest room levels of the hotel. Note that to get in an elevator up to a hotel room, a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.
Friday night, for the first time, KINETIC Presents is joining forces with WE Party to bring MACHO to Washington, D.C. This official MAL Friday event delivers two stages and two genres. On the UNCUT XXL stage, international Brazilian circuit superstars Erik Vilar and Anne Louise bring their signature high-energy sound. On the MACHO stage, Madrid’s Charly is joined by Chicago’s tech-house force, Karsten Sollors, for a blend of techno and tech house. UNCUT also features the XL Play Zone, a massive, immersive space exclusive to this event. The party takes place at the Berhta space from 10 p.m.-4 a.m..
“This year we’re bringing back the two-room format we debuted at WorldPride for both Friday and Saturday, so attendees can really tailor their experience — whether they’re in the mood for circuit or tech house.” says Renovátes.
Directly after Friday’s UNCUT XXL, UNDERWORLD Afters takes over District Eagle, from 3:30-8 a.m. International DJ Eliad Cohen commands the music.
Saturday, the Exhibit Hall opens earlier, at 11 a.m.. DC Health will also be back from 11 a.m. to 6 p.m.
Saturday is also time for one of the most anticipated events, the Puppy Mosh, running from 11 a.m. to 1 p.m. During the event, pup culture comes to life, when pups, handlers, and friends can enjoy an inclusive, safe pup zone. There is also a Recovery Meeting at 11 a.m., and the IML Judges Announcement takes place at noon.
The popular Super Hero Meet Up will be held 1:30 p.m. – 3 p.m., sponsored by One Magical Weekend, for cosplayers, comic enthusiasts, and their friends.
From 2-6 p.m., the Onyx Fashion Show will take place to showcase and highlight people of color in leather.
Finally, the Leather Cocktail Party – the original event of MAL – will be held 7-9 p.m. in the Ballroom. While this requires special tickets to attend, at 9 p.m. is the MAL cocktail party, which is open to wider attendees.
The last event of Saturday leaves the hotel, again a partnership with KINETIC. Kicking off at 10 p.m. and running until 4 a.m., it’s just the second time that KINETIC’s Saturday night party is an official MAL event and serves as the main weekend engagement.
Saturday night’s centerpiece is called KINK: Double Trouble. The night will feature a first-ever back-to-back set from international electronic music icons Nina Flowers and Alex Acosta on the Circuit/Tribal Stage. The other room – the Tech House Stage – curated by The Carry Nation and Rose, provides a darker, underground counterpoint, reinforcing the event’s musical depth and edge.
Beyond the DJs, KINETIC has called in the big shots for this party: “RuPaul’s Drag Race” legends Nymphia Wind and Plastique Tiara are set to headline. The party also takes place at Berhta.
Sunday, back at the hotel, there will be another Recovery Meeting at 10 a.m., and the Exhibit Hall opens again from 11 a.m.-5 p.m.
At 1 p.m., the anticipated and prestigious Mr. MAL Contest that celebrates the achievements of the leather community will be held in the Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. Sash and title winners must be (1) male, (2), a resident of North America, (3) At least 21 years of age; and (4) self-identify as gay. The first Mr. MAL was crowned in 1985. The Winner of Mr. MAL has the privilege of later competing in International Mr. Leather (IML) in Chicago on Memorial Day Weekend 2025.
From 4 p.m. to 12 a.m., MAL will hold its Game Night for the gaymers in attendance. There will also be a special screening of A24’s new film, “Pillion,” about a man who is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.
Sunday closes with a community partner event produced by Masc Diva, featuring Horse Meat Disco with support from Coach Chris, at A.I. Warehouse in the Union Market district. It’s the same team that produced HMD during WorldPride at A.I. Warehouse.
Note that there are several types of passes for attendance to the hotel and parties. KINK VIP Weekend Passes include express entry, VIP areas, and enhanced amenities throughout the weekend, while MAL Full Weekend Package holders receive access to the official Sunday closing event.
At last year’s MAL events, KINETIC Presents raised more $150,000 for LGBTQ charities, and expects to match or exceed that impact in 2026.
Renovátes stated that “now more than ever, it’s important to create safe, affirming spaces for our community — but it’s just as important to be visible and unapologetic. We want to make it clear that the LGBTQ+ and leather communities aren’t going anywhere. We’ve fought too long and too hard to ever feel like we have to shrink ourselves again, no matter what the political climate looks like.”
In addition to the KINETIC events, various LGBTQ bars will hold parties celebrating the theme of the weekend. For example, Kiki, located on U Street NW, is hosting a party called KINKI, hosted by DJ Dez, on Saturday night. Sister bar Shakiki, on 9th Street NW, is hosting a party called Railed Out, a fetish-inspired party that features a play zone, on Thursday night. Flash, on U Street NW, will hold its infamous Flashy Sunday party to close out the weekend.
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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
