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SPRING ARTS 2020: Adam, Sam, Rufus, Gaga and more

Uber-queer spring brings spate of highly anticipated new albums

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albums, gay news, Washington Blade
Lady Gaga (Photo courtesy of Might Real Agency)

The excitement for upcoming new music releases is palpable and much of the blame can be pinned on Lady Gaga. The surprise release of her single “Stupid Love” foregrounds her new album “Chromatica,” which will be released in April. But that’s not the only musical event worth our attention in the coming months, although it’s certainly the biggest.

Today (March 13) Niall Horan releases his album “Heartbreak Weather.” This is the second solo album by the former One Direction member, who has continued to put out successful hits, including “Slow Hands” and “This Town,” after the boy band’s split up.  

Saturday, March 14 sees the release of the queercore band Middle-Aged Queers’ debut album, “Too Fag For Love.”

On Friday, March 20 Adam Lambert is set to release his fourth studio album, entitled“Velvet.” The fantastically talented Lambert, who has toured with Queen+Adam Lambert (comprised of original members of Queen with Lambert serving as lead vocalist), remains something of a gay icon since appearing on “American Idol” in 2009. 

On the same day, “ALICIA,” Alicia Keys’ latest album, will be released. So far three singles have been released from the new album, “Show Me Love,” “Time Machine” and “Underdog,” which was released earlier this year along with a new music video.

The pop-punk boyband 5 Seconds of Summer (or 5SOS)will release its fourth studio album, “Calm,” on March 27. Touring early on with One Direction, the group has continued to made their own way well after One Direction dissipated. So far they have released four singles, including the popular “Easier,” which has nearly 200 million streams on Spotify.

Also on March 27, Sufjan Stevens will release“Aporia,” his first full album in five years. That isn’t to say that the Brooklyn-based singer has not been busy in the meantime. His music is everywhere lately. He has worked on the soundtrack for a number of recent film projects, including Luca Guadagnino’s 2017 “Call Me By Your Name.” And the song “Chicago” from his fantastic 2005 album “Illinois” serves as the theme for Ryan Murphy’s Netflix show “The Politician,” starring Ben Platt.

Vanessa Carlton is expected to release her sixth studio album,“Love Is An Art,” on the same day. It’s unlikely there’s a single person who doesn’t know “A Thousand Miles,” her monster hit. In fact, her debut album “Be Not Nobody” (2002) is the only one of albums to enjoy major success. Carlton has nevertheless continued to produce music.

On April 3, Nina Simone’s album 1982  “Fodder On My Wings” will be re-released widely in digital and physical format. It offers a chance to become reacquainted with one of the iconic R&B singer’s lesser-known albums.

Queer New York-based artist Stefan Alexander releases his sophomore EP “Cry Again” on April 3. 

The highlight of the spring album releases is without a doubt Lady Gaga’s “Chromatica” on April 10. Nearly every project she has been involved in has been a success, including her starring role alongside Bradley Cooper in “A Star Is Born” (2018). The song “Shallow,” sung by Gaga and Cooper, won Best Original Song at the Golden Globes and Oscars. But if the new single “Stupid Love” is any indication, “Chromatica” will be something of a return to an earlier iteration of Gaga, something more akin to the musical style of “Born This Way” (2011) than to the more experimental “Art Pop” (2013) and “Joanne” (2016). Her highly limited spring tour isn’t coming to Washington. 

Peggy Lee’s centennial year is being celebrated with various events. “Ultimate Peggy Lee” drops April 17 and features a 57-year-old unreleased track. 

On April 24, Rufus Wainwright’s new album“Unfollow The Rules” will be released. In anticipation of the new record, the gay singer-songwriter released singles “Damsel In Distress” and “Trouble In Paradise” earlier this year. 

Indigo Girls release their new album “Long Look” on April 24, their first since 2015. They’ve reunited with producer John Reynolds who produced their ’99 album “Come On Now Social.” They play Rehoboth May 2. 

Indigo Girls (Photo by Jeremy Cowart)

Sam Smith, a gay artist who recently came out as non-binary, will release“To Die For” on May 1, a follow-up to the widely successful “The Thrill Of It All” (2017) and “In The Lonely Hour” (2014). Four singles have been released thus far, including “Dancing with a Stranger” and the eponymous “To Die For,” released earlier this year.

The ’80s rock band The Psychedelic Furs will put out a new album, entitled “Made Of Rain,” also on May 1. The group, which continues to tour the world, has enjoyed renewed interest after their hit song “Love My Way” from the 1982 album “Forever Now” was featured in “Call Me By Your Name.”

Also May 1, the reconvened Dixie Chicks release their first new album in a whopping 14 years — “Gaslighter.”

Additionally, ’90s rocker Alanis Morissette will release her ninth studio album,“Such Pretty Forks in the Road,” on that day. It’s her first album since “Havoc and Bright Lights” in 2012.

Hayley Williams, lead singer of the pop rock group Paramore (the song “Misery Business” was one of their most popular), will release her first album as a solo artist on May 8, entitled “Petals For Armor,” following after the EP “Petals for Armor I,” which was released in February.

MAX’s new album “Colour Vision” drops May 22. He’s straight but has headlined at Capital Pride as an ally.  

MAX (Photo courtesy Donovan PR)

In addition to the officially scheduled releases, there is still a number of possible releases. The French singer Christine and the Queens recently the EP “La vita nuova.” And we might also expect a forthcoming album from transmasculine artist Jakk Fynn, who released his debut EP, entitled “Cancelled” back in February. Hope remains for new music from Rihanna, Adele and Cardi B. Janet Jackson has announced a summer U.S. tour and teased new music but nothing concrete yet album wise. 

There’s lot of cool stuff slated for release on vinyl, too. Among highlights:

Whitney Houston’s eponymous debut album is out in a 35th anniversary edition on “peaches-and-cream”-colored double vinyl with a deluxe booklet for $70. 

ABBA “Live at Wembley Arena” is a triple-LP set out today.

Perfume Genius’s fifth album “Set My Heart on Fire Immediately” is out on double “Coke-bottle green” vinyl May 15.

And there are several cool releases planned for Record Store Day (April 18): 

Britney’s “Oops! …  I Did it Again (Remixes and B-sides)”

Destiny’s Child’s “Say My Name” on 12” picture disc

• Two k.d. lang albums debut on vinyl — “Drag” and “Angel With a Lariat”

Bob Mould’s “Circle of Friends,” music from the concert film, debuts on vinyl for the first time 

Robyn’s eponymous debut makes it vinyl debut on double LP

Sam Smith’s cover of Donna Summer’s “I Feel Love” gets a 12” picture disc release

Tegan and Sara’s “Tonight in the Dark We’re Seeing Colors” on “violet with black splatter” vinyl

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Music & Concerts

Queer mega stars (and allies) ready to take D.C. stages this fall

Watch LGBTQ icons light up stages across the DMV as they sing, dance, and drag their way through spectacular shows.

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Doechii performing at WorldPride 2025's closing concert in June earlier this year. (Washington Blade photo by Michael Key)

One of the best ways to welcome fall is by catching LGBTQ performers (and their allies) lighting up some of the D.C. area’s biggest stages. From country and pop to drag and rock, the season is packed with shows you won’t want to miss.

Maren Morris – The country, rock, and pop diva—known for hits like “The Bones” and for standing up against Nashville’s anti-LGBTQ voices—takes the stage at Wolf Trap (1551 Trap Rd, Vienna, Va.) on Friday, Sept. 12 at 8 p.m. Tickets start at $64.

RuPaul – The mother of modern drag and host of “RuPaul’s Drag Race” will spin a DJ set at Echostage (2135 Queens Chapel Rd NE) in Northeast D.C. on Sept. 20. Before RuPaul swaps wigs for headphones, Trade and Number 9 owner Ed Bailey will warm up the decks. For tickets and details visit echostage.com.

Conan Gray – The queer pop prince, celebrated for his Gen Z anthems like “Heather” and “Maniac,” brings his Wishbone Pajama Show to EagleBank Arena in Fairfax, VA, (4500 Patriot Cir) on Sept. 20 at 8 p.m. Tickets start at $113. For more info visit shop.conangray.com/pages/tour.

All Things Go Music Festival – With a lineup that includes Noah Kahan, Lucy Dacus, Kesha, Clairo, Doechii, and more, the beloved LGBTQ-friendly festival takes over Merriweather Post Pavilion (10475 Little Patuxent Pkwy, Columbia, Md.) Sept. 26–28. For tickets and details visit allthingsgofestival.com.

BERTHA: Grateful Drag – This unique tribute brings drag artistry and the sounds of the Grateful Dead to The Atlantis (2047 9th St NW) on Sept. 27. Tickets start at $47 at theatlantis.com.

Peach PRC – Rising Australian pop star and out lesbian, whose confessional tracks like “Perfect for You” and “Forever Drunk” have made her a queer TikTok darling, performs at The Atlantis on Sept. 29 at 6:30 p.m. The show is general admission only. Additional details are on theatlantis.com.

Addison Rae – The TikTok star-turned-pop princess, who’s crossed over into music with glossy hits like “Diet Pepsi” brings her sold out show to The Anthem (901 Wharf St., S.W.) on Sept. 30. Tickets are sold out, but resale options start around $80. For more info visit theanthemdc.com.

The Rocky Horror Picture Show 50th Anniversary – Celebrate the cult classic that’s been a queer midnight-movie staple for decades, with Barry Bostwick (a.k.a. Brad Majors) at the Warner Theatre (513 13th St., N.W.) on Oct. 2 at 8 p.m. Tickets start at $41 via Ticketmaster.

Chaka Khan, Patti LaBelle, Gladys Knight & Stephanie Mills – Four legends, one stage. Between Khan’s funk, LaBelle’s soul, Knight’s R&B, and Mills’ powerhouse vocals, this concert at Capital One Arena (601 F St NW) on Oct. 3 at 8 p.m. promises pure diva magic. Tickets start at $103. For more details visit capitalonearena.com.

Lorde – Joined by The Japanese House and Chanel Beads, the Grammy-winning New Zealand singer-songwriter behind “Royals” and “Solar Power” returns to The Anthem on Oct. 4 at 7 p.m. Lorde has long been embraced by queer fans for her dreamy pop and subversive lyrics. For more info visit theanthemdc.com.

Andy Bell (of Erasure) – The British queer rock icon, best known for synth-pop classics like “A Little Respect” and “Chains of Love,” brings his Ten Crowns Tour to the Lincoln Theatre (1215 U St., N.W.) on Friday, Oct. 17 at 8 p.m. Tickets are $90.45.

Doechii – The self-described queer “Swamp Princess”—and WorldPride 2025 headliner—continues her breakout year with the Live from the Swamp Tour at The Anthem on Oct. 21 at 8 p.m. Known for blending rap, R&B, and avant-garde performance art, Doechii is one to watch. Tickets start at $153.

Neon Trees – The out-and-proud Utah rockers behind “Everybody Talks” and “Animal” perform at the Lincoln Theatre on Friday, Oct. 24 at 8 p.m. Lead singer Tyler Glenn, who came out publicly in 2014, has become a strong queer voice in alternative rock. For tickets and info visit impconcerts.com.

Sasha Colby – The “RuPaul’s Drag Race” Season 15 winner strips down on the Stripped II Tour at the Warner Theatre on Nov. 2 at 8 p.m. Tickets available now on Ticketmaster.

Lola Young – The bisexual indie-pop sensation, whose raw songwriting has earned her millions of TikTok fans and multiple chart soaring hits visits The Anthem on Nov. 9 at 8 p.m. Tickets are still available.

Opera Lafayette

Purcell’s Dido & Aeneas

Featuring Mary Elizabeth Williams as Dido

+ Elijah McCormack, Chelsea Helm

Oct. 16, 7:30 p.m.

Sixth & I 

PostClassical Ensemble

The Pale Blue Do: A Musical Voyage Inspired By Nature

Featuring National Geographic’s Enric Sala, Guest Curator

Wednesday, November 19, 7:30 p.m.

Terrace Theater 

Washington Concert Opera

Gluck’s Iphigénie en Tauride

Starring Kate Lindsey, Theo Hoffman, John Moore, and Fran Daniel Laucerica

Nov. 23, 6 p.m.

Lisner Auditorium

Washington Master Chorale

Sacred Jewel Box

An intimate a capella concert taking place in an architectural jewel, featuring cherished choral gems from Anglican and Catholic tradition and early American hymns. The concert will also present the world premiere of Christopher Hoh’s Holy, Holy, Holy is the Lord God of Hosts, and hymn singing featuring Robert Church, organist and choirmaster at St David’s.

Oct. 18, 7:30 p.m.

October 19, 5 p.m.

St. David’s Episcopal Church

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Music & Concerts

Cyndi Lauper ready to have fun in Virginia

Superstar to bring final leg of farewell tour to Jiffy Lube Live

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Pop icon Cyndi Lauper brings her farewell tour to Jiffy Lube Live on July 24. (Washington Blade file photo by Michael Key)

Superstar Cyndi Lauper will bring the final leg of her farewell tour “Girls Just Wanna Have Fun” to Bristow, Va., on Thursday, July 24 at Jiffy Lube Live. 

Lauper’s international Farewell Tour – her first major headlining run in a decade – kicked off in North America last October, and included her first time ever headlining (and selling out) Madison Square Garden. Lauper’s performances have earned raves from the New York Times, Rolling Stone, Billboard, and many more, and surprise guests have included Chaka Khan, Sam Smith, and Hayley Williams. The tour just visited the U.K. and Europe, and will head to Australia and Japan in April.  

Tickets are available on Live Nation’s website

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Music & Concerts

Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July

The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.

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Beyoncé performs on July 7. (Washington Blade photo by Joe Reberkenny)

Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.

The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.

Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.

The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:

“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”

Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.

The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.

One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.

A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.

It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.

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