It’s no surprise that the fall movie landscape finds an unusually large number of films – most of them documentaries – about trans people and the challenges they face in trying to achieve an identity that matches their own sense of self. 

Transgender rights or even acceptance have never been in such a precarious place within the American political landscape since queer rights were acknowledged at all in the mainstream conversation. After eight years of ramped-up efforts by anti-trans activists to essentially legislate them out of legal existence, trans people find themselves facing a divisive and uncomfortably close election that will likely have an existential impact on their future, accompanied by persistent and vocal efforts by the conservative right-wing crowd to ostracize and stigmatize them within public perception. They’re not the only target, but they are the most vulnerable one – especially within the evangelical strongholds that might swing the election one way or the other – and that means a lot of conservative crosshairs are trained directly on them.

It’s a position they’re used to, unfortunately, which is precisely why there are so many erudite and artistic voices within the trans community emerging, prepared by years of experience and education gained from dealing with persistent transphobic dogma in American culture, to illuminate the trans experience and push back against the efforts of political opportunists by letting their stories speak for themselves. Surely there is no weapon against hatred more potent than empathy – once we recognize our own reflection in those we demonize, it’s hard to keep ourselves from recognizing our shared humanity, too – and perhaps no more potent way of conveying it than through the most visceral artistic medium of all: filmmaking

Particularly timely, in the wake of an Olympics marked by controversy over the participation of Algeria’s Imane Khelif and Taiwan’s Lin Yu-ting in the women’s competition, is “Unfightable,” from producer/director Marc J. Perez. Offering up a harrowing, heartbreaking, and ultimately inspiring portrait of Alana McLaughlin – a U.S. Army Special Forces sergeant who, following gender transition, turned female MMA fighter only to face resistance and transphobic prejudice within the rarified cultural microcosm of professional sports – while also taking a deep dive into the world of  Mixed Martial Arts and the starkly divided attitudes of those who work within it, it aims to turn one person’s trans experience into a metaphor for the struggle of an entire community to be recognized and accepted on its own terms. For the most part, it succeeds.

Unlike many such biography-heavy documentaries, “Unfightable” allows its subject – the charismatic and outspoken McLaughlin, whose presence rightly dominates the film and leaves the most lingering impression – to narrate her own story, without interpretation or commentary from “talking head” experts. From the grim-but-all-too-familiar story of her upbringing in a deeply religious family (and yes, conversion “therapy” was involved) through her struggle to define her identity via a grueling military career, her eventual transition, and her emergence as only the second transfeminine competitor in the professional MMA arena and beyond, Perez treats most of the movie’s narrative thrust like an extended one-on-one interview, in which McLaughlin delivers the story as she experienced it. This one-on-one honest expression is effectively counterpointed by the rhetoric of other MMA personalities who participated in the film, some of which is shockingly transphobic despite protestations of having “nothing against” trans people.

At the same time, the film acknowledges and amplifies supportive voices within the MMA, whose efforts to bring McLaughlin into the fold were not only successful, but ultimately led to her victorious 2021 match against French fighter Celine Provost. It’s a tale that hits all the touchstone marks of queer/trans experience for those whose lives can’t really begin until they break free of their oppressive origins, and whose fight to claim an authentic life for themself is frequently waged against both the families who ostensibly love them and the prejudices of a society eager to condemn anything that deviates from the perceived “norm”. Naturally, as a story of individual determination, self-acceptance, and success against the odds, its main agenda is to draw you in and lift you up; but it does so while still driving home the point about how far the road still stretches ahead before trans athletes – and by extension, trans people in general – are afforded the same legitimacy as everyone else.

To ensure that reality is never forgotten or taken lightly, we are offered some pretty egregious examples; from prominent fighters who insist they “have no problem” with trans people as a preface for their transphobic beliefs about trans athletes, to McLaughlin’s long wait before finding another MMA pro who was willing to fight her we are confronted with a pattern of prejudice blocking her path forward. And though it documents her triumph, it reminds us that three years later, despite her accomplishments, she has yet to find another MMA pro willing to give her another bout.

If nothing else, though, “Unfightable” underscores a shift in attitudes that reflects the progress – however slow or maddeningly hard-won it may be – of trans people carving out space for themselves in a social environment still largely hostile to their success or even their participation. As McLaughlin’s journey illustrates, it takes dogged persistence and a not-insignificant level of righteous anger to even pierce the skin of the systemic transphobia that still opposes the involvement of people like her in sports; her experience also bears witness to the emboldened bigotry that has doubled-down on its opposition to trans acceptance since the 2016 election of a certain former president who is now seeking a second chance of his own – highlighting the dire consequences at stake for the trans community (and, let’s face it, the entire queer community alongside every other group deplored and marginalized by his followers) should his efforts toward a comeback prove successful.

Yet as grim an outlook as it may acknowledge, “Unfightable” doesn’t leave viewers with a belief in sure defeat; in the toughness of its subject – who is, as it proudly makes clear, a veteran of combat much more directly dangerous than anything she will ever encounter in the ring – and her refusal to simply give up and go away, it kindles in us the same kind of dogged resistance that fueled her own transcendence of a toxic personal history and allowed her to assert her identity –  triumphantly so, despite the transphobia that would have kept her forever from the prize.

That’s a spirit of determination that we all could use to help drive us to victory at the polls come November. Like Alana McLaughlin, we have neither the desire nor the ability to go back to the way our lives were before, and Perez’s documentary helps us believe we have the strength to keep it from happening.

“Unfightable” opened for a limited release in New York on Sept. 13 and begins another in Los Angeles on Sept. 20. It will air on ViX, the leading Spanish-language streaming service in the world, and in English on Fuse TV, following its theatrical run.

“Rage: On Being Queer, Black, Brilliant… and Completely Over It”
By Lester Fabian Brathwaite
c.2024, Tiny Reparations Books
$28/288 pages

Somewhere up in the clouds.

That’s where your blood pressure is, right there as high as it’s ever been. Hoo, boy, are you angry. Your teeth are clenched, your eyes are slits, and you can’t trust yourself to speak in more than a growl. You’re plenty steamed and, as in the new book “Rage” by Lester Fabian Brathwaite, it shouldn’t have to be this way.

When he came with his family to America from Guyana at just four years old, Brathwaite couldn’t believe what his new home country offered. Malls, new kinds of food, cable television? Shirtless white men on TV and in magazines? Yes, please!

He’s always had crushes on white men, but he loves being a gay Black man – even though racism, overt and subtle, can be an aggravation. When Brathwaite is on a dating app, white men sometimes dismiss him with a racial comment. He’s heard and seen the “n-word” more than once and he doesn’t tolerate it. Wouldn’t a greeting and a no thanks be less rude?

He is bothered by unnecessary meanness.

He is bothered in a different way by bodybuilding. Hot, muscular bodies, to be exact and he’s sure that whoever created the sport was a genius. Brathwaite participates in bodybuilding himself sometimes – it’s expensive and he does it for himself, not for other men – though he believes that gay men are bodybuilding’s biggest subset. For sure, he’s payed homage to his share of bodybuilders, superheroes in movies, and hot shirtless boys on TV.

There were many times, years ago, that Brathwaite ended up drunk and in a stranger’s bed or looking for an old hook-up, and he was arrested once. Nearing 30, though, he realized that that life wasn’t what he wanted anymore. His knees couldn’t take it. Besides, he liked who he was and he liked his blackness. He realized that he didn’t need anyone else to be a hero of his tale. He could do it better himself.

One thing’s for certain: “Rage” lives up to its title.

At times, author Lester Fabian Brathwaite rails against so many things: racism and desire, club society, being a writer and editor, the generational differences between gay men, politics, and loss. At other times, he’s outRAGEous and hilarious, writing to readers as though he’s holding court in a cafe somewhere and you’d better listen up.

You should know that that means honesty – poking in the corners, calling things out for what they are, chastising people who need schooling on how to behave in a way that doesn’t leave room for nonsense. This arrives unabashed and raw, accompanied by plenty of profanity.

You’ve been warned.

And yet, Brathwaite’s candor and his blunt talk is fresh and different. This gay man doesn’t pussy-foot around, and getting his opinions without fluff feels good and right. Readers will appreciate that, and they might come away educated.

Generally speaking, this ain’t your Grandma’s book, unless Grandma likes real talk laced with profanity. If that’s so, then get “Rage.” You’ll both be mad for it.

The Blade may receive commissions from qualifying purchases made via this post.

At the Creative Arts Emmy awards last weekend, actor/LGBTQ activist Alan Cumming won the award for Outstanding Host of a Reality Series for the much-loved Peacock series, “The Traitors.” While at the Primetime Emmys on Sunday night, the series also won for Outstanding Competition Series.

Thanking the audience, Cumming said: “We are so grateful because we are a new show, and you guys, when you like something, you tend to stick to it, which is a good quality, so we appreciate it all the more.” 

During Emmys night, Cumming wore a Trans Pride pin on the lapel of his jacket, which featured the colors of the transgender Pride flag–blue, pink and white. Attached to the ribbon was a medal, which read, “For Military Merit.”

Speaking to him Saturday at the GBK Brand Bar event, Cumming said he was “very happy” the Emmys were so very LGBTQ-friendly this year.

“There are lots and lots of queer people being celebrated, and that is a very positive thing,”  Cumming told the Los Angeles Blade. “Especially because we are at a time in America’s history where queer people are under threat and there is a lot of violence around. So I think it’s very beautiful that the entertainment industry is showing their love and support for us.”

There were many stylish LGBTQ couples on the Emmys red carpet. Caroline Joyner, who is the director and co-head of inclusion at William Morris, was with Brittani Nichols, a writer and producer for “Abbott Elementary,” which was nominated for Outstanding Comedy Series this year. Looking lovely as well was Sarah Paulson, who was right by Emmy nominee Holland Taylor’s side. Singer Jessica Betts accompanied her wife, Niecy Nash-Betts, who was part of a fun segment about television cops. 

Other well dressed celebrities were queer actor Devery Jacobs, who stars in “Reservation Dogs,” which was up for Best Comedy; Ayo Edebiri, nominated for “The Bear,” Kirsten Kish was nominated for “Top Chef” and Kali Reis, who was nominated for acting in “True Detective: Night Country.” 

LGBTQ “Baby Reindeer” stars Jessica Gunning — nominated for Outstanding Supporting Actress in a Limited Series — and Richard Gadd, who also wrote/created the series, both received accolades for their fascinating Netflix series, which won four Emmys. 

“This is the stuff of dreams,” Gadd said after winning his first Emmy in writing, as well as outstanding limited or anthology series and lead actor. 

In the pressroom, Gunning complimented Gadd’s writing, saying that her character was “so unique and unusual” in the dialogue she read. “It was all really there in the script for me and I just connected with her. I never saw her as a villain. I saw her as a kind of a complicated, lonely character, as was Richard’s character Donny. It was all there in the work. I was just very lucky to be able to play the part.” 

Gunning said that she was unable to put the script down once she received it.

“I read all the seven episodes in one go and I just kind of fell in love with the story and the writing and the character of Martha,” she noted. “When we were filming, I just was so proud of Richard and this story. And so when we made it, I think we just all thought it was gonna be this kind of indie slow-burning hit that people might watch.”

Trans Latina “Baby Reindeer” actress Nava Mau was also nominated in the Outstanding Supporting Actress in a Limited or Anthology Series or Movie category, making her the fourth trans person nominated at the award show and the first in the category.

“I think that what we’ve been fighting for as a community is to be able to tell stories that come from the heart and that are based from a human foundation,” Mau told “Live from E!” host Laverne Cox, who was the first trans actress to be nominated for an Emmy. “Because that’s who we are as trans people, we are humans first and foremost.”

Among the numerous other LGBTQ talent present during television’s biggest night were queer and Indigenous nominees Lily Gladstone and Reis, both of whom were nominated for “Outstanding Supporting Actress In A Limited Or Anthology Series Or Movie.” This was the first time Native women have ever been nominated.

Around town

Publicist Tad Hamilton handles both the GBK Brand Bar and Affinity Nightlife’s “Dream in Gold” Post Awards Gala.

“As a publicist working in the entertainment industry with some of the industry’s top talent and events, we are always excited to include, and work with, the LGBTQIA+ community. Diversity and Inclusion is a core principle of Mosaic PR and this year’s GBK & MEND Television Awards Luxury Lounge and Affinity Nightlife’s ‘Dream in Gold’ Post Awards Gala is no exception. Both events had some of the most recognizable LGBTQIA+ stars in attendance.”

Hollywood hairstylist Erick Orellana loved seeing classic Hollywood glam all over the red carpet this year, with hairstyles ranging from “soft Veronica Lake waves to the side” to “vixen starlet looks” with blowouts that complement almost anyone with long hair. 

“It was nice to see a beautiful homage to old Hollywood glamor and beauty as we are transitioning out of beach waves or to done up hairstyles,” he noted.