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LGBTQ performers join Kennedy Center boycott following Trump takeover

Opposition grows after cancellation of Gay Men’s Chorus show

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Hundreds marched from Washington Circle to the Kennedy Center on Saturday in the March for Drag. (Blade photo by Michael Key)

A growing number of LGBTQ musicians and performers such as choral singers and orchestra players have joined other performing artists in refusing to perform at the John F. Kennedy Center for the Performing Arts since its takeover last month by President Donald Trump.

According to local gay musician Stephen Key, who for many years has worked as a contract oboe player at the Kennedy Center, as many as a dozen or more gay and lesbian musicians perform at the Kennedy Center. He said some have resigned their jobs or, like him, are refusing to perform as self-employed musicians at the Kennedy Center.

“I decided after the second cancellation to turn down work,” Key told the Washington Blade. “There are more famous musicians than me who have done the same,” he added. “But I just couldn’t do it anymore. It was after the Gay Men’s Chorus cancellation occurred.”

Key was referring to the decision by the National Symphony Orchestra, which is under the direction of the Kennedy Center, to “postpone” the performance of the Gay Men’s Chorus of Washington, which was scheduled to perform with the orchestra on May 21.

In a statement released to the Blade in February, a National Symphony Orchestra spokesperson said the decision to postpone, which soon after became a cancellation, took place in January before President Trump’s sweeping leadership changes at the Kennedy Center.

The spokesperson, Jean Davidson, said the decision related to the Gay Men’s Chorus was due to “financial and scheduling factors.”

The ultimate cancellation of the Gay Men’s Chorus performance came shortly after Kennedy Center officials cancelled a planned WorldPride related performance of the San Francisco based International Pride Orchestra, and the highly acclaimed children’s musical “Finn.” The officials cited financial reasons for the Finn cancellation and did not publicly say why the international chorus was cancelled.

In a Feb. 14 article, Playbill magazine reported that the creators and composers of “Finn” released a statement denouncing the cancellation as an expression of bias against a theme of “love and acceptance” that could be “read as a metaphor for the LGBTQ+ experience.”

Key said LGBTQ and LGBTQ supportive musicians and others who have worked at the Kennedy Center question the claim that scheduling and financial issues were the actual reason for the postponement and cancellation of the Gay Men’s Chorus performance as well as for the performances of “Finn” and the International Pride Orchestra.

He said musicians and others familiar with the National Symphony fear the real reason is National Symphony officials were concerned that supporting an LGBTQ related performance would result in unfavorable consequences from the Trump administration and the Kennedy Center’s Trump appointed leaders, including the possible loss of their nonprofit tax status from the IRS.

Observers have also pointed out that a statement by Trump that drag performers would no longer be allowed to perform at the Kennedy Center could have played a role in the decision to cancel the Gay Men’s Chorus appearance because drag performers have participated in some of the Gay Men’s Chorus shows.

A bias by the Kennedy Center’s current leadership against LGBTQ performances may also be linked to the Trump administration’s ban on diversity, equity, and inclusion, or “DEI” programs and public displays, some observers have said.

Earlier in February President Trump appointed himself as chair of the board of the Kennedy Center after ousting longtime chair David M. Rubenstein. He then replaced most of the other board members with his supporters and named gay former diplomat and longtime Trump supporter Richard Grenell as the Kennedy Center’s interim executive director.

Among the organizations that have joined the Kennedy Center boycott by cancelling an appearance there is the hit Broadway play “Hamilton.” Also announcing their cancellation of Kennedy Center appearances were actress and comedian Issa Rae, rock band Low Cut Connie, and singer-musician Rhiannon Giddens. 

Key said that while he has been an oboe player at the Kennedy Center with the National Symphony Orchestra and the Kennedy Center’s opera orchestra, he also has and continues to play with local orchestras and choral groups not affiliated with the Kennedy Center. He said he also serves as Adjunct Associate Professor of Oboe at Shenandoah Conservatory at Shenandoah University in Winchester, Va.

So, his decision to boycott the Kennedy Center as a musician, unlike other LGBTQ and allied musicians, will not end his career as a musician he points out.  

“The sad part is that the National Symphony, the opera orchestra – these are groups that I’ve played with, and I have friends in all of these groups,” Key said. “They’re kind of innocent bystanders in a sense because they don’t have other jobs. I can walk away from my job there and I’ll be fine,” he said.

“There are plenty of queer people in both of those ensembles and while a lot of people are boycotting the orchestras, they are still having to show up to work every day because that’s their day job.” He added, “So, there’s kind of an awkward situation that’s been made as a result of all of this.”

In a related development, local drag artists and their supporters gathered for a march from Washington Circle to the Kennedy Center on Saturday to protest the Trump-Vance administration’s anti-transgender policies and the decisions made by the Trump-appointed Kennedy Center board of trustees. The March for Drag began with a rally at Washington Circle near George Washington University.

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District of Columbia

Over 2,000 turn out for Hands Around the Kennedy Center protest

Drag performer Tara Hoot serves as MC, Gay Men’s Chorus of DC performs, attendees shout for Trump to keep ‘hands off’ Kennedy Center

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The Gay Men's Chorus of Washington performs at a rally in front of the Kennedy Center on Friday, Sept. 18. (Washington Blade photo by Michael Key)

More than 2,000 supporters of the John F. Kennedy Center for the Performing Arts turned out on Sept. 18, for a rally in support of the performing arts center and a vocal protest against President Donald Trump’s threats to permanently close the center and possibly demolish it.

The event was organized by a group called Hands Off the Arts, which initially called for participants to form a “human chain” around the Kennedy Center’s main building following a rally on the plaza in front of the building.

However, due to a decision by the Trump-controlled Kennedy Center’s board of trustees to close the center earlier in the week and install fencing around part of the building, participants could only form the chain around part of the building, according to organizers.

Drag performer Tara Hoot, who co-organized the event and served as master of ceremonies for the rally preceding the “human chain,” said the large turnout could have fully surrounded the building at least twice had the fencing not prevented a full encirclement.

Drag artist Tara Hoot serves as the emcee at the Hands Around the Kennedy Center protest on Friday, Sept. 18. (Washington Blade photo by Michael Key)

Among the musicians and singing groups that performed at the rally was the Gay Men’s Chorus of Washington, which, like other rally performers, had performed at the Kennedy Center in past years. They drew loud applause after singing one of their favorite songs from the Broadway musical show Ragtime, which includes the lyrics, “Will justice be demanded by 10 million men? Make them hear you. When they hear you, I’ll be near you again.”

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Prior to their performance, Gay Men’s Chorus of Washington’s artistic director, Thea Kano, spoke at the rally, reminding participants that shortly after the Trump takeover of the center last year, Kennedy Center officials cancelled a concert the chorus was scheduled to perform there for World Pride 2025.

A Kennedy Center spokesperson said the cancellation was due to a scheduling conflict, but chorus members and LGBTQ activists believe it resulted from policies put in place by Trump and his leadership team at the Kennedy Center following Trump’s statements that he would end controversial “woke” performances that he claimed the majority of Americans disapprove of.

“Now this building sits empty in silence,” Kano told the crowd at the rally. “Let us raise our voices together and bring back the Kennedy Center as it was intended, a place where American culture could be celebrated and elevated, embracing the vibrancy with the spectrum of identify without censure and without politics,” she said.

Among the others who spoke at the rally were U.S. Rep. Don Beyer (D-Va.), U.S. Rep. Jonathan Jackson (D-Ill.), and D.C. Councilmember Robert White (D-At-Large).

Most speakers, along with LGBTQ participants in the hands-around-the-building event expressed strong opposition to Trump’s demand that the Kennedy Center name be changed from the John F. Kennedy Center for the Performing Arts to the Donald J. Trump and the John F. Kennedy Center for the Performing Arts.

At Trump’s request, his appointed board initially made that name change and placed Trump’s name on the front wall of the building along with the Kennedy name. But following legal action taken by opponents who pointed out that Congress must approve such a name change, a judge ordered the removal of Trump’s name from the building. Trump has said he will take steps to reverse that order and has said he will stop plans to renovate the Kennedy Center building and possibly demolish it if his name is not restored in the Kennedy’s Center’s official name.

Throughout the Sept. 18 rally, LGBTQ participants repeatedly responded to the Trump threats by shouting, “Hands Off!”

Chris Raleigh, one of the founders of Hands Off the Arts and a lead organizer of the Sept. 18 event at the Kennedy Center who spoke at the event told the Washington Blade that more similar events are being planned and he welcomes the support the event has received from the LGBTQ community.

“The LGBTQ community was here first, and we’re following them,” he said. “They’ve been the spearhead; they’ve been the vanguard. And I’m so thankful for heroes like Tara Hoot,” he said, adding, “It’s because they know what it means and how this is a safe place – the theater – for many LGBTQ people.”

Actress Lynda Carter speaks at the ‘Hands Off the Kennedy Center’ rally. (Washington Blade photo by Michael Key)
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District of Columbia

Furries take over the Metro

Shutterpaws held Fur Ride on Sept. 12

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Shutterpaws, a local furries group, held their annual Fur Ride on the D.C. Metro on Sept. 12. (Photo by Rory)

The DMV’s own furry group was on full display on the Metro on Sept. 12.

Shutterpaws is a volunteer-led 501(c)(3) non-profit organization located in Maryland.

The furry group has been doing the FurRide event since 2024 and has blown up in popularity for furries around DMV. They showcased themselves on the Silver and Blue Lines near the Smithsonian on Sept. 12. 

“A lot of careful planning goes into running these events, with the goal being a seamless and enjoyable experience for everyone who attends,” says Zayre, a Shutterpaws staff member. “There’s a lot that you learn just by trial and error, and as Shutterpaws hosts more and more events, our team of event organizers continues to learn and refine our approach to keep things running smoothly and finding new ways to engage with our community.” 

With a larger growth of participation in the community comes many challenges with the group, especially when it comes to the Metro rides and organizing. 

“The biggest challenge that we face as organizers is keeping things fresh and finding new and engaging venues to host events,” says Zayre. “Recently we saw a lot of success hosting a meet at On Target Battlezone, an indoor NERF gun battle arena where our crew was welcome to show up and play both with and without a fur suit.” 

Nevertheless, Shutterpaws receive overwhelming support from the community and partners. 

“Across the DMV there are so many amazing places to host a Shutterpaws event so we can pursue our mission of helping connect fur suiters and photographers, and we’re blown away with the amount of support we’ve received from our community partners,” says Zayre. 

Shutterpaws plans to do more events for anyone in the DMV who is interested.

Their next event in collaboration with DC Fur Meet will take place at Pitchers (2317 18th St., N.W.) on Saturday. Visit Shutterpaws’ website for more information.

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District of Columbia

Hands Off the Arts to form ‘human chain’ around Kennedy Center

Drag performer Tara Hoot among event organizers

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The Kennedy Center (Washington Blade photo by Michael Key)

An organization called Hands Off the Arts has announced it is holding a protest on Friday, Sept. 18, in which between 400 and 800 participants are expected to create a “human chain” around the Kennedy Center to voice their strong objection to President Donald Trump’s call for possibly demolishing the Kennedy Center.

“Hands Off the Arts is organizing a rally Sept. 18 against the president’s defacing of JFK’s memorial, his removal and censorship of art, and the threat to demolish the center if he can’t remake the site in his image,” a statement released by the group says.

The statement says the event will start with a rally at 6:30 p.m. on the Kennedy Center steps and culminate with a “human chain” around the building. “There will be musical performances, testimonials from current and former employees, along with other special guest speakers,” it says  

A separate announcement by the group says longtime D.C. drag performer Tara Hoot, who has performed at the Kennedy Center in past years, was among the organizers of the Sept. 18 protest.

The planned protest follows Trump’s decision last year to use his authority to replace the existing members of the Kennedy Center’s board of directors with new members loyal to him. Over the objection of longtime Kennedy Center supporters, the Trump-appointed board changed the name of the center, at Trump’s request, from the John F. Kennedy Memorial Center for the Performing Arts to the Donald J. Trump and the John F. Kennedy Center for the Performing Arts.

But following the threat of legal action by opponents who pointed out that the name change could not be legally made unless approved by Congress, the name change was cancelled, with Trump saying he would take steps to restore it later.

The Washington Post, meanwhile, reports in a Sept. 13 news story that because of negative publicity related to Trump’s actions, the Kennedy Center was facing “fiscal collapse” and possible bankruptcy and could be forced to shut down as early as this week.

According to the Post report, a 57-page document presented to the Kennedy Center’s board of trustees says the center was facing a financial and structural building crisis, with the recent collapse of part of the building’s inside ceiling, indicating the building was unsafe for employees and the public. Among other things, the document says the Kennedy Center may not be able to make payroll or pay for routine maintenance “within a matter of weeks,” the Post reports.

Some LGBTQ advocates were among those who joined others in boycotting the Kennedy Center to express their objections to Trump’s actions, including a statement by Trump that he objected to the Kennedy Center’s practice of hosting drag performances.

The Gay Men’s Chorus of Washington has been among the LGBTQ performing arts groups and artists that have performed at the Kennedy Center.

“With the future still very much uncertain, now more than ever, the Center needs you to stand up for freedom of expression and against authoritarian overreach into arts and culture institutions,” the Hands Off the Arts group says in its announcement of the Hands Around the Kennedy Center protest.

“You have the opportunity to make a difference — show up with Hands Off the Arts and show your power as part of Hands Around the Kennedy Center,” it says.

A spokesperson for the Kennedy Center couldn’t immediately be reached for comment.      

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