Arts & Entertainment
Star of queer Guatemalan drama ‘Jose’ denied US entry for film’s premiere
An award-winning Guatemalan film is about to make its US theatrical premiere – but thanks to aggressive US travel restrictions, its leading actor won’t be allowed to come.
“José,” directed by Chinese-born American filmmaker Li Cheng, won multiple awards internationally during 2018-2019 international festival circuit, including the prestigious Queer Lion award at the 75th Venice Film Festival. Made in a neorealist cinematic tradition, the film is described in press material as “a nuanced and vivid look at being gay in Central America.” It follows the title character, a closeted 19-year-old who lives an impoverished life with his street vendor mother in Guatemala City – a place dominated by conservative Catholic and Evangelical Christian religious values. When he meets an attractive migrant from the Caribbean coast, he finds himself falling in love for the first time; the blossoming relationship pushes him to rethink his closeted life, and before long he is contemplating a drastic change that will require a leap of faith he is still reluctant to take. The movie is set to open in New York City on January 31, with a rollout to theaters across the rest of the US starting in February.
The premiere should be a joyous occasion for the film’s star, a young newcomer named Enrique Salanic, but instead it has become a senseless bureaucratic nightmare, the latest demonstration on the world stage of the current US administration’s draconian stance on immigration and travel – particularly when it comes to people from Latin American countries.
According to a report in Screen Daily, Salanic – who was educated in the US and has travelled extensively with the film to many of its international screenings – has twice been denied a non-immigrant travel visa by the US embassy in Guatemala.
The first application was made in November by Paul Hudson,
head of the film’s US distributor, Los Angeles-based Outsider Pictures; the
embassy rejected it, arguing that Salanic could be a flight risk if he were to
enter the US.
Hudson then sought the aid of Congressman Ted Lieu, who wrote a personal letter
on behalf of the young actor which was submitted with a second application. That
request was also denied, with no apparent consideration of the congressman’s
letter.
According to the publication, a copy of the embassy’s original rejection letter
states that a requirement of a successful visa application is a residence in a
foreign country which the applicant “has no intention of abandoning,” before
going on to pronounce, “You have not demonstrated that you have the ties that
will compel you to return to your home country after your travel to the United
States.”
Salanic was educated in the US; he won a scholarship to study at Westminster College in Fulton, Missouri, which he did from August 2011-May 2015. He now lives with his parents in Guatemala, but does not have a residence of his own – meaning he does not meet the necessary criteria according to the letter of US policy.
Salanic has garnered much praise from critics for his performance in “José” – but with less than a week before the New York opening, and no indication from the US government that it is likely to make an exception to its hardline stance, it looks like he’ll be denied the opportunity to take a richly-deserved American victory lap with the movie that may well make him a star.
With or without Salanic, “José” will open at New York’s Quad Cinema on January 31, with a Los Angeles run to begin one week later, on February 7.
Whitman-Walker Health held the 38th annual Walk and 5K to End HIV at Anacostia Park on Saturday, Dec. 7. Hundreds participated in the charity fundraiser, despite temperatures below freezing. According to organizers, nearly $450,000 was raised for HIV/AIDS treatment and research.
(Washington Blade photos by Michael Key)
The Gay Men’s Chorus of Washington performed “The Holiday Show” at Lincoln Theatre on Saturday. Future performances of the show are scheduled for Dec. 14-15. For tickets and showtimes, visit gmcw.org.
(Washington Blade photos by Michael Key)
Books
Mother wages fight for trans daughter in new book
‘Beautiful Woman’ seethes with resentment, rattles bars of injustice
‘One Day I’ll Grow Up and Be a Beautiful Woman’
By Abi Maxwell
c.2024, Knopf
$28/307 pages
“How many times have I told you that…?”
How many times have you heard that? Probably so often that, well, you stopped listening. From your mother, when you were very small. From your teachers in school. From your supervisor, significant other, or best friend. As in the new memoir “One Day I’ll Grow Up and Be a Beautiful Woman” by Abi Maxwell, it came from a daughter.
When she was pregnant, Abi Maxwell took long walks in the New Hampshire woods near her home, rubbing her belly and talking to her unborn baby. She was sure she was going to have a girl but when the sonogram technician said otherwise, that was OK. Maxwell and her husband would have a son.
But almost from birth, their child was angry, fierce, and unhappy. Just getting dressed each morning was a trial. Going outside was often impossible. Autism was a possible diagnosis but more importantly, Maxwell wasn’t listening, and she admits it with some shame.
Her child had been saying, in so many ways, that she was a girl.
Once Maxwell realized it and acted accordingly, her daughter changed almost overnight, from an angry child to a calm one – though she still, understandably, had outbursts from the bullying behavior of her peers and some adults at school. Nearly every day, Greta (her new name) said she was teased, called by her former name, and told that she was a boy.
Maxwell had fought for special education for Greta, once autism was confirmed. Now she fought for Greta’s rights at school, and sometimes within her own family. The ACLU got involved. State laws were broken. Maxwell reminded anyone who’d listen that the suicide rate for trans kids was frighteningly high. Few in her town seemed to care.
Throughout her life, Maxwell had been in many other states and lived in other cities. New Hampshire used to feel as comforting as a warm blanket but suddenly, she knew they had to get away from it. Her “town that would not protect us.”
When you hold “One Day I’ll Grow Up and Be a Beautiful Woman,” you’ve got more than a memoir in your hands. You’ve also got a white-hot story that seethes with anger and rightful resentment, that wails for a hurt child, and rattles the bars of injustice. And yet, it coos over love of place, but in a confused manner, as if these things don’t belong together.
Author Abi Maxwell is honest with readers, taking full responsibility for not listening to what her preschooler was saying-not-saying, and she lets you see her emotions and her worst points. In the midst of her community-wide fight, she reveals how the discrimination Greta endured affected Maxwell’s marriage and her health – all of which give a reader the sense that they’re not being sold a tall tale. Read this book, and outrage becomes familiar enough that it’s yours, too. Read “One Day I’ll Grow Up and Be a Beautiful Woman,” and share it. This is a book you’ll tell others about.
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