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Bright Light Bright Light announces album, drops single

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Bright Light Bright Light will release his fourth album, “Fun City,” on Sept. 18 (Image courtesy YSKWN!)

Bright Light Bright Light (aka Rod Thomas) celebrated the announcement of his upcoming album “Fun City” over the weekend with the release of its first single, “This Was My House.”

The Welsh international pop star has been a staple of the international LGBTQ+ music scene for over a decade, with three previous albums under his belt – as well as numerous tours, both a solo artist and has support alongside pop royalty like Elton John, Cher, Erasure, Ellie Goulding and The Scissor Sisters. He curates, hosts and serves as the DJ for regular afternoon dance parties in Brooklyn and Manhattan, and uses his music as a platform for equality, raising fund for organizations such as The Trevor Project, Ali Forney Center, Hetrick-Martin Institute, ACLU, and Elton John AIDS Foundation.

The new single is described by the artist as “a sugar-rush of dancefloor pop” and features longtime Madonna backing vocalist duo Niki Haris and Donna De Lory. Produced by Initial Talk (known for his recent reimaginings of Dua Lipa, Janet Jackson and other pop artists), “This Was My House” was originally written as a “banner-waving ode to LGBTQ+ safe spaces” but “should ring universally true to individuals worldwide who are struggling to find peace and refuge during the current political climate and public health situation.”

“The song is about how the safe spaces for the LGBTQ+ community have been fractured of late with a palpable uprising of anti-LGBTQ+ and xenophobic rhetoric, which is scarily even more real now as these public spaces are closed for the foreseeable future due to the COVID-19 pandemic,” explained Bright Light Bright Lightabout the origins and evolution of the song. “LGBTQ+ people – most notably trans women – are attacked and killed at an alarming rate, and so this song is a fierce statement that every living person deserves to feel safe in the place they call home, whoever you may be.”

As for “Fun City,” the artist calls it a “meticulously crafted collection of ’80s-inspired disco-pop” that he “built as a statement of perseverance during restless times.” Drawing sonic inspiration from the legacy of iconic LGBTQ+ artists like Sylvester, Erasure, Scissor Sisters, and Hercules & Love Affair, the album “aims to capture the spirit of the queer trailblazers” that came before him, and examines “the ways marginalized people stay strong, focused and creative through times of social and political hardships.”

“The idea of a deeply flawed but still beautiful world is what the album is about, so I thought it was a fitting image for how the LGBTQ+ world has had to find laughter and solidarity in face of prejudice through history, dancing through pain and living for love in spite of hate,” he says.

With vocals recorded on the empty dancefloor of East Village gay club Bedlam, “Fun City” will be released by Bright Light Bright Light’s own label YSKWN!, in partnership with Megaforce Records and The Orchard, and will include collaborations with a yet-to-be-announced “who’s who” of LGBTQ+ icons and musical trailblazers.

It drops on September 18. You can listen to the new track below.

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Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey

‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt

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Silky Nutmeg Ganache (Photo courtesy of Silky Nutmeg Ganache)

Uncloseted Media published this interview on July 7.

By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.

Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.

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Photos

PHOTOS: Crush Dance Bar

Patrons enjoy a night out at popular LGBTQ venue

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(Washington Blade photo by Landon Shackelford)

Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.

(Washington Blade photos by Landon Shackelford)

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Theater

‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF

Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s

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Playwright Aurin Squire. (Photo by Yilong Liu)

‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org

Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).

“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”

In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.

And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).

“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”

And he’s given it a lot of thought. 

“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”

Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this” 

Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”

Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file. 

Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.

Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”  

Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.

Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M. 

Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.

When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them. 

“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.” 

In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.

CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

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