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Scott Robbe dies at 66

Veteran AIDS, queer and progressive activist was born in Wis.

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Scott Robbe (Photo courtesy of Scott Robbe Estate)

Veteran progressive activist and TV-film-stage producer Scott Robbe died on Sunday, Nov. 21, 2021, according to a statement by Paul Algiers, a longtime friend and the executor of Scott Robbeā€™s estate. Robbe was in hospice care at the home of his sister, Angela, in Hartford, Wis. He was 66.

Robbe died of complications from Myelodysplastic Anemia, a blood cancer he had battled for more than a year. He had undergone stem-cell treatment at Dana-Farber Cancer Institute in Boston in April of this year.

Robbe was a prominent member in the founding of two direct-action groups in New York City: ACT UP and Queer Nation. Robbe was a member of an ACT UP undercover team, led by activist Peter Staley, that secretly gained access to the New York Stock Exchange in September 1989. Their goal was to protest and publicize the record high price of AZT, then the sole approved treatment for HIV/AIDS. Burroughs Wellcome eventually bowed to this nationally publicized activist pressure and lowered its drug price ā€” then the highest in medical history ā€” by 20 percent.

ā€œScott was a fearless activist, always on the front lines, whether he was protesting pharmaceutical company greed or homophobia at the Oscars,ā€ said ACT UP New York veteran Ann Northrop. ā€œAnd he was a total sweetheart.ā€

ā€œScott was one of those activists who didnā€™t flinch when our lawyers would warn us of all the possible charges and maximum sentences weā€™d face for infiltrating a powerful institution,ā€ said Peter Staley, who chronicled his ACT UP days in the new memoir, “Never Silent”. ā€œWhen it came to fighting for his dying gay brothers, heā€™d always reply, ā€˜Iā€™m in.ā€™ā€

In 1991, Robbe relocated to the West Coast and co-founded Out in Film, a Los Angeles-based group to battle homophobia in Hollywood filmmaking. At the time, several high-grossing films offered stereotypic and unflattering depictions of gay characters, including Jonathan Demmeā€™s “Silence of the Lambs”, Oliver Stoneā€™s “JFK” and Paul Verhoevenā€™s “Basic Instinct”.

Out in Film demanded equity for LGBTQ people on both sides of the camera. Robbe and Lesbian Avengers member Judy Sisneros created a pioneering protest at the Oscar Awards in March 1991, during which demonstrators outside the Dorothy Chandler Pavilion called for increased queer visibility and fairness in career opportunities.

The Oscars protest was one highlight of a life devoted to progressive activism. It began in his teen years, when Robbe took part in 1960s marches for the environment, for civil rights and against the Vietnam War. Over the four decades that followed, Robbeā€™s career encompassed both community organizing and producing dozens of works in theatre, film and television. 

Scott Douglas Robbe was born on Feb. 16, 1955, in Decorah, Iowa, to Helen, a homemaker, and James Robbe, a construction supervisor. The family relocated to Hartford, Wis., the following year. Robbe was a graduate of Hartford Union High School in Hartford, and entered the University of Wisconsin, Madison, in 1974, where he majored in theater arts. Located in the state capital, the college was known for its progressive student population, and Robbe took part in numerous protests.

After he graduated in 1978, Robbe moved to New York City, where he met his first boyfriend, a Bennington College student. They lived together in the East Village from 1978 to 1984. At the time, Robbe was helping to renovate the Orpheum Theatre on Second Avenue in the East Village. At the same time he produced at the neighboring Entermedia Theatre his first theatrical production, ā€œFalse Promisesā€ by the San Francisco Mime Troupe. At the famed La MaMa ETC, Robbe workshopped Harvey Fiersteinā€™s ā€œFugue in a Nursery,ā€ which forms the middle segment of ā€œTorch Song Trilogy.ā€ That production won wide acclaim both there and after it moved to the Orpheum Theater. Robbe also produced several plays off-Broadway, followed by the Harvey Fierstein play ā€œSafe Sexā€ on Broadway.

Robbe joined ACT UP New York after seeing the group protest at the White House in October 1987 during the Second National March on Washington for Lesbian and Gay Rights. He joined the groupā€™s Media Committee and took part in numerous protests. He also joined the newly-formed Queer Nation in March of 1990, helping to mount demonstrations across New York City aimed at queer visibility. Robbe was diagnosed as HIV-positive in the early 1990s.

In late 1990, Robbe relocated to Los Angeles to produce TV commercials for Japanese television. His first film job was an associate producer role for 1982ā€™s “In the King of Prussia”, depicting the Berrigan Brothersā€™ pioneering anti-war efforts and starring Martin Sheen.

Robbe’s extensive television credits include the first-ever LGBTQ comedy special for Comedy Central in 1993, called ā€œOut There,ā€ and hosted by Lea DeLaria. Robbe was on the creative team for the groundbreaking 2003 series ā€œQueer Eye for the Straight Guy.ā€ He also produced shows for Lifetime, Comedy Central, VH1, Children’s Television Workshop and American Playhouse.

In 2005, Robbe was named executive director and film commissioner for Film Wisconsin, Inc. During his tenure, Robbe brought 28 TV and film projects to the state, including the 2009 film ā€œPublic Enemiesā€ by Michael Mann, starring Johnny Depp and Channing Tatum. Most recently, Robbe worked with activists in Cuba to bring pressure on the American government to distribute the COVID-19 vaccine in the country. Robbe was also involved in grassroots activism in Puerto Vallarta, Mexico, where he had a second home.

Scott Robbe is survived by his mother, Helen, and his siblings and their spouses, Royce (Donna), John (Ken Hall), Jay (Francine), and Angela. Also surviving him are his uncle Peter Coffeen (Steve Getz), as well as several nieces, nephews and cousins.

There will be no funeral. Arrangements were handled by Milwaukee Cremation Society. A celebration of Robbeā€™s life will be broadcast online early in 2022. Donations in Scottā€™s memory may be made to Broadway Cares/Equity Fights AIDS and ACT UP New York.

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Obituary

George Jackson, dance critic and author, dies at 92

Longtime D.C. resident served as career scientist with U.S. government

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George Jackson (Courtesy photo)

Longtime D.C. resident George Jackson, a highly acclaimed dance critic and dance historian who wrote dance reviews for publications including the New York Times and the Washington Post ā€” all while working in his day job as a microbiologist for the U.S. Food and Drug Administration ā€” died Aug. 5 of natural causes at the age of 92.

Friends said he passed away peacefully in his sleep in New York City, where he recently moved to be close to his husband and partner of many years, dance photographer Costas Cacaroukas, who shared Jacksonā€™s intense interest in the performing art of dance, especially ballet.

Biographical write-ups on Jackson show he was born in Vienna, Austria, on Dec. 10, 1931, and placed on a train by his parents in 1938 at the age of 7 and sent to London to be with cousins to escape the Nazi invasion of Austria as a member of a Jewish family. His birth name was Hans Georg Jakobowicz, which he later Americanized to George Jackson.

He was reunited with his parents, and the family moved to Chicago, where he grew up and saw his first dance performance at the age of 14 ā€œand fell in love with the art form,ā€ according to a 2021 tribute to Jackson by the publication Dance View Times. It says Jackson continued to patronize dance performances and later became a student at the University of Chicago, where he studied microbiology and became a microbiologist.

In a December 2011 interview with the Washington City Paper, Jackson said he took ballet lessons before starting his studies at the University of Chicago. He said the editor of the student newspaper had heard he was interested in dance and asked him to write dance reviews for the paper. ā€œThatā€™s how I got started,ā€ he told the City Paper.

Jackson said in the interview that he moved to Washington ā€œbecause a very good job opened with the Food and Drug Administration,ā€ where he soon began work as a food parasitologist, which was his specialty.

He said around that time he was writing dance reviews for the publications Dance News and Dance magazine before both the Washington Post and then Washington Star invited him to do dance reviews. He said he began doing reviews first for the Star, which has since gone out of business, and then for the Post.

Although he started doing dance reviews in D.C. around 1972, Jackson told the City Paper he wrote his first review in 1950. Since then, according to a write-up by fellow dance critic and author Alastair Macaulay, Jacksonā€™s reviews as well as essays about dance, have appeared in multiple publications, including the New York Times, Washington Post, Washington Dance View, Dance Magazine, Dance Now, the German magazine Balliett, ā€œand many others.ā€

The Dance View Times tribute to Jackson says, ā€œHe used his scientistā€™s eye and analytical mind to comment on what he saw but his writing is vivid, descriptive as well as analytical.ā€

In his Washington City Paper interview in December 2011, Jackson announced he was retiring as a dance critic at that time at the age of 80. But he said he was not about to stop writing.

To the delight of many of his followers, Jackson went on to write two historic novels, one in 2014 called ā€œKing of Jerusalem,ā€ a fictional account of the life of Otto von Habsburg, the last crown prince of Austria-Hungry and heir to the ancient title of King of Jerusalem. The second novel, published in 2018, ā€œBurn Berlin, Burn,ā€ is a fictional mystery account of who the arsonist was in the 1933 burning of the Reichstag parliament building in Berlin at the time of the Nazi takeover of Germany.

Both books, in paperback and that remain available through Amazon, bear the name of Hans Georg Jakobowicz, Jacksonā€™s birth name, as the author.

ā€œMany of us also knew George as a figure of great courtesy,ā€ fellow dance critic and author Macauley says in his Aug. 14. tribute to Jackson. ā€œHe never seemed to proclaim the importance of his opinions, but he was eager to share enthusiasm and information, historical information not the least.ā€  

Jackson is survived by his husband Costas Cacaroukas of New York and many friends in Washington, across the nation, and in Europe. No immediate plans have been announced for a memorial service or celebration of life.

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D.C. theater community mourns passing of H. Lee Gable

Served as director, producer, administrator for more than three decades

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(Courtesy photo)

H. Lee Gable, a well-known figure in the D.C. theater community for more than 30 years and was the founding Artistic Director of D.C.ā€™s Rainbow Theatre Project, died suddenly on July 26, 2024, according to a statement released by Rainbow Theatre Project publicist Alexandra Nowicki.

The statement says Gable, 62, served as artistic director for the Rainbow Theatre Project from the time of its founding in 2013 to 2022. The project describes itself on its website as a ā€œpremier theatre for the Lesbian, Gay, Bisexual, Transgender & Queer (LGBTQ) community in the Nationā€™s Capital by presenting plays and musicals that reflect the unique experiences, interests and history of the LGBTQ community.ā€

According to the statement, Gableā€™s longstanding involvement in theatrical endeavors includes administrative positions with the Kennedy Center for the Performing Arts, the Washington Shakespeare Company, the Shakespeare Theatre Company, the Studio Theatre, and the Helen Hayes Awards.

It says he served as Founding Artistic Director for the Phoenix Theatre from 1998 to 2000, and as Director for the Washington Shakespeare Company from 2004 to 2006. He also served as Managing Director for the Washington Shakespeare Company for its 2006 to 2007 season, where he directed the plays ā€œThe Night of the Iguana,ā€ ā€œThe Childrenā€™s Hour,ā€ and ā€œPrivate Lives,ā€ the statement says.

For the Phoenix Theater, Gable directed the plays ā€œInside/Out,ā€ ā€œThe White House Murder Case,ā€ and ā€œ3 by Sylvia.ā€ As if that were not enough, it says he directed the plays ā€œGod of Hellā€ for the Didactic Theatre and ā€œBallycastleā€ for the Source Theatre Festival.

It adds that for the Rainbow Theatre Project, Gable directed the plays ā€œGet Used To Itā€ and ā€œIn The Closet.ā€

The statement says at the time of his death, Gable was serving as a treasurer for the Kennedy Center for the Performing Arts. It says a memorial service is being planned for this autumn. 

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Gay baseball trailblazer Billy Bean dead at 60

MLB executive was last living former pro player to have come out

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Billy Bean threw out the first pitch at the Night Out at the Orioles in Baltimore on June 12, 2019. Bean died on Aug. 6, 2024, at the age of 60. (Washington Blade photo by Kevin Majoros)

He achieved his lifelong dream of becoming a major league baseball player at 23, but Billy Bean gave it all up at 31 because he fell in love with another man. Bean, MLBā€™s senior vice president for diversity, equity and inclusion, died at home in New York on Tuesday after an 11-month-long battle with acute myeloid leukemia. Major League Baseball announced his death.

Bean was 60, and leaves a husband, Greg Baker.

Bean did not come out publicly until he left the game, in 1999, following an article in the Miami Herald that outed him. That led to even bigger stories in the New York Times and television interviews about being a closeted athlete. He wrote a book, ā€œGoing the Other Way.ā€ For decades, Bean was the only living former baseball player to have come out as gay, following Glenn Burke.

Four years ago, Bean recorded an emotional video about coming out and how baseball has changed, titled ā€œDear Glenn Burke: A Letter from Billy Bean.ā€

However, the biggest impact Bean had on the game and on all professional sports came in 2014, when he was hired by former Commissioner Bud Selig to be MLBā€™s first ambassador for inclusion. He spent more than 10 years working for MLB, eventually being promoted to senior vice president.

Bean worked with pro baseball players and their clubs to, in his words, ā€œadvance equality for all players, coaches, managers, umpires, employees, and stakeholders throughout baseball to ensure an equitable, inclusive, and supportive workplace for everyone.ā€

The California nativeā€™s athletic career started as a two-time All-American outfielder at Loyola Marymount, then Bean played six seasons of pro ball. He was drafted by the New York Yankees in 1985, but returned to Loyola for his senior year, leading the team to the NCAA Menā€™s College World Series.

The Detroit Tigers drafted him the following year, and Bean made his debut in 1987 with a four-hit performance that tied a record for a player in his first game. Bean went on to play for the Los Angeles Dodgers, the San Diego Padres, in Japan as well as in the minor leagues.

But he hung up his mitt in 1995, when the lefty outfielder ā€” who at that time was married to a woman ā€” lost his first partner, Sam. He died of HIV-related causes in Beanā€™s final season. They had fallen in love on a road trip in Miami.

That 1999 Miami Herald article that outed him was a review of the restaurant he co-owned with his partner at that time. He had already told his parents in 1996, but Bean once told the LGBTQ sports site Outsports he still regretted ending his career in the closet.

ā€œIf I had only told my parents, I probably would have played two or three more years and understood that I could come out a step at a time, not have to do it in front of a microphone. And I was completely misguided. I had no mentor. I think that’s where the responsibility comes in for people who have lived that experience, and we take for granted that everybody’s adjusted and gets it. I had no one to confide in and that was the biggest mistake of my professional life was to think that if one person knew, everybody knew.

Just having some kind of ally at that time, I think I would have changed and I think I would have played so much better. You can appreciate the degree of despair when you’re hiding something and you’re on the bubble as it is. It just was a really frustrating time for me.ā€

At MLB, Bean led the charge for baseball teams to hold Pride nights, especially following the COVID-19 pandemic.

ā€œThe beginning of Pride month alongside fans returning to our MLB ballparks is tremendously exciting,ā€ Bean told the Los Angeles Blade in June 2021. Ā ā€œThe past year has been difficult for everyone, and I am so appreciative that our clubs are able to reach out and support the LGBTQ community in such a positive way.ā€

The league, baseball teams, his alma mater and LGBTQ advocates and allies posted remembrances and tributes to Bean on social media following news of his passing.

Funeral arrangements were not announced as of press time.

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