Arts & Entertainment
Bright Light Bright Light announces album, drops single

Bright Light Bright Light (aka Rod Thomas) celebrated the announcement of his upcoming album “Fun City” over the weekend with the release of its first single, “This Was My House.”
The Welsh international pop star has been a staple of the international LGBTQ+ music scene for over a decade, with three previous albums under his belt – as well as numerous tours, both a solo artist and has support alongside pop royalty like Elton John, Cher, Erasure, Ellie Goulding and The Scissor Sisters. He curates, hosts and serves as the DJ for regular afternoon dance parties in Brooklyn and Manhattan, and uses his music as a platform for equality, raising fund for organizations such as The Trevor Project, Ali Forney Center, Hetrick-Martin Institute, ACLU, and Elton John AIDS Foundation.
The new single is described by the artist as “a sugar-rush of dancefloor pop” and features longtime Madonna backing vocalist duo Niki Haris and Donna De Lory. Produced by Initial Talk (known for his recent reimaginings of Dua Lipa, Janet Jackson and other pop artists), “This Was My House” was originally written as a “banner-waving ode to LGBTQ+ safe spaces” but “should ring universally true to individuals worldwide who are struggling to find peace and refuge during the current political climate and public health situation.”
“The song is about how the safe spaces for the LGBTQ+ community have been fractured of late with a palpable uprising of anti-LGBTQ+ and xenophobic rhetoric, which is scarily even more real now as these public spaces are closed for the foreseeable future due to the COVID-19 pandemic,” explained Bright Light Bright Lightabout the origins and evolution of the song. “LGBTQ+ people – most notably trans women – are attacked and killed at an alarming rate, and so this song is a fierce statement that every living person deserves to feel safe in the place they call home, whoever you may be.”
As for “Fun City,” the artist calls it a “meticulously crafted collection of ’80s-inspired disco-pop” that he “built as a statement of perseverance during restless times.” Drawing sonic inspiration from the legacy of iconic LGBTQ+ artists like Sylvester, Erasure, Scissor Sisters, and Hercules & Love Affair, the album “aims to capture the spirit of the queer trailblazers” that came before him, and examines “the ways marginalized people stay strong, focused and creative through times of social and political hardships.”
“The idea of a deeply flawed but still beautiful world is what the album is about, so I thought it was a fitting image for how the LGBTQ+ world has had to find laughter and solidarity in face of prejudice through history, dancing through pain and living for love in spite of hate,” he says.
With vocals recorded on the empty dancefloor of East Village gay club Bedlam, “Fun City” will be released by Bright Light Bright Light’s own label YSKWN!, in partnership with Megaforce Records and The Orchard, and will include collaborations with a yet-to-be-announced “who’s who” of LGBTQ+ icons and musical trailblazers.
It drops on September 18. You can listen to the new track below.
JR.’s Bar held a “RuPaul’s Drag Race: All Stars” watch party followed by a live drag show on Friday, July 17. The Vitamin C weekly drag show was hosted by Citrine with performers Brooke N Hyman and Rosie Beret.
(Washington Blade photos by Landon Shackelford)











The 2026 Rehoboth Beach Pride Festival was held at the Rehoboth Beach Convention Center on Saturday, July 18.
(Washington Blade photos by Daniel Truitt)













Books
Liza’s book a tale that’s better than most celebrity memoirs
‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak
‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages
Twenty feet In front of you, and you can’t see a thing.
Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.
It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.
But her life wasn’t all starlight and happiness.
She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.
At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”
At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.
She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.
Her third husband was a stage manager.
She doesn’t have much good to say about her fourth, and last, husband.
Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”
Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.
Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.
That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.
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