Music & Concerts
Musical adventurer Rufus Wainwright returns to touring, plays D.C. Sept. 28
From Judy to Shakespeare to opera, gay wunderkind embraces it all

Rufus Wainwright and Jose Gonzalez
Unfollow the Rules in the Local Valley Tour
The Anthem
901 Wharf St., S.W.
Tuesday, Sept. 28
8 p.m. (doors: 630)
$55-75
ticketsonsale.com
theanthemdc.com
rufuswainright.com
After some artistic detours ā in 2018, a second opera; before that, an album of songs based on Shakespearean sonnets in 2016 ā Rufus Wainwright returned to his āregularā music in July 2020 with the release of his 10th studio album āUnfollow the Rules,ā which was critically embraced and nominated for a Grammy.
A live album of the āUnfollowā material dubbed āThe Paramour Sessionsā was released Sept. 10.
Wainwright, 48, spoke to the Blade by phone on Sept. 1 from Nashville where he had a City Winery show that night as part of his āUnfollow the Rules Tour.ā He joins Jose Gonzalez for the āUnfollow the Rules in the Local Valley Tour,ā a co-headlining, 10-city mini-tour, next week. They play The Anthem on Sept. 28. Then Wainwright, whoās been publicly out since his eponymous debut album dropped in 1998, will resume his solo tour next month in the U.K. His comments have been slightly edited.
WASHINGTON BLADE: Youāre back on the road. What have the audiences been like?
RUFUS WAINWRIGHT: Well, they’re very excited. ⦠There’s definitely a palpable sense of appreciation and excitement. And it’s good to be back.
BLADE: Do you feel safer singing more of the new album now that itās been out a year and people have had time to absorb it? Is that easier than trying to sing more of it when itās just out?
WAINWRIGHT: I definitely enjoy the whole kind of common knowledge thing now that exists with this album. And certainly having this other record, āThe Paramour Sessions,ā to promote as well, which is just another take on some of the same material. One can also go on a bit of a deeper dive. You know, this album actually did very well critically, it was nominated for a Grammy and a lot of people consider it a seminal work for me. I think it can handle that stretch.
BLADE: Do the new songs dovetail fairly naturally with your older songs in a set?
WAINWRIGHT: Yeah, I mean, this album is very much related to my first album. Iām not going to be doing my first album in the show, but it’s kind of a return to my California roots. You know, where I began my career over 20 years ago. The songs are answers in a way to some of the questions raised on the first album. ⦠Iām not singing them back to back or anything, but a lot of my fans have followed me from the beginning so we all get it.
BLADE: How did āUnfollow the Rules: The Paramour Sessionsā come about?
WAINWRIGHT: When the album was released, we still wanted to do something special online so we made this film doing a lot of the songs with a smaller ensemble at this incredible Hollywood mansion. This was at the height of the pandemic, possibly slightly illegally in the sense that we werenāt necessarily supposed to be working. But people needed to do something, you know, to get their heads out of the chaos. This was last summer during the Black Lives Matter protests and just the heat of those fires that were about to ignite, there was a very intense atmosphere and I do feel strongly that some of that drama is possibly on the recording. At least I think thereās this sort of depth there that can only come out of something like that.
BLADE: Did it seem relatively easy returning to quote-unquote pop music after writing opera?
WAINWRIGHT: Yeah. One of the great gifts of me writing opera, which I will continue to do intermittently, is that it gave me a whole new appreciation of where I came from and all the freedoms I have in the pop world. Iām very grateful for my work in the songwriting universe and all the freedom that comes with it.
BLADE: Are you co-headlining this tour with Jose Gonzalez?
WAINWRIGHT: Yes. It will be nice to be out with a brilliant songwriter and singer. Itās been a while since Iāve done this sort of thing. When I began my career, it was more the norm to be part of a lineup.
BLADE: Do you know him? Will you sing anything together?
WAINWRIGHT: We havenāt met but I think it will be a very emotional meeting in a way, because itās been a long time coming.
BLADE: What was it like revisiting the Judy (Garland) album last summer and on her birthday no less? (Wainwright recreated Garlandās famous live Carnegie Hall album in 2007.)
WAINWRIGHT: It was a thrill. How many people can claim to have sang the same songs in the same room where she recorded a lot of them and on the actual microphone that she used with Renee Zellweger (who won an Oscar for the 2019 biopic āJudyā) as a captive audience. So yeah, I just felt a lot of gratitude and felt very privileged to be able to go on that journey. So yes, in honor of Judy, but the main thread that Iām actually worshipping is the material itself whether itās Gershwin or Berlin. They inspire me, as a songwriter myself, to keep the bar fairly high.
BLADE: Youāve hinted in other interviews that you want to write a Broadway musical and perhaps a ballet. Youāve written two operas. Where does this drive come from to conquer such ambitious and disparate art forms?
WAINWRIGHT: Well obviously with COVID, touring was suspended for a while, so it was a chance to try to advance the Broadway jalopy, which Iāve been trying to do for a while. There are about three or four projects that I have in the works that unfortunately I canāt talk about too much, but what I can say is that there is a wholehearted effort going on to, you know, secure my place on the Great White Way one way or another. Itās something people have been after me to do over the years because they say my music already has that sensibility. So Iām finally kind of doing my homework now.
BLADE: And whether itās Broadway or opera, what are the gatekeepers like in those arenas? Since youāre a known entity, is it easy to at least get a pitch meeting? How does it work?
WAINWRIGHT: Well theyāre very different. Iām happy that I went into the opera world first. My first opera has been done seven times all over the world and my second one has other productions coming, so itās been a success. Not everybody adores my work, but it made an impact and it seems to be continuing on so thatās all you can ask for anyway. Iām happy I did it, but itās a very, very tough battle. The standards are very, very high, which is actually a good thing. With Broadway, I think thereās a whole financial element to it where people are looking to make a fortune off of these shows, so thatās kind of new for me and something I have to be cognitive of.
BLADE: You said in another interview that the classical world could be poisonous at times. How so?
WAINWRIGHT: I meant it was the opposite of what I believed it was going to be. I had a very nice view of the classical world, and Iāve adored opera for most of my life. I thought I would be able to unleash my talents and it would be accepted and appreciated and I would be, you know, brought into the fold when in fact, it was the opposite. They were very, very dubious to me and very protective of their sacred cows, so it was a real rude awakening. Itās a very cliquish environment and everybody kind of knows everybody. So if somebody wanted to poison the well, they can and then it spreads to this massive disease about you and theyāre able to spread it very easily. So the happy story is that it survived and thrived and I guess what doesnāt kill you makes you stronger.
BLADE: Whether theyāre fans or not, most people would concur your songs are fairly intelligent. Are art and culture and society in general getting dumbed down a little more each year?
WAINWRIGHT: I think there are some aspects that need some attending to for sure. I mean in the pop songwriting world, Iād say lyrics are really under threat. When you look at the generation thatās about to exit ā people like Bob Dylan, Joni Mitchell, and the ones who have left us, like Bowie, and so forth, lyrics were really kind of the most brilliant jewel in the art form and now theyāre just so throwaway. I donāt profess to be the worldās greatest lyricist or anything, but I do try very hard and I wouldnāt say the age weāre in is a golden age of the word. But maybe there are other art forms, like fashion or something perhaps, that are at their peak now, who knows?
BLADE: Was it hard to maintain sobriety during lockdown last year?
WAINWRIGHT: No. My wonderful husband (Jorn Weisbrodt, whom Wainwright married in 2012), heās not about alcohol at all. He doesnāt drink because he just doesnāt need to. And I do Zoom meetings here and there. So I thank my lucky stars it wasnāt. It would have been hard to contend with alcohol as well as COVID.
BLADE: Howās your daughter? Whatās she excited about these days? (Wainwrightās daughter Viva is 10)
WAINWRIGHT: Oh, sheās into horseback riding. She loves Tina Turner. She loves to draw. Sheās actually really happy to be back in school and hanging out with her friends.
BLADE: How often do you talk to your dad on average? (Wainwright is the son of Loudon Wainwright III, an acclaimed singer/songwriter.)
WAINWRIGHT: We try to talk once a week. Weāve kind of made it into this calendar item and it works really well that way. Just to touch base and see how weāre doing. Other times weāll get into more sensitive territory. I think especially since losing my mother, Iām just aware that itās a finite amount of time these people are going to be around, so you might as well spend time with them while you can.
BLADE: How closely do you follow current pop music? Is there anybody who particularly excites you?
WAINWRIGHT: I do. I like Perfume Genius and Lana Del Rey. And I like The Weeknd. When those songs come on, Iām like, āWow, thatās a real hit.ā I admire that because Iāve never been able to crack that nut, nor do I think I probably ever will.Ā

Music & Concerts
New dance single pays tribute to Town Danceboutique
Local musicians pen āTownā in honor of shuttered club

The closing of the LGBTQ nightclub Town Danceboutique in the summer of 2017 was heartbreaking to local musician Bryce Bowyn. He and his Los Angeles-based singer/songwriter friend Lexie Martin decided to honor its legacy in their new single, āTown.ā
For Bowyn, who moved to the District about a decade ago to attend school at American University, the memories he has from Town Danceboutique are endless. And when it closed, it was a massive loss to Bowyn and many others.
āIt was such a cool space,ā Bowyn said. āIt was just disappointing to see a place that brought so many people together become part of the landscape again.ā The building Town Danceboutique used to be housed in is now home to upscale apartments and a CVS.
Town Danceboutique was a formative place for Bowyn and Martin, and it was Bowynās first experience in an open and accepting LGBTQ environment. His favorite memories at the club were always on Halloween, he said. Patrons, including Bowyn, would go all out with their costumes to look their very best.
Bowyn and Martin met while they were both in the musical theater program at American University. Despite their years-long friendship, āTownā is the first song they have written together. They sat down over FaceTime and got to work. It was Martinās idea to pay homage to Town Danceboutique, and the song follows the story of pre-gaming, going out, and hitting the dance floor.
But the single also serves as a hype song for going out in any city, at any place.
āIt was important to me for the song to remain relatable and accessible,ā Bowyn said. āSo the whole foundation of the chorus, āLet’s go to town,ā can either mean Town Danceboutique, or painting the town red and having the night of your life.ā
Bowyn started writing and producing his own music in 2018. He released an EP titled āA Rosy Retrospectā in 2022, and most recently released a single āA Bridge Burned Downā in June. His music is inspired by late 2000s pop and ā80s synthpop, influenced by stars like Madonna and Charli XCX. Lexie Martin released her self-titled EP in 2019 and most recently came out with her single āSUPERPOWERā in 2021.
Bowyn has been a lifelong pop music enthusiast. He distinctly remembers watching Britney Spears perform āOops!ā¦I Did It Againā at the MTV Video Music Awards when he was a kid and thinking āThat was what I wanted and what I was set to do in life.ā
āMy heart was always with pop music,ā Bowyn said.
āTownā is available now for streaming on Spotify, Apple Music, and Soundcloud.
Music & Concerts
From MonƔe to Madonna, fall will rock in D.C.
Local venues hosting array of queer artists in coming months

The D.C. area has many LGBTQ musical acts to look forward to this fall. Starting with pansexual and nonbinary actor and R&B singer Janelle MonƔe, performing at the Anthem on Sept. 24-25 with ticket prices ranging from $135 to $301 on StubHub.

Singer Hozierās āUnreal Unearth Tourā is coming to the Anthem on Sept. 26-27. Tickets are available on StubHub starting at $324.
On Sept. 28 the CFG Bank Arena in Baltimore will see lesbian pop artist SZAās āSOS Tourā with tickets starting at $165 on Ticketmaster.
Queer indie pop singer Ashnikko is coming to the Anthem on Sept. 29 to perform their āWeedkiller Tour.ā Tickets available on StubHub range from $49 to $279.
Coming to Merriweather Post Pavilion in Columbia, Md., is the All Things Go Festival. Performing are lesbian singers Tegan and Sara, alt-pop singer Lana Del Rey, pop singer Carly Rae Jepson, and more. The festival will take place Sept. 30-Oct. 1 with two day passes starting at $397 on SeatGeek.
Rock band Queen will perform āThe Rhapsody Tourā at the CFG Bank Arena along with Adam Lambert on Oct. 4-5. Tickets are starting at $181 on Ticketmaster.
Pop star and trans woman Kim Petrasā āFeed the Beast World Tourā will reach the Anthem on Oct 12. Tickets range from $72 to $817 on StubHub.Ā

Queer pop singer Kesha is coming to the Anthem on Oct. 29 to support her new album, āGag Order.ā Tickets go from $86 to $261 on Event Ticket Center.
Queer pop rapper Shygirl is co-headlining with bisexual singer Tinashe for the āNymphā tour at the Anthem on Nov. 5. Tickets range from $45 to $145 on Ticketmaster.
Indie band Men I Trust is performing at Echostage on Nov. 15. Tickets are available on Ticketmaster for $30.
Nonbinary rapper Lil Uzi Vertās āPINK TAPE TOURā will be at the Anthem on Nov. 21. Tickets start at $90 on StubHub.
Doja Catās āThe Scarlett Tourā will reach Capital One Arena on Nov. 27. Tickets start at $100 on Ticketmaster.
Madonna will bring her highly anticipated and delayed āThe Celebration Tourā to the Capital One Arena Dec. 18 and 19. Tickets are available on Ticketmaster starting at $110.
Music & Concerts
Tom Goss to perform at Rehoboth Beach Bear Weekend
Out singer entertains at the Sands Hotel

Out singer Tom Goss will perform at the Rehoboth Beach Bear Weekend on Saturday, Sept. 16 at 7 and 9 p.m. at the Sands Hotel.
He will sing his memorable songs like āSon of a Preacher Man” and āBears,ā as well as tracks from his new album, āRemember What It Feels Like,ā where he sings about being a 42-year-old gay man still reeling from his husband’s infidelity who was recently conned by a lover with a secret life now serving time in prison.
Tickets to Rehoboth Beach Bear Weekend start at $20 and can be purchased on Eventbrite.Ā
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