Books
Catching up with ‘Rainbow Milk’ author Paul Mendez
Widely praised novel began as memoir
In 2004, Black, gay writer Paul Mendez, then 22, was in London, studying acting. To pay for the acting classes, he was a sex worker.
Today, Mendez, now 39, is one of the hottest authors on the literary scene. His debut novel “Rainbow Milk,” published in the United Kingdom last year and released this month in the United States, has received wide praise.
The BBC, the Observer and other U.K. outlets put “Rainbow Milk” on their best books of 2020 lists.
Recently, Mendez spoke with the Blade on FaceTime about a range of topics.
Mendez grew up in a working class family as a Jehovah’s Witness in Dudley, a town in an industrial region called the Black Country in the West Midlands, a county in central England.
His grandparents came to the U.K. from Jamaica as part of the Windrush generation.
The term “Windrush generation” refers to people from Caribbean countries who emigrated to the U.K. between 1948 and 1971. They were encouraged to come to the United Kingdom because of labor shortages after World War II. Yet, they encountered racism and hostility to immigration when they arrived in the U.K.
Because of his sexual orientation, Mendez was “disfellowshipped” by his Jehovah’s Witness family and church.
Now, Mendez lives in London with his partner Alan Hollinghurst. Hollinghurst, a novelist, was born in Stroud in Gloucestershire, England in 1954. He was awarded the Man Booker Prize for his novel “The Line of Beauty.”
“Rainbow Milk” begins in the 1950s. Norman and Claudette, middle-class newlyweds in Jamaica emigrate to England. They’re part of the Windrush generation. They hope their future will be better in the U.K. But, on arriving there, they encounter racism and have trouble finding suitable work. When Norman starts to lose his eyesight, the family’s survival is at risk. Norman narrates this part of the novel in the first person.
The rest of “Rainbow Milk” takes place 50 years later. Here, we meet the protagonist of the novel: Jesse McCarthy, a young Black, gay British man. Jesse is Norman’s grandson.
Jesse’s mother is Black and his stepfather is white. He’s never known his father who left the family when he was a baby. He and his working-class family, who are Jehovah’s Witnesses, live in the industrial region of the Black Country.
Nineteen-year-old Jesse is bright and a devout Jehovah’s Witness. He is considered to be a potential leader by members of the church. But Jesse begins to think he might be queer. He knows he needs to keep this a secret.
His attempt at secrecy fails. Jesse is disfellowshipped by Jehovah’s Witnesses after a church member outs him.
In 2002, Jesse escapes to London to create a life for himself as a queer, Black working-class man. Jesse becomes a sex worker to stay afloat and explores his sexuality. He reckons with race, class, sexuality, and spirituality in his search for self-discovery, freedom and the stability of a chosen family.
“You’ve lost your center of gravity,” a friend says to Jesse, “so to survive, you’ll need to take steps to create another.”
In “Rainbow Milk,” Jesse evolves from a young man (not yet out of his teens) trying to navigate life in a strange city into an adult who’s a writer in a stable queer relationship.
There are some similarities between Jesse and Mendez. Both are Black, queer and were disfellowshipped by the Jehovah’s Witnesses. They’re British with a Jamaican heritage, they both moved to London and became sex workers as well as writers.
“Rainbow Milk” is both “autobiographical and fictional,” Mendez said. Yet, though it has elements of autobiography, “It’s a work of fiction,” he said. “I’ve created unique scenes that I didn’t go through personally, but I went through, maybe, something similar, with other people.”
He created characters “with interiors,” Mendez added. One difference: Jesse moved to London at a different age and year (at 19 in 2002) than when Mendez moved to London (at age 22 in 2004).
Mendez researched what London was like then and created characters who didn’t share his story.
Jesse, for instance, has a white father. Mendez’s dad is Black and married to his mother.
“It became interesting for me to examine what it’s like to be raised as a Black person without any sense of [Black] heritage,” Mendez said.
It’s hard to answer the question of whether a novel is autobiographical, Mendez said. Hollinghurst, for instance, went to boarding school, studied at Oxford, became an editor at a literary journal and then a novelist.
“That’s the kind of world, he writes about,” Mendez said, “but they’re not him.”
People should be able to tell the difference between a memoir and a work of fiction, he added.
“Rainbow Milk” began as a memoir but his publisher challenged Mendez. “She recognized that I wasn’t going all the way,” Mendez said, “I was protecting people. I was reticent when it came to discussing some of the most difficult moments that I’d been through.”
The novel began to flow when he switched to fiction and began writing in the third person. “I wasn’t reopening old wounds,” Mendez said.
Mendez has been a performing member of two theater companies and worked as a voice actor, appearing on audio books by Andrea Levy, Paul Theroux and Ben Okri. He narrates the audio version of “Rainbow Milk.” Mendez has contributed to “Esquire,” “Vogue” and other publications. He is studying for an M.A. in Black British Literature at Goldsmiths, University of London.
Because he’s so busy, Mendez is taking a year off from his studies. He’s thinking about his second novel and working with a production company to adapt “Rainbow Milk” into a TV series.
Adapting “Rainbow Milk” for TV has been different for Mendez from working on “Rainbow Milk” first as a memoir, then as a novel.
“In picking apart ‘Rainbow Milk’ to construct 10 episodes,” Mendez said, “you do see where the narrative thread could have been worked out a little bit better.”
“It will be wonderful to see a visual Jesse,” Mendez added.
“Rainbow Milk” came out in the U.K. soon after George Floyd was murdered. In the aftermath of Floyd’s death, voices like his and other Black writers in the U.K. have been more sought after, Mendez said.
“It’s felt at times that I’m the name on everyone’s lips,” Mendez said. “We need a Black person. Let’s call Paul Mendez. We’ve heard of him.”
“I think only five books by five Black British men have been published over the last five years,” Mendez said.
There is hope that this will change. Mendez is a member of the Black Writers Guild, which was formed last June. “We’ve come together to hold the mainstream publishing industry to account,” he said.
The Guild wrote an open letter to the “big five” publishers in the U.K. calling upon the overwhelming white publishing industry to become more inclusive.
“They all vowed to work closely with me to help effect change,” Mendez said, “it’s what are we going to do in the long term to systematically include Black voices in the publishing industry?”
Books are the way to change people’s lives, he added.
Books
Something’s off about Dad. When is it time to step in?
‘When Memory Fades’ can help when families face dementia
‘When Memory Fades’
By Nathaniel Chin, MD
c.2026, St. Martin’s Essentials
$30/422 pages
Mom called you in a panic the other day.
She’d lost her keys and by the time you arrived to help, she’d found them. In the refrigerator.
These kinds of things keep happening, not often but often enough, and you don’t know quite what to worry about. But in the new book “When Memory Fades” by Nathaniel Chin, MD, you’ll learn about the journey ahead, for both of you.
You can’t remember why you walked into a room. You got lost last week, going to the bank. Popular wisdom says that things like that are normal as we age, but Chin says that’s not true – although the answer may not be a worst-case scenario, either. Yes, memory problems could just be signs of stress, dehydration, or lack of sleep – or is it time to see a doctor?
Chin says maybe, yes.
He was working his way through medical residency when his father, a geriatrician in Madison, Wisc., was diagnosed with Alzheimer’s. Chin, now a geriatrician, was blindsided, but that diagnosis also changed his life.
Here, he writes about the brain, and how Alzheimer’s and dementia are diagnosed, explaining that dementia has many faces and, depending on a doctor’s evaluation, memory problems might be slowed or improved. He shares his father’s illness with readers, but he also writes about his mother, a steadfast, steady caretaker.
Her story reminds reader-guardians to care for themselves, too.
Know how to talk the talk, so that you can have “a more productive” conversation with your doctor. Understand that there’s nothing “normal” about dementia or Alzheimer’s. Know the statistics – African Americans are affected with dementia twice as much as whites – and know how to lower your risks. Learn here what questions to ask, how to break the news to everyone, and any legal matters that will be important soon. And know how to tend to you.
Says Chin, “The best action you can take is to educate yourself… The more you understand, the better equipped you are to make sound judgments.”
Something’s off about Dad, just a lot of little things that don’t add up. When is it time to step in? “When Memory Fades” can help you decide.
Wise, wide-spread, comprehensive, and compassionately helpful, this is a book you can read and then take it to the doctor with your loved one. It’s a book that makes sense when nothing else does, and its biggest feature is that it smoothly transitions from easy-to-grasp science and charts, to gentle coaching for caregivers. Author Nathaniel Chin, MD writes with storytelling, humility, grace, and experience from both sides of the Alzheimer’s/dementia issue, and his words are reassuring but also urgent. Learn, but don’t wait, he says. Know how to safeguard yourself. See your doctor, and don’t fear testing. Watch for signs of depression. And never, ever stop asking for help.
Read those last seven words, and find “When Memory Fades” now. It’s a book to have on your shelf, whether you’re 45 or 95 because, as you’ll see, dementia happens and knowledge is key.
Books
New book chronicles gay man’s life in hippie commune
Vietnam War-era tale a serious, sexy, joyous memoir
‘Qtopia: A Memoir of Love, Land and Liberation’
2026, University of Wisconsin Press
By Juda Bennett
Duffel packed, the new high school graduate could not fall asleep. “On the night before my departure, I stared at the duffel bag as if it were a body bag. We lived close to Dover, where the dead from Vietnam were shipped.”
It is 1971, and Charles was leaving home to join a hippie commune in rural Virginia. “I kept imagining bodies fitting into the bag and popping out in the middle of the night,” Juda Bennett writes in his memoir, “Qtopia: A Memoir of Love, Land and Liberation.” During Bennett’s high school years from 1968-1971 some 35,000 U.S. soldiers were killed in the Vietnam War, the vast majority processed at Dover Air Force Base.
Young Bennett was clueless about what lay ahead but he had a commune’s brochure in his pocket, certain his destiny was not in the military. “My father was a walking recruitment center, and my mother could have worked for the USO. Uncle Sam and the Andrews Sisters had nothing on them.” Inspired to find his way out of suburban Wilmington, Del., he boarded a Greyhound bus to Lexington, Va., and communes yet unknown. “Qtopia” is a serious, sexy and joyous memoir about a young man who knows he’s different in search of chosen family and, over coming decades, his own queer Utopia.
“We are leaving; you don’t need us,” was the popular refrain in the day from the Crosby, Stills & Nash song “Wooden Ships.” Communards like young Charles (going by the moniker C.B. with a full beard covering his handsome, androgynous features) were living it. How far this is from urban queer stories of the ‘70s. For this reason alone, it is marvelous reading about hot naked hippies farming together in the country, living and loving in secluded teepees when everything seemed possible. Novels like “Drop City” by T.C. Boyle (2003) and “Arcadia” (2012) by Lauren Groff set in hippie communes had no gay characters, only free-love for straights. When C.B.’s parents arrive to visit his back-to-the-land commune North Mountain bearing gifts like the orange powder Tang and Frosted Flakes, he “maintained” as the saying went. “It was a great time for visitors to see how hard we had worked—fields of sorghum swaying in the breeze, acres of vegetables in neat rows with beans, tomatoes and peppers hanging down….I was still thin as a matchstick, but I was a strong and muscular matchstick,” he tells the story of his development. By contrast, he had considered suicide before leaving home; this memoir fills in the pain, too.
There are times when C.B.’s voice as a teen communard with a secret is so authentic and rich, it is like reading fictional stories of American innocents on journeys of their own like J.D. Salinger’s character Holden Caulfield or Demon Copperhead from rural Virginia by Barbara Kingsolver. He tells us there was this guy Mark at North Mountain who had been pressuring him to sleep on the mattress next to his. C.B. was known as the only gay at North Mountain. One of the hippie women warned him Mark is “a square, the biggest downer.” Stepping out of the memoir, C.B. directly addresses the reader about the Mark issue, “I don’t want to write about Mark anymore because he’s not important to my story, and I didn’t even like him.” Got it. Hitchhiking with C.B. is like that, too.
“I got my best ride of the whole hike from a truck driver named TJ….If an eighteen wheeler…is willing to stop for you, it is because the driver wants something from you…I will forever remember this trucker as the most beautiful man I could have had sex with if I weren’t so innocent.”
North Mountain required the hippies work one week a month in Richmond to earn cash for the commune. For C.B., this translated into seven communards living in one small apartment on this cultish mission. It was in a Richmond park where he meets a stranger who would sexually abuse him over a month until C.B. ends it. Furious, the man threatens to shut down the commune if he does not obey. In a state of panic, C.B. attempts suicide by overdosing on every pill he can get his hands on. The memoir takes the reader through the author’s horror by deepening the shadows. What was the specific nature of the abuse? How did this stranger have credible power to threaten the commune? Entitled “What It’s Like to Die,” the chapter is a skillfully told, expressionistic turning point from an innocent’s hell to salvation at the intentional queer Lavender Hill commune in Central New York. C.B. desperately needed to “find my people.”
He’s a resilient young man after living in three communes by the time he hit San Francisco. His two gay neighbors on Ashbury Street—Crow and Moonsnake—pressure him to get a new “hippie name.” Walking home from Golden Gate Park he zeroes in on a passing streetcar, “North Judah.” Goodbye “Charles,” Judah will be his new hippie name. Crow and Moonsnake, approve: “If that’s what the Universe called out to you.” If you remember the Sixties…
“Too often,” Bennett writes, “we think of dropouts as withdrawing from life, but in truth, I think they are in a heightened state of seeking their rightful path and purpose. Nothing stays the same.” Juda Bennett remains a believer to this day, “Always putting my faith in my journey to Utopia”.
(Charles Francis is president of the Mattachine Society of Washington, D.C., and author of “Archive Activism: Memoir of a ‘Uniquely Nasty’ Journey.”)
Books
Liza’s book a tale that’s better than most celebrity memoirs
‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak
‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages
Twenty feet In front of you, and you can’t see a thing.
Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.
It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.
But her life wasn’t all starlight and happiness.
She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.
At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”
At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.
She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.
Her third husband was a stage manager.
She doesn’t have much good to say about her fourth, and last, husband.
Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”
Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.
Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.
That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.
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