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Newsom pardons LGBTQ and Black icon Rustin, stained by ‘historic homophobia’

‘Laws have been used as legal tools of oppression’

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Bayard Rustin, Freedom Fighters, gay news, Washington Blade
Black History Month, Bayard Rustin, Freedom Fighters, gay news, Washington Blade
Bayard Rustin (Washington Blade archive photo by Doug Hinckle)

It was a patch of blue in the dark storm stalled over the divided states of America. On Feb. 5, California Gov. Gavin Newsom parted the pall and pardoned Bayard Rustin, mentor to Rev. Martin Luther King Jr. and chief organizer of the 1963 March on Washington. Though President Barack Obama posthumously awarded Rustin the Medal of Freedom in 2013, the gay civil rights icon still had the stain of a 1953 “morals charge” arrest in Pasadena on his lifetime of achievement.

“In California and across the country, many laws have been used as legal tools of oppression, and to stigmatize and punish LGBTQ people and communities and warn others what harm could await them for living authentically,” Newsom said in a statement. “I thank those who advocated for Bayard Rustin’s pardon, and I want to encourage others in similar situations to seek a pardon to right this egregious wrong.”

Excerpt of the pardon certificate

Rustin’s pardon launches a new clemency initiative for people who were prosecuted in California for being gay. In 1970, after the Stonewall riots and the movement for Gay Liberation, Assemblymember Willie Brown introduced the Consenting Adult Sex Bill to repeal the sodomy law and decriminalize gay sex. Five years later, with help from San Francisco Mayor George Moscone, the bill was finally passed and signed into law by Gov. Jerry Brown on May 12, 1975. But those convicted of engaging in consensual adult sexual conduct remained on the Sex Offender Registry until 1997, when a new law established a process enabling individuals to request removal. However, the original criminal conviction remained.

Newsom’s announcement acknowledges the systemic persecution of LGBTQ people and offers legal reparation.

“In California and across the country, charges like vagrancy, loitering, and sodomy have been used to unjustly target [LGBTQ] people. Law enforcement and prosecutors specifically targeted LGBTQ individuals, communities and community spaces for criminal prosecution. Now, as a proudly LGBTQ-allied state, California is turning the page on historic wrongs,” says the press release.

“There’s a cloud hanging over him because of this unfair, discriminatory conviction, a conviction that never should have happened, a conviction that happened only because he was a gay man,” state Sen. Scott Wiener, chair of California’s legislative LGBTQ caucus said Jan. 21 at a news conference with Assemblymember Shirley Weber, chair of the state’s Legislative Black Caucus, formally asking for a pardon.

“I’m thrilled that Governor Newsom is pardoning Bayard Rustin and that he acted so quickly and decisively in response to our request. I also applaud the Governor for broadening this work to provide other criminalized LGBT people with a path to clear their records of wrongful convictions on homophobic charges. These actions are consistent with the Governor’s deep and longstanding support for the LGBT community,” Wiener said in a statement. “Generations of LGBT people – including countless gay men – were branded criminals and sex offenders simply because they had consensual sex. This was often life-ruining, and many languished on the sex offender registry for decades. The Governor’s actions today are a huge step forward in our community’s ongoing quest for full acceptance and justice.”

“On behalf of the Black Caucus, I want to thank the Governor for granting this posthumous pardon. The Arc of Justice is long, but it took nearly 70 years for Bayard Rustin to have his legacy in the Civil Rights movement uncompromised by this incident. Rustin was a great American who was both gay and black at a time when the sheer fact of being either or both could land you in jail,” said Weber. “This pardon assures his place in history and the Governor’s ongoing commitment to addressing similar convictions shows that California is finally addressing a great injustice.”

“Civil rights champion Dr. Martin Luther King, Jr. said, ‘The time is always right to do what is right.’ For our friend Governor Newsom, that time is today. We are grateful to the governor for demonstrating our California values by pardoning civil rights hero, Bayard Rustin — a trusted aide to Dr. King — and for creating a system for other LGBTQ+ people to seek pardon from unjust convictions, said Equality California Executive Director Rick Zbur. “Today, Governor Newsom, and indeed the entire Golden State, did the right thing.”

That the pardon comes at the beginning of Black History Month is notable. On the 50th anniversary of the 1963 March on Washington, Professor Henry Louis Gates Jr. wrote on The Root: “I ask that if you teach your children one new name from the heroes of black history, please let it be Bayard Rustin.”

For decades, this great leader, often at Dr. King’s side, was denied his rightful place in history because he was openly gay,” said President Obama, presenting Rustin’s medal to his longtime partner, Walter Naegle on Aug. 8, 2013. “No medal can change that, but today, we honor Bayard Rustin’s memory by taking our place in his march towards true equality, no matter who we are or who we love.”

Born in 1912, Rustin learned about racism early on learned from his a Quaker grandmother in his West Chester, Pennsylvania hometown. She was also a member of the NAACP and intellectual civil rights leaders such as W.E.B. Du Bois and James Weldon Johnson were house guests.

Seventeen-year-old Bayard Rustin, 1929. (Photo courtesy of the Estate of Bayard Rustin)

In high school, Rustin challenged the racially discriminatory Jim Crow laws by defying the rules to sit in the segregated balcony of a movie theater — for which he was arrested, as he recalled in the documentary Brother Outsider: The Life of Bayard Rustin.

I once went into the little restaurant next to the Warner Theatre, and—can you believe it?—there was absolute consternation. That was the first occasion in which I knew West Chester had three police cars. They surrounded the place as if we were going to destroy motherhood. I purposely got arrested, and then I made an appeal that all the black people and white people who were decent-minded should give 10 cents to get me out of jail. And I got out, because they took up a collection.”

February 7, 1986 issue of the Washington Blade, featuring Peg Byron’s interview with Bayard Rustin.

Rustin knew he was gay in high school, he told Washington Blade reporter Peg Byron on Feb. 5, 1986. But he remained closeted until 1947 after an encounter with a child on a bus trip in the South:

“One of the reasons that I decided that I should no longer remain in the closet came from an experience I had as a black. One day, in 19…, way back as far as 1947, I walked into a bus in the South, all prepared to do what I had always done in the South. Take a seat in the rear.

As I was going by the second seat to go to the rear, a white child reached out for the red necktie I was wearing and pulled it. Whereupon its mother said, “Don’t touch a nigger.”

Something happened, and I said to myself, If I go and sit quietly in the back of that bus now, that child who was so innocent of race relations that it was going to play with me, will have seen so many blacks go in the back and sit down quietly that it’s going to end up saying, “They like it back there, I’ve never seen anybody protest against it.” That’s what people in the South would say.

So I said, I owe it to that child, not only to my own dignity, but I owe it to that child that it should be educated to know that blacks do not want to sit in the back, and therefore I should get arrested letting all these white people in the bus know that I do not accept that.

Now, it occurred to me shortly after that that it was an absolute necessity for me to declare homosexuality, because if I didn’t I was a part of the prejudice. I was aiding and abetting…

Peggy Byron: Sitting in the back, yeah…

BR: … the prejudice that was a part of the effort to destroy me. And that in the long run the only way I could be a free whole person was to face the shit.

But from my own experience I know how long it can take till you free yourself. Thirty-four years is a long time to free yourself.”

Bayard Rustin demonstrating in late 1940s Washington, D.C., to “Free Imprisoned War Objectors.” (Photo courtesy of the Estate of Bayard Rustin)

During those closeted years, he organized strikes in college, advocated to free the Scottsboro Boys, in 1936 joined the Young Communist League which fought segregation but left disillusioned when they dropped fighting Jim Crow to fight to get the US into World War II. Rustin then found two other pacifists – A. Philip Randolph, the head of the Brotherhood of Sleeping Car Porters and A. J. Muste, leader of the Fellowship of Reconciliation (FOR), who both became mentors.

By now Rustin was on FBI Director J. Edgar Hoover’s radar. Muste hired him to handle race relations. In 1941, the three pacifist socialists proposed a march on Washinton to protest segregation in the military and employment. After a meeting with President Roosevelt in the White House, FDR issued Executive Order 8802 (the Fair Employment Act) banning discrimination in defense industries and federal agencies. As an act of good faith in response, Randolph cancelled the march over Rustin’s objections. The military was finally desegregated in 1948 by President Truman, meaning black Americans fought racism and the Nazis and fascism, only to come home to Jim Crow.

Meanwhile, Rustin came to California to try to help Japanese Americans who were losing their property and their rights as the federal government imprisoned them in internment camps. He also foreshadowed the Freedom Rides by trying to desegregate interstate bus travel in 1942, for which he was arrested outside Nashville, beaten but never charged.

By 1948, the year after he came out, Rustin was well-known enough to be invited to India for an international pacifist conference.

“Mahatma Gandhi had been assassinated earlier that year, but his teachings touched Rustin in profound ways. ‘We need in every community a group of angelic troublemakers,’ he wrote after returning to the States. ‘The only weapon we have is our bodies, and we need to tuck them in places so wheels don’t turn,’” Prof. Gates writes.

The incident for which Rustin was pardoned happened in 1953. By now a respected organizer, Rustin traveled around the country giving speeches. After a speech one January night in Pasadena, police officers found him having sex with two white men in a parked car. Rustin was arrested, sentenced to jail for 60 days and was forced to register as a sex offender for the “morals charge.”

The arrest severely damaged his career in a country terrified by McCarthyism. He was forced to cancel speaking engagements and resigned from his leadership position with Muste’s Fellowship for Reconciliation.

Bayard Rustin (right) and Walter Naegle, 1986. (Photo courtesy of Walter Naegle/Estate of Bayard Rustin)

He struggled to find work, resorting to manual labor as a furniture mover, Naegle said later.

“I know now that for me sex must be sublimated if I am to live with myself and in this world longer,” he wrote in a March 1953 letter.

In 1955, Rustin secretly wrote “Speak Truth to Power: A Quaker Search for an Alternative to Violence.“In 1956, he found his way back into the civil rights movement, traveling to Alabama to advise Rev. Martin Luther King Jr. on how to organize his Montgomery Bus Boycott using Gandhi’s principles of non-violence. The two were introduced by Rustin’s friend Coretta Scott.

“King really had a very, very limited idea about nonviolence,” Julian Bond, who helped found the Student Nonviolent Coordinating Committee, told Democracy Now’s Amy Goodman. “It is Bayard Rustin who really tutored him, who said, ‘This is what you have to do.’ Rustin was horrified to see these pistols in King’s home, you know, and these armed guards around King’s home, because it just went against everything he believed in about nonviolence. If it hadn’t been for Bayard Rustin, Dr. King wouldn’t have had any understanding, I don’t think, of nonviolence. And Rustin tutored him and made him into the person we know he became.”

But that arrest record and the “open secret” of his homosexuality haunted him. Rustin was forced to resign from the Southern Christian Leadership Conference he co-founded after the powerful New York Rep. Adam Clayton Powell Jr. threatened to tell the press that he and King were lovers.

Gay historian, John D’Emilio author of “Lost Prophet: The Life and Times of Bayard Rustin,” told Amy Goodman:

Bayard himself was very aware that given social attitudes towards homosexuality and gay men and lesbians, he couldn’t wear it on his sleeve. He couldn’t, you know, be out there with the rainbow flag. This was before gay liberation. So Bayard himself was perfectly happy to keep this in the background and to move out of the way, if that was going to be good for the movement.

What made him unhappy and what made him feel like he had been done wrong was when people disavowed him. And there was a point, in 1960, when Rustin and Mr. Randolph and Dr. King were part of organizing major demonstrations at the presidential conventions, Republicans and Democrats, and at that point Representative Adam Clayton Powell from Harlem didn’t like the fact that these radicals, someone like Bayard Rustin, was getting so much attention and moving into his sphere in the Democratic Party.

And he put out the word to Dr. King that if you don’t distance yourself from Bayard Rustin, I am going to claim that there is something going on between the two of you. And that scared Dr. King, and Bayard made the decision to resign from his position. But he also expected at that point that he would be defended. And when he wasn’t defended, it was—it was painful. It was very painful. And he spent a couple of years, mostly—in the early ’60s, mostly involved in the peace movement rather than in the civil rights movement because of that rupture. And it’s the March on Washington that brought him back into the center of things.”

That was around 1962,” Rustin told the Washington Blade via the special Making Gay History podcast. “And, naturally, I took the position that if people feel that I am a danger to some important movement, I would leave. But the thing which distressed me was that if… if Martin had taken the strong stand then that he took a year later, in ’63, vis-à-vis Strom Thurmond, he could have overcome it and kept me. But I understand his doing it, and I hold no grief with him about having done it. I just wish that he had shown the strength in ’62 that he showed when he backed me completely in ’63. But he was a year older and had another year’s experience.”

A. Philip Randolph brought Rustin back into the fold to organize the 1963 March on Washington for Jobs and Freedom but NAACP’s Roy Wilkins saw Rustin as a liability and forced him to take a deputy position.

But then FBI Director J. Edger Hoover slipped Rustin’s arrest record to rabidly anti-gay South Carolina Sen. Strom Thurmond – who had secretly fathered a child with his African-America maid. Three weeks before the march, Thurmond went public, trying to destroy the unprecedented event by denouncing Rustin as a gay communist and placing his arrest record in the congressional record.

Rustin told the Washington Blade:

“Now this became very clear to me in 1963, when I was organizing the March on Washington. And Strom Thurmond stood up in the Senate of the United States and for three-quarters of an hour, attacked me as a draft dodger, which was untrue, because I was a conscientious objector and well known as being a Quaker opposed to all violence. He attacked me as a former member of the Young Communist League, which was true. I had been. He attacked me as a homosexual. Which of course I was.

PB: You were the original commie-pinko-fag of the day, I suppose.”

 BR: Yeah, exactly. Now, there were 10 leaders of that march. One of the most important Jews, the most important Catholic, the most important Protestant, Walter Reuther representing the trade union movement, and six black civil rights leaders.

When he attacked me, I had absolutely no basic apprehension and for a very good reason, because I had spent a great deal of my life defending prejudice against Catholics, against trade unions, against Jews, against blacks, against Protestants, and therefore I inwardly knew that those leaders, knowing of my history, had to come to my defense. And they did. And the important thing was that they voted that only one person should speak, and that was the founder of the march, Mr. A. Philip Randolph.”

For what spans five pages in the Congressional Record, Thurmond not only submitted the arrest record but the news articles about the arrest and conviction.

“The article states that he was convicted in 1953 in Pasadena, California, of a morals charge. The words ‘morals charge’ are true. But this is a clear-cut case of toning down the charge. The conviction was sex perversion,” says Thurmond.

“The senator is not interested in me if I were a murderer, a thief, a liar or a pervert. The senator is interested in attacking me because he is interested in destroying the movement. He will not get away with this,” Rustin said.

King and the other Big Six backed Rustin up this time because the attacks came from one of the worst Southern white supremacists. But after the march, Rustin was quietly denied his role as the seventh in the Bix Six group of civil rights leaders who called for the march: A. Philip Randolph, Roy Wilkins, Rev. Dr. Martin Luther King Jr., John Lewis, Jim Farmer, Whitney Young when the chief organizer of the march was disinvited to the White House to celebrate with President John F. Kennedy.

And yet, according to an extensive CNN report commemorating the 50th anniversary of the march, it was Rustin who saved the march for the organizers – from a Kennedy take over.

“The Kennedys were almost morbidly afraid of this march. They understood there’d been nothing like it,” Rep. Eleanor Holmes Norton, D-District of Columbia, who helped plan the march, told CNN.

“The Kennedy administration was afraid that if there was violence on the march, it would mean that the Civil Rights Act, which John F. Kennedy had just introduced, would never get passed,” said march planner Rachelle Horowitz. “When we first began planning the march, there was a concerted effort by the Kennedy administration to get it called off and to not let it take place.”

“They kept a watchful eye on the planning of the march,” said John Lewis, the 23-year-old elected to lead the Student Nonviolent Coordinating Committee. “They stayed in touch with the (march) leadership,” which had been broadened to include four white leaders, representatives of the Protestant, Jewish and Catholic faiths, and civil rights advocate and United Auto Workers president Walter Reuther.

Reuther was recruited by the White House “to infiltrate the march and steer it away from radical rhetoric and direct action,” wrote Charles Euchner in his book “Nobody Turn Me Around,” about the historic march. “And so he did.”

Though JFK had come around to the idea of the march, Attorney General Robert F. Kennedy’s office inside the Justice Department’s room 5110 “was the command center,” Jack Rosenthal, who was the department’s assistant press officer at the time, told CNN.

“There was a proposal on the table that Kennedy speak to the March on Washington,” march planner Courtland Cox told CNN. “And Bayard knew this would have been a disaster because it would’ve been taken over by (Kennedy) just because he’s president. It would’ve been Kennedy’s march.”

From CNN:

“So, Cox said Rustin and he excused themselves from that particular meeting and took a walk to the bathroom. Clearly flummoxed about the problem, Rustin took a sip from his back-pocket flask and came up with an idea on the fly.

“And Bayard got back into the meeting and he literally made this up,” Cox recalled. “He said that he heard … if the president spoke the Negroes were going to stone him.”

After that, the idea of Kennedy speaking at the march was never considered.”

None of the feared outbreaks of violence occurred.

“After the March on Washington was over, President Kennedy had invited us back down to the White House,” Lewis said. “He stood in the door of the Oval Office and he greeted each one of us. He was like a beaming, proud father. He was so pleased. So happy that everything had gone so well.”

Kennedy told King: “And you had a dream,” added Lewis.

Rustin’s role was overshadowed – as were his remarks at the march that August 28, 1963:

“We demand that segregation be ended in every school district in the year 1963! We demand that we have effective civil rights legislation—no compromise, no filibuster—and that include public accommodations, decent housing, integrated education, FEPC and the right to vote. What do you say? We demand the withholding of federal funds from all programs in which discrimination exists. What do you say?”

Rustin died of a perforated appendix on August 24, 1987, survived by Walter Naegle, his partner of 10 years.

One last thing, Julian Bond told Amy Goodman:

“I could not think of anybody else who at the time would have stepped forward, taken hold of this March on Washington, pull together all these hundreds of thousands of peoples, the buses, the trains. You know, I saw something just recently: They made 800,000 sandwiches. Imagine that. And it was all done at Bayard Rustin’s desire.

One thing I think we’re not hearing about Bayard Rustin is his sense of humor. He once said that Dr. King couldn’t bring vampires to a bloodbath. That was the kind of organizer Dr. King was not. But Bayard Rustin knew he was an organizer and was just wonderful at getting people to do things that they didn’t think they could do or didn’t know they wanted to do. He was just a great, great person….

I think those of us who were there in 1963 didn’t immediately realize how significant this was. As you said during the program, we didn’t see many people there early in the morning. The crowd grew and grew and grew. But even when they were all there, you had no idea how many there were. You know, you can’t look out at this mass of people and say, “This is 250,000 people.” You just have no idea who they are. And I think, for me, driving back to Atlanta later that day and then reading newspapers the next day in Atlanta and hearing what other people had to say about it, only then would we began to understand the significance of this thing—the largest gathering ever at a civil rights protest.

People came together to demand civil rights in America, and that was tremendously significant. But, as you say, if you compare these demands that Bayard read at the march with where we are today, you can see that clearly most of these things have not been achieved, and we still have a long, long way to go.”

While Rustin didn’t attend the White House meeting, he and A. Philip Randolph did make the cover of LIFE magazine.

“Rustin was one of the most important social justice activists in the U.S. in the 20th century,” says historian John D’Emilio.

That 1953 arrest record hung like an invisible chain around Rustin’s neck. Now he is really, finally free.

If you think you are eligible and would like to seek clemency, you can apply for a pardon and receive updates and information on the clemency initiative at www.gov.ca.gov/clemency

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Queery: Meet artist, performer John Levengood

Modern creative talks nightlife, coming out, and his personal queer heroes

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John Levengood (Blade photo by Michael Key)

John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.

Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.

“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.

He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”

He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.

How long have you been out and who was the hardest person to tell?

I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.

Whos your LGBTQ hero?

My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.

Whats Washingtons best nightspot, past or present?

Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.

We live in challenging times. How do you cope?

I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.

What streaming show are you binging?

After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.

What do you wish youd known at 18?

At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.

What are your friends messaging about in your most recent group chat?

We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.

Why Washington?

It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.

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Project GLOW celebrates LGBTQ acts

D.C.’s electronic music festival set for May 30-31

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A scene from last year’s Project GLOW. (Photo courtesy organizers)

Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.

Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.

President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.

As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.

“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”

The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”

K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.

Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.

K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.

Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.

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New book celebrates 1970s dance music icons

‘A Night at the Disco’ features interviews with Donna Summer, Debbie Harry, more

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Christian John Wikane will appear at book signing events in D.C. and Baltimore next week.

If you’re a fan of 1970s-era dance music, don’t miss the irresistible new book by Christian John Wikane and Alice Harris, “A Night at the Disco,” which revisits more than 90 interviews conducted with some of the biggest names in pop culture. 

“A Night at the Disco” (ACC Art Books) was published on March 24, and distributed by Simon & Schuster. It celebrates more than 100 artists who sparked a phenomenon in dance music from 1970-1979 and features excerpts from interviews with everyone from Donna Summer to Debbie Harry. 

Lost City Books (2467 18th St., N.W.) will welcome author Christian John Wikane for a book signing and conversation about “A Night at the Disco” on Thursday, April 16 at 6 p.m. Details at lostcitybookstore.com. Bird in Hand Coffee & Books in Baltimore (11 E. 33rd St.) )will also host a Q&A with the author on Wednesday, April 15 at 6 p.m. Details at theivybookshop.com.

Below is an excerpt from “A Night at the Disco.” 

“I’ll let in anyone who looks like they’ll make things fun.” Steve Rubell is guiding a New York Times reporter through Studio 54 as resident DJ Richie Kaczor dazzles the crowd with records by CHIC, Odyssey, and T-Connection. “Disco, that’s where the happy people go,” The Trammps sing as dancers spin and twirl underneath tubes of flashing lights. Seven months since Rubell and co-owner Ian Schrager opened Studio 54 in April 1977, it’s welcomed untold numbers of “happy people” … at least those lucky enough to pass through the doors. 

“We were part of the chosen few,” says André De Shields, who immortalized the title role in The Wiz on Broadway at the time. “We could show up at Studio 54 and the doorman at the velvet stanchion would look over everyone and point to us from The Wiz to come in, that kind of thing.” As the lead vocalist in the GRAMMY-nominated Dr. Buzzard’s Original Savannah Band, whose debut modernized big band sophistication for the discothèques, Cory Daye had carte blanche in the club. “The energy was like a New Year’s Eve party every night,” she says. “I would go up to the mezzanine and watch the mechanical light pillars go up and down, metallic confetti falling from the ceiling, the spoon and the moon. I was so fascinated and enamored by it. 

“When a certain song came on, the people would just rush to the dance floor. There was no contact dancing — the hustle was pretty much on its way out — but it was just an amazing experience to see all the cultures together. It was a fusion of cultures, which described my life and my band, so I was right at home there.”

“Studio 54 was the place,” adds Linda Clifford. “Crazy parties. If you could think it, you would see it. It was like a circus. Just an amazing place to be. I worked 54 so many times. It was like a second home to me. The people there treated me so well. The crowd always seemed to enjoy my show. I always had a good time with them. That was the most important thing: making sure that they had fun.”

Well before Studio 54 opened, disco had become a business juggernaut. “A four billion dollar market and still growing,” Billboard announced in February 1977, with dance music offering more variety than ever. “There is no longer a single, readily identifiable disco beat, but a kaleidoscope of sounds that are melodic and danceable,” Tom Moulton told the magazine. In the clubs, records by veteran artists like Stevie Wonder and the Bee Gees were mixed in with a range of new acts like Grace Jones, Boney M., and The Ritchie Family, while everyone from ABBA to Marvin Gaye scored number one pop hits with songs that had club-centric storylines.

Beyond the charts, disco itself remained as idiosyncratic as ever, especially on several productions by Laurin Rinder and W. Michael Lewis, whose studio creations, El Coco (“Let’s Get It Together,” “Cocomotion”) and Le Pamplemousse (“Le Spank”), joined their own “Lust” from Seven Deadly Sins (1977) among the most tantalizing releases on AVI Records. Rinder & Lewis also produced acts for the newly hatched Butterfly Records in Los Angeles, where Saint Tropez (“On a Rien à Perdre”) and Tuxedo Junction (“Moonlight Serenade”) reflected the duo’s high gloss sound, spanning everything from European sophistication to a more literal translation of the ’40s sensibilities popularized by Dr. Buzzard’s Original Savannah Band.

12-inch singles had also grown as the preferred format to approximate the club music experience at home. Nearly a year after Atlantic Records introduced its series of promotional 12-inch singles for DJs, New York-based Salsoul Records released the industry’s first commercially available 12-inch single, “Ten Percent” by Double Exposure, in May 1976. A year later, T.K. Records was the first label to certify a gold record for a 12-inch single when Peter Brown’s “Do You Wanna Get Funky With Me” tallied one million sales.— Christian John Wikane

(From “A Night at the Disco” by Alice Harris & Christian John Wikane. Published by ACC Art Books.)

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