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GLAAD Media Awards will go on – virtually, of course

Two Blade reporters up for honors this year

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GLAAD Media Awards, gay news, Washington Blade
The Washington Blade’s Chris Johnson is nominated for Outstanding Newspaper Article and the Los Angeles Blade’s Karen Ocamb will receive special recognition at the GLAAD Media Awards next week. (Photo courtesy Ocamb)

With the initial spread of COVID-19 in the U.S. back in the early months of 2020, perhaps the first definitive proof that it had hit crisis-level proportions was the widespread cancellation of live events nationwide.

Every corner of the media and entertainment industry was impacted. Concerts, theatrical performances, award shows, conventions, lecture tours – every large in-person event across the country was either cancelled or postponed for the foreseeable future.

Among those were the two annual presentations of GLAAD’s Media Awards. The LGBTQ advocacy group was forced to pull the plug on both its planned ceremonies, set for New York and Los Angeles, and leave them in limbo for what we all then hoped would be only a month or two, at most, surely.

Now, as the country faces a new and even more alarming surge in the pandemic, GLAAD is stepping up to the plate to remind us that, despite whatever other challenges the world may be facing as we move into an increasingly uncertain future, the fight for equality must go on – and befitting its role as one of the foremost leaders in that fight, the organization has decided that it’s time for the 31st Annual GLAAD Media Awards to go on.

Slated for Thursday, July 30, the awards (which honor media for fair, accurate, and inclusive representations of LGBTQ people and issues) will be presented in a streaming event over GLAAD’s Facebook and YouTube platforms at 8 p.m., before airing on Logo on Aug. 3 (also at 8 p.m.). Taking the place of both original ceremonies planned for earlier this year, the virtual ceremony may not be the gala event that has become an annual tradition since its inception in 1990, but it will nevertheless continue the Media Awards’ legacy of sending powerful messages of acceptance to audiences globally as the most visible annual LGBTQ awards show in the world.

In January, GLAAD announced more than 175 nominees in 30 categories. These include nods for “Bombshell,” “Booksmart,” “Downton Abbey,” “Rocketman,” “Adam,” “Brittany Runs a Marathon,” and several other films in both the Wide and Limited Release categories; “Batwoman,” “Billions,” “Euphoria,” “Pose,” “The L-Word: Generation Q,” “Brooklyn Nine-Nine,” “Dear White People,” “Schitt’s Creek,” “Sex Education,” “Vida,” and many more TV shows in the Drama and Comedy categories, as well as a long list of other programs and films made for television; Adam Lambert, Brittany Howard, Lil Nas X, Melissa Etheridge, Mika, Tegan and Sara, and several other big LGBTQ names are in the competition for Outstanding Music Artist; there are categories for Outstanding Comic Book and Outstanding Video Game, as well as the returning category for Outstanding Broadway Production; in addition, the Outstanding Kids & Family Programming category expanded to 10 nominees as a result of an increase in LGBTQ images across kids and family television programming and an increase in GLAAD’s work to advocate for inclusion in this genre. If all that weren’t enough, there’s another whole list of Spanish-language nominations.

Of course, entertainment is only one side of the media – there’s also its all-important role in providing news and information, something GLAAD recognizes with awards for Outstanding achievement in LGBTQ journalism. Among those being acknowledged in these categories are two of the Blade’s own reporters.

Nominated for Outstanding Newspaper Article is Chris Johnson, for “Military Reports No Discharges Under Trans Ban — But Advocates Have Doubts,” which appeared in the Washington Blade in August 2019. A deep-dive into the ongoing legal battles in the wake of President Trump’s controversial, tweeted 2017 proclamation that transgender individuals would no longer be allowed to serve in the U.S. military, the article is a strong contender against other nominated work from such journalistic heavy-hitters as both the New York Times and the Los Angeles Times.

One of the ceremony’s certain winners, as announced all the way back in January, will be the Los Angeles Blade’s Karen Ocamb, a longtime giant of LGBTQ journalism in L.A. Along with Philadelphia Gay News founder and publisher Mark Segal and the Netflix series, “Special,” Ocamb is one of three recipients of Special Recognition Awards from GLAAD.

Los Angeles Blade Publisher Troy Masters says, “I am so proud to work with Karen Ocamb on a near daily basis.  She is a powerful brain trust on LGBT and AIDS matters. Her integrity and devotion to truth have immensely benefited the LGBTQ community of Los Angeles and nationally, and it has made the Los Angeles Blade a force in journalism. Karen has added mightily to our partnership with the Washington Blade.”

As for Ocamb, she says, “I was surprised to receive the Special Recognition from GLAAD. I’ve been hesitant to submit any of my work for award consideration because it felt like a possible conflict of interest. But being recognized as an heir to LGBTQ reporters such as Jim Kepner and Del Martin and Phyllis Lyon is an incredible honor. And I greatly appreciate GLAAD serving as a watchdog over if and how our stories are being told since we are still a long way from full equality.”

Ocamb’s comments resonate with those of GLAAD President and CEO Sarah Kate Ellis, who said in a statement, “Among this year’s nominees are a wide range of stories and narratives about LGBTQ people of different races, ethnicities, genders, religions, and other identities that demonstrate the power of inclusion and diversity in fostering positive cultural change. As this year’s Media Awards go virtual, we hope to send a powerful message to LGBTQ people that in the midst of this culturally and politically divisive time, our visibility and voices have never been more important.”

It’s safe to say that a good number of the famous names and faces from that list of nominees will be making an appearance on July 30, but you’ll have to watch the ceremony to find out who the winners are.

Comedians Fortune Feimster and Gina Yashere will host, and there will be a special performance from Grammy-nominated duo Chloe x Halle. Special guests will include Cara Delevingne (“Suicide Squad,” “Valerian and the City of a Thousand Planets”), Kaitlyn Dever (“Booksmart”), WWE superstar Sonya Deville, Beanie Feldstein (“Booksmart”), Jonica T. Gibbs (“Twenties”), Dan Levy (“Schitt’s Creek”), Lil Nas X, Rachel Maddow (“The Rachel Maddow Show”), Ryan O’Connell (“Special”), Dolly Parton, Peppermint (“RuPaul’s Drag Race,” “Head Over Heels”), the cast and producers of “Pose,” trans model and advocate Geena Rocero, Angelica Ross (“Pose,” “American Horror Story”), comedian Benito Skinner, Brian Michael Smith (“9-1-1: Lone Star,” “The L Word: Generation Q”), Dwyane Wade & Gabrielle Union, Lena Waithe (“Master of None,” “Queen & Slim,” “Twenties”), Olivia Wilde (“Booksmart,” “House”), and Raquel Willis (Writer, Activist, Director of Communications for Ms. Foundation).

For more information, visit glaad.org/mediaawards and follow @glaad and #glaadawards.

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Drag

PHOTOS: Drag in rural Virginia

Performers face homophobia, find community

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Four drag performers dance in front of an anti-LGBTQ protester outside the campus of James Madison University in Harrisonburg, Va. (Blade photo by Landon Shackelford)

Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.

(Washington Blade photos by Landon Shackelford)

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Books

New book explores homosexuality in ancient cultures

‘Queer Thing About Sin’ explains impact of religious credo in Greece, Rome

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(Book cover image courtesy of Bloomsbury)

‘The Queer Thing About Sin’
By Harry Tanner
c.2025, Bloomsbury
$28/259 pages

Nobody likes you very much.

That’s how it seems sometimes, doesn’t it? Nobody wants to see you around, they don’t want to hear your voice, they can’t stand the thought of your existence and they’d really rather you just go away. It’s infuriating, and in the new book “The Queer Thing About Sin” by Harry Tanner, you’ll see how we got to this point.

When he was a teenager, Harry Tanner says that he thought he “was going to hell.”

For years, he’d been attracted to men and he prayed that it would stop. He asked for help from a lay minister who offered Tanner websites meant to repress his urges, but they weren’t the panacea Tanner hoped for. It wasn’t until he went to college that he found the answers he needed and “stopped fearing God’s retribution.”

Being gay wasn’t a sin. Not ever, but he “still wanted to know why Western culture believed it was for so long.”

Historically, many believe that older men were sexual “mentors” for teenage boys, but Tanner says that in ancient Greece and Rome, same-sex relationships were common between male partners of equal age and between differently-aged pairs, alike. Clarity comes by understanding relationships between husbands and wives then, and careful translation of the word “boy,” to show that age wasn’t a factor, but superiority and inferiority were.

In ancient Athens, queer love was considered to be “noble” but after the Persians sacked Athens, sex between men instead became an acceptable act of aggression aimed at conquered enemies. Raping a male prisoner was encouraged but, “Gay men became symbols of a depraved lack of self-control and abstinence.”

Later Greeks believed that men could turn into women “if they weren’t sufficiently virile.” Biblical interpretations point to more conflict; Leviticus specifically bans queer sex but “the Sumerians actively encouraged it.” The Egyptians hated it, but “there are sporadic clues that same-sex partners lived together in ancient Egypt.”

Says Tanner, “all is not what it seems.”

So you say you’re not really into ancient history. If it’s not your thing, then “The Queer Thing About Sin” won’t be, either.

Just know that if you skip this book, you’re missing out on the kind of excitement you get from reading mythology, but what’s here is true, and a much wider view than mere folklore. Author Harry Tanner invites readers to go deep inside philosophy, religion, and ancient culture, but the information he brings is not dry. No, there are major battles brought to life here, vanquished enemies and death – but also love, acceptance, even encouragement that the citizens of yore in many societies embraced and enjoyed. Tanner explains carefully how religious credo tied in with homosexuality (or didn’t) and he brings readers up to speed through recent times.

While this is not a breezy vacation read or a curl-up-with-a-blanket kind of book, “The Queer Thing About Sin” is absolutely worth spending time with. If you’re a thinking person and can give yourself a chance to ponder, you’ll like it very much.

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Theater

‘Octet’ explores the depths of digital addiction

Habits not easily shaken in Studio Theatre chamber musical

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The cast of Octet (left to right): Aidan Joyce, Jimmy Kieffer, Chelsea Williams, Tracy Lynn Olivera, Amelia Aguilar (sitting upright), Ana MarcuAngelo Harrington II, and David Toshiro Crane. (Photo by Margot Schulman) 

‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org

David Malloy’s “Octet” delves deep into the depths of digital addiction. 

Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed. 

Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat. 

The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.

“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”

Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.

Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”

The group’s unseen founder Saul is absent, per usual.

In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”

After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God. 

Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.

Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something. 

And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration. 

An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety. 

At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.

In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.” 

Habits aren’t easily shaken.

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