Arts & Entertainment
‘Think of those who have not been seen,’ Cynthia Erivo’s powerful message at GLAAD Awards
Erivo and Doechii delivered powerful acceptance speeches
GLAAD celebrated its 40th anniversary with a star-studded gala in Beverly Hills, honoring achievements in LGBTQ media and entertainment, while pushing back at efforts nationwide to turn back civil rights protections, restrict and erase transgender identities.
Doechii accepted a GLAAD Media Award for outstanding music artist, Harper Steele won for outstanding documentary for Will & Harper and Nava Mau was honored with the outstanding series – limited anthology award for Baby Reindeer.
Those in attendance rose for a long and enthusiastic standing ovation as the prestigious Stephen F. Kolzak Award was presented to Cynthia Erivo.
“It isn’t easy. None of it is, waking up and choosing to be yourself, proclaiming a space belongs to you when you don’t feel welcomed,” said Erivo.
The 38-year-old queer Oscar nominee and Emmy, Tony and Grammy winner delivered a moving acceptance speech, in which she thanked GLAAD but also called on the audience to do more to help those in the community who have not yet come out. Video of her remarks has gone viral on Instagram.
“Here in this room, we have all been the recipients of the gift that is the opportunity to be more. I doubt that it has come easy to any of us, but more, for some, the road has not been one paved with yellow bricks, but instead paved with bumps and potholes. Whichever road you have traveled, how beautiful it is that you’ve had a road to travel on at all. There are the invisible ones who have had no road at all. For those who have not
yet even begun to find the road, be encouraged and be patient with yourself, it will show itself,” Erivo said. Then she paused from reading the speech that was in the teleprompter, and ad libbed a poetic, closing message.
“We use the phrase ‘out and proud,’ and though you might not have the strength or capacity to do that now, know that I am proud of your quiet and solitary want to be just that,” she said, and then addressed the community ahead of Transgender Day of Visibility. “We are all visible. We can be seen. We see each other. I see you, you see me. But think of those who have not been seen, think of those who sit in the dark and wait their turn, hoping and waiting for a light to light their path. I ask every single one of you in this room, with the spaces that you’re in, and the lights that you hold, to point it in the direction of someone who just needs a little guidance.”
Broadway legend Patti LuPone offered guidance from queer icons, past and present, when she took the stage to recite inspiring quotes that brought the house down.
“I can no longer accept the things I cannot change. I am changing the things I cannot accept,” LuPone quoted lesbian, feminist, activist Angela Davis. “Coming out is the most political thing you can do,” she said, quoting Harvey Milk.
Then LuPone cited some of the stars of Drag Race, including Valentina, Kennedy Davenport, Alyssa Edwards, Trixie Mattel, Plane Jane, and Latrice Royale. But it was the words of OG Drag Race alumna Bianca Del Rio that got the crowd on its feet: “Not today, Satan. Not today!”
“Right now, LGBTQ+ rights are under attack, but what they take from us, they take from you too,” said Brian Michael Smith, upon winning the award for outstanding drama series for 911: Lone Star. “These aren’t isolated rollbacks; they’re attacks on all of our civil rights. This kind of representation is more than visibility, it’s resistance.”
When Doechii accepted the trophy for outstanding music artist at the ceremony, the “Denial Is a River” rapper commented on this politically charged moment for the LGBTQ community, as she praised GLAAD for its principles of “acceptance, inclusiveness and empowerment.”
“Those are the same things I strongly believe in and advocate for and that continue to propel me forward, especially now that hard-won cultural change and rights for transgender people and the LGBTQ community have been threatened,” said Doechii. “And I am disgusted. Disgusted. But I want to say that we are here and we are not going anywhere.”
“These kinds of events help me to feel support, to feel like we’re a team working together to make ourselves feel more seen, make others feel more seen, and there’s so much still to celebrate,” said singer songwriter David Archuleta, the American Idol alum who made headlines in 2021 when he came out and quit the Mormon Church. On the red carpet before the gala, he shared with the Los Angeles Blade his advice to fans who want to find joy amid the gloom: “I love to go dance. Dance is so therapeutic. It’s a place where you can just shake it off, feel hot, go out, and that’s a therapeutic way.”
“This is where I find joy,” Michaela Jaé Rodriguez told the Blade. “But the best times where I find even more joy is learning what state we’re in. Learning how I can fire myself, put a fire behind me, and stay as vigilant as possible and be in the forefront and never disappear. And I want to encourage that to a lot of my young individuals out there. Don’t disappear. Stand out, be proud, and don’t be scared. I’m not scared!”
“It feels amazing, being surrounded by basically my own people is always like a big warm hug, so I love it,” Harper Steele told the Blade.
The writer, who took home a GLAAD trophy for her award-winning documentary with her friend and fellow SNL alum Will Ferrell, noted that despite the joy of the evening, she was “very sad” about political moves targeting the transgender community in Washington, D.C. as well where she grew up in Iowa.
“My own home state, who gave me trans protections and rights, just took them away,” Steele told the Blade. “We’re the first group that’s ever had those rights taken away from us, so we’re in a weird time. I’m going to keep doing the best I can to convince people that they’re wrong. Not only are they wrong, but they’re being stupid.”
The Washington Blade was nominated for its coverage of the 2024 Summer Olympics Games, ”Paris Olympics: More queer athletes, more medals, more Pride, less Grindr,” in the category of outstanding print article. The winner was “‘Changing The Narrative’: Advocates Fight HIV Stigma in Dallas’ Latino Community” by Abraham Nudelstejer of The Dallas Morning News. The Advocate won for outstanding magazine overall coverage, and Jo Yurcaba of NBC Out won for “Friends Remember Nex Benedict, Oklahoma Student Who Died After School Fight, as ‘Fiery Kid.’”
The Blade also spoke to GLAAD President and CEO Sarah Kate Ellis on the red carpet.
Ellis and the organization survived a difficult challenge in 2024 when Ellis herself came under fire from The New York Times for what it called “lavish” spending. It should be noted that in a one-on-one conversation with Variety in October, Ellis pointed out that The Times report omitted mention of GLAAD’s multi-year campaign that called attention to the newspaper’s unbalanced coverage of issues related to transgender Americans and gender-affirming care, and that any spending issues raised by the report — seen by many as a hit piece in retaliation for GLAAD’s campaign — had already been addressed “two years ago.”
Ellis told the Blade she remains focused on GLAAD’s mission to advance acceptance of the LGBTQ community in media.
“I think tonight for me is about getting everybody together to talk about our stories, how important they are, and make sure that we are plastering the airwaves with our stories. And I think it’s about moving forward and having a plan. We have a plan at GLAAD. We understand what’s happened to this media ecosystem and we’re forging forward.”
Ellis spoke passionately about the challenge the nonprofit faces in 2025 and beyond.
“I think the media ecosystem has changed so dramatically and tectonically in a short period of time, “ she said. “We’re seeing that right-wing media gets about 100 million people a week. Progressive media reaches 30 million people a week. So, we have a 70 million person gap, and that gap is why we’re losing presidential campaigns, why we’re losing the narrative, why our community is under siege. We have to close that gap.”
Read the full list of nominees and winners of this year’s GLAAD Media Awards here.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
The Blade may receive commissions from qualifying purchases made via this post.
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