Arts & Entertainment
GLAAD Media Awards will go on – virtually, of course
Two Blade reporters up for honors this year
With the initial spread of COVID-19 in the U.S. back in the early months of 2020, perhaps the first definitive proof that it had hit crisis-level proportions was the widespread cancellation of live events nationwide.
Every corner of the media and entertainment industry was impacted. Concerts, theatrical performances, award shows, conventions, lecture tours – every large in-person event across the country was either cancelled or postponed for the foreseeable future.
Among those were the two annual presentations of GLAAD’s Media Awards. The LGBTQ advocacy group was forced to pull the plug on both its planned ceremonies, set for New York and Los Angeles, and leave them in limbo for what we all then hoped would be only a month or two, at most, surely.
Now, as the country faces a new and even more alarming surge in the pandemic, GLAAD is stepping up to the plate to remind us that, despite whatever other challenges the world may be facing as we move into an increasingly uncertain future, the fight for equality must go on – and befitting its role as one of the foremost leaders in that fight, the organization has decided that it’s time for the 31st Annual GLAAD Media Awards to go on.
Slated for Thursday, July 30, the awards (which honor media for fair, accurate, and inclusive representations of LGBTQ people and issues) will be presented in a streaming event over GLAAD’s Facebook and YouTube platforms at 8 p.m., before airing on Logo on Aug. 3 (also at 8 p.m.). Taking the place of both original ceremonies planned for earlier this year, the virtual ceremony may not be the gala event that has become an annual tradition since its inception in 1990, but it will nevertheless continue the Media Awards’ legacy of sending powerful messages of acceptance to audiences globally as the most visible annual LGBTQ awards show in the world.
In January, GLAAD announced more than 175 nominees in 30 categories. These include nods for “Bombshell,” “Booksmart,” “Downton Abbey,” “Rocketman,” “Adam,” “Brittany Runs a Marathon,” and several other films in both the Wide and Limited Release categories; “Batwoman,” “Billions,” “Euphoria,” “Pose,” “The L-Word: Generation Q,” “Brooklyn Nine-Nine,” “Dear White People,” “Schitt’s Creek,” “Sex Education,” “Vida,” and many more TV shows in the Drama and Comedy categories, as well as a long list of other programs and films made for television; Adam Lambert, Brittany Howard, Lil Nas X, Melissa Etheridge, Mika, Tegan and Sara, and several other big LGBTQ names are in the competition for Outstanding Music Artist; there are categories for Outstanding Comic Book and Outstanding Video Game, as well as the returning category for Outstanding Broadway Production; in addition, the Outstanding Kids & Family Programming category expanded to 10 nominees as a result of an increase in LGBTQ images across kids and family television programming and an increase in GLAAD’s work to advocate for inclusion in this genre. If all that weren’t enough, there’s another whole list of Spanish-language nominations.
Of course, entertainment is only one side of the media – there’s also its all-important role in providing news and information, something GLAAD recognizes with awards for Outstanding achievement in LGBTQ journalism. Among those being acknowledged in these categories are two of the Blade’s own reporters.
Nominated for Outstanding Newspaper Article is Chris Johnson, for “Military Reports No Discharges Under Trans Ban — But Advocates Have Doubts,” which appeared in the Washington Blade in August 2019. A deep-dive into the ongoing legal battles in the wake of President Trump’s controversial, tweeted 2017 proclamation that transgender individuals would no longer be allowed to serve in the U.S. military, the article is a strong contender against other nominated work from such journalistic heavy-hitters as both the New York Times and the Los Angeles Times.
One of the ceremony’s certain winners, as announced all the way back in January, will be the Los Angeles Blade’s Karen Ocamb, a longtime giant of LGBTQ journalism in L.A. Along with Philadelphia Gay News founder and publisher Mark Segal and the Netflix series, “Special,” Ocamb is one of three recipients of Special Recognition Awards from GLAAD.
Los Angeles Blade Publisher Troy Masters says, “I am so proud to work with Karen Ocamb on a near daily basis. She is a powerful brain trust on LGBT and AIDS matters. Her integrity and devotion to truth have immensely benefited the LGBTQ community of Los Angeles and nationally, and it has made the Los Angeles Blade a force in journalism. Karen has added mightily to our partnership with the Washington Blade.”
As for Ocamb, she says, “I was surprised to receive the Special Recognition from GLAAD. I’ve been hesitant to submit any of my work for award consideration because it felt like a possible conflict of interest. But being recognized as an heir to LGBTQ reporters such as Jim Kepner and Del Martin and Phyllis Lyon is an incredible honor. And I greatly appreciate GLAAD serving as a watchdog over if and how our stories are being told since we are still a long way from full equality.”
Ocamb’s comments resonate with those of GLAAD President and CEO Sarah Kate Ellis, who said in a statement, “Among this year’s nominees are a wide range of stories and narratives about LGBTQ people of different races, ethnicities, genders, religions, and other identities that demonstrate the power of inclusion and diversity in fostering positive cultural change. As this year’s Media Awards go virtual, we hope to send a powerful message to LGBTQ people that in the midst of this culturally and politically divisive time, our visibility and voices have never been more important.”
It’s safe to say that a good number of the famous names and faces from that list of nominees will be making an appearance on July 30, but you’ll have to watch the ceremony to find out who the winners are.
Comedians Fortune Feimster and Gina Yashere will host, and there will be a special performance from Grammy-nominated duo Chloe x Halle. Special guests will include Cara Delevingne (“Suicide Squad,” “Valerian and the City of a Thousand Planets”), Kaitlyn Dever (“Booksmart”), WWE superstar Sonya Deville, Beanie Feldstein (“Booksmart”), Jonica T. Gibbs (“Twenties”), Dan Levy (“Schitt’s Creek”), Lil Nas X, Rachel Maddow (“The Rachel Maddow Show”), Ryan O’Connell (“Special”), Dolly Parton, Peppermint (“RuPaul’s Drag Race,” “Head Over Heels”), the cast and producers of “Pose,” trans model and advocate Geena Rocero, Angelica Ross (“Pose,” “American Horror Story”), comedian Benito Skinner, Brian Michael Smith (“9-1-1: Lone Star,” “The L Word: Generation Q”), Dwyane Wade & Gabrielle Union, Lena Waithe (“Master of None,” “Queen & Slim,” “Twenties”), Olivia Wilde (“Booksmart,” “House”), and Raquel Willis (Writer, Activist, Director of Communications for Ms. Foundation).
For more information, visit glaad.org/mediaawards and follow @glaad and #glaadawards.
Celebrity News
D.C. goes gaga for Gaga
Bisexual icon brought ‘The Mayhem Ball’ tour to Washington this week
Lady Gaga this week took D.C. by storm.
The bisexual icon and LGBTQ rights champion brought “The Mayhem Ball” tour to Capital One Arena on Monday and Tuesday.
“Abracadabra,” “Paparazzi,” “Applause,” and “Bad Romance” are among the songs Lady Gaga performed during the 2 1/2-hour long concert. Lady Gaga also celebrated her many queer fans.
“You are precious to us,” she said on Tuesday night before she performed “Born This Way.”
Photos
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D.C. LGBTQ political group celebrates milestone at Pepco Edison Place Gallery
The Capital Stonewall Democrats held a 50th anniversary celebration at Pepco Edison Place Gallery on Friday. Rayceen Pendarvis served as the emcee.
(Washington Blade photos by Michael Key)
Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
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Calendar: March 21-26
PHOTOS: Capital Stonewall Democrats 50th anniversary
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
