a&e features
Ross Mathews shares ‘rossipes,’ cocktails, celeb gossip and more
New book ‘Name Drop’ is collection of his favorite happy hour tales

Ross Mathews ‘Name Drop’ Tour
Sunday, Feb. 9
7:30 p.m.
Miracle Theatre
535 8th St., S.E.
GA: $35
VIP (w/M&G): $100
Ross Mathews got his start on “The Tonight Show with Jay Leno” where he was known as “Ross the intern.”
The fabulously out gay guru has since been seen on many shows such as “Celebrity Fit Club,” “The Insider,” “Celebrity Big Brother” and, of course, “RuPaul’s Drag Race” where he’s been a staple at the judge’s table since season seven in 2015.
He launched his book tour for “Name Drop: the Really Good Celebrity Stories I Usually Only Tell at Happy Hour” (out Feb. 4) this week in New York and plays Washington Sunday night. Mathews, 40, dished on all that and more while driving to his second home (he lives mostly in Los Angeles) in Palm Springs last week.
WASHINGTON BLADE: How are things?
ROSS MATHEWS: Good. I feel like everyone has this sense of optimism this year that has been lacking the last couple years. People were like, “Ugh, God — this year can’t end soon enough,” but now, I don’t know, everyone I’ve talked to feels great about 2020 and so far so good. Also I’m driving to my place in Palm Springs, so I’m like in heaven.
BLADE: How were your holidays?
MATHEWS: It was really nice. I got to be with my family in Washington state and it was super nice, then I got to be back here in California and I went to Puerto Vallarta, which is another one of my happy places.
BLADE: Tell us about your book. How did it come about?
MATHEWS: The idea came to me in the shower. I was just like, “Oh my gosh, I wish I could tell everybody the stories I tell my friends at happy hour,” but then I thought, “But that’s so name-droppy.” Then I thought, “Screw it, just lean in — those are the stories people want to hear.” So “Name Drop” really is filled with celeb stories I usually only tell at happy hour and since it’s all about happy hour and I do cook every day, I thought why don’t I include some of my original rossipes in there so people can actually have happy hour while they’re reading the book, ‘cause that’s what the book feels like. It feels like you’re sitting down with me, ordering a drink and a bite and we’re just gushing over celebrities.
BLADE: So it’s cocktail and food recipes?
MATHEWS: Yes, there’s cocktails and rossipes for every single one and I pair them up with a chapter so for instance, I give Celine Dion “My Artichoke Heart Will Go On.” For Faye Dunaway, I give you my rossipe for “Endamame Dearest,” and it goes on from there.
BLADE: You had an encounter with Faye? Is she as scary as I fear she might be?
MATHEWS: I was too scared to ask her what I really wanted to ask her, but I thought it was so fascinating that I got to meet her, so I included it in the book. You know, some of these stories are when I had my dreams come true from people I’d loved forever, and some of these stories are about people who really disappointed me when I met them but I always say no celebrities were harmed in the making of this book. I tell the reader exactly what happened but I’m not out to hurt anybody.
BLADE: And these are all your own creations?
MATHEWS: Yes
BLADE: How did you get into that?
MATHEWS: So the cocktails are all sort of like my spin on cocktails that already exist and I make them original to me. The rossipes are all things I actually make. I’ve always loved cooking. I learned from my mom and I loved watching her. I love going to a restaurant and trying something and thinking, “Oh, I’d do it this way,” and then going home and cooking. I do that with Food Network too. I watch and go, “Huh — I would make it with this,” then I try it. Cooking is art — just another way to create.
BLADE: Do you have a favorite?
MATHEWS: Oh my gosh, I love them all. I make “Baked Ziti with a Z” for the Liza Minnelli story and that one’s really delicious.
BLADE: Please tell me there’s a chapter on Omarosa (she and Mathews were on “Celebrity Big Brother” together in 2018).
MATHEWS: Absolutely! We do an Omarosa Mimosa and then just a TV dinner because that chapter’s all about reality TV. Which by the way, an Omarosa Mimosa is made with blood orange juice.
BLADE: What was going through your head in real time when she was telling you all that stuff during your little tete-a-tete on “Big Brother”?
MATHEWS: Listen, I write all about that in the book. It was so surreal being locked away from the outside world for 30 days with cameras following us 24-7 and then Omarosa walks in and this was right after she had left the White House. I was fascinated by her and knew we had to talk about it or people wouldn’t think we were being real in that house. It’s impossible not to be real when they’re filming you 24 hours a day. So that conversation, to sit there and ask her those questions and what I was thinking and also what happened afterwards, which nobody knows about, that’s all in the book.
BLADE: Do you get a clothing allowance on “Drag Race”?
MATHEWS: No. I have to get my own wardrobe and of course, you have to step it up because you’re sitting next to RuPaul. I partner with Mr. Turk and I’m sucking up to friends who are designers. I’ve worked with Mr. Turk and Trina Turk for a long time and I’ve worn Tallia Orange before, so I try to find people who can partner with me so I’m not spending mazillions of dollars on these clothes.
BLADE: Is the stuff you wear on “Drag Race” the kind of stuff you wear in your private life or do you glam it up for the show?
MATHEWS: Well you have to wear something noticeable on that set. What am I going to do? Show up in corduroy or khakis? In real life, I love clothes but I’m not always in a suit. Usually I’m in like a jacket with a leopard scarf and a Gucci slide. When I go to Palm Springs, it’s elastic head to toe (laughs).
BLADE: Do you do your own shopping?
MATHEWS: I’ve had stylists in the past. My partner all those years, Salvador (Camerna), was my stylist but lately I’m not using a stylist. It’s just me partnering with various designers and trying to express myself however I feel that day. The other day I had on ripped jeans and boots and I was feeling all butch, like green Army Surplus jacket and right now I’m wearing Gucci fur slides and a leopard scarf, so I’m feeling more Nellie today. It’s fun to express fashion, always a joy.
BLADE: Was there ever a “Drag Race” contestant you thought went home too early?
MATHEWS: Yes. I’ve never disagreed with the winner, but I have opinions on who should stay and who should go. That’s part of my job, I get to argue my point to Ru who makes the ultimate decision. So I have of course thought somebody should have stayed who went home at a certain point, but the cream always rises to the top and I agree with every winner who’s been chosen.
BLADE: Did you ever feel somebody who sashayed away should have won the lip sync?
MATHEWS: (long pause) Yes (laughs). But I don’t want to give specific cases. Ru is the Supreme Court and I defer to Ru all the time. But there’ve been a couple times when someone won and I go, “Huh — I didn’t see that one coming.” But that’s not my job to decide that. I’m just there to give my two cents.
BLADE: Do you hang out with Michelle (Visage) and Carson (Kressley) outside the show?
MATHEWS: Absolutely. Michelle and I just went to lunch in Calabasas the other day. She got gluten-free grilled cheese. She’s like a sister to me and Carson’s like a brother. I love them all. And we really just make each other laugh all day long.
BLADE: You’re all so chummy now but Michelle had a rather prickly relationship with (former judge) Santino (Rice). Does a little tension there help the show?
MATHEWS: Well, I can’t really speak to her relationship with Santino, but Michelle and I are like brother and sister. If we disagree, we’re not gonna keep it in. I’ll tell her she’s nuts, but we laugh about it later. We have absolutely had strong disagreements where we each draw a line in the sand and we’ll never agree on something but then we go to lunch afterwards. I’m not afraid of her.
BLADE: Who’s been your all-time favorite “Drag Race” guest judge?
MATHEWS: Oh my gosh, there are so many. I can’t believe the people we get to sit next to. I’ll come home and say, “I just sat next to Lady Gaga for like 12 hours,” or Miley Cyrus. I have to be careful not to say some of the names coming up ‘cause they’ll blow you away, but I’ll get in so much trouble. It’s one of the greatest gifts of the show the artists that Ru and World of Wonder allow me access to. It blows me away.
BLADE: Who would be your dream judges?
MATHEWS: Liza, Cher, Bette, Madonna — you know, the icons.
BLADE: Do you guys write all your own puns for the runway commentary or do you have help?
MATHEWS: No, we come up with it as it’s happening. As we see it, we say it.
BLADE: They’re pretty clever most of the time. I’ve always thought, “They must get some help with this.”
MATHEWS: No, we just try to make each other laugh. There’s no better feeling than making really funny people laugh. There are some stinkers from time to time and the editors help us out.
BLADE: About how long does it take to tape a full “Drag Race” season?
MATHEWS: Well, there’s a lot going on. I don’t want to ruin it for people but of course, it takes longer than just what you see. There are outfit changes and you have to stop for production and sometimes there’s a lighting cue that goes wrong you have to redo. There’s a lot that goes into a production of this size but as someone who loves showmanship, I don’t want to give too much away.
BLADE: What’s the biggest thing being behind the scenes on these kinds of shows that stands out to you that you’d never have thought about as a viewer at home?
MATHEWS: Well, like the first time I went to the Oscars, I was staring at all the stars on the red carpet then you turn to the left and see 12 portapotties. I was like, “Wow, I didn’t know those were there,” they cut those out of the shots for TV. Or being in the “Big Brother” house and hearing the camera operators in the wall saying, “I’ve got a close up on Ross’s face, he’s going to bed.” I was like, “Oh my god, I didn’t think about that.” Or there’s a microphone hanging over the toilet, the one toilet you share with 11 other celebrities. It’s not all glamorous but it’s all a piece of the puzzle.
BLADE: Have you seen Ru’s new Netflix show?
MATHEWS: I have! Michelle and I went to the premiere. We were basically wearing the same red suit, it’s on my Instagram. It’s so great, I’m so proud of Ru. You know, Ru refuses to be put in any box. You think you know what Ru can do, then Ru goes, “Oh, I can also do this.”
BLADE: When Ru was on the cover of Vanity Fair in December, the article suggested he’s only knowable to a point, down to earth and candid in some ways — I’m paraphrasing — but also with a bit of aloofness, like he only lets you get so close or never totally lets his hair down. Is that your impression?
MATHEWS: Um, I can’t really speak for other people’s impressions of Ru, but I can tell you what Ru has been for me. Ru has been so kind and so supportive and so welcoming and you know, there’s one quote on the cover of my book and it’s a quote from Ru and that’s on purpose because for this phase of my career, Ru’s been the one who has sort of given me a platform and said, “Hey, look at this guy, he’s really funny.” ‘Cause Ru could have picked anybody for that seat next to him and so for me, he’s a mentor and a friend.
BLADE: You’ve made self-deprecating cracks about your sex life on “Drag Race.” You gettin’ any these days? Or dating anyone?
MATHEWS: (laughs) I am dating a lot actually. I never did this before. I didn’t really date in my 20s because I was figuring out how to be a famous person and I felt like a clown a little bit, so I felt like I had to choose between being funny or sexual. Then I got in a relationship and we were together for 10 years and now I found myself out dating again and I’m really confident now in who I am and I’ve never been single and confident at the same time, so I’m having a really good time dating. I find people fascinating. I like meeting people and I like learning from people and I think if you’re inquisitive and confident, you’re a really good dater.
BLADE: Reality TV and media can be rather soul sapping. And Ru is always spouting great spiritual wisdom. How do you refuel spiritually yourself?
MATHEWS: Not to sound cheesy, but I’m really fueled by living my dream. I don’t need anything else.
BLADE: Good luck with your book and tour.
MATHEWS: Thanks! Please come out. It’s just an hour and a half where we shut the door on the world, ‘cause everything’s fucked right now …
BLADE: Yeah, especially in Washington!
MATHEWS: I know, right? We just shut all that out and have some laughs.

a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
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